Posts Tagged ‘celebrities’

You know, sometimes you come across movies in the weirdest ways. Sometimes they’re just on while flipping channels, or someone makes a reference to it and you want to know the interest. I heard about Down a Dark Hall because I heard AnnaSophia Robb (aka the kid from Because of Winn-Dixie) was in it. I remember she used to slay in anything I saw her in (especially The Reaping, another horror film she was in), and the fact that this was a horror film got me interested. I asked my local library to order it, they said yes, and I picked it up this weekend, not sure what I was going to get but looking forward to finding out.

This turned out to be a decent example of modern Gothic horror.

Based on the Gothic YA novel by Lois Duncan, Down a Dark Hall follows Kit, a troubled teenager whose mother sends her to an elite academy with the hopes of straightening her out. There with only four other similarly-troubled girls, Kit finds that the school’s very unique and focused program starts to have results. Weird results. Results that devolve into obsession, addiction, neurosis and trauma. On top of that, Kit has been seeing things in the hallways and in the dark. Faces, people, movement. All this collides to lead Kit to a terrifying realization about the school, and what its staff is doing to the students.

For starters, the actors in this film all do a very good job in their roles. AnnaSophia Robb as Kit slays again, inhabiting this very angry girl who slowly finds herself actually liking the school and then distrusting it as things get weird like a second skin or as if she’s done this a hundred times before. The same goes for Victoria Moroles as Veronica, who hides her own tragedies in a badass attitude. And Uma Thurman does a great job as the aristocratic and charismatic Madame Duret.

The film’s story is also very compelling. It checks all four of the boxes I mention in my article on Gothic fiction, all in a very pretty set, and you definitely find yourself caught up in the mystery of the story. Some of the most disturbing moments of the film are when you see these girls falling under the spell of the school, becoming obsessed with math or music or painting or whatever and how badly it affects them. And the special effects aren’t half bad either, more subtle than garish or distracting.

However, the film isn’t without its issues. I never felt very scared, and there wasn’t much of an atmosphere or sense of threat. Outside of the moments of obsession, that is. In addition, a few things in the film felt a little extraneous. There was a certain bald-headed and scarred ghost that really didn’t serve any purpose beyond a few extra scares, and the romantic tension between Kit and her music teacher was inserted, but nothing was really done with it. Seriously, the question of how to portray those relationships in fiction aside, either use it or cut it out and just show them as close student and teacher!

Finally, I also thought that the ending was wrapped up in too sweet a bow and maybe a few minutes too long. In some ways, it felt a little too hopeful compared to the rest of the film, which jars the viewer and takes away from the experience.

Still, Down a Dark Hall was a good Gothic horror film. On a scale of 1 to 5, I’m giving it a 3.8. It’s no Kill Creek (which I highly recommend by the way, check out my review as to why), but if you turn off the lights in your living room and put this on the Blu-Ray player, you probably won’t regret it. Check it out and see for yourself.

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Some of you may recall that back in 2015, I started writing a short story that was about a human Barbie doll. This story was inspired by a news article I read about a young woman in Russia who looked exactly like a human Barbie, all without any surgeries (as far as we’re aware), and with the help of her parents as well. The story boggled my mind, and I wondered what would cause anyone, let alone their parents, to want to try to pursue that aesthetic to such a degree. After all, studies have shown that if Barbie were real, she’d have a pretty miserable life because of how strange her body is.

Thus started my work on “A Project in Western Ideals,” (alternatively called “My Perfect Body” at one point), about a teenage girl who is molded by her guardian figure into becoming a human Barbie doll.

Problem is, I was never satisfied with the story I was producing. No matter how many drafts I churned out, I always ended up rewriting it or going back or stopping in the middle of writing to wonder why this story wasn’t clicking. This cycle continued on and off for three whole years, mainly off because I was working on other projects.

And then, a couple of months ago, I had an idea on how to fix the story. And then I began to work on it again and more ideas came to me. And finally, this story came into focus. It clicked with me, became better than average.

And tonight, I finished the damn thing. I finished a draft of “A Project in Western Ideals” I feel proud of, that I could show an editor and say, “It’s not completely ready for publication yet, but it’s a start, and I think it’s a good one too.” And at 49 pages and 14,062 words, it’s a decent-sized novelette too. That’s a bit long for some publications, but I think I might still be able to find a home for it. As this past year has shown, a lot of hard work and persistence can lead to amazing things.

But for now though, I’ll leave this story alone for a while. I’ll come back to edit it when I’m able to look at it with a fresh pair of eyes. In the meantime, I’ll work on a few other stories, and see what else I can produce.

That’s all for now, my Followers of Fear. Thanks for reading my late-night progress report. I’ll probably have at least one or two more blog posts out this week, so keep an eye out for them. Until then, time for bed. Goodnight, and pleasant nightmares to you all.

At the beginning of American Horror Story‘s ambitious eighth season, Apocalypse, I said that the first episode was a dark and violent good start to the series, and I was looking forward to the next nine episodes. Well, last night was the season finale, and I just finished the episode a little while ago. So what did I think of Apocalypse as a whole?

I have a feeling that this season is going to be very divisive among a lot of fans, but overall most people, including myself, will walk away satisfied by it.

While the first two episodes follow a group of survivors when they come into contact with Antichrist Michael Langdon, the rest of the season switches to a new focus, one-half biopic of Michael’s life and how he became the instigator of a nuclear holocaust, the other half about the efforts by his enemies, most notably the witches of Coven, to stop him from ending the world. And while structurally this form of storytelling can be a little jarring, it’s very effective here. It’s hard to look away as you watch Langdon realize his destiny and as you watch the witches try to grapple with the monumental task of saving humanity. The best way to describe it may be hypnotic, which I’m sure both Langdon and the witches would be glad to hear, as well as cinematic.

As for the scares, most center around Michael and what he sets into motion once we get into the biopic section of the season. While I would’ve enjoyed seeing scares from more quarters, what I saw was absolutely beautiful. Seeing Michael being so evil is chilling. And speaking of Michael, his actor, Cody Fern, was phenomenal, at times menacing and then at others very emotional and vulnerable. I hope he comes back for Season 9 (more on that below). I also liked the character of Mallory and her actress Billie Lourd. You could see the toll of all the events on the character, and the love she felt for the people she cared about.

Cody Fern as Antichrist Michael Langdon was excellent. I hope he returns for the next season.

And by the way, seeing so many actors and characters from previous seasons, especially the guest appearances, was such a treat. Every familiar face was like seeing an old friend. An old friend you never want to hang out with because they might be the cause of your death, but still an old friend.

That said, there were problems with the season. For one, the disjointed storytelling won’t work for everyone.. There’s also the fact that for a lot of people, Apocalypse usually means big battles, big power plays, big deaths. Just everything is world-sized, but at times the events of the story aren’t as big as one would expect. That’s understandable, as this is a cable TV show and not a Marvel movie, but for some fans, it might be a disappointment that things don’t measure up to the name Apocalypse.

I don’t feel that way, I thought they told a great story. But for some fans, this might be the thing they take issue with for this season.

But the thing I did dislike was that Michael Langdon wasn’t the greatest Antichrist I’ve ever come across (and I’ve come across a few in my time. Not all of them fictional). Yeah, he’s bloodthirsty and dangerous, but he’s very indecisive. He needs someone to hold his hand and point the way most of the time, and for an Antichrist, I expect a bit more independence. I don’t know, maybe that’s just my quirk, but I’m sure other people will gripe about that as well.

And as for the season finale, I’ve heard a lot of diverse opinions on it. Personally, I liked how it ended. Sure, the final episode wasn’t what I expected, but I felt like they gave a decent resolution to the story, and the ending did set up not only possible future storylines, but reminded us of something very important: that the horror lives on, even after the story ends. For me, that’s enough to satisfy me.

On a scale of 1 to 5, I’m giving American Horror Story: Apocalypse a 4.3 out of 5. It’s not the best season or my favorite season of the series (my vote on both counts still goes to Hotel), but it is an engaging season with memorable characters and character appearances that will satisfy most fans. On most counts, I’d say the ambitions of the writers and showrunners were met. Take a look, and hope you’re lucky enough to survive.

So what can we expect for Season Nine? Well, a lot of fans have been asking for Urban Legends, or Cruise, or a continuation of Apocalypse (which could happen). I’m all for those ideas, as well as maybe Orphanage or Academy. I’d also like to write for those ideas, as well as for the return of Lady Gaga to the show. And maybe something from the Cthulhu Mythos? They haven’t mined that goldmine yet.

Better cross my fingers and pay attention to the news as the season continues on, shouldn’t I?

Until next time, pleasant nightmares my Followers of Fear!

As many of you know and as the below video demonstrates, I’m a huge Friday the 13th fan.

Yes, that was me with my Jason Voorhees hockey mask. Shouldn’t surprise any of you that I have that.

And as many of you know, I HATE the remake that came out nine years ago. Seriously, what was that film? It was like the director and writer started making a porno because they hadn’t gotten any action lately, added a bunch of swearing and dirty humor to hide it as a raunchy comedy, and then added Jason just because they couldn’t get studio support for the comedy. But what do you expect, when Michael Bay is producing?

Obviously, I would like for a better Friday the 13th film to come out. So I was intrigued when a friend told me about Never Hike Alone, a Friday the 13th fan film that has gotten some good press. And with the day off from work (we’re observing Veteran’s Day today), I decided to watch it and see if it was as good as said.*

Holy shit, why haven’t I heard of this before? That was great!

Never Hike Alone follows Kyle McCloud, a vlogger who records his hikes on his GoPro and then uploads it to YouTube. He goes hiking in the Catskills and comes across Camp Crystal Lake, abandoned and dilapidated due to years of neglect. Exploring the ruins of the camp, Kyle expects only to find some pieces of history that have expanded into a famous ghost story. What he ends up finding is that some legends are very grounded in reality. Especially when they involve Camp Crystal Lake.

First off, I love how much this looks like a professional production from a major studio. From the camera work to the buildings around Camp Crystal Lake, it’s so well done. I also thought the storytelling in this film was par excellence. Using a minimalist approach to focus exclusively on Kyle’s experience, it creates this suspenseful cat-and-mouse mood. For the first half of the film, you’re on the edge of your seat, expecting Jason to appear in frame at any moment. When he finally does make a move, the film smoothly transitions to this thrill-fest as Kyle tries to survive Jason. And while there is plenty of violence, it’s never overly sensational or stupid, but just enough to give the necessary scare. There’s also only a little swearing, and absolutely no sexual or drug content, which I was thankful for.

I guess Womp Stomp Films, the studio who produced Never Hike Alone, also took one look at how those elements were misused in the remake, and decided to go the opposite route. Good call.

The only major issue I have was that the last scene, which goes on about seven minutes, could’ve been cut a bit shorter. I mean yeah, there’s a cool little cameo at the end, but other than that I would’ve preferred five minutes of it be cut so that it didn’t drag.

Other than that though, Never Hike Alone is a great tribute to the Friday the 13th franchise and a possible view as to where the series could go in the future. On a scale of 1 to 5, I’m giving it a well-deserved 4.5. Atmospheric and suspenseful, you’ll find this satisfies you until we get an actual good film from the franchise, should that ever happen.**

If you’re still unsure, take a look at the trailer below before going to check out the full film on YouTube. Trust me, it’s an hour well-spent.

That’s all for now, my Followers of Fear. I’m not sure when I’ll be posting again, but until I do, I wish you all some wonderfully pleasant nightmares.

*I would’ve waited till the next Friday the 13th, but that’s not till September next year, so I’ll have to settle for Monday the 12th.

**And if that ever does happen, with or without Lebron James, I hope they take example from this film on how to make a good Friday the 13th film. And maybe let me help write the new one. I’ve a few ideas on how to bring back my boy Jason, and none of them involves bringing him to Manhattan.

“It’s a movie about Nazi zombies.” From that description alone, you’d think you’d know Overlord inside and out. After all, this subject’s been done before, and it’s usually pretty silly, overly gory, and focuses on some buff action-hero types who cut through the zombies with guns and on as many cheesy deaths as possible. But then you hear JJ Abrams is involved. And that it’s gotten a 81% score on Rotten Tomatoes. And His Royal Scariness Stephen King praises it on Twitter, comparing it to the early work of Stephen Spielberg.

I went to go see it with my cousin today, expecting it to be just as predictable as the movies that came before. What we got instead, to our surprise and delight, was an above average and atmospheric horror film.

Overlord¬†follows Ed Boyce, an African American soldier who is part of a special mission to facilitate the D-Day landings in France in WWII. His unit has to destroy a Nazi radio tower in a converted church in Normandy so the Germans can’t radio for support during the D-Day invasions. However, when they get to the town, they find something weird is happening there. Civilians are being dragged into the church, and those that do come out seem to be changed, and not for the better. Boyce and his unit soon realize they’ve discovered a dark plot that could change the course of the war. Unless they stop it.

As I said, this isn’t what you’d expect with a movie involving Nazi zombies. In fact, the zombies don’t feature as heavily as they might’ve in another film. Rather, director Julius Avery decided to focus more on the horrors of war and the creepy atmosphere, rather than sensationalized gore and violence. And it is effective. Everything, from the war-torn town to the blood and gore, look incredibly realistic. Very little CGI is used, which only makes things more authentic and visceral. I especially liked the Nazi base of operations underneath the church. It’s use of shadow, space and overabundance of creepy and bloody medical equipment reminded me of some of the scariest parts of the video game Outlast.* And as I said, there is an attention to the horrors and privations of war and atmosphere that you really do feel without the zombies being present.

And when the zombies do show up, God are they scary! They’re slimy and bloody, they move spasmodically and growl like animals. The fact that they aren’t overused especially helps.

I also found the cast very believable. True, I couldn’t help but think “It’s Fitz from Agents of SHIELD” every time Iain De Caestrecker’s character was on screen, flawless American accent or not. But other than that, you really do believe these actors are these characters. Jovan Adepo is especially good as Private Boyce, who is affected every time he sees someone die or has to kill someone. You believe this guy is going to be haunted for years to come.

One critique I do have for Overlord is that it does get a bit predictable at the end. I mean that’s fine, it’s a great finale, but you could still see where the film was going to go at that point.

All in all though, Overlord is a good horror film and a much better film than you’d expect. On a scale of 1 to 5, I’m giving it a 4.4. Unnerving and powerful, it’ll stay with you for a while after you’ve left the theater. Take a look and see for yourself.

*BTW, if you haven’t played or watch someone play Outlast, I highly recommend you try it. Just be careful though, because that game is enough to leave me shaking.

I’ve mentioned things like “Lovecraftian horror’ or “cosmic horror” before on this blog, but I’ve never really gone into what those terms mean. And given that someone on the Internet is probably wondering what those terms mean and I need a break from trying to figure out how to end a short story, I thought I’d take a moment to look over what it means when horror fans call something “cosmic horror.”

I actually summed up cosmic horror pretty well last month with a little joke that I shared on my social media. Here’s how it goes:

Knock knock!

Who’s there?

Yog-sothoth.

Yog-sothtoth who?

Your mind couldn’t handle the answer.

Now you’re probably confused by that joke. But in actuality, it summarizes what cosmic horror is pretty well. Namely, there are answers and truths to questions that the human mind can’t handle. And not just answers, but even beings, beings that don’t fit into any sort of recognizable mythology or concept of good and evil. In this sort of horror, humanity is the equivalent of ants in the grand scheme of things, and if they come across any of the things that they shouldn’t–beings of unimaginable size and power, truths that go against everything we’ve ever believed, abilities and technologies that seem blasphemous to human viewpoints–the very contact could kill us or drive us insane. And even if our minds survived in some recognizable state, we would be forever changed. And probably not for the better.

If you haven’t grasped why that’s so scary, let me use an analogy: imagine you’re a farmer living in England in 1066, and a man from the year 2166* comes by and tells you that the world isn’t flat, but round; that the Earth flies around the sun and not the other way around; and that space is a cold and mostly empty void rather than a sphere surrounded by God’s Heaven and angels. Well, you’d obviously think the man from 2166 was crazy. But then he takes you back to his time, and he lives on a ship orbiting the Earth. You see the round Earth below while you float weightless in space and see the dark void beyond Earth. And things like science, gravity, etc. mean absolutely nothing to you. And everything’s new and strange to you, lights too bright and shadows too dark, and the sounds you hear make no sense.

Can you start to see how this could tear at someone’s mind? That someone could be afraid of this?

A universe of incomprehensible beings and terrible secrets is the basis of cosmic horror.

And that’s why cosmic horror has been so popular since HP Lovecraft basically created it back in the early 20th century (which is why it’s also known as Lovecraftian horror). It basically takes the old Judeo-Christian concept of good vs. evil, God versus the Devil, etc, which is essentially a closed and somewhat understandable system, and throws it wide open to a universe where there are multiple forces, none of which are easy to grasp or empathize with, let alone categorize into good vs. evil.

But how do you write it? Well, it’s more than including big, powerful beings that drive people mad (though that is often a feature). They’re more a vehicle for the broader theme: a sense of helplessness, that the universe is big and dark and full of awful things, that humanity is inconsequential and our dealings with the big players never lead to anything good. That, and a sense of untapped mystery can’t hurt. Think the first two Alien films or a dark version of 2001: A Space Odyssey‘s aliens, and you might get the idea.

If you want a better grasp of cosmic horror, I’d suggest looking at some of Lovecraft’s stories.** I recommend The Temple, The Call of Cthulhu, and The Dunwich Horror. I also recommend checking out other writers who use cosmic horror, including Stephen King, Guillermo del Toro, and so many more. Heck, I’ve got a few stories that have some cosmic horror in them. If they ever get published, I’ll let you know.

Cosmic horror can be hard to wrap your mind around sometimes, but once you do, it can open you to all sorts of terrible worlds. And if you can stand what you find, perhaps you will delve deeper. Just be careful when you do. You might not be the same when you come up, after all.

Do you like cosmic horror? What cosmic horror works would you recommend to the unitiated?

*Assuming humanity lives that long, what with global warming and a rising population. You know it’s true!

**If you can stomach his racism. Yeah, I love his work and contribution to horror, but I hate what he believed. If he were around today, I’d either punch him, ignore him for being an asshole, or recommend he take some anti-anxiety medication, get some therapy and maybe some exposure to other communities.

Halloween (2018) poster

This past weekend, the new Halloween movie was released and eager horror fans, including myself, flocked to theaters to see it (see my review of the film here). At the time I’m writing this, the film has made over 103 million bucks, nearly seven times it’s original budget. This definitely counts as a financial success for the film and its producers, and it’s all but certain at this point that a sequel will be greenlit. This has many horror fans speculating on a particular question: is the slasher genre coming back, bigger and badder than ever?

Now in case you stumbled on this post by accident and have no idea what a slasher is, let me explain: slasher, also occasionally known as splatterpunk, is a sub-genre of horror that focuses on violent deaths and gore, as well as the prospect of those occurring, as the source of its terror and tension. Slashers were really big in the 1980s, but declined as the many sequels kept going for more ridiculous kills and even more ridiculous plots. There were some brief flare-ups of good slashers in the late 90s and early 2000s, with films like Scream, Urban Legend and Wes Craven’s New Nightmare¬†and remakes of franchises like 2003’s Texas Chainsaw Massacre and Rob Zombie’s Halloween, but for the most part it didn’t stick. Recently, slashers have done well in television format with shows like Slasher and Scream (yes, based on the film I mentioned a sentence ago), but Halloween‘s the first in years that’s managed to satisfy this many fans, critics, and bank accounts.

Hollywood can be a very reactive sort of place: anything that’s proven to be even slightly successful will be copied over and over again by movie studios until long after audiences have lost interest. So with Halloween doing so well and sequels definitely being discussed in boardrooms, can we expect more slasher reboots and remakes on the horizon? Which ones? And is this the first of a slasher renaissance similar to their first wave of popularity in the 1980s?

Well, there are actually a few slasher movies being developed right now based on the older franchises. Child’s Play, which first introduced the character of living doll Chucky, is getting both a reboot and a TV series, and A Nightmare on Elm Street has had a new remake in development for a while now. But with the success of Halloween, there’s a chance the studios producing them will give them more attention and funding than they might’ve had without Halloween.

Please bring back Friday the 13th! Jason and I both want to see a comeback for the franchise!

And I don’t think it’s too far-fetched to say other series will be getting new films. There has been talk for years of rebooting Friday the 13th with my boy Jason Voorhees. Recently a court case regarding the original film was resolved, and basketball player-turned-actor and producer Lebron James, who is as big of a fan of the franchise as I am, has come forward saying he would like to help produce the film. And while Lebron’s still new to Hollywood, I would welcome his involvement in a new Friday the 13th film. Sometimes it takes the perspective of a fan, especially one who has more power than expressing outrage through a keyboard, to truly give a character or franchise new life.*

And after the crappy 2009 remake, almost anything would be welcome. Seriously, what was with that film? It felt like the filmmakers were making porn, then making a raunchy comedy, and then remembered to put Jason in it! By the time the final third rolled around, I was bored! I’m seriously considering destroying a copy of the film on DVD when its tenth anniversary rolls around, it’s that bad!

But not just Friday the 13th: there’s room for other franchises to get new films. I think a Hellraiser reboot would be great, as the series has devolved into cheap, direct-to-DVD sequels. A proper remake would give the series’ concept the fresh rebirth it needs. Of course, I’d love to see some new Freddy Kreuger, as there’s still so much to do with that character. And I think given our current social/political climate, a director like Jordan Peele could do something great with the character of Candyman.

But there should also be original works, not just remakes and reboots. As you’re reading this, there are plenty of filmmakers out there with fresh ideas for the slasher genre that should be given a chance. Perhaps with the success of Halloween, studios will be willing to give them a chance. Heck, maybe Jason Blum and Blumhouse, one of the companies that produced Halloween, can use this to recruit some female directors to develop some new projects.**

Perhaps we can see all these dudes, and then some, get new films.

And as for if this is the beginning of a slasher renaissance, we’ll just have to wait and see. One film doesn’t indicate a genre’s comeback. Sometimes several films don’t mean a particular genre or sub-genre is going to be the next big thing (*cough* YA dystopia and fantasy films *cough*). It’ll take several successful films, both originals as well as remakes and reboots, before we can really say if the slasher genre is back with a vengeance.

Still, I’m hopeful. I didn’t think until the trailer that anyone could bring Halloween back. Perhaps with the right writers and directors, we could see the return of the genre. We’ll just have to wait and see.

Until then though, we’ll just have to content ourselves with Halloween, the old classics, and this awesome little video (sorry, couldn’t help but post it. Enjoy).

*And if you do end up producing a new Friday the 13th film Mr. James, can I help? I love Jason too, and I’d love to see him given a film worthy of his franchise. Perhaps I can help write the script? I have ideas.

**Sorry Mr. Blum. I love your work, and I even sent a resume to your company after I graduated, but you really put your foot in your mouth with that “lack of female directors” comment. I mean really? One article found 30 female directors who can do horror! Perhaps Halloween‘s success means a chance to start fixing that fiasco and bringing them on board.