Posts Tagged ‘novel’

I’ve been blogging here on WordPress for nearly two years (the second anniversary of Rami Ungar the Writer is actually a month and a day away, believe it or not). A lot has happened in that time. I started college, a job, and a new life. I began the publishing process for Reborn City, wrote The Quiet Game: Five Tales To Chill Your Bones, which will be coming out in 16 days, I published several short stories and one or two articles, became a writer for Self-Published Authors Helping Other Authors, met my roommate for the apartment I’m getting in August, read all the Hannibal Lecter books, got into The Daily Show, and a few other things.

And witness to most of this is my blog. I’ve been able to record my musings, review movies, TV shows, and books, update people on my writing, and add links to the places my short stories are published. I’ve made some great friends through the blogosphere, a couple of whom have helped me with my writing my being kind enough to offer feedback on my work (by the way, both of those friends are Canadian, so I’ll give them a shout-out by wishing them a happy Canada Day!). I’ve met people who have offered me wonderful advice, given me their own thoughts, and even sometimes argued with me on this or that topic. I even had nearly two-thousand Anne Rice fans reading my review of The Wolf Gift, and I’m happy to say the majority of them reacted positively to it.

You know, my life has been enriched a lot by blogging. Sure at times I was lucky just to get a single person to read the posts I was writing. But these days I’m proud to say I have a little bit of a following going on, and I’m glad that you all keep reading my posts. Sure I lose a few followers every now and then, but most of them keep coming back (God only knows why) and it touches me deeply that you want to read what I’m writing. Thank you so much.

new TCG cover

I’m about to start on a new but related adventure: publishing and selling copies of a published collection of short stories. I have trepidation, excitement, doubts, and confidence all going through my system. But whatever happens, I have a feeling that my blog, and the people who read it, are going to be behind it every step of the way.

Oh, and speaking of publishing, remember Daisy, the short story I published on Amazon and Smashwords, not only as a promotion for The Quiet Game but also to see if anyone would read it? Well, it looks like 150 people have downloaded and read it, and I even got one review that gave it an “average” grade. Have no idea if that’s an indication of how The Quiet Game will do (I’m personally hoping it’ll do much better), but it’s still got me excited. Perhaps in the future I’ll have 150 downloads on the first day!

Have you downloaded a copy yet?

Have you downloaded a copy yet?

Off to go jog now. Once again, thanks for reading my work. I really appreciate it.

Now that’s a scary image.

I’ve been meaning to write this post for a while, but for some reason it keeps slipping my mind. Might as well write it now while I wait for the Doctor Who episode I’m watching to load.

Well, it’s finally happening. Snake is getting its final draft before I get ready to format it, create a cover, and send it off for a copyright. And helping me with all this is Angela Misri, who goes by the screen name Karmic Angel and writes the blog a Portia Adams adventure (and I so wish she would publish her casebooks, independently or otherwise. They sound really good!). Anyway, Angela’s been looking at Snake and giving me her thoughts. I’m telling you, she’s very good. She’s pointed out several inconsistencies and problems I hadn’t even noticed.

Well, that’s why I like beta readers. They see the stuff I don’t. And Angela’s doing a great job. She’s currently got chapters 9-12, and at the rate she’s going, she’s going to have the whole book done by September, December at the latest.

Angela, thanks for helping so much. You’ll definitely get your own special mention in the Acknowledgments section of Snake, the one I have yet to write but will once the novel is finished.

And speaking of which, I know what the basis for the cover of Snake will be. I plan to use Lilith, a painting by John Collier. It features a humongous snake, and it has parallels to themes within the novel. Of course, I’ll have to use a type of cover available through CreateSpace that covers certain things. After all, I don’t want people looking at this book the wrong way.

I’ll have more as time progresses. Hope you’re as excited as I am, and thanks again, Angela.

I managed to abbreviate that even more, somehow.

In this latest article on Self-Published Authors Helping Other Authors, I write about what goes into making a successful sequel to your novel. Yes, I know I’ve been one to moan and complain about how there are too many sequels and remakes and reboots out there. And more than once, I’ve bitched spectacularly about how there aren’t enough good sequels out there (or is that horror films? Maybe it’s a bit of both). But I’m about to start writing Video Rage, the sequel to Reborn City, and I thought that I should make a list of what I think makes a good sequel.

If you are interested in reading the article, click here. There may be tips and examples here that you may find helpful in your own writing, particularly I you’re about to start on a sequel of your own and you’re nervous that the sequel won’t be as good as the original. And even if you’re not writing a sequel, you should check out the blog anyway. There are plenty of helpful articles here that can give you insight if you are self-publishing author, both for beginners and for longtime veterans.

I’ve certainly benefited from this blog, and in more ways than one.

A while back I wrote a post about how I why I tell friends and family that characters with similar names aren’t based on them (if you wish to read said post, click here). The basic idea was that I don’t put people I know into my books for a variety of reasons and I always let them know that the character isn’t based on them if I know anyone with a similar name.

Well, there are a few exceptions to that rule of not basing characters on people I know. But I’ve only done it twice and only for special reasons. Like, It was for charity. Before I started writing Reborn City, there was a charity drive at my high school. my school was a private school and wasn’t exactly rolling in money, so the yearbook club literally had to pull every cent they could find to afford to print copies of the yearbook and give them free of charge to students. One of the ways they gathered funds was an auction, and I auctioned off a role in RC, starting at $5.

Yeah, that low. Well, I was still dreaming and writing then. I hadn’t published a single short story, let alone shown that I was going anywhere with the writing I was doing. But that didn’t matter for some of the people in my high school, because a bidding war began between two friends of mine, one a junior at the time, the other a freshman. The freshman won with $12 (yes, that low) and true to my word, I included my friend in RC when I wrote the outline and later the story as the main antagonist’s assistant.

I actually enjoyed writing that character, and instead of killing him off, left open the possibility of his return in VR and Book 3. When I told him over Facebook that the book he was in was coming out in November and he got excited, I couldn’t help but think, Not a bad investment you made, my friend.

The other time I included someone in one of my books actually happened rather recently, and it was To prove a point. I was talking with my sister Adi, a mutual friend of ours I’ll call J, and that friend’s younger sister A. Adi and J wanted me to include them in Laura Horn, despite the fact that I normally didn’t do that sort of thing. Even better, they were both demanding main character status. And J’s younger sister was just standing there quietly, not demanding anything of me, just rolling her eyes in amusement. So I went and said, “A, you’re getting a role in Laura Horn.”

Adi and J were like, “Are you kidding me?” I just laughed and laughed, and for added measure, said A was going to be a mean girl with a different last name. A, being A, didn’t care one way or another, but I proved my point: Don’t ask to be in my books, because there’s no guarantee you’ll get a good role or any role for that matter. I’m not sure J and Adi got the message though, because they were asking for roles again this evening. Well, J was asking for a role.

If I ever do another auction, maybe then I’ll give J a chance. But until then, I’m not letting anyone bully me into giving them a role. After all, what would be the point? And what do I owe them that they should badger me constantly? And if I included them, wouldn’t that mean I had to include everybody who wanted a role?

Only a few exception, EVER. And that’s the way I’m going to keep it.

Do you ever include friends or family in your books? If so, who and why?

Some of you may remember my review of the novel a while back (if you haven’t read it, click here), which got a very favorable review for being a history of the political, military, economic, social, educational, religious, ethical, and moral ramifications of a zombie war as told through a series of vignettes from witnesses of the war (try saying that three time fast).

After reading the book, set ten years after the end of the war, my whole family–or just me and my mother, plus my sister who hasn’t read the book–wondered how the movie would differ from the book. Obviously there would be a lot of differences, seeing as the movie shows the zombie war as it begins. When we got to the theatre yesterday, had our coupon denied, sat through a hundred corporate ads, had the projector break down, and finally started the movie, we hoped that even with so many liberties, the movie would be good.

We weren’t disappointed. Although plenty of liberties were taken and plenty of stuff was left out–the zombies were fast-moving rather than slow shufflers, there was no mention of the new religious empire of Russia or the South Africa plan, changes in what happens to North Korea, and a huge difference in what happens to Israel–the movie was a decent zombie thriller. Brad Pitt was awesome as Gerry Lane, a retired UN worker who’s called back into service when the plague breaks out. He is surrounded by a great cast and zombies who are so lifelike–or maybe un-lifelike is better–that whether they are CGI or actors in make-up, they look so real.

The movie zigzags around the world, from Philedelphia to the Atlantic Ocean to Korea to Israel (whoop-whoop!) to Wales and finally to Nova Scotia, but there are plenty of thrills and tense situations in-between that have you on the edge of your seat. And finally there’s the scene in the vault in Wales, where the final twist in the movie is revealed. At the end, you’ll be enjoying yourself despite all the liberties taken.

My family and I left the theater discussing the movie and its many differences from the book, but how we enjoyed it all the same. I’m going to give the film a 4.4 out of 5, for being the first decent zombie film I’ve seen in a while.

Oh, and apparently Paramount is moving ahead with plans for a sequel, despite the fact that the original was plagued with numerous problems and production costs skyrocketed. Not surprising, considering horror has had a history of doing sequels long after the sequels should stop, and this was well before the sequel mania we are in began. I’m not sure if I’ll see the sequel, but considering that it took six years for the movie to actually make it to the screen, I tink enough time will pass for me to actually enjoy the sequel.

Dye this angel’s hair brown and she could be Laura.

Oh, I’ve had a good day. I got up on time for once this week, I had a good breakfast, went for a jog, started on the new Dan Brown novel, had lunch with my stepmother, and…oh yeah. I FINISHED THE OUTLINE FOR LAURA HORN! Twelve pages, eight-and-a-half of them devoted to the plot, the other three-and-a-half devoted to character summaries. And you know what? I LOVE IT!!!

To tell you the truth, I think it’s kind of ballsy to write this sort of novel. Not only is this novel’s heroine a victim of sexual assault, but it’s plot revolves around a…well, a plot. Against the President of the United States. And I have said victim trying to save the nation while the people behind said-plot are after her. And through all this she confronts her past and takes the first steps to moving on. I also make references to the NSA scandal and PRISM. Plus I write my first actual rape scene (not looking forward to that).

All that, and there’s an interracial cast of characters that would make the KKK run out of the movie version screaming like a bunch of banshees (makes sense given their wardrobes) and enough characters that slightly resemble actual political figures that if I ever get any devoted fans (perhaps I already have them but I just don’t know it? Like my grandmother?), they’re going to be wondering which characters are based on which politicians.

For the record, no one’s directly based on anyone. The President character is not a Hispanic version of Barack Obama, he is not based on Marco Rubio, and I didn’t even hear of the senator with the same last name as my guy until this evening, when I watched The Colbert Report! But yes, this is going to be a ballsy novel to write. I’ll have to do some more research as I write it, and it’ll be difficult to write at times.

But like I said, I love this novel. It’s going to be 67 chapters long (I guessed 61-67 chapters, so I’m glad I was right), and I love the twists and events that happen. At some point I stopped writing and was like, My God. I feel like I’m writing a James Bond movie with a teenage girl as Bond. That’s a huge stretch, but it’s what I felt like at that moment. There are plenty of crazy things that happen in the story, including a chase across the Georgetown University campus, a gunfight in the Blair House, and a trip down the shaft of an elevator, just to name a few.

To quote somebody from my generation, it’ll get cray-cray. But still, I love it, I’m looking forward to writing it, and the fact that it’s 30 chapters longer than Video Rage means I’ll finish Video Rage long before I finish Laura Horn. I’m either very good at guessing how long my books or going to be, or I’m a psychic. God, I hope it’s the latter.

Good night everybody.

I’ve been working on the Laura Horn outline for the past couple days, going on the Internet when I need information I don’t necessarily have (research is ongoing and done as needed). So far, I’ve written up to Chapter 40 of the outline. And let me tell you, it’s shaping up very well. A really great political thriller with spy themes. And Laura Horn herself? She’s getting the help she needs, slowly but surely.

It’s been a tough process just writing the outline. The many different things I have to research, plus planning out each scene to be the best as possible. Plus all the distractions that go on in my life, it’s been hard to write the outline.  But the fact that I’ve gotten this far, and that I’m probably going to get much farther by the time the day is done, is spurring me on. I might be finished by Thursday, Saturday at the latest.

I’m not sure how many chapters Laura Horn will end up being (more than Video Rage, anyway). I’m pretty sure that it won’t be Snake-length (100 chapters) but it’ll be a good length novel. And the way I’m feeling this story shape up, it’s going to be one hell of a story. One I can be definitely proud of.

Adaptations are either average, amazing, or really, really bad. Sometimes it’s easy to know which one is which, sometimes it’s not. But when you have Under the Dome, based on the thousand-page novel by Stephen King, it’s difficult to tell what this adaptation will be like. Especially when you consider that there are some big differences to the novel that His Scary Highness himself okayed.

For those of you unfamiliar with the novel, Under the Dome takes place in Chester’s Mill, a small Maine town that is cut off from the world by a giant invisible dome. The novel itself focuses less on where the dome came from and how they get out of it (though that does get its treatment), but on the social ramifications of being cut off from the rest of the world. The TV series, which may have more than one season depending on how well the show does in the ratings, will chronicle how the town does over a period of months (rather than days like in the book). Clashes will occur, people will die, and perhaps we may get a second season.

However at this point it’s too early to tell. There’s the usual weirdness and odd elements that typically define a King story. Two teens have seizures where they see “stars falling in lines” and there’s a cow that’s split in two early on. There’s also hints of something very wrong happening in Chester’s Mill well before the dome fell (I won’t give anything away if you haven’t read the book, but trust me when I say it’s important). And of course, there’s the usual elements of a small town in a King story: the local diner, the townsfolk knowing everybody and everything, and town politics that are bound to get nasty.

The King himself okayed certain changes to the story. What on Earth could that mean for the show?

As for character development though, not much. Dale “Barbie” Barbara (Bates Motel‘s Mike Vogel), our main character, is as mysterious to us as he is to the fellow townspeople. Big Jim Rennie (played by Breaking Bad‘s Dean Norris) isn’t yet the villain he’s supposedly playing (or will that develop later?), while his son Junior (played by Alexander Koch) is disturbed, but a different kind from the one in the novel. Still, very disturbing.

I’m not going to go into all the differences between book and TV show, but I do hope that this story can improve over time and become something I look forward to in the summers should it have a second season. For now, I’m giving it a rating of 3.4 out of 5 for at the very least giving a good attempt at bringing a Stephen King novel to the small screen. Let’s hope they can make it a great attempt as time goes on.

I heard somewhere that around 90% of Americans want to write a novel. I wasn’t sure if that was accurate, so I did a little research. Estimates vary depending on what study you read. One article said 200 million Americans, which is about 64% of the country’s population. Another estimate said about 80% of Americans have a novel in them, which would be around 252 million Americans.

Why don’t they? Here are the common answers as I’ve heard them:

(In the voice of a woman I met at synagogue) “I want to write, but I don’t have the skills.”

(In the gruff voice of a 30-something classmate of mine from a couple semesters ago) “Yeah, I have a novel in my head. Got all the characters, the scenes, and the punctuation marks. Just have to find the time.”

(From someone I met in high school) “I would write, but nobody would read my work.”

(The promise from two friends who said it like they were going to win the lottery someday) “Oh yeah, I’ll write a novel. It’ll be great.”

Rich tomes, all from these daredevils we call writers.

There’s some things I’d like to address here. For starters, writers aren’t born with their abilities. We start out fumbling with pen, typewriters, or computers when we’re young, trying to tell a story. Over time our skills develop, rough like stone but then polished. It may take years to do, but we do it. So what if you don’t have the skills? Neither did Shakespeare till he actually tried and learned his craft. You should try it out.

Second, the time to write won’t just magically come upon you like fairies floating in the air or like a dollar on the sidewalk. Nope, we writers carve out the time. I carve out the time between my part-time job, cooking, chores and errands, eating, jogging, and sleeping to write. It’s an exhaustive process, but writers do it anyway. So don’t wait for the time to find you, but instead find the time yourself. It may seem impossible, but I know you can find the time, even if it’s in-between the moments you finish running errands and the moments you go to pick up the kids. Nothing good on TV between those times anyway, right?

Third, don’t assume that people won’t read your work. Sure, it seems like a majority of people stop reading after high school or college. And there are plenty of people who do. After all, there’s plenty of TV-watching, movie-watching, calling, texting, Skyping, chatting, listening to music, and other such activities to do in your spare time rather than read a book. But a lot of the great movie franchises come from people who read books and write them as well. Jennifer Roth, whose novel Divergent is being made into a movie, probably worried that nobody would want to read her work. And at 24, she’s already a bestseller (so jealous, by the way). And she’s probably not the only one: Suzanne Collins, JK Rowling, Anne Rice, Stephanie Meyer, Bram Stoker, Mary Shelley, Mark Twain, Stephen King, Dean Koontz, Ernest Hemingway, Edgar Rice Burroughs. Say what you want on their work, but these people are famous, their books have been adapted into various formats at least once, and some weren’t famous until after their deaths. Yet they still wrote, because they were willing to face the fears that nobody would want to read their work and put it out there anyway.

And with self-publishing, you can even get directly to the readers without having to please the gatekeepers in New York (I’ve got a post about those guys later). So don’t despair that nobody will read your work. There’s always somebody for every writer. I’m sure there’s someone out there for you. Maybe your parents, your partner, your friends, or somebody in Kabul you’ve never even met or heard of just browsing online. They could become your biggest fan.

This is the magic the writer conjures and creates. If we put our wills to it, we can all do it as well.

And finally, writing a novel is nothing to laugh about or say “I’ll do it” with such a casual air. It’s difficult. It’s writing one word–usually four letters, sometimes less, oftentimes much more–after another after another. And the average novel is a minimum of 40,000 words, woven into a (usually) complex story with characters who are developed and grow over time, a plot that we invest ourselves in, wanting to know what happens next, and a magic that is fiction, for though it may be lies on paper (or screen), it seems so real to us. Having the energy to keep writing those words and weave them into the story in our minds is no mean feat. Kudos go to those who attempt it, but special congratulations to those who can stick with it, and applause to those who do it time and time again, story after story. Who says you can’t be one of those people?

So maybe a lot of the American population say they want to write a novel. But only several of us actually have the dream to withstand our fears that no one will read our work, the passion to develop our skills and carve out the writing time, and the drive to keep going when boredom, distractions, life, or various other things come at us and want us to stop from completing that next four-to-eight letter word. We are the writers.

And if you have any of these qualities, I’m sure you can be one of the writers as well. You just have to give it a try.

Spy novels and espionage novels are not my forte. I never attempted in my youth to write a James Bond story. Never even imagined one. And now I know why: it’s a lot of work, involving plenty of research and detective work. Just today, I looked up dates for the year 2017, the US Intelligence Community, and what causes embolisms. Makes me wonder why I made Laura Horn an espionage novel, even though it started out as a story about a girl and sexual assault victim who comes to terms with her past and her trauma through events forced upon her.

Oh wait, now I remember why I did that! I thought it would be cool to have a story that took place in Washington DC. And even better, why not make it involve the White House? That could work. It’ll involve a lot of research and guesswork, but what the hey? It’s good for the story.

So that’s why I decided Laura Horn should find herself while taking on the power struggles of DC. And it’s going to be a tough job. I’m not familiar with the workings of the US Intelligence community, or Washington DC for that matter. Let’s face it, there’s only so much you can learn from high school government classes and The Daily Show. But if I can get this novel written and do it with all the elements I want it to have–the 2016 election, the NSA scandal, a few other items that are hot right about now–I could end up writing a damn good story.

And isn’t that the point? I think Laura could be a great character, a character plenty of people could identify with, but I have to give her a great story first. And for that, I need to do a lot of work to make sure the details are right. It’s not going to be easy, but I plan to pull it off somehow and right a damn good story.

So let’s see what happens. I bet by the time I’m done researching and writing the outline, this’ll be an entirely different story than when I first thought of it. But it’ll be a story I’m damn proud of, and that’s important enough that I’ll research till the cows come home.

Wish me luck! I’ve got more work to do tomorrow morning.

Oh, before I go, the photo above of the monarch butterfly deserves an explanation. When I envision Laura Horn, I see her as an angel that’s been forced down to earth by evil forces and cries over it. Unfortunately, there’s only so many photos and illustration that feature that sort of subject material in the theme I’m looking for. So I’m doing things that are similar to my angle theme: butterflies, flowers, birds, and yes, angels. But first a butterfly, a metaphor for transformation. This story is going through a transformation and so is the main character. I hope that by the end, the transformations of both will result in something beautiful.