Posts Tagged ‘writing’

I’m In A Bit Of A Slump

Posted: March 31, 2013 in Novel, Reflections, short story, Writing
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You’d think I’d do something a bit more festive for my 400th post. But no, all I got is some bad news.

Truth is folks, I’m in a little bit of a slump. I have two short stories that are not coming along like I want them to, and I feel absolutely no desire to work on either of them while I’m drained. Every time I sit myself down in front of a computer with the intention of writing, I find myself instead watching crime shows online or reading or playing Angry Birds on Facebook. Not only that, but I’ve been neglecting one short story I’ve been meaning to send to some magazine or another, but when you’re a full-time student with homework and a part-time job, you sometimes don’t feel like doing the research.

What I’d rather be doing is working on novels. I’d rather write or edit them or even research them. But the only novel I’m going to write anytime soon is Reborn City’s sequel, which I won’t start on until I’ve put out RC on the Internet, and my beta reader for RC is only halfway through the novel at this point. And although I have plans for a sequel to Snake, I want to wait a little while before I even think of starting the sequel to that, and besides, my beta reader for Snake’s been busy herself, so she hasn’t had a chance to start on it yet.

So what do I do in the meantime? Work on short stories, but those are harder for me than novels. Novels I can stretch out, go deep into the character’s history and identities and personalities, do all sorts of interesting twists and turns and create a whole mythology for. Short stories are compact, usually less than 10,000 words, and we writers have to fit a whole story into that amount of space. You can see where a guy like me, who grew up on a steady diet of novels, usually novels that were part of series, might encounter problems. The joke is that the short story is the novel’s neglected younger sibling, but really, it’s the sibling that requires more skill to handle.

So I’m in a slump. I have no idea what to do at the moment, with no novels t0 write, only the occasional chapter to edit, and two short stories whom I can’t seem to fully finish. Even when I come up with new ideas for novels, which I do a lot, I can’t work on them anytime soon, so that’s not helpful.

Any suggestions would be most welcome. They could be anything from tricks or strategies to help me finish the short stories to suggestions of something else I could try doing while I wait for inspiration and chapters to edit and whatnot.

And if you feel the same as me or have felt the same as me, please let me know. It’d make me feel better.

Fiction Becoming More Horrifying? I’m Not So Sure

Posted: March 25, 2013 in Reflections, Scary Stuff
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A friend of mine sent me a link on Facebook. The link led me to an article about a study that suggested in a one-sentence introduction and three slightly-longer but very neat paragraphs that fiction books are becoming scarier. What did the study base this assessment on? The leaders of the study perused a Google book database for words relating to six human emotions: anger, disgust, fear, joy and sadness. One of the interesting things they found in the data set they got was that words relating to fear seemed to be on the rise, while disgust fell sharply and the other four emotions leveled off.

The obvious conclusion, according to these researchers, is that fiction is becoming much more horrifying.

I disagree. Here’s why:

First off, that Google database only represents 4% of books published between 1900 and 2000, and that’s not including self-published books or books published as serials in magazines. If you’re only including 4% of any population, even a collection of books, it’s not very representative of it. Second, the study was based on words signifying emotions. Just because a type of emotion shows up in a story more and more often doesn’t mean you can classify it as horror or romance or whatever. Perhaps the story in question might be a novel about a guy with agoraphobia who feels all sorts of fear when it comes to leaving his apartment. That’s more literary than horror, mind you.

And third, my own personal experience tells me that horror is not necessarily on the rise. Even today, there are many publishing houses, agencies, and magazines that refuse to deal in horror, even when they deal in science fiction or fantasy, horror’s friendlier and kinder genre sisters. Those that do deal in horror, particularly magazines, are either exclusively into horror, or they only deal with a certain type of horror, one that either crosses over into sci-fi or fantasy or, while still scary, is tame enough that readers won’t be turned off by reading it. If horror’s on the rise, there should be a response in the publishing industry towards it, but I’m still waiting to see this response.

And yes, there’s been a rise in TV shows catering to horror fans, so one in literature may seem only logical. Not so much: contrary to the opinion of some, I don’t believe that a love of horror stories just arose out of the television-watching audience. Those horror fans were always there, they just had to content themselves with books or movies (bad or good, you take what you can get with these films), simply because horror wasn’t really available on TV. Ryan Falchuk, creator of American Horror Story, said he was taking a monumental risk, bigger than what he’d been taking with Glee, by trying to put a horror show on TV, even if it was on a cable channel like FX. Luckily the investment paid off, but there was always the chance things could’ve gone sideways, and that chance might’ve put off some producers. The creation of shows like The Following or Bates Motel are mostly trying to capitalize on the success of AHS, and other shows with supernatural/horror themes that came before AHS–Vampire Diaries, True Blood, or Teen Wolf–may have horror elements, but they have plenty of measures of comedy and romance and drama to keep more mainstream viewers interested in the show, just like with Buffy and Angel of ages past.

So while a rise in words evoking the emotion fear might mean a rise in scary literature, I’m more suspicious based on all the evidence I’ve listed above. If there happens to be a rise in horror though, and I’m just not seeing it, then splendid! I hope people buy my books when they come out.

Oh, and before I include a link to the article about the study below, I’d like to mention one line of the article that really annoyed me. The author of the article said that terrifying people is easy. Ex-squeeze me? Terrifying people is damn hard! Look at all the movies out there that rely on jumps and nudity to thrill and terrify audiences, and see how they fail miserably. It’s dificult to really scare people, and there’s an art to it that even I haven’t fully mastered. Keep that in mind the next time you find yourself watching or reading a very chilling tale and you think about they make these sorts of stories so terrifying.

Anyway, here’s the link to the article. Enjoy:

http://www.slate.com/blogs/xx_factor/2013/03/22/study_finds_more_fear_words_in_books_now_than_ever_before.html

The Next Big Thing Blog Hop–Part 2

Posted: March 24, 2013 in Novel, Reflections, Writing
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I did a TNBTBH back in February (and yes, that is an abbreviation) for The Quiet Game: Five Tales To Chill Your Bones after being nominated by fellow blogger and author Lorna Douvaena. On Friday, my friend and fellow author Matt Williams did his own TNBTBH on his Whiskey Delta trilogy (check out the exact post here: http://storiesbywilliams.com/2013/03/23/next-big-thing-blog-hop/). As usual with these posts, he nominated several others to do this, including me. So I’m doing a Part 2 to my own TNBTBH…without Jason Voorhees behind me (anyone get the reference? If not, you need to watch the first two Friday the 13th films).

And what work am I doing this time? Reborn City, of course! Matt and I both seem to have a fondness for it.

What is the working title of your book?

Reborn City, which is the name of the city in the first book and the name of the trilogy of the whole. I wanted to do a different name for the trilogy, but guess what? Trilogies named after the first book series are on the rise. Might as well get on the bandwagon.

Where did the idea come from for your book?

I was walking home one day from the library back in high school and was listening to rap music on my Walkman (yes, I had a Walkman in those days). At that time I’d just seen and become enthralled with the movie Freedom Writers, which was filled street gangs. A stray thought went through my head that I should write a story about a street gang, and it took hold. At that moment an explosion went through my head and I went to the nearest Dairy Queen to eat ice cream and figure out how I should go about writing a gangster story. All the elements of the story–the science fiction element, the themes of racism and Islamophobia, the street gang leaders with their special powers–came later on. As they say, the rest is history.

What genre does your book fall under?

Science fiction. ‘Nuff said.

Which actors would you pick to play your characters in a movie?

If I had a choice…I’m not sure. I’ve such a firm idea of what my characters look like in my head, I’m not sure any current actors could play the characters. We might need to look for some newcomers.

Of course, I wouldn’t mind if Samuel L. Jackson played my main villain Jason Price. He’s the perfect actor for the role, and I actually based the character on some of Jackson’s best performances.

What is the one-sentence synopsis of your book?

“Street gangs in a post-apocalyptic future”. That’s what I tell people when they ask, anyway.

Is your book self-published, published by an independent press, or represented by an agency?

It’s going to be self-published. However, if a major publishing house wanted to give me a deal…well, let’s talke and see if it comes to anything.

How long did it take you to write your first draft?

About two years. I was in high school when I wrote it, so I had to take a lot of breaks for school, homework, my after-school job, the Sabbath, and just to find time to relax. I hope for the sequel I can keep it within six months, since I’ll hopefully have a lot more time on my hands.

What other books would you compare this story to within your genre?

I hate comparing one work to another, but I think that perhaps Hunger Games might be a good comparison. The government’s evil, and the fate of many rides on a bunch of disillusioned teenagers with a penchant for getting into deadly fights.. If that doesn’t sound like Hunger Games, I need to reread the books.

Who or what inspired you to write this book?

I think the thought that like Freedom Writers, both the book and the movie, inspired many teenagers to apply themselves through writing and words rather than fighting and guns. I thought if RC could help people, why not write it? That’s kept me going through the years, especially when I realized the book might also help combat Islamophobia.

What else about your book might pique readers’ interests?

I think that it’s a unique tale, involves street gangs in a post-apolyptic landscape, and that most of the characters have very real problems that resembles problems in today’s world might draw them in. But then again, read the book when it comes out and tell me what you think. You might like it.

That’s my TNBTBH. I hope you enjoyed it. And if you read this blog post today and you’re working on something, you’re nominated for a TNBTBH. Congratulations. Let me know when you’ve written your post!

Good night, everybody.

My Art Doesn’t Imitate Life, But Is Inspired By Other Artists

Posted: March 23, 2013 in ideas, Reflections, Writing
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I’ve got a document called “Ideas” on my flash drive. The document is a list of ideas, mostly for novels, but there are about three films, a couple of TV shows, about four manga/comic book series (including one starring my superhero alter-ego Judgment), and even a video game. Tonight I added three new ideas to that least, officially bringing me up to fifty ideas. Yes, fifty ideas, none of them gray (yes, I went there). Although some of these ideas might actually depend on making enough connections to make a film or a TV show or whatever, some of them have already been brought into being (think Reborn City and Snake).

As I came up with Idea #49 last night, which is a novel based in Bolivia and featuring one very mentally unstable teenager, I realized something important: most of my work is not inspired by events in my life, but by the work of others. Reborn City was inspired by thinking of films featuring street gangs while listening to rap music, with the sci-fi elements added in while I had a snack at a Dairy Queen. Snake came from watching Taken and being totally rocked by it and later making the action hero into a serial killer. The series I plan to make my magnum opus when I write it is inspired by Schindler’s List and my favorite anime, taking some aspects of both and meshing them together with magic and steampunk. Idea #49 came to me after reading Hannibal and then letting my mind wander to Stepehn King’s Misery, with a South American setting mixed in after the idea came to me. All this and more, inspired by the work of others.

Is that a bad thing though, that I’m mostly inspired y others? Absolutely not! Just because “Art Imitates Life” is a famous adage doesn’t mean all artists have to abide by it. In fact, my favorite painting at the Columbus Museum of Art is a modern retelling of an old Dutch portrait. Every time I’m there (which isn’t often, but when it does happen) I have to see that painting or I don’t feel like my time was worth the trip. Plenty of movies, both good and bad, were inspired by the space craze that resulted after Star Wars came out. Books like Wicked and Alice I Have Been were based on The Wizard of Oz and Alice in Wonderland. And let’s not forget that there would be no Friday the 13th, Nightmare on Elm Street or other famous slashers if Halloween hadn’t started the slasher boom in 1980 (some of you may wish it hadn’t, but let me thanks the producers of that film for creating an influential genre in horror).

But all that aside, it’s important to remember that every artist gets inspired differently. Some take the events in their life and use it to create a work of genius. Others, like me, see or read or hear those works and come up with their own works thanks to a little inspiration from the works they’ve seen or read or heard. Others try to answer a question with their work, such as “Is humanity worthy of living?” or “Why do I feel this way and can I figure it out if I write it in a fictional context?” And some are just inspired by a quick kiss on the lips, a reminder from their lover that they are the most important person to them, and a shared cup of coffee and eggs in the kitchen…and I am not sure where I am getting this scenario. It could happen, though.

So writers, artists, musicians, actors, whatevers–create however you want, whatever your inspiration. Each one of us works in a different way, and we should be inspired by the way that works best for us. After all, isn’t that how the best art is created?

What inspires you? And do you have any memorable moments of inspiration?

Please let me know.

Novels: Many Plots Or One Plot?

Posted: March 21, 2013 in Reflections, Writing
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I was watching a movie recently and at one point near the end, a literature teacher is teaching her class that there is only one plot in any work of fiction: “Who am I?” And when I logged onto the Internet a little while ago, I read a blog post by my friend and fellow author Pat Bertram (see here:http://ptbertram.wordpress.com/2013/03/21/where-my-books-originated/) where she stated that at the core of every one of her novels, plus her memoir on grief, the central theme was “Who are we?” This all happened within a 48-hour period, so I definitely started thinking hard about these questions. Do all stories of fiction have just one plot to them, which can be summed up in “Who am I?” or “Who are we?”

Well, a lot of novels do have this question as a theme throughout the story. Plenty of coming-of-age novels are about children and teenagers finding themselves and learning just who they are, or becoming individuals, or finding their place in this chaotic universe. Heck, my own science-fiction novel Reborn City has plenty of identity themes in it, especially for Zahara and for the Hydras as a whole.

But at the same time, I’m not so sure that all stories are about “Who am I?” Look at some classic novels like “A Tale of Two Cities” by Charles Dickens. I hated that novel, but I do know that the central story was about one character nearly getting his head chopped off because of a family relation’s crime. I don’t think the whole “Who am I?” question figured much, especially when one character kept trying to keep his head on his shoulders. And recently I read Henry James’s “Daisy Miller” for class. That had nothing to do with “Who am I?” It was an unidentified narrator telling us about a story he heard (with details and all) about a guy trying to court a naive young girl who spends too much time with men and gets slandered in society for it.

Of course if you would rather me use a modern example, how about “Daughter of Time” by Josephine Tey? That whole novel was about figuring out an actual conspiracy in history, not about the main character’s identity as a cop or anything. Or what about any of the Hannibal Lecter books? Those are about one agent trying to catch a serial-killing criminal while Hannibal gets in their heads.

Sure, one can make an argument that each one of those examples has someone trying to find themselves, whether they know it or not (Richard III certainly didn’t know in “Daughter of Time” that people were helping him clear his name, a form of finding themselves). But those arguments sometimes seem very circuitous to me, at least when I go through them in my messed-up head. And do they necessarily prove those stories are about “Who am I?” or “Who are we?” I’m not sure, but if you can make an argument that doesn’t seem long and circuitous, then by all means, go ahead. I’d love to hear it.

Still, I don’t think you can sum up all fiction in one sentence or one question. And as for my friend Pat Bertram, that’s just the sort of stories she writes. I write some that are like that and some that are definitely not like that (Snake comes to mind for the latter). So like many things in the writing world, it all depends on the author and their particular stories and preferences.

What’s your view? Are all stories under a particular question, or do they fall under different questions and themes and beliefs?

I’m A Semicolon Addict

Posted: March 20, 2013 in Reflections, Writing
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semicolon: a grammatical tool of punctuation used to indicate two interdependent statements.

If anyone has read a good deal of my writing, they’ll know I like using the semicolon a little bit too much. I didn’t realize how much I liked using it until recently though, when my friend Matt Williams, who is editing Reborn City, pointed out how many semicolons I use and started taking them out of the stories. And then the other day, while critiquing a classmate’s short story for our creative writing class, I noticed how often she used semicolons as well, and how periods or different ways of phrasing the sentence can really affect how the sentence and the paragraphs flows.

With all that in mind, I realized how much I used the semicolon, and how I was really better off not using it as I had. So I decided to get rid of it, and to come out here and admit that I’m a semicolon addict. However, I am working on getting over this habit. For instance, during the editing of Snake I started cutting out many of my semicoloned sentences and phrases, changing them so that they were either all one sentendce or two independent sentences. And on my latest short story, which I’m naming Vile, my aim is to write the entire story without using the semicolon once. Hopefully then I’ll be able to get over this habit that my writing can do without.

Oh, and speaking of habits, here’s one writing habit I picked up recently that I’m unsure of its origin. In a few short stories I’ve written, I’ll describe something in a sentence that manages to encompass the development of something over a long period of time into a few words. For instance, when writing about a character’s relationship with his girlfriend: “They first connected over their biology projects, then over their mutual interest in Gothic literature, and then finally they connected with their bodies”. Or in Vile, the main character describing what his wife had done while he’d been dead: “She had continued to live and thrive and undergo plastic surgery that allowed her to look like a college student again.”

You see those two sentences? They encompass so much, but say it in so little. I like it, but I can’t help but feel that I picked it up recently from some author I read either over winter break or in my American Lit class. Any ideas whom I might’ve picked it up from? Because I have absolutely no idea at all!

We Should Be Better Than This

Posted: March 18, 2013 in ideas, Journalism, Living and Life, Novel, Reflections, Scary Stuff, Social Activism, Writing
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To many, rape is just this: a hand reaching out of inescapable waters, but with no one to grasp it.

Over the past two days, I’ve read about four or five stories online about the Steubensville rape trial (for those of you unfamiliar, two teens from a small town in my state sexually assaulted a 16-year-old girl while she was intoxicated and unconscious, urinated on her, and then posted the damning proof of it on Facebook). The two teens who committed the act were found guilty yesterday and sentenced to juvenile detention centers till they were 21. What upset me though, and what has upset many people as well, was not only that the poor girl was sexually assaulted, but the defense attorneys for the case tried to twist the concept of consent out of order by saying that since the girl was intoxicated, she never really said “no”; that there may have been a cover-up by the local high school, whose football team these boys belonged to and which is a source of pride among the local community; that those who witnessed the crime and were responsible for the photos on Facebook were not charged (though that might change pretty quickly, according to the Ohio AG); and that some of the coverage of the trial, which has gained nationwide attention through the Facebook posts, were actually in favor of the two boys charged.

The two rapists in question. They have no one to blame but themselves.

Yes, in favor. ABC News first reported the case not too long ago by saying the boys “took liberty” with the girl, which is definitely a new one if ever I’ve heard one. And yesterday, CNN seemed only able to lament the fact that these boys had promising futures stolen from them, that they could’ve made names for themselves at Ohio State and then in the NFL, that now they have to register as sex offenders, possibly for the rest of their lives. Underneath the spoken words, the silent implication: that the “good boys” weren’t to blame, but the victim for getting drunk and presenting an all-too-appealing oppurtunity for these boys to have a little bit of fun.

The same day, a story broke out about another gang-rape in India, where a camping couple from Switzerland were attacked, beaten, the wife raped, and then robbed. Arrests were made hours afterward (a record for India), but some public officials have blamed the couple for camping in that area. More victim blaming? I guess after the initial outrage of the bus gang-rape, some people still don’t know when to shut their yaps.

As an ardent supporter of women’s rights and of human rights, I’m abhorred, appalled, and disgusted. This victim blaming turns every woman out there who is the object of unwanted sexual advances into sex toys and shames them into being quiet, tells them they should accept what they get or they will be the ones at fault, that they will be scrutinized for their clothes and behavior and will be called sluts forevermore. Meanwhile, men can wear whatever and drink whatever and screw around as much as they want, and they’ll rarely be called a “man-whore”. This double standard mystifies me as much as it makes me ashamed to be a man. Yes, ashamed! I’m ashamed that my sex gets away with so much while the other half of the species is put down and turned into objects so much.

It also makes me think of a novel I plan to write in the future. I first came up with it by thinking to myself, “What’s the worst event that could happen to a singular person and then use whatever happens to them in the story to help them at least begin to heal?” Being so influenced by Law & Order: SVU (for better or for worse), my mind went right to rape. Only the victim can feel that terror and trauma that comes from rape, they often suffer in silence, and when they do come out, they are often at the recieving end of brutal victim-blaming and stigmas and questions about what they experienced that are never about clarifying the events as they happened. It fit what I was looking for to a tee.

At first though, I considered changing what that tragedy would be for this character. I mean, even I have my limits for what I’ll write, and that’s a lot for a horror writer. But I decided to stick with rape, though at the time I wasn’t sure why. But when I see articles in the news about victims of rape being blamed for what happened to them, even just subliminally, I’m reminded of why I kept rape as that character’s tragedy. Just like Reborn City has themes of the evils and lies of Islamaphobia, this novel of mine and this character can be a way to encourage women to come out about their attacks, to show men that rape, under any circumstances, is rape and their own fault, and perhaps a wake-up call for many readers that rape is a problem and our attitude towards it needs a major change.

I’m not sure if I’ll write an actual rape scene when I do end up writing this novel, but I do know that when I do write this novel, I’ll be channeling my rage, my disdain and my disgust for rape and rapists into it. Perhaps some will feel this underlying rage and learn something from it, like rape is never the victim’s fault. Or that the rapist is the only one to blame. Or there are no circumstances where rape is okay.

Savannah Dietrich was raped last year, but spoke out on Twitter and named her rapists when she felt the plea deal they got wasn’t enough. Sadly, she was nearly charged with contempt of court for naming her rapists.

And perhaps then, the world will change for the better. Because you know what? I shouldn’t have to be writing about this! I shouldn’t have to be telling people on my blog that I find rape and the double standards surrounding it disgusting, or that I plan to channel my rage over this insanity into a novel! I shouldn’t have to check my email and then see that another girl was raped, or that someone in an important position insinuated that the victim had no one to blame but herself. I shouldn’t have to, and neither should anyone!

But we live in the sort of world where all this happens on an all-too regular basis. And you know what? I’m not going to stop raging about it until it does stop, until change does happen, until that novel’s heroine is able to break free of her chains and start the move towards healing. Because I know the world should not be in this state, and I see a moral and an ethical duty to try and make it better. If what I write here does end up helping someone, then that’s great. In the meantime though, I have a lot of work to do, and I’m getting started right now.

For the victims who are blamed. For those who live in fear. And for those I can help before it’s too late, and this dark culture gets them into the wrong mindset.

What about you?

The Next Short Story Idea: Overcoming the Death-Barrier

Posted: March 17, 2013 in ideas, short story, Writing
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Well, I’ve been a busy little blogger today. This makes for the fourth post on this lovely Sunday, and the third in so many hours. But this last post for March 17th is one that I’m especially eager to share with you. Since I’m finished editing Old Sid and I’m not working on any novels except to get them ready for publication, I’ve got some short story writing to do. And this next short story is a strange but rather compelling one. When I told my dad about it over dinner, he was nodding like, “Yeah, that I can see as pretty interesting”. Now that was a motivator.

How many of you have heard of the death-barrier? For those of you who haven’t, this refers to what keeps us from becoming immortal, the inevitability of death. Everyday we hear about advancements that are meant to keep this barrier at bay, but every now and then we hear about people trying to remove the barrier altogether, essentially granting immortality. And not only that, but there has been talk of bringing back the dead.

Yes, bringing back the dead. Not through corpse bits and lightning though, but by regrowing healthy tissue and restimulating the brain to reanimate the dead. If you do your research, you’ll be able to find companies that will cryonically freeze your corpse after you die so that when this barrier is no longer an issue, you can be brought back to life…for a hefty donation to scientific research. Yeah, sounds a little like it’s out of a sci-fi novel, but it’s true. And if you’re interested, there’s a Castle episode where the whole plot of the story revolves around a murdered doctor whose body was cryonically frozen. It’s a ton of fun.

Assuming you could resuscitate the dead, what would happen? How would a revived person react? Would they enjoy being back? Or would they feel that being brought back was unnatural?

This is my short story. I plan to follow around someone who has died and been brought back and how they react to the world. It should be interesting and very challenging to write. I’m not sure what I’ll call it, but it’ll be interesting to see what results from it. I’ll let you know when I finish it. Wish me luck, especially with coming up with an appropriate title!

Have a good night, everybody.

“Old Sid” Is Finished!

Posted: March 17, 2013 in Progress Report, short story, Writing
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Well, it took me a while, but I finally did it! I finished Old Sid, the second short story I submitted to my creative writing class. For those of you unfamiliar with it, Old Sid is about a bunch of students at Ohio State University trying to delve into the truth of Old Sid, an urban legend I made up for the short story (so don’t go online trying to see if Old Sid is a real thing, because it’s only a product of my imagination). The story is narrated from the point of view of several people at once, similar to what Jeffrey Eugenides did with his first novel The Virgin Suicides.

I ended up changing a lot with this draft, and at times I purposely got easily distracted just because it was slow-going and I wanted a break. But the story’s done, and I really like how it turned out. Old Sid has his Boo Radley moment where the characters realize he’s not a legend but very human, but it’s done in such a subtle way that it’s not right in your face. I think my teacher will like it when he reads it, especially since Old Sid is in the vein of literary fiction and I’m barely able to write horror in short story form with any amount of competence.

After I get my grades for the semester and some feedback on Old Sid, I might edit it again and send it off to a literary magazine, preferably one based in Ohio or better yet in Columbus. It’ll probably have a better chance in a local magazine, since a lot of people are very familiar with Ohio State in its home state than outside it (of course). I’ll let you know if I have any luck in that department. Wish me luck.

A Welcome To My New Followers

Posted: March 17, 2013 in Living and Life, Novel, Progress Report, Scary Stuff, short story, Writing
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I’ve noticed that I’ve been getting a lot of new followers over the past month or so, and especially during these past two weeks. So with that in mind, I’d thought I’d extend a welcome to my new followers and thank them for deciding to follow me and read my blog. And to my returning followers, welcome back and thanks for continuing to read my blog.

Also, I wanted to clarify some things for the newest readers. Occasionally on this blog, you’ll see words and phrases such as The Quiet Game, Reborn City, or Snake. These are my works-in-progress that I’ll be self-publishing hopefully within the next year or so. Each is very different from the other, and are at different stages of getting ready for publishing. I’d like to take this oppurtunity to tell you all about each of them and to let those who are already familiar with the works in question how progress is coming along.

So without further ado, here’s a look at my WIPs:

The Quiet Game: Five Tales To Chill Your Bones

TQG cover

This is a collection of short stories I’ll be putting out soon. I wrote these short stories over winter break and the beginning of spring semester, and it’s almost ready for publication. I’m just waiting for the US Copyright Office to get me my copyright and then I’ll be ready to upload this onto the Internet. Since the Copyright Office takes about two and a half months though, we’ve still got a bit of a wait to go before it comes out. So please be patient, and in the meantime you can read the description for the book on the page “Books by Rami Ungar” or watch the trailer below:

Reborn City

This is a science fiction novel about street gangs in a post-apocalyptic future I wrote in high school and that’s being reviewed by a beta reader before I prepare it for publication. The beta reader, Matt Williams, also happens to be a published writer and blogger, so you should seriously check out his blog here: http://storiesbywilliams.com/. Currently Matt’s halfway through the novel or thereabouts, and since he finished his latest novel Pappa Zulu, he’s been able to get the chapters back to me that much faster. I can’t wait to see what results from our collaboration.

Snake

This is a thriller novel I wrote over six months from June to December 2012 and follows a serial killer in New York who is hunting members of a powerful mafia family, his reasons for doing so clouded in mystery and in murder (how’s that for a description). I recently finished the second draft and have sent off the first four chapters to a beta reader I trust. Hopefully she’ll be able to let me know what she thinks very quickly. In the meantime, there are a few excerpts of Snake on this blog, so if you get bored you can probably go looking for them and find them.

Well, that’s all I’ve got. I hope this piqued your interest in some of my work. Once again, thanks for reading and agreeing to follow my blog. It really means a lot to me. Have a nice day, and I’ll post again soon.

Rami

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