Posts Tagged ‘writing’

I was tagged by Lorna Dounaeva (http://lornadounaeva.wordpress.com/2013/02/21/the-next-big-thing-blog-hop/) for this post, which is similar to the award memes that make the rounds of the Internet. The Next Big Thing Blog Hop is a chance for us to talk about our works-in-progress, or WIP, and we have to follow certain steps to fulfill it. First, I have to tag the person who tagged me (thanks, Lorna!). Then I have to introduce and explain The Next Big Thing Blog Hop to those reading the post (check!). Then I have to answer ten questions about my WIP, and include pictures if possible. After the questions are done, I must tag five other writers with WIPs, and then let them know through emails or comments.

I’ll get to that, but first the questions, which will be focusing on The Quiet Game:

1. What is the title of the book you are working on? The title is The Quiet Game: Five Tales To Chill Your Bones.

TQG cover

2. Where did the idea come from for the book? I think it started when I realized that editing my sci-fi novel RC was taking longer than I thought and that I’d probably finish my thriller novel Snake around the beginning of winter break. I’d played with the idea of working on a collection of short stories after Snake was done, but by the time winter break arrived, I thought it’d be a good thing to do, especially with my plans to self-publish. So as soon as I’d finished Snake, I got to work on it.

3. What genre does your book fall under? Horror, definitely horror. To be more specific, four of the short stories feature supernatural horror, while the fifth features psychological horror.

4. Which actors would you choose to play your characters in a movie rendition? Well, it’s a collection of short stories, so that’d be five movies if I were extremely lucky. The only actor I can think of though, would be Taissa Farmiga from American Horror Story, who would play Traci from the titular short story, The Quiet Game. Although she doesn’t look very much like my conception of the character, she’d definitely define and bring the role to life, and that’s what I’m looking for.

Taissa Farmiga, everybody.

5. What is a one-sentence synopsis of your book? Be prepared to enter the darkest corners of your mind in…The Quiet Game.

6. Will your book be self-published or represented by an agency? I’m doing the self-publishing thing. It’s the way of the future, and I’ve tried the traditional route to publishing novels and collections. Although it’s still prestigious,the traditional route is still very difficult to do and from the way some of the bigger companies in New York have been merging and acting, they know it won’t last forever. Besides, I want to get my work to my readers sooner rather than later.

7. How long did it take you to write the first draft of your manusript? Probably a month or so, though one of the short stories did need to be rewritten at some point, so that’s another couple of days there. Each story took different lengths of time to work on, so it was an uneven work schedule. Still, it was very much worth it.

8. What other books would you compare this story to in your genre? I don’t know; it’s so hard to compare one collection of short stories to another. In fact, I’d say it’s almost impossible, though my Mom did compare one of my short stories to Stephen King’s It, which I thought was a huge compliment.

9. Who or what inspired you to write this book? I got inspiration from anywhere. The Quiet Game came from a comment-conversation on a friend’s blog; Addict came from the experiences of a friend of mine. If I tried to go back and figure out the origin of each story, I’d have interesting stories to tell right there!

10. What else about yoru book might pique reader’s interest? I think that it’s by a new author and that each story is different, scary, and unique might draw some in. That’s the hope, anyway.

And now, onto the tagged people:

1. Matt Williams (http://storiesbywilliams.com/)

2. Angela (http://aportiaadamsadventure.wordpress.com/?ref=spelling)

3. Cristian Mihai (http://cristianmihai.net/)

4. Pat Bertram (http://ptbertram.wordpress.com/)

5. Jason Alan (http://jasonalanwriter.wordpress.com/)

Congratulations to the tagged winners, and I can’t wait to read what you’re in the process of creating.

TQG cover

Ah, so many announcements about The Quiet Game, and so few hours in the day! If you haven’t heard already, I created a cover for my upcoming collection of short stories, The Quiet Game: Five Tales To Chill Your Bones, earlier today and posted it all over the blogosphere, Facebook, and my Twitter account.

Now I have a second announcement: this Friday at my dorm, Jones Tower, there will be a huge Purim celebration. Yes Purim, the Jewish holiday that celebrates our deliverance from the hands of the Babylonian Prime Minister’s plot to murder every single Jew. During the celebration, there will be Hamentaschen, the traditional treat eaten during Purim, masks you can make (it’s basically our Halloween, if you didn’t know), and I’ll be doing a reading from some of my short stories at some point during the festivities. It’s going to be great; I plan on doing a whole lot to make sure it’s so spooky, they may not want to have me read again–

On second thought, maybe I should tone it down a bit.

I’ll try and make a video of the reading and post it on YouTube. Keep your eyes peeled for it.

And if you happen to be in Columbus on Friday night and have nothing to do at 10 PM, please show up. I’d appreciate the support.

Unless of course you’re crazy or want to kill me, in which case I’d like to warn you there are members of the audience who will be attending and who are a part of martial arts societies and groups on campus, and they won’t hesitate to hurt you.

Have a good night, everybody.

As if creating the cover for The Quiet Game wasn’t good enough for me, I have new ideas for short stories that I plan to get on as soon as possible! The first short story is one I’ve been meaning to do a rewrite for a while, the one involving a demonic possession that went wrong…for the demon, that is. I’ve been ruminating over how best to rewrite and improve it for a while now, but now I’m ready to work on it. I just need the free time to do it! But if I can’t get my homework done and I don’t have anything else to do, I will get it done.

The second short story is one I just had the idea for today during my Abnormal Psychology class, involving a character who wakes up from a dissociative fugue. For those of you who are unfamiliar with the term, a dissociative fugue is when, for reasons still not entirely understood, a person forgets their personal identity and past and adopts an entirely new identity with its own past and habits. It’s a very strange disorder, which can last anywhere from a couple of hours to several months, and usually involves the person stricken with the fugue disappearing or fleeing to a new location, possibly because of the fugue-identity’s whims or beliefs or memories (once again, not much is known about fugues).

When someone awakens from a fugue, they tend to be very confused and usually lose all memories of their fugue identity or what happened while they were in their fugue state. And since fugues are unpredictable and people don’t realize until after the state that they were in a fugue state, there’s not a lot of literature on them except for case studies written after the fugue. Sometimes the memories from these states can be recovered with therapy, but it’s rare and there’s no consistent or approved treatment for dealing with fugues.

Plus the fact that you can’t predict a fugue makes it hard to get a test subject. If anything, people who have had fugues usually have had childhood traumas or head injuries, but only a small percent of people with head injuries or traumas actually have fugues.

I’m sorry for rambling on, but do you see the set-up for a great short story here? Because I do! And I can’t wait to write it.

First I have to rewrite the possession short story. Wish me luck!

I took some time out of my day today to create the cover for my upcoming collection of short stories, The Quiet Game: Five Tales To Chill Your Bones. I used a photo I’d taken over the weekend and used PhotoShop to add the title and the writing in the sky that’s in the titular short story. The result is what you see below:

TQG cover

The photo is of Orton Hall, one of the oldest buildings on campus, with a snowy night background. With the lettering in the back, I feel it makes for a very scary cover that gives me the effect I’m looking for.

The best part though, is that I did it all by myself, with only a little bit of help from the people who run the computer lab at the Science and Engineering Lab at school, and I did it in barely half an hour, if even that much! I feel so proud of myself for being able to use a program that before I had so much trouble using. Now I can add this to the Facebook page and put it on the “Books by Rami Ungar” page to show the world.

Thanks for supporting me so far. I hope to have the book out by mid-April, when the semester ends. I hope you’re looking forward to reading it, almost as much as I am looking forward to publishing it.

Well, it’s been a while since I’ve written anything about my serial killer novel Snake, but I’m happy to announce I finally got around to doing something I’ve been meaning to do for a while now: add in the Russian.

For those of you who weren’t around during the six months from June-December 2012, Snake follows the Snake, a serial killer that goes after members of a Mafia family for reasons mentioned only in the novel (and not on this blog; that’d give away the whole darn plot). The Snake also speaks Russian, a language I have no heads or tails for, comrades. So I asked a friend of mine I know through OSU’s organization for Jewish students, OSU Hillel, to help me because he’s a native Russian speaker.

Yesterday, my friend sent me some translations and transliterations of the English phrases I sent him, showing me what the phrases I’d written in English looked like in Russian with English characters. I inserted them into the story, and now I don’t have to do anything till I actually start the second draft of Snake next month. I’ll probably add some more Russian in then, but until then, I don’t think I’ll bother my friend.

In hte meantime, I have to go out for a few minutes and take a photo that I’ll use and modify to create the cover for my upcoming collection of short stories, The Quiet Game: Five Tales To Chill Your Bones. Sure it’s cold and it’s late, but this photo needs to be taken at night, I only just got done with everything else, and I have an hour until SNL, so I’m good. Time to take some photos.

Do svidanya until I write next. Have a good night.

Setting Is Character Too

Posted: February 13, 2013 in Reflections, Writing
Tags: ,

I’ve been watching the first season of American Horror Story on my computer lately, half because I’ve heard so much about it and I’m intrigued, but also because I figure that it’s about time I watch some successful TV horror that I’m missing out on. Watching it, I realize something important: the house, which is the main setting of the show, is a character in itself. The setting is its own character.

I’m only three episodes in, but I’m learning that hthe house has so many layers and so much depth. In every episode we see some new aspect of it, some new piece of its history. We learn that t has its quirks, its needs and wants, and its effects on those who encounter it. And I think ultimately, it is the antagonist of the story rather than the home of the antagonist. The house has some designs for the family living there, and while I’m not sure what those designs are, I’m sure they’re sinister in nature.

(And if I’m right, don’t tell me; I want to be surprised).

This puts me in mind of other stories where buildings and settings that have been characters as well. Obviously, there’s The Shining by Stephen King: the Overlook Hotel was definitely sentient and not just inhabited by spirits. It lived, and it allowed souls to become twisted and live within it. Also, there’s the house in When A Stranger Calls, because it figures into the plot just as much as the two characters. We see the house, so airy and space-filled, and yet we feel trapped within it, wondering what was behind every corner. When we reach the climax of the story, we fear not only the killer, but we fear the house and what is hiding in its darkest corners.

This makes me wonder how I may apply this to my work. I know there’s a few stories where I could make the setting a character,, even though I have yet to write any of those stories. But how to make those settings come to life, to be characters? I don’t know. At least not yet. I hope to find out though, and perhaps I will, especially if I keep watching AHS. If I can…then it’ll just be conquering another skill I’ll need on the road to be an author.

It’s like Hotel California, but worse.

Do you ever use setting as a character? How do you do it?

I got feedback for one of my short stories, “Enigma”, the one about the autistic boy. My bera-reader, a woman who’s worked with people with disabilities for years, told me she really enjoyed the story, especially since certain parts scared her and she couldn’t figure out what would happen next or whether the wolf spirit in the story was a hallucination or an actual spirit. I don’t give any hints on that subject, though I usually tend towards supernatural.

My beta-reader also didn’t care for the name change I gave “Engima”, but I feel that the new title works more for the rewrite I gave this story. That being said, the new title is “In The Lady Ogre’s Den”, based on something the main character notices while in the hospital. I think the title’s a good one, and I hope to keep it.

I’ll probably edit this story one more time, but after that I’ll move it to the folder on my flash drive where I keep the finished short stories for The Quiet Game. I’m very excited; after this story, I’ll have only two more stories to hear back from beta-readers about, and then I’ll be ready to put The Quiet Game out. Let’s hope I hear back soon.

Oh, as for that promotional short story I mentioned the other day, I still have to find time to send it to the Copyright Office, but I will as soon as I’m done with my homework. Just bear with me, okay? I’ll have it out soon.

While watching the State of the Union address (love you, Mr. President!), I worked on my latest short story, “Three Life-Saving Phone Calls”, a short story about a teenager trying to commit an elaborate suicide. The idea for the story came to me in one of my creative writing classes (apparently lots of people get great ideas for stories while around my teacher, or so I hear), and it was based on a really dark period of my life, when I actually did want to commit suicide when I thought that nobody loved me and I was all alone.

The story’s a little longer than five-thousand words, but I plan to see if I can slim it down a little during the editing stage. I also want to see if I can get this short story to win OSU’s English Department’s creative writing award for short stories. I won’t get that big a prize–only $250–but it’d be something to put on my resume and it’d be a prestigious award to have. Since the due date for submissions is in 10 days though, I need to edit quickly…after I edit my second short story for class.

Let’s hope I can handle it all and do well!

I’ll let you know how well things go. Wish me luck and hope for the best, okay? Thanks!

As many of you know, the Chinese New Year was celebrated recently, ushering in the Year of the Snake. As many of you also know, I recently wrote and completed a thriller novel called Snake, which is about a serial killer hunting mafioso. Since Snake will probably be published sometime before this time next year (hopefully), I thought it was a pretty strange but otherwise wonderful coincidence. Of course, the serial killer whom the novel is named after, the Snake, was probably born in the Year of the Rooster like myself, but still it’s a pretty cool coincidence.

And since it’s the Year of the Snake, I thought I’d give you a small sample of Snake, something to let you get a sense of one of my best written works to date (at least in my opinion). It’s from the first chapter, when one of the Snake’s first victims makes contact with the Snake over the phone. It’s creepy and I love it. Enjoy:

            Paul felt a buzz in his pocket and looked down. Through the fabric in his pants Paul could see the light from his phone shining through. Paul reached into his pocket, pulled out his phone, and dove into a little alcove where he could take the call in peace. Without checking the number he pressed the talk button and brought the phone to his ear.

            “Hello?” said Paul; on the other end all he could hear was a deep breathing. Paul raised his eyebrows suspiciously. “Who is this?” He checked the caller ID, and saw only UNKNOWN NUMBER.

            Suddenly the person at the other end of the phone spoke. “Men in your line of business have no right to be in a church, Mr. Sanonia.”

            Paul stared at the phone, surprised. Glancing quickly around the church, he saw only three people, and none of them were on their phones. How did this person know where he was and how did he get his number? He looked back at the phone and spoke into the mouthpiece. “Who the fuck is this?”

            The man on the other end laughed, a rich, hearty laugh that for some reason chilled Paul’s skin. “When your cousin James Sanonia died, he was shot in the head.” said the man, his voice deep and affected with a heavy Russian accent. “Then several bones were broken all over his body. He was then taken from wherever he was killed and thrown in the Hudson. Dockworkers saw his body floating and pulled him up out of the water. By the time they got him though, there was nothing to identify your cousin’s murderer. Except for one interesting detail, that is.”

            Paul froze, his heart beating loudly in his chest. Who was this guy? How did he know all that? “And what was that detail?” he asked through gritted teeth.

            The man spoke, and Paul froze. “You killed my cousin.” he hissed angrily. “You killed Jamie.”

            “Horrible thing, wasn’t it?” said the Russian man. “I couldn’t get what I wanted out of your cousin. But I’m sure you’ll be much more helpful.”

            Paul was only half-listening; he was looking around the church, trying to find someone—anyone!—on a phone. One of the other worshippers, a teenage girl with a skirt too short for the cold February weather, walked out of the church while texting. Besides her, no one else seemed to have a phone.

            “Where the fuck are you, you crazy shit!” Paul whispered into the phone. “Come on out and face me like a man!”

            “But there is no fun in that.” replied the Russian man. “Besides, you’re so much more amusing to watch.”

            Paul stepped out of the alcove, looking around the church. “Watch?” he repeated.

            “Oh, didn’t I mention it?” asked the Russian man. “I’m right in the church with you.”

Last semester, I wrote how I continue to write about subjects I have no personal experience with, despite my creative writing class’s textbook’s insistence that I do so. It wasn’t that I thought anything from my own life wasn’t good enough for writing about, it’s just that I was more interested in writing about a demon causing a human to become a cannibal or a war between humans and werewolves than I was writing about my anxiety before a test or my sometimes stormy relationships with my sisters. When people like my dad would tell me to at least give it a shot, I would usually reply, “That’s too scary for literature.”

But lately–and I blame the workshops I’ve been taking for this–my writing has taken a more personal tone. Over break, I wrote “Enigma” (later renamed to “In The Lady Ogre’s Den”), which has an autistic child as the main character. I’ve worked with kids with autism before, and I’m even on the spectrum, though I’m very high-functioning. Later I wrote “Old Sid” for class (I’ll be turning that one in a week from Wednesday) and that story takes place on the Ohio State campus, where’ I’ve either been working, learning, or both for the past two years. And recently I’ve been working on a short story called “Three Life Saving Phone Calls”, which is based on some dark experiences in my life that for a time made me very depressed and even contemplated suicide. Sure, I’ve changed so much around that it’s now only very loosely based on my life, but if someone were to look closely, and if that someone knew a lot about me, they could see through the fictional veneer and spot what I’ve taken from my own life and put into the story.

Why the change? Like I said before, I think it might have something to do with the workshops I’ve been taking. The emphasis on literary fiction as opposed to genre fiction requires me to be more personal than I have been, and a lot of what those workshops have been teaching me I’ve assimilated into my writing. I guess finding ways to make my own life and experiences interesting is part of what I’ve taken away from these classes. I’m not exactly sure if it’s the best thing for my writing–after all, I’m still devoted to genre fiction, and I prefer to use imagination rather than confront an actual serial killer–but while I’m stuck with this new appreciation for things in my life and using them in my writing, I might as well take advantage of it to the fullest.

And besides, who knows? “Three Life Saving Phone Calls” seems to be just literary enough that I could submit it to a major literary journal, one that pays its contributors. That’s the hope, at least.

What about you? Do you use your own life in your writing, or is your work so strange that your life couldn’t find a place in your work?