Posts Tagged ‘films’

Go see the movie. You will enjoy it.

I wrote “2013 film” in parentheses because there’s a million different “The Wolverine” out there, and not just that team up north in Michigan, of whom only about 20 fans of I like. If you don’t get that, you don’t know Ohio or Michigan or college football.

I’m a huge fan of Wolverine, and I love Japan (total otaku), and I love action movies, so I was psyched to see this film, especially since it was supposed to be so much better than X-Men: Wolverine. I was not disappointed. The story follows Wolverine as he is taken to Japan to pay his respects to a dying man whom he saved when the second bomb fell and exploded in an unrealistic fashion. However once he gets there, thing start to get strange, and Logan has to protect the daughter of a business tycoon while all sorts of dangerous forces come after her…and Logan! Plus romance and new friendships and enemies and a ninja with hair dyed deep-red wearing casual clothes make for a great afternoon well-spent.

Of the actors, Hugh Jackman is always great playing the role of a surly tough guy, while Tao Okamoto playing Mariko Yashida touched my heart. Rila Fukushima is awesome as ninja psychic Yukio, while Hiroyuki Sanada as one of the main villains in the story is scary. And watch Svetlana Khodchenkova as the Viper puts the” fatal” in femme fatale. Also, watch for cameos from Famke Jessen (Jean Grey), Patrick Stewart (Professor X), and Ian McKellan (Magneto). And stick around after the credits, you’ll get a hint of what’s coming next year in X-Men: Days of Future Past, where the latter two show up.

Also be aware of some awesome special effects, including the Silver Samurai character. And there are some great fight sequences between Logan and the many Yakuza and ninja enemies he has to take on, especially since he’s taking them on with some handicaps (you’ll find out all about that when you see the movie).

All told, I’m giving The Wolverine a 4.5 out of 5. Can’t wait for next summer. Actually I can, I’ve got Elysium next month and two or three movies in October that will hopefully scare the crap out of me. I’ve got plenty to look forward to.

You will be afraid.

When I went to see this movie, the woman behind the counter at the concession stand told me it was really good. When I came out of the theater, she was still there. She asked me what I thought. I replied by doing a comically frightened pose and saying, “EEEEK!”

The Conjuring is definitely a thrill-fest. It tells two stories at once: one is the Perron family, who have just moved into a house with a very hostile spirit living in it (some days you wish you could sue your realtor for that). The other story follows real-life paranormal investigators Ed and Lorraine Warren, played by Patrick Wilson and Vera Farmiga in this adaptation, who are trying to continue ghost-hunting and solving the supernatural in New England while also acknowledging that their work is dangerous and could kill them (or their  marriage).

The movie’s director, James Wan, said he wanted to get away from Saw with this film, and I’d say he did a very good job. With just a minimum of blood, guts, and gore and more of an emphasis on the strange and the unknown and the just plain creepy, we are given a terror show of scariness, with plenty of jumps and freaky things that will have you hugging the arms of your seat. At one point I jumped back in my seat and said quite loudly “Oh my God!” That’s how good it is.

You also see a very accurate portrayal of how ghost-hunting is done, though usually an exorcism is not in the mix. And the build-up of suspense is done masterfully. Plus you’ll never want to play any sort of game related to Blind Man’s Bluff or Marco Polo or hide-n-seek after this film. And with some really awesome special effects, you’ll think to yourself, “This movie can’t get any better. It’s already scary good!”

For the whole movie, I give The Conjuring a 4.5 out of 5. Bring your friends, because you’ll need someone’s hand to hold by the end of the show.

Also, they say this movie is based on a true story, but I have a feeling they fudged some things in order to make the story fit a movie. Still pretty darn good.

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Welcome! Come one and all to the launch party for The Quiet Game: Five Tales To Chill Your Bones. Seeing as I can’t actually afford a launch party, this post has just become Ohio’s most happening place right now. We have so much for you, but first, why not have a drink?

Expensive champagne all the way from Google. And have some hors d’oeuvres:

And before we get to the entertainment portion of the party, I’d just like to thank everyone for coming. Your support has meant the world to me, and without it I seriously doubt any of us would be reading The Quiet Game over the next couple of weeks. A special shout-out goes to my family, a spectacular “BOO!” to my beta-readers and their excellent feedback, and a cauldron full of weird goop for all those who contributed in some way to the creation of The Quiet Game: Five Tales To Chill Your Bones.

Now I know you want to scroll down and download or order a copy of the book. I know, I know. But before you do, there’s some wonderful entertainment here for you. First, we have a special performance by Macklemore and Ryan Lewis. They’ll be telling us why I should shop at the thrift store more often.


Thank you, Mr. Lewis and Mr. Macklemore. I can’t tell which one is which, truth be told. Now, before we bring out our next guest performers out, I’d just like to say a few words on how The Quiet Game came to be. During the Fall 2012 semester at Ohio State, I started toying with the idea of writing a collection of short stories. I had several ideas for short stories on my tack board, and the critiquing of Reborn City was taking longer than I thought it would. So after the semester ended, I shrugged and said “Why not?” That later lead to five really creepy short stories being written over the course of a month, with one of them being rewritten several times over. Then there was some artwork to create, a book trailer, a copyright to get, but in the end it led to The Quiet Game: Five Tales To Chill Your Bones.

And you know what? It was worth it!

Our next performance is from the group who asks, “Is there a more logical way this movie could’ve ended?” Please welcome the folks from HISHEdotcom and their new video, “How Man of Steel Should Have Ended.”


Boy, was that something else! Now I know you all want to get back to your day jobs, so I won’t keep you much longer. I just would like to say thank you, and I hope you will indulge me by watching the book trailer for The Quiet Game one more time.

Now without further ado, here is The Quiet Game: Five Tale To Chill Your Bones! First we have the Amazon page! Very cool, right? And for a limited time, you can save twenty-seven cents when you buy from Amazon now! That means instead of paying $5.50, you pay $5.23 (you’re on your own for shipping and handling).

And right after it, we have the link for that wonderful e-book sharing website. Yes, it’s the Smashwords link! A lovely page, in a lovely shade of blue.

Well, thank you all for coming and I hope you enjoy reading The Quiet Game. I hope you’ll also tell your friends and family about it and maybe write a review or two about it (every review helps). I would just like to close this party by having Mr. Macklemore and Mr. Lewis come back on stage. Which one are you guys again? Oh, what does it matter? Party hard!

See what I see? It’s what the Slender Man is supposed to look like.

Lately I’ve been fascinated with the Slender Man. Okay, not so much lately. More like for a long while now. It’s only been recently that I’ve been doubly psyched with the Slender Man, enough to write a post about him anyway. I blame that on the fact that I saw a really awesome and totally freaky indie movie on Slender Man, proving that indie films can actually be terrifying.

Of course, those of you who are not horror aficionados are probably asking yourself, “What the heck is this guy talking about?” Well if you haven’t gone to Wikipedia yet, allow me to explain. Slender Man is an example of modern-day folklore. To be more specific, it started out as an Internet meme. A guy created some photos on his computer that showed a tall man in a suit with long limbs and no features on his face standing really creepily in the background. The photos came along with excerpts from what was supposed to be longer stories of people who have had experiences with the Slender Man. More people created photos showing the Slender Man, and that led to fanfic-like stories on the Internet, artwork, cosplay, and eventually a video game called Slender. The game was a hit, which led to more Slender Man-based work, including a YouTube series or two and some indie movies, one of which I saw this evening on my computer, and more on their way.

Check out this totally awesome trailer for an upcoming adaptation called Entity:


I’m a little dubious on whether or not including a possible government connection is a good idea, but I’m psyched to see this movie when it comes out.

What I really like about this particular Internet meme is not just its popularity, but how powerful it’s become, to the point that it’s become public consciousness like Bloody Mary or the man with the hook who escaped from the mental facility. Heck, some people are even starting to believe that the Slender Man is real, or at least a very old urban legend. That and the consistency of the tales qualify the Slender Man as folklore (though technically any story out there and often religious objects can qualify as folklore). And the tales are pretty consistent throughout: the Slender Man is some sort of spirit or demon that hides in the woods and spirits away people, usually children, and then kills them or devours them or their souls. Sometimes he or his victims leave notes around warning of him.. And occasionally he’ll manifest with multiple tentacle-like arms on his back. Cuh-reepy!

Of course the best part is that the mythos leaves so much to be filled in, and since it started as an Internet meme, Slender Man is in the public domain.  Which means anyone can make their own version of the Slender Man story and add, subtract, or spin it any way they want. Of course they have to keep certain aspects so as not to upset the fanbase, but it’s still so awesome. I even have an idea for a novel that’ll utilize Slender Man, or a version of him.

And like I was saying, the Slender Man is an example of a really viral meme and its impact on the global age. Something as small as a couple of doctored photos can multiply and become part of the public consciousness, the subject of games, online TV series, and even movies. Imagine what others could create doing the same process, with the same idea of a supernatural being utilized. Perhaps a ghostly lover found at lakes. Or maybe something involving will-o-the-wisps. Or perhaps a photo showing Elvis in modern-day New York eating a hot dog!

Okay, that last one is a bit of a stretch, but you get the idea, right? It’s the creepy version of Gangnam Style, and there’s potential for much more to materialize. And I can’t wait to see what the people of the world will create.

Do you have a take on Slender Man and/or viral memes from the Internet?

I’m never sure how popular these posts analyzing the horror industry (books or movies) are. But I am a horror writer, so I’m going to take a moment out of your day to let you know that gore is ruining the horror movies we’re seeing these days, and I hope you don’t roll your eyes and say this guy is either loony or one of those angry, self-righteous preachers who feels he knows everything and anyone who disagrees is an idiot who can’t grasp genius.

I’m more the former than the latter, which is very much like Sheldon Cooper.

Horror movies have one aim: to scare people. And they’ve done that in several ways. Usually it involved a monster or a ghost. Rarely did it involve excess amounts of blood, organs and severed limbs that were separated from the bodies in all manner of freaky ways (never had a problem with pushing the boundaries of sexuality, though). The movies that did employ those three I just listed were usually slasher films, and those were very difficult to pull successfully off to begin with. And when they did succeed, it usually led to many low-budget sequels.

But in 2004 a little movie known as Saw came out. And while its sequels could definitely be called slashers, the original was much more than that, a horror, a mystery, and a thriller all wrapped up into one neat little horror film. And if you haven’t seen the film, believe me, it was gory for its time. Bloody bodies and stumps and God knows what else. And it was a box office smash, breaking all sorts of records and winning all sorts of rewards. And so were its sequels, which always raked in several times their very low budgets. And ever since, more horror films have been utilizing gore in order to scare people silly.

Just one problem: gore is a turn-off. Studies show that people are disgusted by bloody scenes, such as car crash scenes or scenes from massacres. So why would you make it the main feature of your horror flick, if it just turns people off? I’m not sure. I really don’t understand the logic of Hollywood executives and filmmakers, except that it involves a modicum of profit-seeking. But I’ve seen too many movies that have used too much gore, Evil Dead being the most obvious example in my mind. And they’ve done badly when they could’ve been better.

Luckily for Hollywood, there are ways to still use gore without being excessive. Ever watch the movie Carrie? For those of you who haven’t seen the movie or read the book (and if you haven’t I feel so sorry for you), a telekinetic girl gets pranked at prom and gets covered in blood. There’s the gore. Now imagine that girl causing havoc with her powers, all while covered in blood and still wearing her burgundy dress. That’s scary, right? But not because of the gore. No. It’s the girl with the telekinetic powers going on a rampage! But the blood all over her does add to the terror.

Adds to the terror. Adds.

And it’s the same with Stanley Kubrick’s The Shining. Say what you want about that movie, but with the hotel’s twisting and turning layout, chairs disappearing between shots, and the changing of carpet patterns within seconds serves to create a sense of unreality, a sense that you can’t grasp the situation, and that’s pretty damn scary in itself. The bloody elevator and the man with the split head just adds to it all.

So if you’re going to use gore, use it as a spice to your true object of terror, a frosting on the cake, an accentuation (I’m running out of adjectives, but you get the point, right?). Using gore to add to the terror is okay, but as a main thrill it just doesn’t work as often as it should.

Of course, I’d prefer that gore not used at all. Take a look at movies such as Paranormal Activity, the original Amityville Horror, or The Haunting in Connecticut, which use no gore at all, but rely on surprise, build-up of suspense, and a spooky sense of things-not-as-they-seem. Add in some special effects, and it’s scary as hell. Little gore, and it’s barely noticeable when you see all the other stuff that’s going on.

And they are the scariest movies I’ve ever seen. Freaks me out! And that’s not easy.

So Hollywood, if you’re reading this, please don’t think I’m trying to tell you how to do your jobs. But I do think that a smaller emphasis on the gore and more use of actual creepy angles, a sense of unreality, and just being scary would do some amazing things for your movies. After all, the upcoming movie The Conjuring looks like it doesn’t use any gore at all, and it’s already expected to do really well, if the reviews and the trailers are anything to go by.

Just a suggestion.

This doesn’t happen in the short story, but it gets the idea across.

Today–and especially this evening–was like a writing whirlwind. I sat in front of my computer, at times struggling to finish this short story. But as I kept working and as the story got further along, I started writing faster and faster, not caring about word counts or anything around me. I had classical and opera music in my ears and I was putting words onto the page like there was no tomorrow. And about fifteen minutes ago, at around 11:35 PM, I stopped and looked at the manuscript I’d written.

I’d finished Buried Alive, a short story about a teenage girl who is buried alive in the backyard with her mother and sister by her abusive stepfather. I stood back and I felt a sense of satisfaction.

At 5,550 words, this is definitely one of the toughest short stories I’ve ever written. For one thing, it was in the first person, which is definitely not one of my best tenses to use (even writing in second person for Addict was easier). And it’s not easy to imagine oneself in a coffin, let alone in a coffin with two other people. People are good about not thinking about unpleasant things, even horror writers, so it was tough to get into the mind of a girl in that situation.

But eventually I managed to figure it out and I just started writing. And as the story went on and things got more desperate for the character, I made things creepier and stranger. I think I ventured into a sort of zombie fiction near the end, but I really don’t think you could call this a zombie story. It certainly got interesting, and I’m very proud of this story. I actually think it’s one of my best short stories, and I’m not going to let a high word count get in the way of me finding a home for it.

So tomorrow I’ll see if a certain friend of mine who has read plenty of my short stories wouldn’t mind taking a look at this one. I think he’ll like it, especially since I don’t really explain some of the weirder and scarier aspects of the story. But then again, one thing I learned from The Amityville Horror, you don’t always need to explain the source of the creepiness to make it super-creepy.

If this short story goes anywhere, I’ll let you guys know. Wish me luck.

No, this post is not about me wondering if there’s going to be an end of the world and I’m going to be raised from the dead. I’ve thought enough about it already and concluded that until the Messiah comes, it’s just not worth thinking about.

Yesterday I got an email from a friend of mine who was looking at a short story of mine. The story, titled “Resurrection”, is about a man who is brought back to life from the dead through a cryogenic process, and something of supernatural origin messes it up. It’s nearly five-thousand words, which makes it a very long short story, or a very long short story in the eyes of most magazines. I was hoping I’d get some good feedback from my friend, which I did, but I did not expect this to appear in the response:

“It is very good. Actually, it could be expanded into either a novella, a full blown book or even a screenplay.”

That was the first time I ever used the center-alignment option on this blog. I don’t know why I’ve never done that before.

But that’s beside the point. What my friend said got me thinking, and since then I haven’t been able to stop thinking! I mean, I could see this story being expanded in some form or another, though I don’t think a novella or a full-blown novel is in the works right now, with all that’s going on. A screenplay might work, and heck, other horror writers have written screenplays before, Stephen King being chief among them.

Of course, there’s a couple of problems: I don’t know anything about writing screenplays! And to top that off, I’m still a relatively unknown writer with some short story publishing to my name, a collection coming out in sixteen days, and a novel in November. The way Hollywood is right now, what are the chances my screenplay will make it to the lunch table, let alone to the big screen? And considering how much Hollywood hacks slash, rewrite, and ultimately murder screenplays, would I really want them to do that to my own work?

I’m not so sure.

So for now I’m going to put “Resurrection” on a shelf until I know what to do with it. I may edit it and try to publish it in a magazine. Or maybe I’ll expand it into a different format of creative literature. Or maybe I’ll even turn it into a screenplay. Or maybe I’ll save it for another collection of short stories. Who knows?

Until then, I think I’ll wait and see. Time usually tells, and I’m sure time will tell me the right answer, once I’m ready for it.

Still, I wouldn’t mind your thoughts and opinions on the subject, if you’re willing to give them to me.

Some of you may remember my review of the novel a while back (if you haven’t read it, click here), which got a very favorable review for being a history of the political, military, economic, social, educational, religious, ethical, and moral ramifications of a zombie war as told through a series of vignettes from witnesses of the war (try saying that three time fast).

After reading the book, set ten years after the end of the war, my whole family–or just me and my mother, plus my sister who hasn’t read the book–wondered how the movie would differ from the book. Obviously there would be a lot of differences, seeing as the movie shows the zombie war as it begins. When we got to the theatre yesterday, had our coupon denied, sat through a hundred corporate ads, had the projector break down, and finally started the movie, we hoped that even with so many liberties, the movie would be good.

We weren’t disappointed. Although plenty of liberties were taken and plenty of stuff was left out–the zombies were fast-moving rather than slow shufflers, there was no mention of the new religious empire of Russia or the South Africa plan, changes in what happens to North Korea, and a huge difference in what happens to Israel–the movie was a decent zombie thriller. Brad Pitt was awesome as Gerry Lane, a retired UN worker who’s called back into service when the plague breaks out. He is surrounded by a great cast and zombies who are so lifelike–or maybe un-lifelike is better–that whether they are CGI or actors in make-up, they look so real.

The movie zigzags around the world, from Philedelphia to the Atlantic Ocean to Korea to Israel (whoop-whoop!) to Wales and finally to Nova Scotia, but there are plenty of thrills and tense situations in-between that have you on the edge of your seat. And finally there’s the scene in the vault in Wales, where the final twist in the movie is revealed. At the end, you’ll be enjoying yourself despite all the liberties taken.

My family and I left the theater discussing the movie and its many differences from the book, but how we enjoyed it all the same. I’m going to give the film a 4.4 out of 5, for being the first decent zombie film I’ve seen in a while.

Oh, and apparently Paramount is moving ahead with plans for a sequel, despite the fact that the original was plagued with numerous problems and production costs skyrocketed. Not surprising, considering horror has had a history of doing sequels long after the sequels should stop, and this was well before the sequel mania we are in began. I’m not sure if I’ll see the sequel, but considering that it took six years for the movie to actually make it to the screen, I tink enough time will pass for me to actually enjoy the sequel.

I’m going to say this now: I’m about as much of a Superman fan as I am a Trekkie. He has a superpower for every situation, and the worse his problems seem to get is when Lois looks at another man or gets kidnapped. It’s a difficult task to bring Superman to the big screen, and an even bigger challenge to make him seem more relatable.

Sadly, this latest run at the silver screen didn’t pan out for me. The filmmakers take too long to get to the conflict, instead explaining how Superman becomes who he is through an in-depth look at Krypton and sometimes jarring flashbacks. When we do get to the conflict, we see Superman (thankfully with a defined set of powers) played by Henry Cavill, only he seems kind of wooden and with little to say, meeting up with the most expressive (and angry) character of all, Zod (played by Michael Shannon). Although the native Kryptonians have trouble adjusting to Earth, they prepare to beet the living snot out of Cavill, only for Cavill to fight back in fight scenes that I zoned out of most the time. There is one scene near the end where we get a real sense of conflict where good ol’ Clark has to make a tough choice, but that’s about the only time I get that sense that Supe’s as troubled as he’s supposed to be.

There’s also Amy Adams’s Lois Lane. Spunky, definitely not a damsel in distress. Will abandon her common sense if it means getting a photo of alien technology and is the only one who is able to make the connections between Clark Kent and Superman well before he puts on the suit and cape. I’m not sure why though, apparently he wasn’t as good about covering his tracks as he should’ve been. She’s basically important to the story, but her performance isn’t exactly spectacular enough for an Oscar.

Lawrence Fishburne is underused as Perry White (or perhaps that’s his character in Hannibal as a reporter), and Christopher Meloni plays Elliot Stabler in the Air Force with his usual tough guy act that never fails to kill. Other than that, not much in terms of acting to really make me feel like I’m in the middle of something fantastic.

Also, the swept-back hair look is out for superheroes. They would’ve done better with messy hair, something that rockstars might wear. And don’t stick around after the credits for a look at the inevitable sequel, because there’s not even a hint of what’s to come (though I bet it involves Lex Luthor, Kryptonite, and possibly an arms race).

Though the night wasn’t entirely wasted. That opening sequence gave me an idea on how to modify a certain story of mine and make it better. Who knows what that might lead to.

All told, Man of Steel gets a 3 out of 5. If this film was the beginning of a rival franchise to the Marvel Cinematic Universe, then I seriously doubt that such a franchise will ever rival the Avengers, no matter how much money is made.

If you haven’t heard, then here’s a news piece that’ll at least raise an eyebrow on your forehead: Amazon has announced their intentions to create a new publishing platform for Kindle called Kindle Worlds. The exact nature of this platform is for authors to publish fan-fiction and make money off of it. Yes, you read that right. People can now make money off of fan-fiction.

Naturally, this has set off a storm in the publishing and literary worlds, and a whole lot of discussion across blogs and Internet boards. Fan fiction is, by definition, fans of franchises making up their own stories based on these franchises and display it online or in writing groups for all to see. For many years, fan-fiction, or fanfics for short, have been hidden in the Internet closet. But with this announcement, fanfic writers can now post their stories–some trying to stay true to the original franchises they are based on, some showing unexplored romantic connections between characters, and some of those downright erotic in nature–on the Internet and make money on them.

Of course, there are a few catches. There’s no exact date as to when this platform will be available, and at this moment only certain franchises–The Vampire Diaries, Pretty Little Liars, etc.–are confirmed as allowing their work to be used by Kindle Worlds. In other words, unless the creators give the okay, you can’t publish a short story or novel based on a franchise unless the franchise owners are okay with it. The ones that are confirmed as allowed are franchises with already-large fan bases who write their work regularly in secret and in the Internet version of public. In addition, the owner of the original franchise gets a cut of the money, so they stand to gain too.

However, many authors are seething. Anne Rice is famous for being against fanfics of her work, and the same goes with George R.R. Martin (sorry GoT fans). I’m of this camp, simply because I feel that my stories and the characters within are like my babies, and I don’t want people taking my baby away and telling it what it should or shouldn’t do like it was theirs.

Yeah, he’s not allowing fanfic of his work. I’m not surprised.

Other authors however, have outwardly allowed fanfics of their work. Sci-fi franchises such as Star Trek and Star Wars have always had fanfics, the former at one point having an official fanfic magazine, and the latter creating a specific set of guidelines for fanfics based on the galaxy far, far away. JK Rowling was quoted as saying she was “flattered” that people wanted to write stories based on Harry Potter, while Stephanie Meyer has set up links from her website to fanfic websites where Twilight-esque works are featured.

There are arguments for both camps that each have valid points. For the sake of this post, I’m going to list a few points from both camps. For the pro-fanfic group, here is why they say fanfics are okay:

1. Fanfics encourage reading and writing and imagination. In this digital age when attention spans are short and people are reading less, fanfics allow people to return to reading and writing by giving them the opportunity to read and write things they already love, be it books, TV shows, or movies. If this is encouraging people to guess at what might happen if so-and-so happens to such-and-such character and they read about it or write it down, why should it be discouraged?
2. Good stories can evolve from fanfics. The famous (or infamous) 50 Shades of Grey started out as a BDSM Twilight fanfic. If such a crazy bestseller can result from fanfic, why can’t a best-selling YA series result from a kid in Omaha doing a Naruto fanfic, or a woman in Cardiff create a new type of espionage novel when she has James Bond take on villains with codenames based on The Wizard of Oz, or a new literary novel that has reviewers crying at the end arise from a teen in Johannesburg imagining himself having conversations with Captain Kirk, Darth Vader, and the Doctor and then writing them down?
3. Fanfics could be good source ideas. It is entirely possible–particularly for TV shows with ever-changing storylines and characters–that fanfics could be a source for new material. Perhaps fanfic writers will one day be commissioned to write scripts for new episodes based on a story they wrote when they were exploring a new possibility for a character in their favorite franchise. It could happen.

And now for the opposing camp:

1. Legally, this could be a crime. Many writers don’t approve of fanfics, and in the United States, you can sue a fanfic writer if they created a fanfic based on your work without permission, and the fanfic writer could pay dearly for it. And since most fanfics don’t constitute as fully original works or parodies, they can find themselves at the mercy of a very angry novelist or screenplay writer, especially if the fanfics were sold for money.
2. Fanfics may discourage writers from doing original work. There may be plenty of talent among fanfic writers, but if they spend too much time creating fanfics, how can they achieve their full potential by creating original stories? We may have the next Faulkner, Paolini, or Sparks on our hands, but they may be too busy writing stories based on Scandal or Harry Potter or Friday the 13th to create an original work. Heck, they may be too scared to do an original work, thinking no one will like a story with original characters or that fanfics are the best they can do.
3. Fanfics may create false expectations. You hear of shippers, those people who are rooting for two characters to get together on a show or in a series and talk about it online and write fanfics about it. What if by reading those fanfics, you come only to expect that somehow, some way or another, those characters will be in the relationship by the end of the show? And what if the creators of those characters have other plans? We’ve heard of how some fans were angry about how Charlaine Harris’s final Sookie Stackhouse novel ended and threatened her for it, and years ago when Books 6 and 7 of Harry Potter came out, Harry-Hermione shippers complained that JK Rowling had willfully ignored them or shot them down, particularly in that one scene with the locket Horcrux and Ron holding the Sword of Gryffindor. It’s entirely possible this could happen if fanfics become mainstream.

To do fanfics, or not to do fanfics? That is my question for you right now.

As the debate rages, we may see more and more authors joining the Kindle Worlds platform. Or we may see a retraction, as certain authors launch campaigns against Kindle Words (could happen, you know). I certainly know that I don’t want people making fanfics out of my work, but I can’t speak for other authors.

How do you feel about fanfics? Would you allow fanfics based on your work?