Posts Tagged ‘Victorian era’

I only like one kind of cocktail, but I haven’t mixed it in years. Recently, I found all the ingredients at the grocery store and decided to pick them up. You mix vodka, sweet n’ sour mix, and blue curacao. I call it an Electrified Lemonade (though it may have another name I am unaware of). Why do I mention it? Because I mixed it this evening in celebration of finishing the third draft of River of Wrath. Woo-hoo!

So, if you’re unfamiliar with this novel, River of Wrath is a novel I wrote on-and-off between October 2017 and October 2018 (which is hilarious, because the main events of the novel take place during Halloween 1961). The novel follows a young couple who find themselves trapped in a small town in Mississippi when a river full of living, violent corpses floods the town. Turns out the river is actually the River Styx as described in Dante’s Inferno, the fifth circle of Hell and the punishment for the wrathful. Trapped in a church in the town, internal tensions rise as the town’s racial differences are brought to light. And believe me when I say, the danger within has an effect on the trouble within and vice versa.

So yeah, you can guess what sort of themes the novel encompasses. I started coming up with the story back in 2017 after reading the book The Blood of Emmett Till by Timothy Tyson, about the infamous murder of a young African-American boy from Chicago in the Mississippi Delta, and the trial of his murderers (spoiler alert, they got off and then admitted they murdered him). I had just learned about Dante’s Inferno and was thinking of where various people and groups in the book might have ended up in Hell according to Dante. That was the impetus for the novel, which originally I didn’t think would be more than twenty-thousand words. A year later, and it was over sixty-thousand words, and I was like, “I gotta stop turning short stories and novelettes into novels.”

Yeah, I have not kept that promise to myself at all.

The Fifth Circle of Hell, as illustrated by Stradanus.

Anywho, I usually try to shop my novels around after three drafts (the third draft of Rose was the one that was accepted for publication, after all). And since this is the third draft, I’ve already sent it off to a publisher. I’ll hopefully get an acceptance somewhere, but we’ll see what happens. It’s not perfect, but I’ve gotten a lot of kinks out of the book and I think it’s a good story. Should be enough to interest someone.

If it does get accepted, however, I’m going to ask for a sensitivity reader. Let’s face it, I’m white, and given the subject matter, I don’t want to accidentally cause offense.

Well, River of Wrath is off. What’s next for me? Well, tomorrow I’ll be getting my second COVID-19 shot, so I might not do anything, creative or otherwise, depending on whether or not I suffer any side effects. That being said, my next project will be the third draft of The Pure World Comes, my Victorian horror novel. After that, I’ll try submitting that for publication. And then…well, who knows? Maybe I’ll work on a new story, or I’ll be editing older stories. We’ll see what happens.

Well, that’s all for now. I’m off to bed, because I have a big day tomorrow. Until next time, goodnight and pleasant nightmares.

I made a nice graphic for “The Pure World Comes.” It’ll work till I get a proper cover for the story.

My first major achievement of 2021 occurred this morning at around 2 AM (yeah, I’m not sure how I’m functioning right now, either). After a crap ton of editing and a bit of Doctor Who, I finished the second draft of The Pure World Comes.

Now if you don’t know what The Pure World Comes is, it’s a Gothic horror novel I wrote back in Spring 2020 and started editing last month. The novel, which is set in Victorian England, follows a young maid who goes to work for a mad scientist. Beyond being a fun and exciting story to work on, it was my love letter to the Victorian era and a great opportunity to showcase my theory of who Jack the Ripper was.

Yeah, I worked Jack the Ripper into the story. And I think it worked as an addition.

Now, if you remember my post about prepping to return to Victorian England, I had some specific goals with this draft. Namely, I wanted to make the story feel more authentic by improving the dialogue, explaining all the odd ideas and customs of Victorian England (*cough* mourning rituals *cough*), and adding little details like steam engines, Covent Garden, and bath tubs heated with giant metal contraptions. While I’m still iffy on the dialogue, I think I did a great job with the other stuff. I tried to give readers some explanation or context for some of the things that were common then but would be considered odd now, and I think I added enough little details to make the story feel authentic.

Of course, I’ll leave that up to the beta readers (more on them in a bit).

Also, did I mention how much this story has grown since the first draft? The first was 214 pages (8.5 x 11 inches, double spaced, 12-point Times New Roman font) and 59,333 words. The second, however, was 228 pages and 64,269 words! That’s an increase of nearly 14 pages and nearly five-thousand words! Yes, a lot of that comes from explaining some things or expanding some sections so they’re less confusing. Believe it or not, it might’ve been more, but as I got further into the draft, I ended up cutting a ton of material as well.

So, what’s next? Well, I’m going to hand the novel off to a couple of beta readers to look over. I’ve already gotten confirmations from two colleagues who are well-versed in historical fiction (as well as my work) that they’ll take a look, and I’m reaching out to a few others who are big horror fans themselves. With any luck, I’ll find out not only if The Pure World Comes is any good, but what I can do to improve it in the third draft before trying to publish it.

And while they’re looking at the second draft, I’ll be taking a break from any serious writing for a short while. Beyond any administrative work on my various projects or the occasional blog post, it’ll just be easy street for the next week or two. After that…well, I have some ideas.

I look forward to receiving feedback for the third draft.

For now though, I’m just excited to be reaching this stage in the novel’s development and hope I get to share it with you very soon.

And if, in the meantime, you’re looking for something new to read for 2021, I have a few other projects out on the market that might fit the bill. I’ll leave the links below. All I ask is that you leave a review online somewhere if you do end up reading my stories, as they help both me and other readers.

That’s all for now, my Followers of Fear. I’m off to enjoy some dinner, some classic Doctor Who, and an early bed time. Until next time, stay safe, Happy New Year, and pleasant nightmares!

Mother of the King: Amazon US, Amazon CAN, Amazon UK

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Snake: AmazonCreatespace, Barnes & Noble, iBooksSmashwords, and Kobo

The Quiet Game: Five Tales to Chill Your Bones: Amazon, Createspace, Barnes & Noble, iBooksSmashwords, and Kobo.

.

I think I’ve mentioned how busy I am lately. But things have kind of calmed down a bit, so unless I hear back from a beta reader, figure out how best to edit this story I’m working on, or am lucky enough to get a story accepted somewhere, I know what I’m working on next.

You may recall back in the spring, I started writing what I thought would be a novella, but ended up being a full blown novel. This novel, The Pure World Comes, follows a maid in the Victorian era who goes to work at the manor of a mysterious nobleman, only to find mysterious and terrifying events occurring there. I haven’t touched it since then, but I haven’t stopped thinking about it and how to improve it. And now feels like a good time to get to work on a second draft.

As such, I’ve been prepping to journey back to Queen Victoria’s reign. I’ve been listening to audio books and watching movies and TV shows in that era to get that flowery, polite way of speaking down. I’ve been learning new bits of information, such as etiquette and dating advice (yes, the Victorians had dating advice). And I’ve been reviewing what I already know. After all, this isn’t just Gothic horror (or is it Gothic horror/gaslamp fantasy?) I’m working on. This is historical fiction! And historical fiction requires a lot of work to make the reader feel they’re in that bygone era.

All that being said, I have a few goals with this draft. Obviously, I’ll be looking to clean it up, fix any plot holes I notice, and cut out anything extraneous. However, I have a few other goals. This includes:

Victorian fashion. It was a special kind of extravagant.
  • Improve the dialogue. I feel like when I wrote the first draft, I made my characters speak like modern-day Americans. This draft, I’m going to go through the whole book and make sure they sound like Victorians! Eloquence and flowery language, fewer contractions, a focus on politeness and how to address different classes. Not sure I’m going to mad on the expressiveness like characters in Dracula did (oh my God, even when people were dying, they had to be so wordy and full of praise for people they admire!), though. That might be too silly and melodramatic.
  • Explain the era better. One of the problems I have as a writer is that I forget that not every reader knows the same things as me. So, while I know a lot about Victorian England and can put an odd detail peculiar to the era in, knowing exactly what that means, the average reader won’t. It’s my job as the author to explain the minutiae to the reader, be it the ritual of mourning (click here for more on that), how much a pain in the ass cleaning was, or how ice cream was made back in the day (they used to use cucumbers!).
  • The little details need to be inserted. By this, I want to include more things special to the Victorian era. You write about the 1980s, you include Walkmans and big hair and the latest pop songs. You write about the 1950s, you include Cold War concerns, soda shops in pharmacies, televisions and record players, and early rockers. You write about the Victorian era, you mention steam engines, Mudie’s Lending Library, penny dreadfuls, and so much more. I want to include more of those details in the story, so that others familiar with the era can say, “Aha! That makes it feel authentic.” And trust me, there are a lot of details like that to include.

So, that’s what I’m up to lately. Or what I’m about to get up to, most likely starting this week. With any luck, I can make a damn good draft and get this story one step closer to publication. And believe me, I aim to get this story published, one way or the other. After all, this story includes both my love of the Victorian era and my theory of who Jack the Ripper is! You know I gotta get that out there!

That’s all for now, my Followers of Fear. I’m off to dream dark dreams. Possibly taking place at balls with huge dresses and polite conversation. Still dark dreams, though. Until next time, pleasant nightmares!

Audible’s audio edition of Dracula by Bram Stoker. Turns out, it was just what the Count ordered.

Everyone has heard of Dracula. Most likely, you’ve seen some version of him in a movie or a TV series .* But how many of you have ever read the original novel? Not many, surprisingly. Besides the fact that Dracula’s melted so thoroughly into pop culture, the source material is a Victorian novel written in the form of diary entries and letters. Even veteran bookworms have to steel themselves for those!

I tired once or twice in my younger years to read Dracula, but found it harder to get through than some Lovecraft stories and had to stop reading. Last month, however, Audible offered its own audio version for free as part of my subscription. I was like, “Maybe I’ll enjoy it more in audio form” and downloaded it.

Turns out, while Audible may have a dumbass exchange policy (and yes, fixing Audible and Amazon’s issues are still works in progress), the audio book was just what I needed. Great cast that brought the story to life and allowed me to get into it while driving or working out or cooking.

And let me tell you, Dracula the novel is good! It’s a slow burn Gothic story that takes its time building up an atmosphere as well as a conflict. By the time the action really gets rolling, the suspense and dread is so well-constructed that you actually feel a bit of worry with every encounter or setback the characters endure.

I also liked how a lot of my expectations were subverted while listening to the novel. Yes, his name’s on the cover, but Dracula himself doesn’t show up that much in the story past the first act. He’s mostly on the edge, only showing himself every now and then. While this may upset some readers who expect the Count to be front and center, it’s actually pretty effective. Whenever Dracula shows up, you know shit is likely to get real, and you’re waiting for that shit to happen.

Contrary to what the movies portray, Dracula is more on the edges and backgrounds than front and center.

Another surprise: while I expected Dr. Van Helsing to be an important character, Mina Harker (nee Murray) really stole the show. She’s easily smarter than most of the other characters, including the doctor, and could almost be seen as a proto-Buffy. The only reason she doesn’t do any slaying is because Victorian mores made it impossible for anyone, including Mina herself, to see her taking on a more active role against Dracula (much to their regret later). Kind of makes you wonder if Stoker was making some sort of feminist statement there. I’d love to see an adaptation where Mina’s the one kicking ass. You know, instead of falling for the Count and/or being totally helpless.

And there were some details in the story that I found fascinating, simply because they never make it into any adaptation. For example, Van Helsing hints that Dracula, for all his power and evil, has a very childlike brain when it comes to planning or deep thinking, and that hinders him when he comes to England. It’s amazing what never gets translated to the adaptations.

All that said, the novel isn’t without flaws. The character of Renfield, Dracula’s faithful madman, is pretty extraneous to the plot. He’s really just a vampire radar, and other than that, he doesn’t do much beyond be crazy and help develop Dr. Seward’s character. Then there’s Quincy Morris, a character from Texas who feels more like a parody of Texans from Western novels than a real Texan. And yeah, I would have liked to see a bit more of Dracula, as well as him being a big bad. That might just be my pop-culture image not lining up with the novel, but can you blame me?

All in all, though, I think Dracula is deserving of a 4.8 out of 5. It’s moody, well-written and worth the read if you find a format that works for you. Hell, I think I might go on a binge of Dracula-related media: some essays on the story’s deeper meaning, some adaptations, that novel co-written by Stoker’s descendant (yes, that’s a real thing). I might also write a story involving Dracula and characters in the novel. Who knows?

That’s all for now, my Followers of Fear. If you need me, I’m celebrating the first night of Hanukkah with vampires and jelly donuts (weird combination, I know). Until next time, happy holidays and pleasant nightmares!

*Speaking of which, I’m still sad that the 2014 NBC TV show was cancelled after one season. All because they didn’t give it the advertising it deserved. The fact that this might be the first you’ve ever heard of it unfortunately proves my point.

My friend Kat Impossible over on Life and Other Disasters did her rendition of this tag, and it looked fun. So, let’s pretend it’s Halloween year-round and answer some spooky questions about a WIP (as well as general questions on writing)! And since last time I did Toyland, I think this time around I’ll talk about The Pure World Comes, my Victorian Gothic novel that I wrote earlier this year.

But I’m going to need a blurb first. Hmm…how about this:

Shirley Dobbins has very few wants in life: to be able to become the head housekeeper of a great house someday; to not think on her life before she started working; and to earn a reputation as a reliable maid. So when she is hired by the enigmatic baronet and scientist Sir Joseph Hunting to work at his estate after the sudden death of her employers, she can’t believe her luck.
However, things at the “Hunting Lodge,” as Sir Joseph’s home is known, are far from the ideal position she hoped for. Not only is there barely any staff at the crumbling mansion, but terrifying visions oppress those within at random moments. Those Shirley sees bear resemblances to her past. As she becomes more wrapped in the secrets of Hunting Lodge and Sir Joseph’s scientific work, she unearths a terrible threat not only after her life, but the lives of all those around her.

How’s that? Intriguing enough? Anyway, onto the questions.

GHOST: Have you ever originally put a character/scene/theme in the book and then later taken it out?

  • Character – Yes
  • Scene – kind of
  • Theme – No

I originally had this character, the eldest son of an up-and-coming merchant family, whom Shirley would have feelings for despite her practical, no-nonsense self. However, when I finally started plotting this story, I couldn’t find a place for him in the story, so I axed him out. His disappearance from the story led to some scenes that I’d originally had in mind being axed as well, but I wasn’t that fond of them to begin with, so it worked out.

BAT: Most misunderstood character in your WIP?

I had a bit of a debate on this, considering that we see things through Shirley’s eyes and once she sees someone a certain way, it can take a while for her to see them in a different light. But then I remembered that Sir Joseph Hunting is, without a doubt, the most misunderstood character. He’s not a fan of normal Victorian pastimes or conventions, and he’s squandered his family fortune in pursuit of his scientific research. And Victorians, particularly those of the noble and almost-noble classes, placed a lot of emphasis on appearances, so Sir Joseph’s anathema to them.
It doesn’t help that he’s a bit of a jerk.
That being said, once you get to know him a bit, he’s actually a very sympathetic character. You also see why he devotes himself to his research, and maybe even believe in what he’s doing. If that’s not misunderstood, I don’t know what is.

JACK-O-LANTERN: What is your most common source of inspiration to write?

Is it a law that writers get asked that question at least several times in their careers?
The obvious answer is everything. Stories I’ve read, places I’ve been, people I’ve met, conversations I’ve had, subjects I’ve researched. All these and more combine in my weird head to create stories for me. Some of them are even good and border on original. Those are the ones I try to write into something worth reading.

ZOMBIE: What is your preferred form of writerly fuel? Coffee, tea, etc.

Tea most of the time, though if it’s early in the day, I may have a diet soda. On weekends or certain occasions, I may have something alcoholic, but I’m not able to write as well as I would like when even a little buzzed, so I avoid it.

Photo by Lisa Fotios on Pexels.com

VAMPIRE: Cheesiest trope that made it into your novel?

Okay, you know that trope where two people who don’t like each other spend more and more time together and then they fall in love? It was really popular in movies and a few TV shows back in the 1990s? I may have included that one in this story, though I tried to put an original spin on it.
I’ll leave it for the critics to tell me if I succeeded.

Yeah, the trope from 10 Things I Hate About You. I used a version of it. Hopefully I used it well.

SPIDER: What’s a character in your WIP that’s fine from afar, but you would NOT want to interact with if they ever got close?

I’ve mentioned before that I worked my theory of who Jack the Ripper really is into this story. Well, that’d be my answer. And I’m not saying any more on that until this book comes out!

Famous illustration of Jack the Ripper from Punch Magazine. He figures into my story, but not in a way you might expect.

FRANKENSTEIN’S MONSTER: Ever split one character into two/combine two characters into one?

Maybe? I can’t recall! I’ve written so many characters over the years, I’ve kind of lost track.

SKELETON: Best advice for adding character baggage without info-dumping?

Ooh, that’s a tough one, especially because it’s a tough subject. I try to spread my characters’ baggage and backstories throughout the story. Think of it like walking on a path, and you find puzzle pieces every now and then. Some are big, some are small, but they fit together perfectly. As you gather the pieces, a picture starts to form. And somewhere along the way, all the pieces come together to form a full picture. That’s how I try to spread character baggage and backstory.
That being said, sometimes I drop very big pieces sometimes if the story calls for it. Not ideal, but it’s necessary. And when that happens, if I’m able to, I at least try to just drop a big chunk here and there, rather than just a whole picture. That way, the information is palatable, rather than an info-dump.

CAT: What’s a polarizing writing/book-related opinion you have?

Why cats? Most of the writers I know are cat people! Often their cats are as sweet as their owners! I plan to get cats as soon as I have a bigger space. Preferably a three-bedroom house with a nice front and backyard and an attached garage.
Never mind. I don’t really have any opinions like that. At least, I don’t think I do. I could tell you about some books I didn’t care for, but they’re the kind of books either people like or they don’t. Sorry I don’t have a scandalous answer. You’d get a better answer with my controversial movie opinion, so I’ll tell you that: I enjoyed The Last Jedi, problems and all. There, I said it. What are you going to do about it?

DEMON: Most frequent writing distraction?

Anime and TV shows. Once I get started on a binge, it’s hard to stop. Either that or my cell phone.


Well, what did you think of my answers? Do you want to read The Pure World Comes now? Let’s discuss.

Now for this tag, tagging isn’t necessary. So if you want to do it, all the power to you. I hope you have fun and make sure to link back to me so I can read it.

That’s all for now. If anyone needs me, I’ll be casting magic to save this country. Until next time, pleasant nightmares!

Today, I saw a full Halloween display in a supermarket. You know what that means. As of today, the Halloween season has officially begun! That’s right, it’s here! Break out the candy, dress up as something scary, carve up your pumpkins, and decorate your house like the Addams are coming to visit! Who cares if there’s a pandemic right now? We can still celebrate the season.

That being said, you’re probably wondering to yourself, what horror films should I watch this year? I’m sure plenty of you will be watching classics and beloved staples of horror/the season. Believe me, I will be too. But there are a bunch of films that don’t get as much love as they should. So I’ve come up with 11 films I feel would make great viewing for this year. Why 11? Because THERE’S SOMETHING WITH FANGS BEHIND YOU!

Anyway, on with the list. And in no particular order, might I add.

11. Overlord

A team of American soldiers parachute into Nazi-controlled France hours before D-Day to take down an operations center inside a church. However, the church is also being used to perform inhuman experiments in life after death. And if the soldiers don’t do something, the fate of the world might be at stake.

Whenever somebody talks about Nazi zombies, it’s usually in humorous terms. That, and the trailers for this film were all over the place, so nobody was really sure what audience this film was meant for. Horror? Action? War? Which is a shame, because Overlord is one of the best horror films I’ve ever seen. Its sets are atmospheric, the zombies are only used enough to be scary, and there’s an emphasis on psychological and war horror rather than guts and gore (though there’s plenty of that).

Make sure to check Overlord out. You won’t regret adding it to your watchlist.

10. As Above, So Below

An archaeologist leads a team into the Paris catacombs to find an ancient artifact. However, they stumble upon a gateway to hell, where their worst fears and guilt are used against them.

Coming out at the tail end of the found footage craze, this film was lost among audiences who were tired of shaky cameras and home video-style films. However, it’s found new life on home media, and it’s not hard to see why. The film takes advantage of its setting to deliver a claustrophobic and unnerving atmosphere. Not only that, but there’s a philosophical bent to the film that I spent discussing with friends for about an hour after we saw the film. It’s not everyday you meet a horror film that makes you think.

9. Carrie (2013)

I know the original Carrie is beloved, but I’ve always preferred the remake with Chloe Grace Moretz and Julianne Moore. Not only are the special effects much better, but none of the strange editing (like that infamous fast forward) and odd creative choices are present. For example, in the original, when Carrie starts her revenge, the students start panicking because the doors won’t open. Yeah, nothing overtly psychic has happened yet, just the doors won’t open. And yet everyone is screaming in terror. Whereas in the remake, the progression from students laughing at Carrie to screaming in fear is much more natural and believable. And Julianne Moore’s interpretation of Margaret White gets her crazy factor across way more than any actress before her. Those factors are why I prefer this version of Carrie, and why I’m recommending it for this Halloween.

8. Underwater

This came out earlier this year and didn’t receive that much fanfare. That being said, it’s become something of a hidden gem within horror. It’s a pretty compelling disaster flick set in an underwater base, with a Lovecraftian twist about halfway through. While it’s not as effective as scaring people as Hereditary or as memorable as 2017’s IT, it’s still a film I recommend you see.

7. Annihilation

Based on the book by Jeff Vandermeer, Annihilation follows a team of scientists into the Shimmer, a strange zone on the West Coast where nature mutates and changes, and perhaps our own selves are at risk of changing. It’s a creepy film with a great group of female leads, as well as a Lovecraftian angle in its approach to body horror and the final twists. In the end, you may have more questions than when you started, but you’ll enjoy the thrill ride along the way. As well as the dark truth hidden in the conclusion.

6. The House of the Devil

A film made to look like it came right out of the 1980s, House of the Devil follows a college student taking on a babysitting job, only to find something very dark at the heart of her assignment. You’d never guess it was filmed in 2009. Also, it’s damn hard to look away. A supernatural slow burn that lures you in and ends up surprising you with how terrifying it can be. I’m sad that it’s flown under the radar so much, but that’s why I’m happy to post about it and recommend it this Halloween season.

5. The League of Extraordinary Gentlemen

Based on the graphic novel by Allen Moore, several of the greatest figures from 19th century literature come together to stop a terrorist from causing WWI fifteen years early. It didn’t do as well in theaters, but it’s become rather beloved since it came out on video. Action and horror, intrigue and steampunk/Victorian aesthetics. I swear, if this came out today rather than in the early 2000s, it might be something of a hit (though I do admit, its slow moments do bring down the film a bit).

Hell, my siblings and I nearly had a fist fight over our mom’s DVD copy when she was downsizing, we loved it that much. And half my sisters don’t even like horror! Given that, shouldn’t you check it out?

4. Van Helsing

Bram Stoker’s vampire hunter is reimagined as a badass monster hunter played by Hugh Jackman, going up against Dracula as the latter tries to bring a terrible plan to fruition.

A lot of people give this film flack, but I love it. It’s a great action-horror flick along the lines of the previous entry, and was one of my favorites as a teenager. It may be over the top, but if you’re looking for popcorn horror at its best, you could do a lot worse than Van Helsing.

3. Devil

Five people get on an elevator, only for them to get stuck and picked off by a supernatural entity. The devil has come for sinners, and it’s not going to stop till it has all of them.

This was originally supposed to be part of a trilogy, but M. Night Shamaylan, who directed the first film, was unable to follow it up. That being said, I find this film to be creepy and a lot of fun to watch. It takes an interesting concept and adds a time-is-running-out element to it. I loved it when I first saw it, and I still kind of like it. Maybe you will too.

2. The Reaping

A professional debunker of miracles is called to a small town in Louisiana when a little girl is accused of killing her brother and bringing the ten plagues upon the town. There, she finds a Satanic cult devoted to bringing about the end of the world, and this girl may be the vehicle to do so.

The mystery of the film isn’t that hard to figure out, but the film has its moments and its got some great performances from Hillary Swank, AnnaSophia Robb, and Idris Elba before he was famous. Plus, when you reach the end of the film and realize the final twist, 2020 as a whole makes a lot more sense (you’ll have to watch the film to get what I mean).

1. Clown

Released three years before 2017’s IT, Clown follows a man who puts on a clown suit he finds for his child’s birthday. However, what he doesn’t know is that the suit is cursed, and is slowly transforming him into a child-eating monster. This is a bloody and terrifying monster movie with lots of effective body horror, and I’m honestly surprised more people haven’t heard of it. Hence why I’m recommending it here.

 

That wraps up my list. I hope it gave you some ideas of what to check out this year. But tell me, what are you planning on watching this Halloween season? Any other films I missed that should be on this list? Let’s discuss.

That’s all for now, my Followers of Fear. Until next time, stay safe, pleasant nightmares, and no opening doors to Hell without me there. I make it a lot more fun.

Ad for Black Peter Robinson’s Mourning Warehouse, and the image that inspired this story.

Wow, what a mouthful of a title. And what a story! I have a good feeling about this one.

But I’m getting ahead of myself. Let’s start with the point of this post: just a few minutes ago, I finished a new novelette. Titled “The Ghost of the Mourning Museum,” the story follows a man on vacation in the UK who visits the Museum of British Mourning.* While there, he encounters a little girl who says she’s the daughter of a mourning warehouse owner who died in the 19th century. As it turns out, the museum is haunted by that girl’s ghost, and seeing her is said to herald your death.

So yeah, if you read my post on the cult of Victorian mourning rituals, you can see how that might fit into this story. In fact, quite a few of my interests made their way into this story. Tarot, for instance; I was struggling at a certain point in the outlining stage of what should happen to my protagonist, so I just gave him a Tarot reading. I then pulled out my own deck, and used that to perform the reading for my character. What the cards gave me ended up propelling the story forward in just the right way.

And because I’d been to Britain on a study abroad trip years ago, I got to include a little bit of my experience in the story. Not much, but a little.

So, what’s next for this story? Well, at 10,535 words, publications are going to be very selective with what they’re willing to accept. That being said, I think this story has potential, so I’m going to find a few beta readers to give me feedback. Once I have that feedback, I’ll use it to spruce up this story. And then, once that’s done…who knows? At the very least, I’d like to get it out there and see if anyone else enjoys the story.

For now though, I’m drinking some beer and retiring for the night. Goodnight, my Followers of Fear. I’m sure we’ll catch up at some point this weekend. But until then, stay safe, pleasant nightmares, and…holy crap! WordPress informs me I’m past a hundred thousand views on this blog! Everyone, thank you so much for continuing to read this blog and support my writing career. You can’t imagine what it means to me. I hope you’ll continue to support me as I work on getting more stories out there and reaching my full potential as a writer.

Until then, pleasant nightmares!

I know I said that already. I don’t care.

*For the record, there isn’t a real Museum of British Mourning. I just made it up for the sake of this story. However, if one does come into existence in the future, I hope the museum will give credit where credit is due and make me part of the museum’s operations in some way.

Queen Victoria and her grandchildren by her daughter Princess Alice, mourning their mother and sister Princess Marie.

Yes, this is another Victorian England post. Don’t worry, it’s going to be relevant to horror and to the stories I write, believe me.

During my research into the era, I found that the Victorians really had a thing for mourning. In fact, they made ritualized mourning into something of a fine art or a pseudo-religious practice (hence why I call it a cult). You know how during a funeral, it’s tradition to wear black? Victorians took that to extremes: when someone you know died, you were required to mix black into your clothing, how much depending on your level of closeness to the deceased. A widow would have to wear full black clothes, usually made from crepe fabric; a child would wear black with white cuffs and frills; and servants would wear black bands around their arms (maids could also wear one around their caps or bonnets, or fully black caps and bonnets).

Also depending on the closeness to the deceased would determine the length of the initial mourning period. Yeah, you read that right: initial mourning period. For the Victorians, there were stages of mourning, particularly for close relatives. For widows, for example, the initial mourning stage could last up to two years, during which time they could only wear black clothes and black jewelry; black clothes was hung on mirrors and windows; and they were to refuse all socializing. Any letters they sent out had black borders, and it was encouraged for them to forget the outside world to focus on the deaths of their husband.

Of course, this was slanted very much towards women: men were allowed to wear only a black armband and go out because they were typically breadwinners. They could also remarry or enter the social scene sooner, because men were expected to have wives to take care of them and a mother for any children.

Furthermore, only women from the middle or upper classes took part in the full mourning ritual. Women from the lower classes, while still wearing black, would have to go out to earn a living. If one could be earned, of course; I’m not entirely sure, but I think I read that women could have difficulty finding work during mourning, if they previously weren’t working. In fact, many women and families went into debt or became homeless by observing mourning rituals.

Why did they do all this? Part of the reason may have been Queen Victoria herself: when her husband Albert, Prince Consort, died, she went into lifelong mourning for him, wearing black for the rest of her life and refusing to remarry. For a time, she even retreated from her royal duties. This inspired the cult of mourning and its associated rituals.

Part of it may have also been (and this is just my hypothesis, but I could be onto something) the resurrection men, grave robbers who stole bodies and sold them to medical schools for anatomy lessons. Back then, there was a huge demand for bodies at medical schools, but never enough supply, so resurrection men would step in to meet the demand (as well as be paid handsomely for it).* And because not everyone could afford safeguards to keep their coffins from being raided and stealing a body technically wasn’t a crime yet, all resurrection men had to worry about was getting caught by an angry mob.

Ad for Black Peter Robinson’s Mourning Warehouse, and the image that inspired my current story.

Regardless of what caused it, the cult of mourning existed, and everyone was expected to obey, especially married women. To fail or to opt out was to be accused of never having truly loved or been family with the deceased, or to be cold and cruel.

And where there is devotion, there is money to make off it: while poorer families would dye their clothes black or got them secondhand, those who could bought them from specialized “mourning warehouses,” department stores that sold mourning wear, as well as coffins and items associated with mourning. Some even rented out hearses and horses for their clients! Some of the biggest were the London General Mourning Warehouse, or Jay’s, and the Black Peter Robinson Mourning Warehouse.

But wait, there’s more! Post-mortem photography was also popular during this period. Photography was a lengthy and expensive process, so many families would only get photographs of their loved ones when they’d just passed. They would then be posed and prepared to look like they were sleeping, often next to living family members. Rather than morbid, this was seen as a good way to remember the dead and help with grief.

A post-mortem photograph. Because of course I would include one.

Of course, a lot of this fell out of fashion in the early twentieth century, first among the upper classes and then trickling down to the lower. Cheaper funeral practices became preferred, and post-mortem photography became unnecessary as getting a photograph became easier and more affordable. Today, only characters in books and neo-Victorians still practice any of these (yes, that’s a thing, but for another post).

And yes, resurrection men are largely a thing of the past.

Why do I bring this up? Well, besides being interesting, the story I’m writing now focuses on Victorian mourning to an extent, and doing some further research into Victorian mourning practices made me want to blog about them. So thank you for coming to my TED talk (I love making that joke).

 

That’s all for now, my Followers of Fear. I’m sure I’ll be back soon with more to rant or gush about. In the meantime, thanks for enabling my love of the Victorian era. And until next time, stay safe and pleasant nightmares!

*H.H. Holmes, one of America’s first recorded serial killers, did this with his victims, which leads me to think he was more interested in making easy money than in killing.

So with the completion of The Pure World Comes last night, that brings a total of three novels I have waiting in the wings. By “waiting in the wings,” of course, I mean three novels I need to edit, update and hopefully someday publish. And since some of you have been asking about those books, I thought I would take a moment to update you on each individual story, as well as tell anyone who’s unfamiliar with them what they’re about.

River of Wrath

 

River of Wrath, inspired partly by Dante’s Inferno, is about a small town in Mississippi which, one day in the early 1960’s, is visited by one of the circles of Hell. I recently got back all the beta reader copies, so I can finally begin doing some editing on this story. And given that the plot of this story deals with a lot of issues that are as current now as they were in the 1960’s (you can guess which ones), it might be a good idea to get to work on that one sooner rather than later.

In fact, I was hoping to get started on River this summer. Most likely August, if things work out for me. Seeing as I finished this one in 2018 and it’s now 2020, and the problems of racism only seem to have gotten worse since then, I think it’s about damn time.

 

 

Toyland

I don’t know what it is about Toyland, but for some reason, several of my Followers of Fear are champing at the bit for this story. My National Novel Writing Month project which I began in November 2019 and ended in late February, Toyland is a Gothic horror/dark fantasy novel centered on a boarding school in southern Ohio and a ghost there obsessed with a children’s book affecting the students. Yeah, that’s the plot. It’s bonkers, but did you expect anything else from me?

As for when editing will commence on this one, it will hopefully happen very soon. But as for publishing, that might take a while. I need some things on my end to happen before I can think of shopping this book to publishers (or consider self-publishing it. That’s a possibility as well). What those things are, I can’t say at the moment, but I deem them necessary to happen before Toyland can be released. As events unfold, I hope to have more updates on this subject. For now though, just know I’m working on paving the way for Toyland‘s publication as best I can right now.

 

The Pure World Comes

I know I finished it last night and you have probably read the elevator pitch already, but I’ll restate it anyway. TPWC takes place in 1894 and follows a maid who goes to work for a mad scientist. As I said last night, I have sent this novel off already to someone for feedback. With any luck, I’ll get some pointers on how to improve this story in the second draft and where to send it.

Speaking of which, I do hope to find a publisher for this one, but I can see it being rather successful if I self-publish it. In fact, I had an idea for that: many novels written in Victorian England were released chapter by chapter in a serial format, usually in a magazine or newspaper. Charles Dickens did this to great effect, using reader feedback after each chapter to improve the story by upgrading or downgrading certain characters and following plot lines readers found interesting. In other words, he gave the fans fanservice, and it worked for him. Anyway, after all the chapters had been released, only then would they be collected in a traditional book format.

I doubt I’ll do the whole give-in-to-fanservice thing Dickens did, but I could see myself releasing each chapter one at a time, perhaps as an ebook exclusive, before releasing the full book as both paperback and ebook. What do you think? Would that be a fun way to read a book, as well as a great callback to the publishing methods of yesteryear? Let me know.

 

Anyway, that’s all for now, my Followers of Fear. I’m off to relax and regain my creative energies, but I’m sure you’ll hear from me by the end of the week. Until next time, pleasant nightmares!

Well, I didn’t think I could do it. But I did. At almost exactly 10:45 PM on May 31st, 2020, I finished the latest novel from my twisted imagination, The Pure World Comes.

If you aren’t aware, The Pure World Comes is a story I started writing back in April. It’s a culmination of all my love of and research into the Victorian era. The story takes place in 1894 and follows a maid who goes to work at the estate of a mad scientist. It’s part historical fiction, part Gothic horror, and part gaslamp fantasy (a subgenre I need to write an article about one of these days), with some slight elements of science fiction. All in one crazy story.

And with this story, I’ve actually broken a few personal records. First off, with Toyland back in March, this makes two novels finished in a single year. That has never happened before. Not to mention I wrote this novel in less than two months, another record. And today, I finished the novel by somehow getting forty-five hundred or so words down in one day. Yeah, forty-five hundred words. And none of these records I expected to beat until I beat them.

Am I bragging? Sorry about that. I just thought I’d mention them.

Anyway, onto the page and word counts. In terms of Microsoft Word pages, 8.5 inches by 11, with double-spaced, 12-point Times New Roman font, the novel is 214 pages. And, in terms of words, the novel is 59,333 words. Yeah, I know I used to say novels are sixty-thousand words or higher, but it’s recently come to my attention that most publishers and contests put the cutoff from novella to novel at around forty thousand words. Therefore, I’m caving into peer pressure just this once and will designate this a novel.

So, what’s next? Well, normally I would celebrate the completion of a novel with a huge party. Mead, pizza, heavy sugars, a movie or several episodes of TV. But it’s late, and tomorrow I have a busy morning, so I’ll delay the partying till tomorrow. After that, I might take some time to recharge creatively before I attempt so much as another short story.

In the meantime, I’ve already sent the first draft of The Pure World Comes to someone who has agreed to take a look at the first draft and give me feedback. With any luck, they’ll give me some advice which will allow me to eventually get this story published.

So glad to finally finish this story, a distillation of my love of Victorian England.

I sense there are great things on the horizon.

That’s all for now, my Followers of Fear. Remember, there’s still plenty of time to send in a question for my YouTube Q&A for the first publishing anniversary of my novel Rose. Just email a question with your name and where you’re from to ramiungar@ramiungarhtewriter.com by June 17th at noon, and your question will show up in the video. And if you’re from the US or UK, you may win a download code for the audio book for Rose.

And of course, if you want to read Rose but don’t want to go through Amazon or Audible, I’m selling signed copies directly to readers. Send an email to me, and we’ll discuss the details.

Until next time, my Followers of Fear, stay safe and have some pleasant nightmares.