Posts Tagged ‘writing’

There are only so many names in the world. We rarely think about it, but there are only so many names in the world. And as writers, we generally use a lot of these names. Some people will use certain names more than once (Stephen King seems to have a fondness for characters named Jack, and uses a variety of last names so that it doesn’t seem like he’s using the same character every time). There’s nothing wrong with that, just as there’s nothing wrong with not using certain names (I think the names “Jack” or “John” are too commonly used, so I rarely use them, and there’s a certain girl’s name that I’m saving because if I ever have a daughter I want her to have it).

However, as it occasionally happens, there are certain names that our friends share, or that random people we meet on the street have. You could write a novel about a guy named Jason Colbert and then some guy will come up to you and say his name is Jason Colbert. This is the reason why the page in the novel that has the copyright info on it says “All names, places and groups are fictional and any resemblance to real people are coincidential” or something like that.

And as I know from personal experience, it’s important to disclose that. Whenever I decide to name a character a certain name and I have a friend who has a similar name, I make sure to let them know the character is not based on them. Here’s why:

1. You might inflate someone’s head. A few posts back I wrote about some of my early attempts at writing (you can read that post here). One of those attempts, a vampire novel called Mahiro, starred a vampire/vampire hunter named Daniel Axton. And one day I let slip to a friend of mine this character’s name. This friend’s name was Danny L. (I dare not disclose last names for the sake of privacy)

My friend thought that this meant I’d name the character after him, and the idea was only furthered when I mentioned the character also had brown hair. From then on, whenever the topic came up, he insisted that the character was named after him even though that this was far from the truth and that they had different last names. Good thing the vampire craze reached its peak midway through the second draft, or I may have tried to publish the novel and further inflate my friend’s ego.

2. It could get awkward. I’ve mentioned before that the female protagonist of my novel Snake is named Allison. Well, I have two friends named Allison. And although the Allison of my creation is very different from the Allisons I’m friends with, I made sure to let them know there was no resemblance between them. After all, if they read the novel and see some of the things my character gets into, it could lead to awkward conversations and lead to problems in my relationships to them if they thought the character was based on either of them. I mean, there’s a sex scene in that novel. Guess who’s in it. You can see why I would want to tell them there’s no resemblance or relationship between the fictional Allison and the real ones.

3. Angry lectures on “my character”. You ever get people asking you to put them in your novel? I used to, but I stopped doing that a long time ago. Why? I took some liberties with the characters, and my friends were upset about those liberties. After reading pieces of the manuscript they would tell me they didn’t think a character based on them would act that way or would say such a thing or “why is my character a ginger?” or “why did you kill my character off?” Even if I don’t base characters on my friends anymore, I make sure to tell anyone with a similar sounding name there’s no connection just to avoid these little lectures.

4. Someone may try to capitalize on the name. I don’t think anyone I know are particularly greedy or untrustworthy. I generally keep good company. However if someone came to me for money as payment for using “their name” in the novel, I’d tell them there was no relationship. Heck, during the writing phases I’d let them know this. It’s not that I don’t trust them, it’s just that if the novel does well, the scent of money may bring about something dark and usually kept locked away. It’s just better to nip that in the bud than let it blossom.

So that’s why I disclose to people if there is or isn’t a connection to a character in a story. It’s just safer that way and stops any weird situations from rising up. And it’s pretty handy too.

Though someday I may create a character after someone whom I really don’t like just to spite or satire them. But only if they really annoy me (which means my sisters better watch out if they know what’s good for them).

Do you disclose to friends/family whether or not there’s a connection between them and a character you created? What happens when you do?

I’ve officially passed another blogging milestone on the road to becoming an author, and that is passing the 250 followers marker (in this case though I have 251, so it’s coming a bit late but better late than never, right?). I’m very happy and would like to thank everyone who’s been supporting me and following me up till now.

For most of the first year I was writing this blog, I didn’t have a lot of followers and considered it a good day when I had one view. Yes, I was that desperate at one point when it came to this blog. A few times I thought of giving up the blog because not a lot of people were reading it and authors hate it when their work isn’t read. But, whether through sheer perseverance, stubbornness, or a little bit faith, I continued writing, reading other blogs, and enjoying the simple art of writing to people across the Internet and the world. All that paid off, as this post attests.

Once again, I’d like to thank everyone for continuing to support me on the road to becoming a novelist and that you continue to support me as I await the copyright for The Quiet Game and for the final draft of Reborn City to be finished. Thanks, and I’ll write more later.

I’ve heard fiction writers say they worry that they’re writing the same story over and over, just changing the names, the locations, and the situations. They say they worry they’re becoming one-liners, that their work is unoriginal and that they might as well be using cookie-cutters to write their stories.

I’ve had these worries myself. A lot of ideas for novels I have sound very similar if you look at them from certain angles. I’ve gone on thought trains that go something like this: “Oh, this story’s heroine reminds me of this heroine from another story…and she reminds me of another heroine…and don’t their stories sound a little similar?…and what about their male counterparts?…oh my God, did I repeat myself?!” Luckily I’ve got so many ideas for stories that I’m sure I can space these similar sounding stories enough so that critics and readers can’t accuse me of being unoriginal. But even if I didn’t have so many ideas, who cares? You can tell so many of the same story and still be successful. Look at Shakespeare! Every tragedy ends up with a ton of blood, every comedy ends up with bad guys getting butts kicked and lovers falling into each others’ arms in comical fashion, and every history…well, it’s history.

But if you still worry that your work is repetitive and just looking like the same old story over again, then don’t despair. Treat it like you do writer’s block–in my case putting the story aside for a couple of weeks and then getting it out again to look it over. In the amount of time that break took up, I’ve probably done a lot of fun things, or read several awesome books and graphic novels, or watched some pretty interesting TV shows or movies. I can add all that I’ve experienced to the story as I go over it and try to find some way to improve it. And if that doesn’t work, try using a random word generator and using three nouns from that generator to help mix up your story (it’s something I learned to do in high school. Thanks Mr. Guinan).

But if you still feel that you’re only repeating yourself, look on the bright side. Most people don’t have the energy or the fortitude to write a full story, even if they are born with the talent to do so. The fact that you can write only one story, you can do a lot more than others. Perhaps you can even make the best version of that story ever written. And isn’t that worth all the repeats over the years?

As of this evening, I’m only fifteen chapters away from finishing the third draft of my thriller novel Snake. Boy, it’s been a lot of work. I added two chapters, and I cut out a bunch of words and I added a lot more words than I deleted because it was necessary…and I’m starting to worry that it’ll be so long nobody will want to read it. It’s already kind of scary. If it’s long too, will anyone want to read it?

I hope. And I also hope to get this draft done by the end of this coming Memorial Day Weekend. Because once I’m done, I’d like to work on other projects before I decide if I need another draft or if I should go straight to the presses. I want to edit a couple of short stories that have been waiting for their next drafts. I want to finish “Vile”, the short story about coming back from the dead that I had some writer’s block on when I last looked at it. And I want to write a short story that’ll be a homage to Edgar Allen Poe’s “The Premature Burial” (and yes, I love  The Following despite how crazy its story can get). And yes, I want to put out The Quiet Game and get ready for when it’s time to put out Reborn City.

But I do like how this draft of Snake has turned out. With every draft my story is a bit more polished, what the characters do makes more sense. I added a lot of character development and I fixed some things that I’m pretty sure some fanatic will nitpick to death on the Internet. And I’m sure that if I do another draft, give my story to a beta reader, or just send it to the presses, I can at least say this story turned out much better this draft.

So whether or not you like books up to 400 pages, I hope this book finds its niche and a group of fans…and hopefully not any mentally unstable fans. Until that time though, I’m going to finish this draft and keep working on my writing. Wish me luck.

The digital stands, that is.

Most of you already know, but the short story I published as a promotional piece for The Quiet Game: Five Tales To Chill Your Bones, titled “Daisy: A Short Story”, is on Amazon and other websites, and on most of them it’s free. As of today, about 80 copies have been downloaded. To those who’ve already downloaded the story, thanks for downloading. I really like the idea of people reading my work.

And since I’m always looking to sell a little more, I thought I’d tell you a bit about this story I published, which follows the travails of a girl who’s been kidnapped by a deranged man and then kept in an abandoned building for several days. I wrote it back in high school, after having a very vivid and disturbing dream one night. I dreamed I was reading a comic book and one of the scenes in the story was playing out in the story. I woke up, and I started plotting a short story.

Well, the story I wrote, but it took a few years in storage for me to see what needed to be fixed. So three or four years later, I looked at the story, and started taking out a lot of unnecessary gristle. And as my high school English teacher said, “it’s done.” I couldn’t do anything more with it. And then I went to work creating a cover, sent it over to the copyright office, and about three months and thirty-five dollars later, Daisy was on the net. My uncle alerted me to some strange formatting problems on the copy he downloaded, I fixed the problems, and then he told me that besides the format issues, the story was good.

So now I hope for a few more downloads, I tell everyone I can that it’s available on the Internet, and I hope that it gets people interested in more of my work, such as The Quiet Game, which will be coming out sometime this summer. Perhaps a few people will do reviews on Amazon or on Smashwords or on B&N.com. I can hope.

So if you’re interested, please check out Daisy. You may have trouble sleeping, but at least you’ll have been entertained for a little while.

A while back I announced that I was submitting a short story to get a copyright so I could publish it as a promotional piece for my upcoming collection of short stories, The Quiet Game: Five Tales To Chill Your Bones. I’m happy to announce that the short story in question, Daisy, has its copyright and is now available on Amazon, Smashwords, Barnes & Noble, iTunes, and other formats as an e-book under the title Daisy: A Short Story. I’m very excited to share this news with you and I hope you’re just as excited to read my work now that it’s available.

I also regret having to inform you that while on all the other formats I was able to make Daisy free, on Amazon they wouldn’t let me make it free, settling for nothing less than ninety-nine cents. Why, I have no idea, but I tried to make up for it by opting for the lesser royalties option, so I’ll receive less of the money from sales. Once again, sorry Amazon users, but that’s the way it is.

Anyway, I’m very excited to share this news with you and I hope you’ll take a look at Daisy sometime soon in the future, as well as anything else I might publish.

I include the “by Max Brooks” part to distinguish this review I will eventually do on the movie (both will probably get a ton of traffic once the movie comes out, I bet). Also, I know I keep saying that I like to put a week’s distance between reviews and it’s only been a few days since I did the review for The Great Gatsby, but this was such a phenomenal novel, what could I do?

As a History major studying the Holocaust and World War II, I read a lot of memoirs by survivors and soldiers alike. As I read Max Brooks’s zombie apocalypse novel, one of the things I was struck by was that it sounded so much like a Holocaust memoir, it was uncanny. And I don’t mean in terms of content–it’s a zombie apocalypse novel, after all–but in terms of how haunted the voices of the characters are. Each section of the novel is a different person’s experience during “The Great Panic” and the war against the living dead, ranging from Chinese to Russian to Chinese to American to South African to Middle Eastern to English and everything in-between. The horrors and haunted tales of each survivor, which are all assembled by a nameless interviewer (Max Brooks in a world that he created, playing the role of reporter, perhaps?) into a single collection of tales, will keep you reading for hours after you should’ve gone to bed.

That’s kind of what happened to me: I was reading late last night, finished the book, and then went to bed. I had the craziest dream afterwards where I lived through my own zombie apocalypse. Just one problem: I didn’t find out what happened to the woman I met in my dream and the baby we were having together! I felt like Dorothy wanting to get back to Oz! Cursed alarm, waking me up in the thick of the battle.

Anyway, another thing I noticed about World War Z was that Brooks thinks of several things that we don’t. I’m not going into detail, but let’s just say that he considers everything from the disadvantages of conventional warfare on zombies, to survival plans foolish and wise, to how the public would react to zombies, and how other people would react to those reactions. It’s so detailed and so well thought-out, you think you’re reading something that actually happened. I’ve read memoirs and history books that have the same level of detail, and it’s crazy how real it all seems. Like Stephen King’s The Stand trying to pass for nonfiction, it feels that real.

A very engrossing read, 5 out of 5 definitely and deserved. I wonder how the movie, which will probably take more liberties than any other book-to-movie adaptation in the history of moviemaking (with the possible exception of Priest), will compare.

Oh, funny story while I have your attention: on Tuesday night, Jews everywhere started Shavuot, one of our more important holidays. During Shavuot, it’s traditional on the first night to have a long study session that lasts late into the night. The study session I attended was divided into two parts, the first consisting of different classes we could take. I took the one on bikkur cholim, which is the commandment to visit the sick but also implies praying and caring for the sick. Near the end of the session and after some lively discussion about the effects of biblical and modern-day quarantine, I asked about bikkur cholim and zombie plagues. The instructor’s answer: “Throw bikkur cholim out the window, and run for your life!” Sounds sensible, doesn’t it?

At the end of the 2012 presidential election, riots broke out at a Mississippi university where racial slurs were shouted by the mob, and over the ensuing months the White House was inundated with petitions asking for individual states to secede from the Union. All these and a few other interesting little acts of rebellion and political anger were the result of President Barack Obama nabbing a second term and, in the eyes of these people, sitting comfortably in a position to create a dictatorship.

I thought these people were being overdramatic and possibly a little unpatriotic. I mean, why not wait till the next election, like the Democrats were forced to do from 2000 to 2008? Why threaten leaving the Union? And until this past weekend, I thought nothing could match this overreaction.

I was wrong.

Author Charlaine Harris is receiving hate mail and death threats for wanting to end her vampire series and to end it a certain way. Seriously?

This past weekend, I read several articles, online and off, about how Charlaine Harris, author of the Sookie Stackhouse books, was receiving negative reviews, angry letters, and even a few death threats. Why, you ask? Because a small but extremely passionate legion of her fans are upset that the latest book, Dead Ever After, also happens to be the last Sookie Stackhouse book. Some were angry that Ms. Harris was ending the series. A few were threatening to do horrible things to themselves or to Ms. Harris if the ending doesn’t put their favorite couples together (and when a leaked copy of the novel appeared in Germany, some fans did what they threatened).

This isn’t the first time an author has received this sort of treatment from fans. Stephanie Meyer received some very angry letters when she said she didn’t want to write any more vampire stories, and even Sir Arthur Conan Doyle got his share of haters attacking him when he threw Sherlock Holmes over a cliff, seemingly killing him. For the latter, this led to Holmes’s resurrection, which can show how powerful fans can be, and in the age of the Internet, a few people can create a tidal wave of faceless anger and indignation.

But can I remind everyone of something? THESE ARE FICTIONAL STORIES! There’s no actual Sookie Stackhouse or Bella Swann, Sherlock Holmes doesn’t actually mysteries in London, there are no vampires or Hogwarts, Klingons are the creation of talented make-up artists working with patient actors in seats, and the fact that adults get so worked up by a show about talking animated ponies seems a little creepy! None of it is real, but the fact that so many people treat these things like life or death just seems to disturb me.

The new target: celebrities and artists. It’s ridiculous.

So why do people go all Annie Wilkes when their favorite author decides to do something that a few fans disagree with? Or to go a little broader, why do some fans threaten to boycott or do horrible things to a celebrity when that celebrity does one little thing that doesn’t fit with the image these fans create of certain idols? And yes, fans create the images of their idols, because it is only in their minds that Tom Cruise is truly a dashing, charismatic, very eccentric man, or that the super model is the cool, serious seductress of your dreams. Magazines and TV and movies may help perpetuate these images, but the fans are the ones who create these images in the first place.

But to return to my original point, I don’t know why certain fans act so crazy when an idol does something that doesn’t fit their image, be it a pure actress that cannot be anything other than the sweet girl from the country, or the author that wants to end a book series after so many years, or the bad-boy musician who keeps his marriage and family secret because “that does not fit his image”. I always look at what these people do as gifts: they give us a wonderful story or a performance or a song and we appreciate it because of all the work that went into creating such a beautiful present.

“Mr. Spock, please set fanatics to minimal. Their interference could jeopardize the smooth running of our operations and the lives of many civilians.”

Even more so, plenty of artists treat their work like their babies, children they create and give birth to inside themselves. What happens when someone else tells them how they should raise their own children, what those children should learn and who they should love? It’s a little freaky, to say the least.

But it seems that some fans don’t see things the same way. They love their idols while the idols do what the fans want, but as soon as the idol does the opposite, the fans become hostile, believing they are owed something. The truth is, the rabid fans are the ones who owe something to the artist, and that’s an apology. You don’t own the work, you didn’t create it, and you sure as heck can’t tell the creators of such work what they should do with it. And if you are willing to go to such lengths such as try to ruin an artist’s career like hurting yourself or go on a hate campaign, then I seriously worry about your mental state.

So people, the next time you want to do horrible things to an artist for doing something not remotely criminal but you still find yourself feeling really upset about it, take a step back and ask: Is this really worth going to war over?

I highly doubt it.

The second post I wish to finish tonight (assuming SNL doesn’t distract me too much) was inspired by both my dad and my friend and author Pat Bertram (you can read her blog here). I was talking to my father earlier this evening and we had an interesting conversation. He walked into the living room while I was sprawled out on the couch reading a graphic novel and told me he still had his mother’s phone number, the number belonging to my Savta, may her memory be blessed, in his phone even though she died several years ago.

(Savta, for those of you who don’t know, is Hebrew for “grandmother”, and is what I called my paternal grandmother from the time I was young.)

At first I thought he was going to ask me for advice about whether or not to erase the number. But then he asked me what would happen if he called that number…and Savta actually picked up the phone.

I grasped the idea pretty quickly that my father, ever supportive of my dream to become a horror writer, was trying to give me an idea for a short story. I also figured out pretty quickly that my dad had given me an excellent idea for a short story…but Stephen King had already done a similar idea. Well, when I told my dad that, he looked a little disappointed, to the point of crestfallen. I wasn’t sure if he was sad that King had gotten there first or that I had rejected his idea for a short story. Whatever the case though, I tried to let him know I wasn’t rejecting his idea or that it was useless. On the contrary, even if I couldn’t write a story based entirely off of that idea, it was likely to appear in a short story or a novel of mine someday. The idea of the dead picking up the phone would probably swim around in my subconscious for a while before finding itself in a story I could actually use. In fact as I was talking about it, I realized there was a story that the dead calling would work perfectly in and told him so.

Of course, being me I told him in a way like this: “Oh, that could go in that story…yeah, definitely there…uh-huh…definitely could work there.” That and the hand motions I used probably confused my dad and made him want to move the conversation in another direction. But even if I can’t use his idea for a short story, it’ll still probably appear somewhere else, and that would mean my dad contributed something to my creative process.

My friend Pat Bertram recently did a post where she remarked how some writers will give up time with their families to devote to their writing, and how she advised doing the exact opposite of that. Speaking from personal experience, Pat said that she found every moment she spent with her late husband important and stimulating and a boost to her writing (and I am so sorry if I am misquoting you in any way, shape, or form Pat).

It’s moments like the one illustrated above that makes me agree with Pat. Family and friends, whether or not they drive you up the wall, are important and you should spend as much time as you can with them. Because when you make it as a writer, you want these people to be behind you and support you. And in cases like this, they really give you some awesome ideas to incorporate into your work.

This is the first of two posts I plan to write this evening. This one was inspired by my younger sister, who asked me how many stories I’d thought about in my head yesterday as I was helping prepare dinner. Now I’ve mentioned my Ideas list on this blog before, a document on my flash drive that contains a little over fifty different ideas for novels, movies, TV shows, mangas, and even a video game. I keep this list because my memory is amazing on some things but remarkably poor on others (but doesn’t everyone have that problem?). However at various times throughout each day I’m thinking about one or more of these stories and trying to work out various plot points and scenes, even if I won’t write these stories for a long while.

I answered my sister truthfully, “About three or four.” One of them was my science fiction novel Reborn City, which is in its final draft and less than ten chapters away from completion (thank you, Matthew Williams, for your diligence on this project). The other, my thriller Snake, is in the middle of its third draft, and when I had the chance yesterday, I was able to edit a few more chapters. The other two was a possible novel about an assassin with multiple personalities, and a story influenced partially by Sleeping Beauty (by the way, I call stories I write based off of fairy tales and other well-known stories, of which I have many ideas for, “Fractured Fairy Tales Untold”. Catchy title. A prize goes to the first person who gets where I got the title for this category from).

Anyway, my sister’s latest dream of what she’ll do when she’s an adult is to write, though I think she’s more into fantasy and I’m not sure how deep her devotion is or if this is just one of those passing fancies all kids seem to go through, even during the teen years. She claims she has twenty ideas going through her head each day, which I take to be exaggeration and possibly the hubris all starting writers have when they find they can string a few sentences together to make the bare bones of a story. But the conversation got me thinking, and I’ve been wanting to write this post since then, because there are a lot of writers out there who have a ton of ideas running through their heads and I think it’s a good topic to explore.

Every writer wants to be known for something they’ve written. Some have just the one work and want that to be well known, while others want to be prolific and have lots of famous stories. I think the former dream of just publishing their manuscript, while the latter dream of being the next Stephen King or Ernest Hemingway or Ezra Pound. I also believe the latter tend to have many different ideas brewing at any one time in their head. After all, if they want to be known for a large body of work, they have to have a lot of it in their heads already, right? These authors are always working on something, and they often spend great amounts of time just working on a story, whether by writing or by daydreaming. Not to mention, they also have new ideas coming into their heads, so when they do get a new idea they may spend hours, days, weeks, months, or sometimes years plotting and planning before they start to write it.

Of course, with so much in their head, it’s doubtful they’ll run out of ideas at any point. Or more precisely, it’s in doubt that they’ll finish even a tenth of all the work they’d like to do. I personally view this to my advantage, as it means that I’ll have multiple objects every time I start a new project. Should I start the next volume of a series? Should I work on a new series? How about a stand-alone? Which one? A Fractured Fairy Tale Untold? A psychological thriller? Something with the potential of a sequel should it do well? A science fiction novel with thought-provoking social themes? The options are endless!

Other writers may not have the same view of having many ideas as I do. They may think its better just to focus on the one idea, or perhaps they try to write as much as possible so they can get as much out as they can while they’re still breathing. Or, if your name is James Patterson and you have tons of money on hand, you hire co-writers to work with you so you can get out nine books a year (yes, I’m still a little sore over this, though I thought Alex Cross, Run was one of the better books in the series lately). It’s different for every author.

But like I said, I like having multiple ideas to focus on at any one time. It gives me something to do, and I think as time goes on, like wine, these stories get better with age. And even if I don’t write everything on that Ideas list, even if every manga isn’t serialized, every movie made or every TV show has a pilot filmed, I can still say that I gave it my all while I was writing and that’s enough for me.

Do you have multiple ideas in your noggin? What’s your view on having all these ideas?