Posts Tagged ‘entertainment’

The other day on my Facebook page I wrote a post about how I was doing some editing that day and I then…compared it to plucking a chicken after you’ve slaughtered it. Yeah, hearing it in my head it sounds really weird. But you’ve got to hear me out, it’s got merit as a metaphor. It even got a like or two after I posted it.

Then again, that like might’ve come from my dad, so…

Anyway, let me explain my reasoning for comparing editing to plucking a freshly-dead chicken (still sounds weird in my head). An author writes a book, edits it so that when the reader gets it it’s not full of boring speech, grammatical errors, plot holes, etc., and then turns it into a neat little consumable package that readers can pick up in stores or on Amazon for their own perusal. Similarly, a farmer will raise a chicken from the moment it hatches, feed it, make sure it grows, and once it’s ready, kills it, prepares it, and then sends it in a neat little consumable package so that grocers can eat it at home.

See my metaphor? So now that the first draft has grown to full size and been slaughtered with a butcher’s knife been written, I’m in the process of editing it. And if editing four other books has taught me anything, editing is a lot like plucking a chicken and getting rid of all the other bits you don’t want to eat. Yeah, every word, every description and every flourish of the pen (or keyboard) seem absolutely necessary when you’re writing the first draft. But then you give yourself a little bit of time to distance yourself from this book you’ve just finished and then you see that there are parts that need work. Some things could be phrased much differently, others could be shortened or expanded upon. And a lot of the work you slaved over, you just decide to get rid of it. Why? Because on reflection you find that it’s extraneous or doesn’t make sense to you anymore. So you nix it.

See, that metaphor does work! At least, I feel it works, especially in my case. I put in all these big words and beautiful flourishes and lots of explanatory stuff, and on the second draft I realize (or my beta reader points out) that a lot of it is weighing the book down. Sometimes you have to pluck them out if you’re going to make the story ready for sale in your local supermarket in bookstores and on Amazon.

What metaphor do you use for editing?

Oh by the way, Rose is coming along great. I’m a little bit over a third of the way through my novel-that-doubles-as-a-thesis and will start a new chapter after this post. And can I just say, I forgot how scary and unpredictable my antagonist can be. He can be very strange, and you never know what’ll set him off. I’m definitely trying to emphasize that in the second draft. I think people will like him very much when they meet him. Or they will fear him. I seriously hope they fear him.

It’s as close to a halfway point as we’re going to get. Normally semesters start on Wednesdays, giving the semester sixteen weeks, plus a week or week and a half for exams. For some reason this semester it started on a Monday, so it’s fifteen this semester, plus exams. We’re halfway through the seventh week of class, so I say time to update people on how my last semester is going.

And going it is, rather fast. I’m having trouble believing it’s the last week of February. I’m also having trouble believing how cold the weather is, but I guess that’s part of the deal when you live in Ohio. Anyway, school is going well. If you don’t know, I have three classes this semester. Business and Professional Writing is taught by one of my favorite teachers, so you know I’m enjoying myself. I’m also learning a lot that I can apply to my professional life, like some tips for job searches and resumes. I’ve already applied some of it by making slight modifications to my resume, and I keep modifying it depending on where I’m applying for a job. Whether or not those modifications are helping, I’ll write an article on that later this week if I get the chance.

History of Magic and Witchcraft in Europe is, as you can probably imagine, full of interesting stuff to learn. It’s not like reading demonologies or the court records of particular witch hunts. It’s more like learning how certain beliefs evolved, how people formed their views on witchcraft and how it came to be demonized. Right now we’re diving into the Malleus Maleficarum, the definitive work on witch-hunting of the Middle Ages. Trust me, it’s heavy stuff. And believe me, I’m getting plenty of inspiration for my own writing, as well as plenty of opportunities to go “Nyah ha ha ha!” like a witch.

History of Magic and Witchcraft in Medieval Europe. If you pass, you get a pointed black hat (I wish).

Restoration and 18th-Century Literature is also pretty interesting. The class is mostly focused on depictions of masculinity in plays and poetry of the era. It’s pretty raunchy stuff (believe it or not, we even read a poem about a living sex toy called Signor Dildo. Hilarious stuff!) and a lot of what we’re reading is pretty comedic. We even read a play I read my first year at Ohio State. It was quite the flashback. Sadly though, the teacher of this class has come down with a sudden illness and has had to cancel class a couple of times because of it. He’s currently rearranging the syllabus due to the missed days and he may have to give up some teaching duties, so I’m hoping and praying he gets better soon. He’s a good guy and I enjoy the subject matter, so I hope he doesn’t have to take off too much time for his health.

And finally, my thesis is coming along great. I’ve been working on the second draft of Rose, and I got two chapters done last night.  I’ve still got a lot of work to do, but I should be ready for my thesis defense in April. I’m meeting with Manny and Paul tomorrow after work to talk about progress in our theses and maybe our defenses, so I guess I’ll have something to write about after that.

Am I forgetting anything else? Well, I guess I can say that I’m on track for graduation in about ten and a half weeks. Still a few things to knock off my checklist, but I’ll get them done before too long. Also, work and home life are going well. I know I’m forgetting something…not the job search, I’m writing about that later this week…oh yeah, now I remember:

After the semester started last month, the Ohio State Buckeyes took on the Oregon Ducks in the National Championship and defeated them 42-20! This is something I’ve been hoping would happen since I started at Ohio State and I’m delighted and proud to say that it happened in my final year. I’m going to have to get a commemorative T-shirt or sweatshirt one of these days. GO BUCKS!

Well, that’s all for now. Lots of editing and other stuff to do. Have a good evening, my Followers of Fear, and stay warm if you’re like me and you’re stuck in a place with lots of snow and chill.

I’ve mentioned a few times on this blog that I’ve been struggling with some story ideas, trying to make them much more terrifying or compelling or just plain better. One is a potential novel, the other is a short story I’ve been struggling with on and off for about nine months or so. Both involve witches, strangely (maybe it’s a sign of something).

The novel has been a big struggle for me. The way I work with potential ideas, I write down a short summary of the story, like a blurb for a back cover, which allows me plenty of time to come up with ways to modify it, come up with new scenes and characters, and whatever else you do when you create a story. For the past couple of months, I’ve been looking into ways to modify this one novel. Maybe it’s been my experience with the initial story path of Rose, which was so expansive and crazy that it required modification and a new outline a month into writing, but I was worried I was going the same direction with this novel idea, and that I had to find some way to simplify it while keeping the original theme the same.

Well, I haven’t been able to think of anything yet. Ideas come to me but they don’t work out, I just shove them aside because they’re not what I’m looking for. I really like this idea, but I can’t think of anything that’ll work for this story. I’m a bit of a perfectionist that way. I don’t want to write a story that I don’t think is any good.

And then today while I was walking to class (to History of Magic and Witchcraft, ironically), I was thinking about this story, wishing that I could think of some way to make the story work and at the same time wishing that the original idea could still work. And then that errant voice that is in all of us, the voice that questions our beliefs and convictions, asked me, “Well, why can’t the original idea still work?” It actually made me pause (metaphorically, I still had to get to class) and think. I looked at the bare-bones idea of the story and thought. It made me realize that the idea’s original plot wasn’t as expansive as I thought it would be. It might make for a long novel, but it wasn’t so expansive that I had to create a whole world in several books. It actually was pretty solid.

Why was I so worried? If I wrote it right, it wouldn’t have the same problems as the initial draft of Rose. In fact, it might work.

So I’m not thinking about how to modify the story right now. Instead I’m thinking of this initial plot, how it could work after all and how I might support it. I’m not too worried about changing the plot. I can make this one work, if I’m careful.

And as for my stubborn short story, I had another idea on how to fix that. Don’t know when I’ll get around to working on that, but the idea will stick in my head for sure.

You know, authors are constantly learning something new, improving their craft and looking for ways to tell better tales. I learned this past fall that you have to be careful not to get too crazy with your story’s plot or you’ll lose the point of your story and it’ll be boring or confusing. That was the problem with my first attempts with Rose, which I made so big and sprawling because I was worried that if I kept it simple it might get boring.

That lesson is important, but one I got today is that you shouldn’t let fear of being too expansive get in the way of trying to make a good story.

Well, that’s all for now. I’m going to get some schoolwork done, and leave it at that for the night. Expect another blog post soon, my Followers of Fear. It’s about halfway through the semester, after all. Until then, goodnight and pleasant nightmares.

(Note: the following post contains some spoilers from various television series. Be a little wary before reading on.)

I watch a lot of TV. Sometimes I think too much. Actually, there’s a strong case to say I watch too much TV But what can I say? A lot of great stuff on TV these days. Serial killers, seven different types of apocalypse, a dozen different types of crime shows, screwball comedy and dramas that twist and turn with every episode. And that’s just the tip of the iceberg.

Isn’t there another way to explain why Annalise is the way she is?

As much as I love TV though, sometimes I think Hollywood might be going in the wrong direction or not thinking things through before they create something. Here’s one thing that’s got my goat recently: in the latest episode of How To Get Away With Murder (SPOILERS!), it was revealed that main character Annaliese Keating, as well as several of her relatives, were raped when they were young, which is why Annaliese has such trust issues and puts up a tough, angry front.

While I do agree that sexual assault could cause this to happen, I have to wonder if it was necessary to use sexual assault as the reason why Annaliese is the way she is. In fact, it makes me wonder why sexual assault is being used as a form of character development in so many different shows. Not just HTGAWM, but Scandal, Reign, Game of Thrones, heck even Law & Order: Special Victims Unit, and several more than I could name here.

Now, I may not be the best person to speak about this. Sexual assault or attempted sexual assault has been part of my stories more than once. Heck, I wrote a novel about a young rape victim trying to fight her demons, set within the backdrop of a conspiracy in Washington (now that’s an original idea for a thriller, isn’t it). I plan to rewrite it later this year if possible. But I have to say, how much rape is being used as a form of character development or backstory is rather too much.

Rape is a horrible thing, and it does change the people to whom it happens. But there are other ways to change someone, to make their personalities make sense or to bring them to the next stage of their journey. The loss of the lover, seeing someone die, a war starting, an apocalypse, time travel, a new job, a betrayal, torture, kidnap, etc. Heck, that last one (SPOILERS!) was used in the last three or so episodes of Scandal, and Olivia told Fitz afterwards that there were some things worse than rape. Why is rape being used so much, to the point that it seems to cheapen the tragedy when it happens in real life? Makes it seem like it’s not a big deal, because it happens so often and heck, most of the characters on TV to whom it happens may not be 100% better afterwards but their characters grow and change in interesting ways?

It also says something that it’s used almost entirely with women than with men. Sexual assault of men does happen, but due to a number of reasons is not often reported by the victims themselves or by the mainstream press. And yet when portrayed on TV, almost always it happens to women or children. Men on TV are rare victims, which I can’t help but wonder might be because people don’t want to see that or something along those lines.

So I’m going to finish this post with a request to the heads of the television industry, to the writers and actors and producers and everyone else involved in the TV making process. The next time you wish to use rape in your show, ask if it’s absolutely necessary, if there’s a good reason for it, or if it’s just there to boost ratings and explain why a character is the way s/he is. Because I don’t believe the latter should be used that often. Perhaps something else might do the same sort of thing for your characters and show than what you plan to use. And I think many people would agree with me, maybe even articulate it better than me.

It’s something to think about.

I’ve written about this before several times in some way or another, but every now and then I feel the need to shout out to the Internet, “HEY CREATORS OF HORROR, this is one of your students, one who is coming up in your world. Please, for the love of Edgar Allen Poe, STOP DOING THESE THINGS BECAUSE THEY ARE GODDAMN STUPID AND REALLY DETRACT FROM THE STORIES YOU’RE TRYING TO TELL!” I especially feel this need when I think of the Friday the 13th remake, which is a piece of pornographic, drug-overloaded, cliche-ridden piece of crap from the bum of Michael Bay (figures!).

So with that exclamation and obligatory slam on my least favorite horror remake, I think it’s time to list what needs to be scaled back on or just get kicked out of the horror genre all-together.

Too much gore. Ooh, this is a turnoff to me. Excessive gore isn’t scary, it’s disgusting. If you’re going to use gore, it should be used sparingly. It should add to the terror by being sort of like an accentuation, an additive that adds flavor to the movie or novel’s total fear factor. If you’re relying entirely on gore for your scares, then you’re probably doing something wrong. Look at some of the best slashers out there! Yes, they have gore, but they don’t just rely on it. There’s suspense, surprise, terror, a guy coming out of a dark corner when you least expect him and just scaring the crap out of you before he chases the victim and then pushes them through a window and killing them on broken glass. Now that’s scary.

Too much sin factor. Smoking, drinking, getting high, having sex, swearing like a sailor. A lot of horror films, particularly in the slasher sub-genre, are big on punishing people for their sins. I get it. It’s fun to root for a villain and seeing people getting punished for throwing their lives away.But when it’s so excessive that you wonder if you bought a ticket for a horror movie or if you’re watching one of those teen movies where everyone’s stoned and trying to get laid and there’s a ton of unnecessary swearing involved. Seriously, if you need to spice up things by filming a ton of footage involving sex or drugs or whatever, you might need to get your script looked at by a third party.

The stereotypical man’s man and the believing girlfriend. I hate these sort of characters because they’re so predictable. The former is a normal guy who doesn’t believe in anything supernatural except what’s taught in church, and maybe not even then. The latter’s either a housewife or in a menial job stereotypical for women, and she’s the first to come to the conclusion that something’s weird that happens (unless she has kids, who will recognize the weird before even she will). She tries to convince her husband with his father-knows-best attitude that something’s weird, but he won’t believe it. And even when faced with indisputable proof of the supernatural, he’ll still be somewhat skeptical, and would rather use his tool box or his fists rather than search for a supernatural solution or refer to a specialist. In the end he has to believe his one-dimensional wife or end up dead. It’s been done so often, it’s gotten rather annoying.  Please, switch it up a bit, because it’s so stale we’ll have to throw it out if it doesn’t find a way to become fresh again.

Cheesy effects. I don’t care what your budget is, I’ve seen some amazing things done with effects bought on a budget of only a couple million, or even just ten-thousand dollars. About a month and a half ago I saw this late-night horror film that started out promising. Sadly it didn’t work out that way, and part of it was that the special effects were terrible, and the filmmakers seemed to revel in that by displaying their cheesiness at every second. If they’d tried to at least make it difficult to see what the wolves looked like, it would’ve improved the story so much more (and the film could’ve used the improvement, with that shoddy script). The moral is, even if you can’t use expensive special effects, there are ways to do amazing things with it. You never know what you’ll get.

 

Horror is well known for its tropes and cliches, and often fans of the genre will defend those tropes, saying they actually allow for more flexibility and creativity. However, occasionally these tropes are more problematic than they’re worth and, like the ones above, need to go.

What things in the horror genre would you like to boot entirely? What would you like to see more of?

I’m pretty sure I’ve written about this before, but I feel that it could use a reiteration. If you don’t know, I have a number of ideas for novels, short stories, and articles. During the semesters I usually have a hundred more ideas, which I put down on one of three lists, depending on what sort of idea it is. This can sometimes feel like a double-edged sword, because I have only so much time between school, homework, and my job, among other things, to write. So these ideas just pile up, up, up. And I worry that I won’t be able to write them any time soon. On the other hand, if I go too long without having an idea, I start worrying that I’m losing my creative edge and start looking for new ideas left, right and center.

Lately though I’ve been less anxious, which is odd because I usually have more ideas at this point in the semester than I’ve had lately (maybe it’s the cold?). I’m actually not complaining or feeling too anxious either. I think that might have something to do with how busy I’ve been and how my mind’s been on other things. School, the job search, work, etc. It keeps you busy, so I have less time to worry about how many or few ideas I’m having.

I might also be a bit more mellow than I have been. And I’m actually trying to have more ideas about modifying ideas or stories I already have. I’m thinking of ways to rewrite my novel Laura Horn (which I hope to get around to later this year), There’s that short story I’ve been working on for about eight or nine months. I’m still looking for ways to modify that one till I’m satisfied with it. And I had this one idea for a novel about witches last year, I want to modify the plot to make the story flow better. Just need to figure it out. Perhaps so much of my imaginative powers is being sent in that direction it explains why I haven’t had other ideas.

Well, whatever it means, I doubt I’m losing my creativity. I had an idea for a short story today, and it’s not too shabby. And even if I was, I have about 200 ideas for novels and other long works, and over 400 ideas for short stories. And don’t get me started on articles or blog posts! Plenty of creativity left.

Well, that’s all for now. I plan to do some editing tonight, so wish me luck on that front, my Followers of Fear.

I meant to write this post last night, but it was late when the opportunity to write it came along. And then I’ve been busy with one thing or another since nine this morning, so I haven’t had a chance to actually blog something until just now. Don’t you hate it when that happens? It’s even worse when you’re still recovering form a hectic weekend with not much sleep and you’re feeling a little under the weather, as I am. In fact, I’m going to be spending the rest of the day indoors most likely so I can recover. Maybe I’ll even go to bed early. I got my homework done early and applied to some jobs, so God knows I could use the rest.

Well anyway, during the past couple of days I thought I’d change things up and write some flash fiction pieces. I did this for a couple of reasons, including the short story I was working on wasn’t going in the direction I wanted it to go and I needed a break, I wanted to get some more work accomplished before I started editing Rose and I know of a website that specializes in horror flash fiction. Plus I had a few ideas for horror flash fiction stories and I thought I’d try to get them written out, seeing as they’re so short (if you don’t know what flash fiction is, it’s usually a story under a thousand words. Hard to pull off and still be compelling, but I guess that’s part of the fun).

So I went on that website and read through some of their most recent publications to get an idea of what they looked for. Once I had a basic idea of what they wanted, I started writing, and as of last night I had three flash fiction pieces written out. Two of them take famous fairy tales and kind of subvert them into tragic or scary tales (Rami Ungar, ruining childhoods since 2015!), while the third features that character trope I love so much, the serial killer.

I’m not sure if they’re any good, but I’m going to give them a quick look-over before I try to submit them to that website and see if they’ll get published. Previous attempts at getting published on that site haven’t gone so well, but I’m older and I’ve improved as a writer, so I hope that I can get at least one of them published.

Well, I’m going to get to work on that, followed by taking a break before trying to get one more blog post out before the end of the night. Hope you’re having a good day, my Followers of Fear, and wish me luck. Or renewed health. I wouldn’t mind that either.

 

I’ve been busy this past weekend, attending my cousin’s bar mitzvah in Detroit and when not doing bar mitzvah things, I was busy with homework or being in the car (hard to get Wi-Fi while in the car). Otherwise I would have posted something Friday or Saturday. Well, better late than never, right?

And on the subject of writing posts, I want to talk about something that’s a subject of controversy for writers: a daily word count. I’ve heard plenty of writers give their opinions on the topic, from being proponents of 500 to 1000 words a day, to others who say that the daily word count is some draconian form of masochism for writers. Me, being “ambitious”, as my English major advisor called me (or was it “overachiever”?), have tried to at least get 500 words typed out each day, whether it be short story, novel, or blog post. 500 words seems to be the amount of words most proponents seem to advocate, whatever the reason that be.

Well, the other day I was working on a short story that I’ve been working on and off for about eight months. That night I barely got three or four hundred words written and I was feeling pretty ashamed about that. This story’s been wrestling with me for ages, and I’ve been trying to get a version of it written that I feel would be up to the standards I (and possibly the magazines I could submit it too) like of my short stories.

The next night though I had a different idea of where to go with this story, and I wrote about fifteen hundred words. Obviously, I felt elated by that. But I also had a bit of an epiphany that evening. The night before I’d been unsatisfied with the direction the story was going and obviously it stalled. The next night I had a different direction for the story that I thought might work better and I got out over a thousand words.

I won’t be worrying about word counts while writing any time soon.

It made me realize that some days, if I’m enjoying how the story goes or if I’m really in the flow, I’ll write a huge amount. And other days, if I’m tired, if I’m not really liking the direction of the story, or if it’s just not my day, I might not get a hundred words out. It’s not any fault of mine, it’s just the way sometimes these things go. Writers have bad days too and on those days we just have to deal with it, and maybe try again tomorrow.

These past couple of days, outside of homework, I haven’t gotten anywhere near five-hundred words written. Am I upset? More about not having the chance to write than anything else. The word count isn’t important to me anymore. Or it isn’t as important as it used to be. I’ll definitely try to get more written out than I have previously over these next couple of nights. Since I’ll be editing Rose starting Tuesday, I might just get a lot out depending on how much I want to change from one draft to the other. We’ll see.

But I’m not that concerned. As I said, some days you’re going to get plenty done and some days you’ll only get a few words out. It’s important at the very least that you try. And believe me, I’ll be trying.

How do you feel about daily word counts? For or against? Why?

Are you planning on asking me how many words this post is?

If you are, you shouldn’t! Because if you ask, I won’t tell you! I’m evil that way.

And by the way, thanks once again to everyone who contributed to Buckeyethon this past year. Even though I could not attend the dance this year because of my cousin’s bar mitzvah, I heard about the great achievements of my fellow students and I this year. 1.2 million dollars towards cancer research! Thank you so very much for your spiritual and financial support in this. You helped make the difference with me.

Well, that’s all for now. It’s getting late, and I’m going to head to bed. I’ve had a lot of late night recently, so I need some sleep if I’m going to be able to deal with school and work and the writing tomorrow. Have a great night, my Followers of Fear.

I’ve mentioned this a couple of times, but I’ve rewritten a number of stories, especially short stories, over the course of my writing career. It’s annoying to a certain degree, to have to start from scratch while writing the same story over and over again. It’s easier to just edit a single story, but when things need to be changed to such a degree that rewriting the story is either simpler or the same as editing the story.

I’ve rewritten What Happened Saturday Night more than once (especially the last third of it), still have to rewrite Evil Began in a Bar (as soon as I figure out how to go about it) and I’m in the process of doing a major revision of Miranda’s Tempest that was inspired by one of my History of Witchcraft classes. Plus I plan to rewrite Laura Horn as soon as I have a moment. And you remember when I had to writ a new outline of Rose because the story was getting way too crazy for my advisor Manny (finally asked if I could name him here on my blog) and he told me to rethink where it was going? That was basically an outline rewrite. And it was after I had to rewrite the first four chapters because they were too light and campy for a horror novel.

Oy vey! That’s a lot of rewrites!

Still, as much as I hate having to do it, I know that a rewrite is ultimately beneficial. It makes the story much, much better. The difference between the first draft of What Happened Saturday Night, “Frauwolf” and the second draft was immense. And the third and fourth drafts showed even greater improvement. The Murderer’s Legacy improved a great deal once it became Miranda’s Tempest, though it still had its flaws. And now I’m doing another version of Miranda’s Tempest, though I’ve renamed it Strong’s Trial due to the new content and theme. It resembles Harry Potter a bit, though I think it’ll end up much removed from that. The rewrites of Rose have vastly improved it and I’m sure when I get to rewriting Laura Horn it’ll be much, much better.

And a lot of great works have been rewritten before publication. The Book Thief was apparently written 200 times before being published, and that’s a famous work. And I hear every script that gets turned into a movie in Hollywood goes through several rewrites before finally going into production. So perhaps my constant rewriting of my stories might make for a famous story someday. We’ll see someday.

Well, that’s all for now. I’m going to spend some time relaxing this evening before going to bed. I’ve done a lot of (re)writing today, so I’m going to take a break and try to relax. I’m setting up an account on my roommate’s PS4 and I’m going to play my first survival-horror game, Outlast. I’ve heard good things about it. Should be very exciting (and if I don’t like it, I’ll rewrite it!). Wish me luck!

My latest article from Self-Published Authors Helping Other Authors is Short Stories That Are Too Short. This post was inspired by things I learned in my creative writing class last semester, and details one of the lessons I learned there. If you’ve ever worried that the short stories you write are too long or too short, this article might be helpful for you.

And if you’re a writer, traditionally published or independently published, this website might be what you’re looking for. We have hundreds of articles that are devoted to helping authors of all stripes write, edit, publish, and market their books effectively and without too much cost. Check it out if you get the chance.

Well, I’ve got work to do. Goodnight, my Followers of Fear. Pleasant nightmares.