Posts Tagged ‘Nothing But Blackened Teeth’

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Recently on Twitter, another author I’m acquainted with tweeted that she didn’t think she would ever reach the levels of the authors she admired. She then went on to say that while she aspired to “champagne quality” writing, her stories usually ended up being “boxed wine” quality.

First off, what’s wrong with boxed wine? The first sips of wine I liked came from boxes. And price, prestige, method of preparation, or recommendation of experts is no guarantee of quality or tastefulness. Just check out this hilarious video on the subject.

And second, just because you think your work isn’t as good as your heroes or as prestigious as other stories doesn’t mean it’s bad. For starters, you think the writers you aspire to be don’t have their bad days? Robert Heinlein, Isaac Asimov and Frank Herbert probably bemoaned that they would never come up with stories as influential as those of Mary Shelley, HG Wells and Jules Verne. Every professional manga artist, including those who have made the most famous series like Eiichiro Oda, Rumiko Takahashi, and Naoko Takeuchi, have lamented they’ll never be as good as their favorite artists despite all proof to the contrary. And God knows HP Lovecraft, one of the most influential and controversial writers in horror, worried that he would never measure up to the likes of Edgar Allen Poe, Robert Chambers and Arthur Manchen.

(And if I’m being honest, between his prejudices and his hyper-Victorian style of writing, he never did.)

Another thing to keep in mind is that just because another work is considered “prestigious” doesn’t mean it’s good. In fact, the word prestige comes from the Latin word for “illusion.” And that’s what prestige is: an illusion. A bunch of critics or purveyors or publishers came together and agreed that because a work of art has certain qualities or is being sold in a certain place (like a fancy, pretentious art gallery), it’s considered “good” and worthy of being worshipped. But beyond making sure that it’s been edited well, that’s no guarantee of quality.

An example of a bestseller whose quality is questionable.

Neither is being a bestseller, honestly. The way a bestseller is defined is often based on how much a publisher thinks a story will do and how much marketing is done for the book. Most bestseller lists can be gamed for profit, such as happened with Lani Sarem’s YA novel a few years ago. And many bestsellers fade into obscurity after a few years, rather than having staying power. It has nothing to do with quality of the story itself (just look at my review of Nothing But Blackened Teeth, which has attained bestseller status, if you don’t believe me).

You know what is an indicator of quality (beyond editing and not having anything offensive in the content)? An audience’s reaction. Fiction is often an escape and helps audiences heal from our awful reality, or at the very least bring joy and give readers a feeling that their interests are shared by others. So if your work brings people joy, then that’s a great sign of its quality. Doesn’t matter if it involves college professors and literati types scheming and having sex with one another; fighting aliens in another solar system; or having a love affair with a powerful man in a universe where humanity is divided into castes based on supposed wolf pack heirarchy.* Just as long as your audience gets joy from reading it, then it’s quality.

You especially see this in the horror genre. You have your Gothic and ghost stories with flowery language; serial killer thrillers that gush blood and gore; Nazi zombies that bite your face off as they propagate a toxic and deadly ideology; and even stories around killer cows or living poop monsters or other ridiculous ideas. All those are stories in the horror genre, and very few within the genre will judge you for it.

Plenty outside the genre will, though. Horror as a whole is still looked down upon as a genre, even as it proves more profitable and popular every year. But that’s another thing: tastes and what is considered prestigious changes all the time. Shakespeare, opera and even lobster used to be considered low-class. Now they’re fancy and high-falutin. Perhaps in a hundred years, your “boxed wine” fiction will be taught in high school and college classes, working on horror and superhero movies is a highly sought-after privilege, and a restaurant is considered luxury if it serves real bacon. You never know.

All that being said, this might not make you feel any better about your stories. These feelings might come from stress, anxiety, depression, or dating a demon fairy who scares people with a twitch of the face rather than trying to write stories. But if learning all this helps you feel like your work is champagne quality, then mission accomplished. Because no matter what your story is about, how flowery the writing is, or who’s hyping it up or buying it, if your work is enjoyed by someone, that’s what matters most.

Better have an editor check it over first. They catch stuff you’ll never see in a million years before you get to the publishing phase.

You may think your story is a boxed wine, but that doesn’t mean it’s bad or low-class. The exact opposite, in fact.

That’s all for now, my Followers of Fear. I’ll be back Monday for something special (you probably know what already). Until next time, good night, Happy Thanksgiving, and pleasant nightmares!

*This is an actual subgenre of romance, and it is apparently very popular. I won’t judge anyone who likes it, but I will say that wolf packs aren’t actually based around alphas, betas and omegas. Research has shown that wolf packs are really alliances of small, nuclear families and lone wolves adopted into the pack. The more you know.

Well, I found my least favorite novel of 2021. Given how much hype it’s been getting since 2020, I’m disappointed.

Drawing on Japanese folklore and mythology (gee, who do I know who’s done that before?), the story follows five college grads who go to an old Japanese mansion for a wedding ceremony (sounds like my dream wedding). The mansion is supposedly haunted by a bride whose fiancĂ© died on the way to the wedding, and then had herself buried alive underneath the house. As night falls, strange things occur in the mansion, putting everyone at risk.

I hate to be negative about a novel. I know how hard it is to get your work published. But that being said, I’m still not sure how this novel got published in the first place. There’s so much to hate!

While the location and the concept are cool and the climax did make things more interesting, the rest is a hot mess. For one thing, I barely know these characters, because very little time is spent actually developing them. I know even less about our narrator, Cat, because what we learn about her is mainly just hints. We understand that she has depression and it messed with her pretty bad, but the specifics aren’t given and it just leaves the reader so confused.

As for the other characters, there’s nothing to like about them. One’s a “perfect” billionaire who’s sorry about something he did to the narrator (what, I don’t know); another is supposed to be the narrator’s best friend, but I don’t know anything about him to really get me to like him; one is supposed to come off as funny and instead just comes off as annoying; and the ironically most developed character is the best friend’s fiancĂ©e, who just hates the narrator because she’s insecure and think the narrator wants her man. They all seem to hate each other, yet insist that they’re all friends and should get along. Why they hang out with one another, I have no idea.

At least looking up hitobashira put that one Junji Ito story into context. Didn’t make it any scarier, but it did make it easier to understand.

As for the rest of the novel, there’s a scary story hidden in there that wants to come out, but it’s buried under a lot of problems. The language is trying to be flowery, but there are words in here that I’ve never read before. In the English language, no less! It feels like the author was trying to out-Lovecraft Lovecraft with the wordplay, and succeeded in all the wrong ways! Not to mention the Japanese stuff is never explained. I had to look up most of it myself, which is not a good sign if the book doesn’t spell it out for the unfamiliar reader.*

And finally, the psychological stuff is trying and failing to be psychological. It’s just wacky. Like watching a bunch of people on drugs trying to be profound and get into your mind. And the characters are drunk, but that’s no excuse. If you’re going to go for psychological, at least make sure it’s effective!

On a scale of 1 to 5, I’m going to award Nothing But Blackened Teeth by Cassandra Khaw a 1.3. One reviewer on the book’s back cover called it “The Haunting of Hill House for this century,” and I agree, in the sense that it takes the worst parts of that book and coalesces it into another haunted house. Avoid this one, and go read something else. Trust me, your time will be much better spent on other books.

*When I was editing Rose, I made sure that the Japanese concepts of kami and oni were spelled out because I knew plenty of my readers, including my parents, wouldn’t know anything about them. The novel has gotten a couple of negative reviews, but nobody’s criticized it for not understanding the Japanese mythology/folklore/religious stuff.

I won’t say Rose is better because of that, though. I’ll leave that up to the readers to decide. I’m just explaining what I did differently.


Just a note, Followers of Fear: today marks one week till the crowdfunding campaign for That Which Cannot Be Undone goes live. If you’re not aware, some of my fellow Ohio horror writers and I came together to create a small publisher, Cracked Skull Press, with the goal of putting a spotlight on Ohio horror writers. We’re gearing up for our first anthology, That Which Cannot Be Undone, the stories of which will be set around the theme “that which cannot be undone,” set in Ohio, and written entirely by Ohio horror authors.

Of course, we’re going to need your help to make it happen. We’re doing a crowdfunding campaign on Kickstarter starting November 29th and hoping to raise ten thousand dollars for paying the authors and editor, as well as other costs. And if you support the anthology, not only will you help us shine a light on Ohio horror, but there are perks to be gained for pledging your support.

And if we don’t make our goal, you won’t be charged for it. So your pledge won’t be taken unless we make our goal. That being said, we hope and think we’ll make our goal, so we hope you’ll join us. You can check out the project and sign up for notifications using the link below.

https://www.kickstarter.com/projects/crackedskullproject1/that-which-cannot-be-undone-an-ohio-horror-anthology

That’s all for now, my Followers of Fear. I’m off to work so I can work on my stories later. Until next time, good night, pleasant nightmares, and, if I don’t check in before Thursday, Happy Thanksgiving!