Archive for the ‘Writing’ Category

Have you ever heard of Pat Bertram? If you haven’t, then let me tell you about her: she’s a mystery/suspense novelist with several titles under her belt, she’s an avid writer and blogger, and among many different writers on Facebook, she’s a bit of a Gertrude Stein figure, with many people congregating in her digital parlor, so to speak.

I’m very lucky to consider her a friend, and I’m happy to say that she and I recently sat down together for an interview on Reborn City on one of her blogs, “Pat Bertram Introduces…”

Please read the rest of the interview if you like, and by all means check out both her blogs and her published work. You won’t be disappointed.

Pat Bertram's avatarPat Bertram Introduces . . .

THUMBNAIL_IMAGEHi, Rami. What is “Reborn City” about?

Simply put, my book is about a young girl forced to join a street gang in a city similar to Las Vegas about forty-five years in the future. And forty-five years in the future, the world’s pretty different. For one thing, the United States doesn’t exist. Instead, the world’s become divided up into city-states and small nations. Another interesting thing is that my main character’s religion, Islam, has been demonized in certain places, so she’s got a tough time of things. I thought those elements would make the beginning of a great novel. I hope the readers agree!

What inspired you to write this particular story?

I was walking home from the library one day listening to a CD I’d just checked out. There were rap and rock tunes on it, and I thought it would be a great soundtrack to a gangster…

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Reborn City

I didn’t think it would happen so soon, but it did. Within a week of Reborn City coming out, the first review has appeared on Amazon. This comes Matthew Williams, Canadian science-fiction author and dear friend (I did a review for his zombie thriller Whiskey Delta). Matt also is the author of the blog Stories by Williams and is an authority on all subjects related to science and science fiction. And I’m proud to say, he’s also the guy I asked to edit RC before I got it ready to publish.

And it’s because of all of those that I was really excited to see his review on Amazon today, in which he gave RC four stars. Here’s what he had to say:

“Gangland violence, superhero-like enhancements, a futuristic setting, and social commentary that stems from a semi-post-apocalyptic theme. And then there’s a story where people come together as a family to deal with mutual loss and tragedy. What’s not to like?”

I’m glad you thought so highly of it, Matt! What do you say to taking to a look at Video Rage when I’m ready to show it to someone else?

Well, I’m glad Matt likes it. I’ve had a couple of sales so far, and from what I’m hearing, people are liking RC so far. I had a friend message me over Facebook the other day to let me know that she thought the first couple pages of RC were scary due to the violence. I was like, “I wasn’t intending to scare anyone with the violence, but I’m glad you’re reading it and I hope you enjoy the rest of the novel.” Or something to that effect.

If you wish to read Reborn City, you can find it on Amazon, CreateSpace, and Smashwords. And if you do decide to read it, please let me know what you think. I love feedback, whether positive or negative.

Also, you should check out my friend Matt’s blog. Whether it’s drones threatening to become intelligent, the latest in medical science, changes in climate, or the latest superhero movie news, he’s your guy. And if you like what you see, check out his published work, including Whiskey Delta. It’s worth the read.

I wasn’t planning on writing an article anytime soon, but something happened recently and I had to write about it.

For those of you who don’t know, I also write for the blog Self-Published Authors Helping Other Authors, and today I published my most recent article. This one examines some new distribution channels through the self-publish service CreateSpace, and what those new channels might mean for authors and their readers. If you wish to, you can read the article here.

Also, if you’re a self-published author looking for advice on anything from writing, publishing, and marketing your work, I highly recommend you check out and possibly subscribe to Self-Published Authors Helping Other Authors. There are several useful articles there for writers of all stripes and genres, and the authors there, myself included, are always happy to answer any questions you may have.

That’s all for now. Should you decide to read the article, I hope you enjoy it, and if you have any feedback please leave a comment.

It’s time again for one of my Weekly Exercises. These flash fiction pieces are my chance to practice my craft, as well as receive feedback from my readers and possibly get them interested in my published work. Remember, the Weekly Exercises are dependent on reader feedback, so whatever you think, please let me know in a comment if you have the time.

Also, if you’re interested in reading the other Weekly Exercise, just follow the link here.

~~~

Daddy always said that Mommy had disappeared and that they didn’t need her because she was a whore and a bitch and they didn’t need that kind of woman in the house. Sometimes Devin thought otherwise, because surely Mommy was nicer than Daddy no matter what she was. Daddy was always angry about something, and he was angrier when he drank. One time Devin tried to ask Daddy not to drink because it only made him angry. Daddy punished Devin by making him wear a dirty diaper he’d stolen from the neighbor’s trash can and stand in the dark closet with the rats.

But now Devin wasn’t so sure that things were better with Mommy. Because Mommy had come back. At first Devin was glad to see Mommy again, but then Mommy had pulled out a knife. Daddy had been sleeping on the couch, burping and farting in his sleep. Mommy had stabbed Daddy while Devin watched. There was a lot of blood, and some of it got on Devin. She stabbed him again and again. And Devin could only watch and cry.

At some point Mommy stopped stabbing Daddy and looked at Devin. It was like she’d never noticed him standing there till now, judging by the look of surprise on her face. “Devin!” she said. “What’s the matter?”

Devin could only cry harder as he tried to speak to his mother. “Why-why did you stab Daddy?” he hiccupped. “Why?”

Mommy smiled, and her pearly-white teeth scared Devin because they looked like rat teeth. “Because I’ve always wanted to.” she said. “And because I can.”

A couple of weeks ago, I wrote a post about the scariest scene I’d ever written in my career. It was a pretty intense sexual assault scene, so bad that I had to go out shopping in the middle of a downpour just to find my center and write about it in a blog post (it was that bad). Two of the concerns I had with the scene was if it would deliver the emotional effect I was looking for, and was it well written?

Well, I can’t really testify as to the former question. Only readers of the story could tell me, and that novel is still in its first draft. But for the latter, I might have an answer.

The book I’m reading for class right now.

I’ve mentioned before that I’m taking a literature class that covers science-fiction literature (and a couple movies). One of the books we’re reading is called The Windup Girl by Paolo Baciagalupi, and early on it has a pretty terrifying rape scene. I found myself reading it on my couch, putting a hand over my mouth as it ended. I was thinking about it the whole rest of the day and well into the evening, trying to wrap my head around it.

And then I realized something. I felt these same emotions writing my own rape scene. Not at the same intensity, but close to it. And it was written in a similar way to my own scene as well. In fact, I thought to myself, “There are many similarities between the scene in Baciagalupi’s novel and my own draft for Laura Horn.” Now I’m not saying I’m on par with a novelist who’s won the Hugo and Nebula Awards (and besides, his scene had some sci-fi twists, making it very different from mine), but the similarities really sprung out at me, especially the emotional similarities. It made me realize that wondering whether it’s well-written–whether I included the right words, whether I was describing anything right–was the wrong thing to worry about.

Instead, I should be worrying about delivering the emotional impact that you’d expect from a rape scene. The terror, the humiliation, the pain, the anger, the crushing despair. I should be more focused on those aspects of the writing when I write those sort of scenes. If I do that, the well-written part will somehow weave itself into the scene.

So now that I’ve figured that out, I think I’ll approach those scenes very differently in the future, should I decide to do one again. In the meantime though, I think I’ll go to bed, as it’s getting quite late. Goodnight, my dear Followers of Fear (that’s what I’ve started calling people who read this blog regularly, along with those on my Facebook page and Twitter feed. Do you like the nickname?).

Oh, and for those of you who are wondering when I’m going to end this self-imposed hiatus on my writing (if anyone’s wondering that at all. I’m sure most of my readers have more important things to think about, but you never know), I promise you it’ll be as soon as my workload clears up a bit. That might not be till after final exams, when all I have is work at my job and whatever’s on TV or whatever I’m reading at the moment, but on the plus side, exams are in four or five weeks, so it’ll be soon. And then I plan on writing up a mean storm of fiction! It’ll make up for all I’ve missed during NaNoWriMo!

I was sitting on the couch this afternoon, getting in some much-needed reading. One of the books I was reading was a mystery manga involving mysteries al a Sherlock Holmes. I was enjoying the story…until one thing popped out of me as being really inaccurate. The story involved the protagonist taking on a loan shark who employed hypnotism in some of his more unsavory schemes. Now I can do hypnotism to some degree. And I’m always happy when it’s used in fiction…as long as the portrayal is accurate. And I’m sorry to say that the manga’s author was pretty far off on the portrayal of hypnotism’s accuracy.

Now I know that it’s a manga, taking place in a day when not a lot was known about hypnotism, and that the stories are modeled off actual Sherlock Holmes tales, so it could be based on a story that involved hypnotism, if rather inaccurately. And since this is a manga, I can’t very well tell how much research the author did for her manga, especially this particular chapter. But it kind of gets at me when hypnotism is used inaccurately. So let me take this opportunity while I have your attention to tell you some things about actual hypnosis. With any luck it’ll keep some other author from doing a grossly inaccurate interpretation of hypnosis in his/her next work.

1. Hypnotists can’t do anything unless the hypnotized person is okay with it. You ever see that movie where the hypnotist turns a teenager into a werewolf through hypnotism, whether he likes it or not? Neither have I, but I know of it and I know that’s not how it works. Hypnotized subjects are still conscious while they are hypnotized, and they can’t be forced to do anything unless they want to do so. Which means a subject can’t be forced to murder, do some really inappropriate act, or something along those lines unless they’d willingly do those acts while fully conscious. The only exception is magical hypnosis, and I’ve never seen an actual case of that outside of novels and manga, so forget I mentioned it, okay?

Okay, that just took out 95% of all hypnosis myths right there. And you at home or on your phone or at work or on a plane still reading this when the flight attendant has just told you to turn off your device (shame on you! They don’t tell you to turn off your device just to annoy you, you know), might just be wondering what hypnosis actually does if nefarious villains aren’t using hypnosis for evil schemes? Well, I’ll tell you:

2. Hypnosis is a form of therapy. Hypnotists will talk to a subject, gradually using verbal cues and commands to relax the subject to the point where they are in a state of consciousness somewhere between waking consciousness and sleep. They will then make suggestions that are designed to help a subject to some goal, whether that goal is to lose weight, quit smoking, cure insomnia, distress after a very long day, and everything in between. Sure, it doesn’t work for every person, and even for those whom it works for it doesn’t always work 100% of the time. But in essence, it is a form of therapy.

3. It can’t, however, be used to recall lost memories. You may have seen on TV once or twice someone having lost a crucial memory and going to a hypnotist to retrieve that memory, and then receive that memory, sometimes with aliens. Let me tell you now, memory regression through hypnosis is rarely successful. Sometimes an accidental suggestion from a hypnotist can cause a subject to create memories that never existed. And even if that doesn’t happen, memories brought up through this method may be tainted through outside sources, such as whatever you saw on TV last night or that story you read in high school that you really loved or the disappearance you read about in the news. I’m not saying that memory retrieval through hypnosis is never successful or impossible, I’m just saying it’s rare and difficult to do without unforeseen consequences. Still, it has happened before, so it could happen in a story you write. I just want you to be aware of the facts as they stand.

4. You also can’t claim hypnosis as a legal defense. The reason behind this is because most psychologists aren’t really sure what hypnosis is. Some aren’t even sure it exists, and a few are worried that hypnosis could be used in the wrong hands to cause all sorts of problems, from split personalities to causing more psychological problems. This, and the bit about the hypnotic regression is the reason why hypnosis hasn’t been used successfully in an American court for years.

5. Hypnosis is still being studied. Like I said, hypnosis is still a mystery to many psychologists. It’s not clear what causes hypnosis to work and how it works or why it works. There are studies being performed all the time and the body of literature is growing, but it’s still small. And while that’s still the case, hypnosis will still be controversial and mysterious, let alone something regulated by the American Psychological Association. Yeah, you read that right. Hypnosis isn’t regulated in the States. Better do your research before you go to see a hypnotist for something. You don’t want an actual quack, do you?

6. Hypnosis can’t be done in a single moment. At least, not always. Hypnosis is a process, and it usually takes several minutes to get someone in a hypnotic state the first time around. Sometimes a full hour, depending on the skill of the hypnotist and the goal of the session. There are only a few exceptions to this. First, you’ve experienced hypnotism enough times that a trigger has been implanted by the hypnotist (and with your permission) to put you in full hypnotic trance within a few minutes or even moments. Either that, or you know the hypnotist from a TV show or from shows in clubs, and you’re open to his/her suggestion, which makes it easier for the hypnotist to do his/her work. And finally, you may be used in a live hypnosis show, and you may be faking it for the audience. However, I’m not sure you can actually call that hypnotism, so forget I mentioned it, okay?

7. Only certain people can be hypnotized. This is one of the few things really known about how hypnotism works, and it works best for people who are easily suggestible or imaginative. So authors and artists who were very gullible in high school are at the most risk. Just kidding, but artists, children, and people who think outside the box are more likely than others to be hypnotized. It’s not exactly clear why, but it’s likely to do with how open to suggestion and trusting people without reason you may be.

8. Hypnosis is not an arcane art for an initiate few. In fact, it’s easy to learn. I learned it from a DIY book and watching several YouTube videos on hypnosis. You can learn it too, if you wish.

Well, that’s all I have to say on hypnosis right now. It actually turned out to be a few more things about hypnosis, didn’t it? Well, I said what I had to say and that’s that. I hope you found this information helpful and if you’re writing a story involving hypnotism, you can refer back to this list in order to accurately portray it. And if you’re curious in learning more about hypnotism, you can refer to a number of sources and websites for more information. I personally recommend HypnosisDownloads.com, HypnosisDownloads.org, and NLPmagic on YouTube.

Good night, everybody.

You know what I just learned? That you can get self-published books directly through CreateSpace. I had no idea till just this moment. Says a lot about how oblivious I am, but yeah, I just found out about the CreateSpace store.

So now my books are available through the Createspace Store, and I’ve included the links to them on the pages for each of my books and below. If you wish, please check them out so you can be among the first to get the paperback version of Reborn City. Or not, it’s your choice.

Once again, I apologize for my obliviousness, and I wish you a great weekend. Blog on you later.

Reborn City: https://www.createspace.com/4324924

The Quiet Game: https://www.createspace.com/4326012

Reborn City

Four years ago, I sat down in front of my computer and began outlining a novel about a girl named Zahara Bakur and her experiences with the Hydras. Over two years, taking many breaks for homework and an after school job and reading and a five week trip to Israel in summer 2010, I finished the novel that I named Reborn City. Then, over the next two years, I refined, edited, and polished up the novel, and finally I had my good friend Matt Williams at Stories by Williams take a look at RC before going ahead with the publishing process.

Now, after nearly four years, Reborn City is available for everyone to read. Sure, the print version is a bit more expensive than promised because Amazon said the price had to be so-and-so dollars, which I think is a little dickish, but whatever, it’s still out.

I can’t believe after so long it’s finally out, but I’m very happy and I am so glad I can finally share this novel with the world. If you are interested in reading Reborn City, you can check it out on Amazon and Smashwords. And if you want to read a preview before you commit to buying or downloading a copy, you can read an excerpt here.

Once again, thank you so very much for all your support and I hope you have an enjoyable read. If you feel like it, after you finish reading it please write a review on Amazon or Smashwords. Good or bad, I really don’t care. I’m always happy for feedback. Oh, and if you can’t find the print version on the Amazon page, most likely that’s because it’s still being processed by Amazon. Come back later today and it should be there.

Have a nice weekend everybody! Here’s the book trailer for RC, if you haven’t seen it yet.

The other day I was reading a blog post by impossiblegirl123, author of Life and Other Diasters, that got me thinking. The post was about the author’s favorite books growing up, and I mentioned some of mine in the comment sections. It was then that I noticed something interesting about the books mentioned: several of them had orphans as main characters. From Harry Potter, A Series of Unfortunate Events, and Eragon to The Thief Lord and The Bartimaues Trilogy, all these books had at least one parentless child as the protagonist.

Now here’s my question: why? Why are orphans so popular in fiction, especially fiction aimed at children and young adults? It’s not something I’ve considered before, though now that I look at it the orphan trope seems pretty popular. Heck, I use orphans in Reborn City: all the main characters are orphans in one sense or another! So in this post I’m going to try and figure out why orphans are so popular as protagonists, especially when in real life orphans aren’t that lucky to be in harrowing adventures involving magic, love, and mystery (how many series did I just pin down right there?).

1. We want to think good things will happen after horrible events occur. I think that’s the more emotional reason behind the orphan trope. Everybody hopes that after a disaster occurs, such as the loss of parents, we’ll be then blessed by something extraordinary. Having orphan characters, people who have no parents and are affected by their absence in some manner, allows for us to identify with the characters and what we hope would potentially happen to us should, God forbid, we tragically lose our parents before their time.

2. Who needs parents in the way? An orphan cahracter is a parentless character. And how many times would a parent get in the way of a character if they had to set out on a probably very dangerous journey? I’d say 100% of the time. Hence, having an orphan character means parents won’t get in the way of the plot development.

3. Great introspection. Parents help to shape our identities. Orphans are therefore somewhat lacking an identity. During the course of their journeys and adventures, there is plenty of room for an orphaned protagonist to wonder about the important questions, such as “Who am I? What’s my purpose in life? Why was I abandoned to the world? Will I ever find someone who will love me for who I am? Why do terrible monsters keep coming after me?” It’s perfect for authors who love to add a little grounding introspection and character development in the middle of a pulpy action-adventure plot.

4. A morality tale. As children we’re often taught the difference between right and wrong from our parents. When you have a lack of parents, whom do you learn right and wrong from? Do you even get a chance to learn or do you have to figure it out yourself? Do you ever figure it out at all? All of us want to believe that fi we were in horrible situations, like being orphaned at a young age, we’d be just as moral and virtuous as we are in reality (which might be a contributing factor in the continuing popularity of Oliver Twist and Harry Potter, two orphaned boys with incredibly kind dispostitions). Personally I find the story slightly more interesting when the orphan in question has to struggle to be the righteous and confident hero, which will forever put me at odds with the first couple chapters of Sorcerer’s Stone, but you still can’t deny that there’s something about characters who remain good in the face of adversity that just makes you want to love them, right?

From many Brothers Grimm protagonists, to Tom Sawyer and Oliver Twist, to Batman and Spider-Man, to Harry Potter and Eragon, we love orphans in fiction for any number of reasons. The reasons we may include them in our stories may be any of the ones listed above or perhaps an entirely different reason, but the reasons are why orphans are a continuously popular trope in fiction and while they’ll still play large parts in the stories we write for years to come.

Do you have a favorite orphan character? Have you ever written an orphan character? Why do you like the character or why did you use that sort of character archetype?

It’s time for my Weekly Exercises. These flash fiction pieces are part chance to practice my craft, part sounding board to see what works with readers and what doesn’t, and part shameless plug to get people interested in my published work.

If you like or hate this week’s Exercise, please let me know. I appreciate feedback, positive or negative. And if you want to read past Weekly Exercises, please click here.

~~~

Darla led her cousin Will through the fields behind her Daddy’s farm, pulling on his hand as she led him through the tall stalks of corn. She giggled and he laughed, letting himself be pulled along. Overhead, the country moon shown bright above them as they raced for the woods behind Old Man Keller’s house, where they would have some alone time.

Will had come to stay with them this summer because Darla’s Uncle Pete thought that Will’s city friends were bad news, and he wanted Will somewhere away from that sort of environment. Darla didn’t mind at all. She and Will hadn’t seen each other at all since they were both four years old, and in that time Will had gone from a cute little boy to just plain cute. Plus he had that big-city swagger and confidence and that dialect you only heard in the city and in the blockbusters they showed at the theater in town. It made Will that much cooler, and if he didn’t mind, Darla wouldn’t mind herself if they were kissing cousins for the summer.

“So what was your Dad talking about earlier?” asked Will when they reached the woods. “That Owl-Man thing he mentioned?”

Darla groaned; her father had probably figured out that she planned to take Will out to the woods and had tried to make her reconsider by mentioning sightings of the Owl-Man in the woods and in the fields.

“It’s just an old urban legend.” said Darla. “That the guy who owned Keller’s woods before he did was into black magic and one day he cursed himself with an owl’s head, so now he lives in the woods pecking the eyes out of anyone who crosses into his woods and sees him so he can keep his secret. It’s just meant to keep kids from making out in the woods. The real reason why nobody should go in is because Old Man Keller has a gun.”

“Then why are we going in?” asked Will.

“Because it’s the only place nobody goes to make out.” said Darla with a wink. “We’ll have the whole place to ourselves.” Will grinned as they ran into the trees. When they were a ways in, they stopped and Will pulled out two of Daddy’s beer cans from inside his jacket. They were about to take a long deep drink when they heard a branch break. Both froze, looking around in case someone had followed them in. There was no way around.

Shrugging, they toasted each other with the beer cans and took a long gulp. The beer tasted dark and full of teenage rebellion. Darla wiped her mouth and looked at Will. She wondered if this was a good time to see if he wanted to kiss when there was another cracking noise. Will stood up, looking around. “Somebody there?” he shouted.

“Oh, sit down.” said Darla. “It’s probably somebody who had the same idea as us. And if Old Man Keller hears you, he’ll shoot you—Eek!”

A man emerged from the dark, holding a rifle in his hands. Darla couldn’t make out his face very well, but from the smell of tobacco and his girth she was pretty sure that it was Old Man Keller.

“Oh, hi Mr. Keller.” she said. “Um…we were just leaving. So if you don’t mind telling my Daddy about this, that would be great. ‘Kay?”

All Old Man Keller did was fall over onto his belly. Darla jumped away, spilling beer all over her shirt. Why was he so big? And why did he fall down? He had nearly crushed her!

Will turned over Old Man Keller, asking him if he was okay. The next moment he jumped away, his face suddenly green. Darla looked at Old Man Keller and saw that his eyes were missing from their sockets. Darla screamed, dropping her beer can in fright. She must’ve stood there screaming for half a minute before Will pulled her away. They were running away at top speed, heading through the cornfields and back to Darla’s house. When they got there, they stood bent over their knees, breathing hard.

“What was that?” asked Will. “Why were his eyes–?”

“Didn’t I tell you kids not to go out to Old Man Keller’s woods?” said a voice, Darla’s Daddy’s voice. Darla and Will jumped, looking around for Darla’s dad. “Owl Man’s watching for anybody who goes into his woods at night who shouldn’t be there. That includes his own family.”

They looked up and saw a man in a T-shirt and overalls standing on the roof. At first Darla recognized her father and was glad he was there. But then feathers sprouted from his face. And then to her horror he jumped down, his beak clicking loudly for eyeballs to eat.

She screamed until her own throat was torn out.