Before we start, I would like to thank Lucy A. Snyder and the team at Tor Nightfire for providing me with an ARC copy to read (and a special thank you to Lucy for the awesome galley copy she gave me a few months back).
Set a few years after our current COVID-19 pandemic, Sister, Maiden, Monster follows three separate women as their lives are affected by a terrible new disease raging across the planet. Known as polymorphic viral gastroencephalitis, or PVG, the disease is like the stomach flu from hell. For those who are lucky, it kills them very quickly. For the rest, it changes them, making them unable to eat most sources of nutrients. They have to get their nutrition through rather macabre means. And that’s only the start of the apocalypse that’s going to come.
So, it looks like there’s still an appetite for pandemic fiction, even after a real pandemic. At least, if the release of Sister, Maiden, Monster, the airing of “The Last of Us,” and one or two of my own stories, among other works, areanything to go by. And everyone telling those stories are making sure the hypothetical future pandemics are even more terrible than COVID-19 was. Which, honestly, I gotta respect.
Alright, onto the story. Sister, Maiden, Monster was great. I really enjoyed it. For one thing, the three main characters are really well-developed, which is great in such a character-driven story. There’s Erin, who’s seeing her life implode and strange new desires growing inside her after becoming infected; Savannah, a prostitute and dominatrix who discovers she has a talent for causing death in the name of new masters; and Mareva, a sickly woman who has been chosen for a terrible purpose. I really got to know these characters and get inside their minds. Which, by the way, was not always the most pleasant ride, believe me.
Speaking of which, Lucy Snyder does not shy away from showing what Stephen King calls the “gross-out” factor of horror. There are bloods, brains, gore, and plenty more body horror to make more squeamish readers feel faint. Add in the isolation and paranoia of living through another pandemic, this one worse than the one preceding it, as well as some good and delicious cosmic horror, and it makes for a rather scary read.
I did think that the time spent with each narrator was unbalanced. Somewhere between a third and half the book is from Erin’s perspective, and while I get why, I would have liked to see more from the other two narrators. Especially Savannah. That lady is wild and a lot of fun to read, even if you would be horrified by her if she were real.
I also noticed that something that appeared later in the book and which I loved seeing was foreshadowed earlier in the story, but I felt it could have been foreshadowed a bit more. Hell, I nearly forgot about the foreshadowing until the reveal, so that says something.
All in all, Sister, Maiden, Monster is a great, body horror-filled ride and I’m glad I got to be among the first to read it. On a scale of 1 to 5, I’m giving it a 4.3. The book releases this Tuesday, February 21st, so go preorder a copy, settle down when you get yours, and get ready to see the horror of the pandemic go through a terrifying metamorphosis.
Until next time, my Followers of Fear, good night and pleasant nightmares.
Hide in your homes and pray for mercy! I got an acceptance this weekend! “Trauma and Disillusionment Sometimes Go Hand in Hand,” AKA the dragon bat story, is going to be published! It’ll appear in this year’s upcoming Ink Stains anthology from Dark Alley Press!
So, a little background for those of you who weren’t reading this blog last year. About a year ago, I posted on my social media about “releasing the dragon bats!” No reason, I just like to post weird stuff on my social media feeds to remind people that I love the scary and the macabre. But apparently this caught the eye of my friend, fellow author and Follower of Fear Iseult Murphy (you can check out her blog here), who ended up creating some fan art of these dragon bats. Here’s the art she drew.
Pretty neat, right? These were my first pieces of fan art ever, and I absolutely loved it! And I really wanted to make a story about these dragon bats now that they had art based on them. Which I did: “Disillusionment and Trauma Sometimes Go Hand in Hand,” a novelette about a teen girl who gets wrapped up in a revenge plot involving calling on some dangerous supernatural forces.
I had a blast writing the story, but was worried that I’d be able to find it a home. There are more publications accepting novelettes now, but it’s still hard to find homes for them. But I kept plugging away and submitting, and lo and behold, it’s found a home!
And what a home it is! Ink Stains: A Dark Fiction Literary Anthology used to be a twice-yearly anthology of horror and dark fiction that produced some great horror fiction, but stopped producing due to the pandemic. Now it’s back for the first time since the pandemic began, and I’m so excited and honored to be part of the new edition.
As for when you can expect to read “Disillusionment and Trauma,” as well as the rest of the stories in the latest edition of Ink Stains, it appears to be on track for an October release. As soon as I have news, you can expect me to post about it. Or, you can follow Dark Alley Press on their website and Facebook, as well as their parent company, Vagabondage Press, on Twitter.
Anyway, I want to thank N. Apythia Morges and the team at Dark Alley Press for accepting my story, and I can’t wait to be part of this amazing anthology. I also want to thank Iseult Murphy, who inspired this story and who helped me polish it up for publication. And I want to thank you, my Followers of Fear, for always supporting me and my stories. I hope you enjoy this one as much as you’ve enjoyed my stories.
Until next time, my Followers of Fear, good night, pleasant nightmares, and run! I’ve just released some actual dragon bats! And they’re vicious carnivores.
You know me by now. In addition to horror, I love Japanese culture, especially anime and manga. So I was very excited to hear that Alma Katsu was putting out a new historical horror novel that would draw heavily on the myth of the jorogumo, or the spider-woman. Add in a WWII backdrop and I knew I wanted to read it.
Following several story threads, The Fervor mainly focuses on Meiko Briggs, the Japanese wife of a white pilot off at war, and her daughter Aiko. They are kept in the Minidoka internment camp by the US government for fear that they are Japanese spies just because of their ancestry. And as awful as that is, it gets worse. A strange disease is moving through the camp, striking down internees and guards alike, making them aggressive, violent and paranoid. As this disease, known as “the fervor,” spreads beyond the camp, Meiko realizes that this disease isn’t just killing her fellow Japanese, but it may have its origins in both Japanese culture and her own personal history.
So, Katsu admits in an afterword that this novel is different from her past historical horrors. The story of a disease attacking Japanese during a wave of anti-Japanese sentiment in the USA isn’t just an artistic choice. This book was written during a wave of anti-Asian sentiment after conspiracy theorists started spreading the rumor that China deliberately released COVID-19 upon the world. And it shows in the novel’s focus on not the disease, but on the other contagions that were common during WWII: fear and hatred. The same contagions that lead to the Holocaust in Europe and which led to the internment of Japanese Americans in camps throughout the United States, two of the most shameful chapters of human history.
This novel, as Katsu says, is a mirror.
But, how is this mirror as a story?
As you can expect, the story is extremely well-researched. Katsu, who is half-Japanese herself, draws from the stories of many of her relatives to bring to life the internment camps. You really feel you’re at the camp at times, as well as to the rest of WWII America. She also juggles the many characters, their at times contradictory minds and personalities, and the plot threads like a master. At no point did I feel that any of these characters were being emphasized too much or neglected, and they eventually come together satisfactorily. My favorite character was young Aiko, who is a bit of an outsider in more ways than one, and goes through quite a bit to survive what occurs in the novel.
And while Katsu admits she plays a bit with the WWII timeline a bit, she also includes some people and things that readers might not know about. While a fictional portrayal, Minidoka was a real place and the version we see here is based on actual testimony, minus the pandemic, of course. Also, Archie Mitchell was a real person and the balloons that play a part in the novel are based on the Fu-Go balloons that were actually used by the Japanese (and which I don’t remember being taught in my college WWII classes).
That being said, there were some things that could have been better. While most of the novel did the mirroring of our own age without being too over-the-top or preachy, the final chapter feels a bit like an overdramatic or melodramatic finish. Coming after a climax I felt was anticlimactic, I felt the ending was a bit of a letdown after what had been a good read so far. And this is a small gripe, but I spent several chapters thinking Aiko was younger than she was. True, there were hints based on the flashbacks of her true age, but the way she was written, I was surprised when I read she was twelve.
On a scale of 1 to 5, I’m giving The Fervor by Alma Katsu an even 4. While the story could have been wrapped better, it was still a great read that was well told and did a good job reflecting both the shameful parts of our past and our present. Pick it up, give it a read and see for yourself.
And if you would like some more background on the novel, read my interview with Alma Katsu on The Fervor from February. I had a great time picking her brain on the novel.
As you are probably aware, I read Tarot. And in some of my recent readings, especially concerning the month of May, cards have been coming up relating to new cycles in life. Wheel of Fortune, Death, those kinds of cards. And after today’s reading, I had a bit of a revelation: tomorrow is May 1st. And it’s not just going to be a new month, but a month full of changes. And I don’t just mean the weather.*
First, there’s stuff at work. We’re getting ready to go back to the office soon now that the pandemic seems to be winding down (though cases of COVID are rising again in certain areas, including in Ohio, so who knows?). And though my particular section will be going in later and staggering days we’re in the office, and a lot still has to be finalized, it’s still a change after two years working from home.
Then there’s stuff in the writing career. As you all know, The Pure World Comes will release in paperback and ebook on the tenth, so I’m busy promoting the hell out of that. In fact, I think this time TPWC is going to appear on more blogs, websites, and podcasts than Rose did when it came out, so hopefully that, and the fact that I’ll be at ParaPsyCon selling copies at the end of the month, will lead to plenty of people reading and reviewing it.
Funnily enough, both Rose and TWPC involve transformation, so I guess it makes sense for the latter to come out in a month of change and transformation. Hopefully the transformations I deal with won’t be as dramatic or life-threatening. I wouldn’t mind if that transformation leads to the new book doing well.
There are a few other changes I know are happening, though they’re not big enough that I feel like talking about them here. But there might be other big changes on the horizon. I’m actually looking to move out of my current place, so for all I know, I might find where I’ll be living where my rent is up. Though with both the housing and the rental market in a crazy state, I may end up in this place for another year.** Whatever the case, this coming month could be a month where things change dramatically with that search.
Are other changes in my life around the corner? I don’t know. Nearly anything’s possible. I wouldn’t mind if I lost the weight I gained this past month (thanks Passover and home-searching stress!). Well, whatever the case, I’ll try to roll with whatever happens and adjust as necessary. Though if the Tarot cards are anything to go by, it’ll be a good month.
This is from my personal deck and from today’s reading. The center card, the Present card, is The Magician. It represents mastery and having all you need within you. The one on the left, the Past card, is the World. It represents triumph and success, happiness and achievement. Opposite is the Future card, which is The Emperor. It means authority and ambition, as well as achievement and even financial stability. Up top in the Cause position is The Knight of Swords, which represents swift and chaotic movement, or a serious-minded young man (I’m going with the latter this time around). And on bottom, in the Potential space, is The Knight of Pentacles, which represents eventual good news and/or a reliable young man.
The question I asked the cards was, “What do I need to know for the month of May?” Based on the answer, I think May will be a month of good transformations. I hope, anyway.
*Which, let’s face it, this is Ohio. Our weather is notorious for changing at a moment’s notice. In fact, it often does. We joke about it a lot.
**God, I could write a whole post about the state of the market and how mad I am at it. But I won’t, because it’s not that kind of blog.
BTW, Followers of Fear. The Pure World Comes is available for preorder on Amazon! Yeah, they basically lied to me when they said it wouldn’t be. So now, if you would prefer to purchase from there, you can use the link below. And if you decide to read it, let me know what you think. Positive or negative, I love reader feedback and it helps me as a writer, as well as help other readers decide to read the story.
Hope you enjoy the last couple of hours of April, my Followers of Fear. Until next time, good night and pleasant nightmares.
Some of you may remember at the start of the pandemic I had the pleasure to interview Alma Katsu, author of the critically acclaimed novels The Hunger and The Deep (you can read that interview here). I loved both novels, which took on the historical events of the Donner Party and the Titanic, respectively, and turned them into supernatural horror stories. It won’t surprise you, then, that I’ve been looking forward to her next historical horror novel for a while now.
Two pieces of good news: first, Ms. Katsu has a new novel, The Fervor, coming out in late April! The novel takes place during World War II at a Japanese internment camp and involves a strange disease and a stranger monster from Japanese legend. Yeah, you can tell this is right up my alley!
Second pieces of good news: Ms. Katsu has agreed to let me interview her about the book! So without further ado, let’s talk to Alma Katsu and find out why you should be as excited as I am for her new novel.
Rami Ungar: Welcome back to the blog, Ms. Katsu.Please tell us about The Fervor and how it cameabout.
Alma Katsu: First came the decision to set the next book in WWII. That had to do with trends in publishing, frankly; I’d sat in on the editors’ panel at the Historical Novel Society conference a few years ago, when it was time to come up with a proposal, and their advice was that historical fiction was pretty much dead except for WWII. I’d always thought it would be interesting to write about the internment camps, but then the question was how to turn that into a horror story? Objectively, the horror should be pretty evident: here was a government locking up its own citizens, people who hadn’t committed a crime, because they didn’t trust them. Because the average citizen (with the help of propaganda) believed that Asians were inherently sneakier and untrustworthy.
RU: You’ve talked about your Japanese heritage and how it influenced the story. Can you go into thatfor us?
AK: This was the first time where the main character of the book has the same ethnicity as me, and it was pretty eye-opening. For one thing, as I was writing I realized that I had a lot of resentments about the way my mother had been treated coming to America after the war, and the way I’d been treated as a minority (to a lesser extent) bottled up inside. Add to that the preconceptions about Asians and Asian women, in particular. This was an opportunity to write the truth, to dispel myths. It was freeing.
RU: I can only imagine!And speaking of Japanese elements, there’s been a surge of stories inspiredby Japanese culture, particularly yokai, in the West.Some examples include Nothing but Blackened Teeth byCassandra Khaw and my own novel Rose.What do you think of that surge,and where do you think it comes from?
The Fervor by Alma Katsu.
AK: I’m afraid I don’t have much to offer here. I know some folks are big into Japanese folktales and such, so I’m not aware of a surge per say. It always seems to be fairly popular thanks to anime! Japanese yokai and yurei are part of the fabric of life for Japanese, and so I’d heard and read stories when I was a kid, and it didn’t seem you could tell a horror story with Japanese characters without incorporating it in some way.
RU: Well, I can attest thatanime was definitely an influence on me.Anyway, The Fervor also involves anepidemic in a Japanese internment camp.Did the COVID-19 pandemic influence your decision to include that?
AK: I drew on COVID, yes, the feelings of mass panic and confusion, but The Fervor is about racism. I decided to write it after watching what’s been happening to this country over the past four years or so. I’m not naïve but it’s been bewildering to see racism go mainstream in America. It’s comforting in a way to think it could be a disease, something you could catch, as that at least is understandable. The January 6th attack on the Capitol also influenced the book: The Fervor was an attempt to look at what this country has been going through and compare it to another horrible incident in America’s past, and show that we haven’t changed much.
RU: I’m looking forward toseeing how that plays out in the book. So, what research did you do for the book?
AK: This was different from The Hunger (the Donner Party) and The Deep (the sinking of the Titanic), events that I didn’t know a lot about. I already knew a lot about life in the internment camps, because I’d heard stories from my in-laws, seen documentaries and read articles. I knew what the issues were, I knew how the interned felt and what they had gone through. For the book, it was more a matter of filling in the gaps. I lucked out in that a neighbor’s family had been interned at Minidoka, which is featured in the book, and had a trove of documents from the camp: maps, rosters, newsletters, all kind of non-official documentation that typically gets lost to time. It was a real windfall.
RU: Yeah, primary sources like that are always a boon when writingabout history or using it. And speaking of which, you’ve written about the Donner Party, the sinking of the Titanic, and now the Japanese internment camps. Are there any other ages or historical eventsyou would want to write a story about?
AK: After doing three books and having them change a bit each time (going from being fairly close to the history to becoming reinterpretations of events, maybe just shy of alternate histories), I think it’s time to re-evaluate. I’m sure there are plenty of interesting historical events (I’d love to do another Western, for example) but I’m a little burned out on close reads of history right now.
RU: Fair enough. Switchinggears a bit, what are you working on nowadays?And when can we expect tosee the TV series based on your spy novel, Red Widow?
AK: I just handed in the second in the spy novel series, and though I’m sure it’ll need some work, I’m glad to have that behind me. I’m working on a new project that I can’t talk about at the moment, and hope to be pitching a few TV proposals soon.
Red Widow, the TV series, is chugging along. The pilot script is being polished right now, and we hope to know whether we’ll be shooting the pilot before too long.
RU: Final question: what are you reading these days? And are there any recent reads that you wouldrecommend others check out?
AK: There are so many great books coming out this year that it’s hard to single out just a few. Let’s see… SA Barbes’ debut Dead Silence just came out. It’s space/horror: think Aliens meets Titanic. It’s a lot of spooky fun. I had the opportunity to read Andy Davidson’s The Hollow Kind, a wonderfully suspenseful, creepy southern Gothic with a dual timeline. It doesn’t come out until October, however. I’m really excited for Catriona Ward’s next novel, Sundial, which I think I liked even better than Needless Street.
RU: Well, thank you for joining us, Ms. Katsu. It was a pleasure to have you again. Please keep us posted on your progress.
If you are interested in The Fervor, you can preorder it now from most retailers. You can also check out Ms. Katsu’s other books, including The Hunger, The Deep and Red Widow. And, of course, you can find Ms. Katsu on her website, Facebook, Twitter and Instagram.
That’s all for now, my Followers of Fear. I look forward to reviewing The Fervor this coming spring. And in the meantime, I’m sure I’ll be back soon with plenty to share with you. Until next time, good night and pleasant nightmares!
Before I get into the meat of this post, I want to tell you a funny story from this weekend: so my youngest sister and I drove up to Cleveland to spend some quality time with my dad and stepmom. Since just about everything was closed due to COVID, we had a movie night and watched Freaky, which I mentioned in my review that my dad wanted to see. Unusual for him, seeing as he hates horror and only reads my work because it’s mine.
Anyway, we’re watching the movie, and in an early scene a girl is getting brutally murdered by the serial killer using a toilet seat. My dad is grossed out by the gore and turns to me, because I was singing the movie’s praises when it came up as a possible viewing choice, and says, “Rami, what the–?”
Just then, the shot changes from the girl getting murdered to two teens hooking up in the garage. We all burst out laughing at the perfect timing. Even my dad found it hilarious. And yes, he enjoyed the film, though he didn’t care for the gore.
Alright. So, as many of you are no doubt aware, I’m involved with a small publishing press, Cracked Skull Press, and we’re currently fundraising for our first anthology. That Which Cannot Be Undone: An Ohio Horror Anthology will be written entirely by authors based in or from Ohio, with their stories set in Ohio, and revolving around the theme “that which cannot be undone.” It looks to be an amazing anthology.
As I said, we’re fundraising for the anthology with a Kickstarter campaign, and we’re currently over 40% funded on this project. And as of today, we’re halfway through the campaign’s duration. It’ll come to an end on January 28th, 2022. And I’m asking you all to help us reach our goal by pledging your support. If you help us get to our goal, my friends and I will be able to put some amazing original short stories into the anthology. Doesn’t that sound like a ton of fun?
We’re working hard to make this anthology a success. I hope you’ll support us and even pledge to the campaign!
Plus, there are a number of perks to pledging to our campaign. Depending on the pledge you choose, you can get listed in the donor section of the book, as well as your very own e-book and paperback copy. Interested in a copy of a book from one of the authors? How about a special limited edition horror-themed candle? Or how about being included in a story by one of our authors? That’s right, you can be included as a character in a story by a great horror author! Doesn’t that sound like fun?
So, if you’re interested in supporting us in the creation of this anthology, you can check out the campaign, the various updates and the awesome pledge choices we have available using the link below. We’ve already announced some of the awesome authors we’ve brought on, and will be posting updates periodically as we get them. And whether or not you can pledge, we appreciate it if you can share news of the campaign on your own blogs or social media. The more people who know about the anthology, the more likely we are to make our goals, so every mention helps.
That’s all for now, my Followers of Fear. I hope you’ll continue to support us as we work hard to make this anthology, and our dreams of writing terrifying stories, roaring successes. And if I don’t post anything new before the end of the week, I wish you all a very Happy New Year. May 2022 be leagues better than 2021 was.
Until next time, good night, pleasant nightmares, and please get vaccinated so society can stop shutting down for indefinite periods of time every four to six months.
I’ll give 2021 this, it went by fast. A lot faster than 2020 did, thank God! And, despite how the year started (*cough* treasonous rebellion against the US government *cough*), it wasn’t as bad as I thought it would be when I posted back in late 2020.
Okay, real talk. While 2021 wasn’t as difficult as 2020 was, it still had its fair share of troubles. A lot of people still can’t or won’t get vaccinated against COVID-19, leading to the spread and emergence of new variants. Climate change is still an ongoing problem. There’s a big job and housing crisis happening in the country right now. And there’s still a ton of political and social unrest in the US and around the world, among other things.
That being said, 2021 did have some improvements. A lot of people are still alive because of masking and vaccination. In many places, we’re able to eat in restaurants, go to school and work, and even see movies and shows in theaters again (my mom, sister and I are going to the ballet for the first time in nearly two years! We’re so excited). The US didn’t collapse, despite how much we feared it would one way or another back in January. There are new treatments for other diseases alongside COVID-19 being discovered and developed, and new initiatives to protect the environment, combat homelessness, and so much more!
Oh, and we got one hell of a two-part movie adaptation of the Sailor Moon Dream arc back in June. Can’t forget that.
On a personal level, 2021 was mostly very good. I got vaccinated (and boosted as of two weeks). I moved into a bigger apartment. I got to visit some cities I’ve always wanted to visit for my vacation (and learned I’m not a Vegas person in the process). My efforts to save for a home are on track (for the most part; a lot of that savings account went into my vacation). And…what else? Oh yeah. I had my best year of writing and publishing ever!
Very excited about this (and whatever is created as the cover).
Seriously, The Pure World Comes was released and has been getting rave reviews; I published several short stories, novelettes and articles in anthologies and magazines; my collection, Hannah and Other Stories, was accepted for publication; I got to attend a couple of awesome conventions and meet some readers and writers; I wrote and edited so, so much; my friends and I created a small publishing press and are crowdfunding our first anthology (more on that below); and the number of Followers of Fear grew on this blog and my other social media platforms. This has been my most successful year of writing since I first started keeping track!
All that being said, I had my difficult moments this year. Things I didn’t talk about on my blog or other social media. I couldn’t keep my cats due to reasons outside my control and had to return them to the shelter soon after I got them; a driver ran a red light, causing us to get into a crash and forcing me to replace my car (at least the insurance company helped me get a new one); and there were plenty of times I felt frustrated, restless, or lonely because of the isolation we’ve all been going through these past two years. Yeah, all that happened. And it sucked. At least they helped me grow as a person (I think).
So yeah, 2021 was full of good and bad. At least the good outweighed the bad. And that’s making me somewhat hopeful for 2022.
Yeah, there’s still a lot of shit in the world that’s likely going to bring down my opinion of humanity and the world in general. But as I said above, things have gotten better in certain areas and may continue to go that way. And I have a lot of projects on the horizon, like Hannah and the paperback and ebook editions of The Pure World Comes (and maybe an audio book); I’m already signed up for a couple of conventions and expos; I have at least one short story being released next year, and hopefully more on the way; I might be working on an anthology next year (more on that below); and so many ideas I can’t wait to write!
I may even get to work on Crawler, like I planned to.
Speaking of the paperback/ebook for The Pure World Comes, how does this look for cover art.
And who knows what else might happen in 2022? I don’t think I’ll be able to buy a house or get a movie adaptation of my work (though I would love it if either happened), but a lot happened in 2021 that I didn’t expect. Sky’s the limit, and I plan to head there.
Yes, 2021 was difficult in some ways and on many levels, but it was also happy and rewarding, too. And while I know that a lot of problems will continue through to 2022, I’m hopeful for the new year as well. So much more than I was at this time last year.
And I hope that whatever happened in 2021, you’re feeling the same way too.
How did 2021 go for you? How are you feeling about 2022? Anything happen that made you smile or feel helpful? Let’s discuss in the comments below.
On the subject of the small press my friends and I created and our anthology, That Which Cannot Be Undone, the crowdfunding campaign is going quite well. In just six days, we’ve reached 17% of our goal and are working to get the rest. If we make our funding goal, we’ll be able to release a great anthology of horror set in Ohio and written by our fellow Ohio authors. You can learn more about the anthology and the campaign by clicking on the link below.
That’s all for now, my Followers of Fear. I’m going to keep the hope alive for the week (and maybe the rest of the year). Until next time, good night, Happy Hanukkah and Krampusnacht (yes, that’s a thing), and pleasant nightmares!
Hi Followers of Fear! I’m writing from lovely, enchanting Las Vegas! Actually, it’s more elaborate, gaudily opulent and sensory overload-inducing Las Vegas. It’s both, really. And extremely expensive. Whatever, I’m going to enjoy myself here! But first, I have an exciting announcement. One worth getting on the blog and writing up a blog post early for!
As many of you are aware, I’ve been working on getting another collection of original short stories out. I even did a ton of editing over the summer to make it happen. Well, I’m happy to say, all that work paid off! Yesterday at 3:15 PM in St. Louis, I signed a contract with BSC Publishing Group to publish a new collection of short stories, “Hannah and Other Stories.” So, without further ado, here’s a temporary cover that I created until we get something a bit more professional.
Not bad, right? This is actually a hint as to the subject matter of the titular short story. No, not toilet humor or toilet horror, I put all that into The Pure World Comes. In fact, the short story Hannah was inspired by a famous legend from Japan. If you can guess what it is without Google, congratulations! We can be friends.
Also, the titular character in the titular short story is not named after any of the people named Hannah I know. And believe me, there are a few. It’s a popular name in the Jewish religion.
You hear that, Hannah P. whom I went to high school with and sometimes saw at Ohio State? This has nothing to do with you! Though I may send you a copy when it’s out as a cheeky present.
Anyway, where was I? Oh right. Well, in addition to “Hannah,” there are six other stories in the collection: “Queen Alice,” about a mythical Internet boogeyman. Or boogeywoman, to be precise; “The Autopsy Kid and Doctor Sarah,” about a budding serial killer; “Fuselli’s Horses,” about a rather interesting breed of horse; “The Red Bursts,” about a town whose residents become reluctant witnesses to something terrifying; “What Errour Awoke,” about how one innocent reading during an English literature course leads to a terrifying situation during the COVID-19 pandemic (already putting it into my fiction, don’t you know); and “Poor, Unfortunate Souls,” about a party underneath the streets of Paris which takes a turn for the awful.
I look forward to hearing what you all think of the stories. There’s likely going to be a lot of editing over the next year or so, but I have confidence we could see this book out some time in 2022. What this means for the paperback/ebook release of The Pure World Comes, or writing my mummy story Crawler, I can’t say at this point. But all I can say is, I think the next 365 days will be quite eventful.
My view from my hotel in Las Vegas. I can’t wait to have fun in this city.
And in the meantime, if you’re looking for good stories to read, I have plenty available now while you wait. I hope you’ll check them out while I work on Hannah and releasing The Pure World Comes in paperback and ebook. Not only will find them entertaining and possibly terrifying, but it’ll help me out while I’m writing and editing. Also, if you do end up reading one of my stories, let me know what you think. Email me, or leave a review online somewhere. It’ll let me know what you think and help other readers decide whether or not to check out my work. I’ll leavve the links below.
That’s all for now, my Followers of Fear. I’ve got to film a YouTube video and then grab dinner before having a proper celebration in my hotel room tonight. Until next time, good night, pleasant nightmares, and prepare for Halloween in three days! If you don’t, I will obliterate you from the face of the Earth! Mwa ha ha ha!!!
Wow, what a week it’s been! First I got that double acceptance on Sunday, and then I get this piece of news on Tuesday. Who knows what’s going to occur over the weekend? But I digress, because “Natural Predators” is being published in the anthology Dark Nature from Macabre Ladies Publishing!
So if you didn’t know, “Natural Predators” is a story I wrote back in June about a pandemic hitting a summer camp. Surprisingly, it’s not based on any of our current events. No seriously. It was actually inspired by my own summer camp days. Back when I was a teen, the sleepaway camp I was at, as well as the surrounding communities, was hit by a nasty stomach virus. Over the course of a weekend, the infirmary was filled with kids and adults throwing their guts up. And I was the first in my year to get it, as well as the one who probably got the rest of my year sick.
Years later, when watching an episode of Family Guy where the characters were trying to write their own horror movie, I imagined the character Joe, who is disabled, drawing on his own personal experience to write a body horror tale. Somehow that combined in my head with the camp epidemic, and a story was born: “Natural Predators.”
Of course, I didn’t write it until this summer, when I had the right stimulus. Dark Nature is an anthology around the idea of Mother Nature getting back at humanity for centuries of abuse. As long as nature was depicted being the revenge, anything went. The idea spoke to me, so I decided to write “Natural Predators” around the theme. And it worked pretty well, too.
That being said, I honestly didn’t think it would get in. It’s a pandemic story, after all, and there was such tough competition. And I thought the other submissions would be so much better than mine (humility is a good quality to have as a writer, I find). But somehow, out of a hundred submissions, mine was one of the ones chosen!
Apparently there’s still a market for pandemic fiction. Even in the middle of a pandemic.
Being serious now, I’m really grateful the editors at Macabre Ladies Publishing liked my story and I’m so excited to work with them. Thank you as well to my beta reader Monica, whose advice was probably instrumental in making the story as good as it is. And congratulations to the other people who got in with me. We all faced some tough competition, so I’m glad we were able to get in together.
I hope you’re as excited as I am about this story being published as I am, and are interested in reading Dark Nature once it comes out. Which, according to the publisher, should be some time this month if all goes as planned. I’ll post links as soon as I can, and I look forward to hearing what you all think of “Natural Predators.”
That’s all for now, my Followers of Fear. At the time this is publishing, I’m off using my dreams to plant dangerous, mutated arthropods in the homes of people who deserve it. So with that, I wish you all a good night, pleasant nightmares, and welcome to October! Truly the most wonderful time of the year.*
Read the book by Max Booth III last month. Finally got to see the movie, the screenplay of which was penned by Booth as well and which was directed by Sean King O’Grady, this evening. Let’s get reviewing.
As I said, We Need to Do Something is based on the novel by Max Booth III and follows Melissa and her family as they pile into the master bathroom during a violent storm (no basement). However, they soon find themselves trapped in that bathroom with no way to get out, and it’s unlikely anyone’s coming for them. Hunger, fear and their own dysfunction soon lead to tension, terror and their own personal ride to Hell.
Okay, first off, the bathroom in the movie is both bigger and tackier than the one I had in my head. Seriously, there’s plenty of space, but has that bathroom not been remodeled since the 1970s?
Enough silliness. Onto the actual review.
The film was made during the height of the pandemic and O’Grady said that the movie and current events sort of mirrored and mimicked each other. And you can see it in the film: all four of the main cast are trapped inside a small space due to events in the outside world and can’t leave. They grate on each other rather quickly and events make things worse and worse. Add in some crazy, ambiguous happenings to heighten the atmosphere and the situation further deteriorating, and it makes for a great analogue to the pandemic.
Not only that, but the ambiguity in the novel is translated very well into the film. It’s more heavily implied that what’s happening outside the bathroom (which we never see) might actually be real rather than a side effect of cabin fever or anything. But it’s still quite mysterious and leaves you with just as many questions as the novel did.
Finally, the cast does a great job as their characters. As Melissa, Sierra McCormick is brimming with hurt and pathos, while Vinessa Shaw (Allison in Hocus Pocus, if you can believe it) does a great job as the mother tired of living a friction-filled marriage. And while Pat Healy’s take on dad Robert is written the tiniest bit more sympathetic than in the book, he still comes across as a mega asshole you love to hate.
Oh, and guess what? Ozzy Osbourne is apparently in the film. I’ll let you guess which character he is.
On the downside, the flashbacks with Melissa and her girlfriend Amy do feel kind of lacking without a lot of the context the novel gave them. While the score reminds me of the best of Colin Stetson’s work, it does have a few moments where it doesn’t work too well with what’s occurring in the movie. And in certain moments, the snake does look laughably fake.
But all in all, this is a great translation of the novel to the screen. On a scale of 1 to 5, I give We Need to Do Something a 4.5 out of 5. If you can’t make it to a theater playing it, you can find it on YouTube, Apple TV and Amazon, among other sites, so go give it a watch. You’ll be reminded that, as bad as your pandemic experience with your family has been these 19 months, at least you weren’t trapped like these guys!
That’s all for now, my Followers of Fear. Tomorrow I get to work on new stories, but right now, I’m going to hit the proverbial hay. Until next time, good night and pleasant nightmares!
Rami Ungar The Writer 