Posts Tagged ‘The Dark Half’

Let’s face it, every creative out there (especially those who weave stories together) has put themselves into their work. Often, they do it more than once, and the resemblance to themselves, accurate or in their own heads, varies from self-insert to self-insert.* HP Lovecraft loved to put himself through cosmic horror and dreamlike ordeals as Randolph Carter (does that count as masochism?), and Stephen King’s The Dark Half is obviously him having fun with a fictional version of himself and his pen name Richard Bachman.

And don’t forget, Dante Alighieri made himself the star of The Divine Comedy, where the poet Virgil and later Beatrice, the dead girl he crept on when she was alive, led him through Hell, Purgatory and Heaven.

You know, now that I’m typing this, I realize that a lot of self-insert characters get to go on the biggest, most grandiose adventures. I mean, Dante traversed the afterlife and recorded it in detail! And remember Lani Sarem, the lady who conned her way to the top of the New York Times bestseller list? Her novel’s protagonist, who from the cover art is basically her under a different name, was a witch who basically became the delight of the Las Vegas entertainment scene using her abilities.

There’s an article to be found in this, I’m just not in the mood to research and write it right now.

Anyway, where was I? Oh yes. Self-inserts. I’m no exception to the rule. Throughout my writing career, I’ve included different versions of myself in my stories. One or two have even been included in published stories (I’ll let you guess which ones those are). And once more, I’m inserting myself into the story I’m currently working on. Only this time, this might be the most obvious and blatant self-insert since Dante!

Okay, that’s an exaggeration. But it feels like it! My character is basically what I hope will be me in a few years: a full-time writer with his own home, hosting costume parties in his living room and able to focus on creepy tales as a living. His last name is an anagram of my own and his first name also begins with an “R.” So yeah, pretty obvious self-insert.

Still, I’m having fun with it. The story’s focus isn’t on my character, he’s just a good way to get this story going. And since I can focus on telling the story and not making my self-insert seem like the bee’s knees to readers, I can get a little ridiculous and have a ton of fun with it. Whether that will lead to a decent ghost story (because of course I would put myself into a ghost story!) remains to be seen. But perhaps with some edits…well, we’ll see.

Anyway, I’ll get back to this story soon. And I’ll likely have a post or two for you all very soon, so keep an eye out. And in the meantime, check out this book trailer for The Jewish Book of Horror that was uploaded to YouTube last night. It’s really cool, and you can even see my name listed beside my story, “The Divorce from God,” at one point. Give it a watch and consider getting a copy of the book when it releases.

Until next time, my Followers of Fear, good night and pleasant nightmares.

*That’s the preferred term, as I understand it.

I wasn’t able to catch Get Out when it was in theaters, and by the time I watched it on DVD, so much time had passed I didn’t feel like writing a post with my thought. To sum up said thoughts, I thought it was a creepy, atmospheric film that openly explored racial attitudes among Americans, though I felt the main character was less a fully realized character and more of a vehicle for the audience to experience the movie through. So when I heard about Us, I was very intrigued. And then I saw that first trailer. And I knew I had to see what Jordan Peele had cooked up this time. Today, my sister and I went for an early showing, eager to see what people were talking about.

To say the least, the film was surreal. Like Peele was channeling Stephen King when he was writing The Dark Half and created a visual twist on the concept. And it works for the most part.

Us follows Adelaide, played by Lupita Nyong’o, a mother and former ballerina who goes up with her husband Gabe, daughter Zora and son Jason to a vacation home that Adelaide stayed at as a kid in 1986, when she experienced a traumatic episode. That night though, they’re attacked by the Tethered, twisted, animalistic doppelgangers of themselves that seek to murder Adelaide and her family. Thus begins a trial for the family to not only survive, but to find out why this is happening to them.

From the get-go, this is a strange and eerie film. It combines storytelling with atmosphere, music (seriously, the part music plays in this film cannot be underestimated), and action in order to create an intense experience. At some points we were so on edge, a woman sneezing a couple rows behind us caused twenty people to jump out of their seats! And that includes me and my sister.

And the amount of symbolism in this film can’t be understated. A lot of details go into this film that are meant to make you examine the imagery and ideas being presented. From actual twins, symmetry and patterns in objects and pictures, the Bible phrase Jeremiah 11:11, rabbits,* and so much more. All to get you thinking on these themes of identity, duality, being an American, socioeconomics, creative expression, and so much more. I won’t go into what it all means–I’m sure there are bloggers and YouTubers who will do a better job of that than I could–but it will leave you thinking for hours after you leave the theater.

I will take a moment just to say that I think the son character is one big reference to the Friday the 13th franchise. This is mainly because his name is Jason and he wears a mask throughout a good portion of the film for some reason, but there’s plenty in the film I could point to that backs that assertion up. I won’t because I don’t want to spoil anything.

If there’s one thing I didn’t care for, it was the humor in film. Not that it was terrible, but after the main plot of the film kicks into gear, I found how much of it there was, most of it coming from family patriarch Gabe (played with plenty of love by Nyong’o’s Black Panther costar Winston Duke) distracting. Like, there’s this one scene where the family is discussing what to do in light of what they’ve experienced, and they make a series of Home Alone jokes! Takes you right out of the tense, creepy mood.

Then again, this is from Jordan Peele, who’s still primarily known as a comedian. Humor should be expected. But at a certain point, I just would like it if was toned down a bit. That may just be my quirk, but it’s how I feel.

All in all though, Us is a true success for Peele. On a scale of 1 to 5, I’m giving it a 4.6.  Unsettling, trippy, and memorable, Us will stay with you for hours after you see it. I have no doubt that with time, it’ll be seen as one of the best horror films of 2019, and maybe the first great one of 2019 as well. Take a breath, jump in, and see the madness yourself.

 

And while I still have your attention, I’m still looking for eARC readers for my novel Rose, about a young woman who starts turning into a plant creature (and that’s just the start of her problems). If you would like to get an advanced copy, all you have to do is send me an email at ramiungar@ramiungarthewriter.com. I only ask that you consider leaving a review on or after the release date. Thanks, and I look forward to hearing from you!

*Fun fact: rabbits are capable of a much wider range of beneficial mutations when they reproduce that cousins or even siblings can mate with each other and still produce a healthy and genetically diverse brood. Take that how you will, but I have thoughts on how that plays into the film.