In previous years, I’ve gone as the King in Yellow.
As Cthulhu.
As Sweeney Todd.
Going up to people in that last one and telling them they could use a shave freaked so many people out.
But now, I go as something even more terrifying. Something even stranger. Something that will outclass all these previous costumes with its power to scare. Ladies and gentlemen, Followers of Fear, prepare thyselves. I present to thee, my costume for Halloween 2025.
David S. Pumpkins.
Not what you were expecting, was it?
So, if you’re unaware, David Pumpkins is a character Tom Hanks originated on an episode of Saturday Night Live some years ago. The character and the sketch, which you can watch HERE, went viral, and has been making people laugh ever since. Truth be told, I’ve wanted to dress as the character for a few years now. However, this year, I decided to finally go ahead and dress up the character.
The original David S. Pumpkins, as played by Tom Hanks on Saturday Night Live.
And I have to say, I like how I look in the costume. Plus, it’s a nice fit! Even the pants fit nice, despite no belt loops for my belt.
And you know I’m going to find all sorts of opportunities to wear the costume, either in part or in full. Hell, that tie might show up at my cousin’s bat mitzvah next month!
Or not. I don’t want to give my dad a heart attack that badly.
Anyway, that’s all for now, my Followers of Fear. I’ll be back Thursday with another blog post. But until then, good night, pleasant nightmares, and 10 days till Halloween! Is the condo jumping up and down with excitement, or is that just me?
A couple of weeks ago, my friend and colleague Ruth Ann Nordin wrote about why she enjoys horror and romance stories (you can read her full post here). Midway through her post, she mentioned how she doesn’t like open endings or where things are left up to the reader’s interpretation. After reading her post, I commented on her post, “Ironically enough, a lot of horror stories have open endings, which only helps accentuate the feelings of horror and dread.”
I’ve been thinking about that conversation since then, and now I want to write about ambiguity in fiction. Especially in horror. And how that, as frustrating as it can be to some readers, that ambiguity can be helpful to stories at times.
Now, I’m not writing this to trash anyone who doesn’t like open endings or stories that leave unanswered questions. People have different preferences, and that’s okay. And honestly, at one point, I felt the same way…until someone pointed out that I’ve written stories like that in the past. I’m just writing about the open endings and the unanswered questions sometimes help a story more than wrapping everything up in a neat little bow.
So, why would writers create open endings? Or leave questions unanswered? Well, barring cases where extenuating circumstances keep the creator from tying up all the loose ends (*cough* Disney canceled The Owl House way too early *cough*), there could be a variety of reasons. In horror, it could be for a very simple reason: doing so makes the story that much scarier.
Great film. Lots of unanswered questions…until the sequels, at least.
Let’s take Hell House LLC. This horror film, while not in my top six, is a favorite of mine. The film is a found-footage mockumentary revolving around a horrific tragedy at a haunted attraction, and what happened to the team behind the attraction. While, over the course of events in this movie, what caused the tragedy in the first place is explained, a lot of things are left unanswered. Things are further explained in the sequels, but if you only see the original film, the things that are left unexplained lend this air of mystery to the story. And the fact that, at least for that film, we’re left to question what we don’t know, can be terrifying.
Another great example: Perfect Blue, one of my top six horror films and one of my favorites ever. I’ve discussed it here before, but if you’re unfamiliar, it’s an anime film about a celebrity who is hunted by a violent stalker, leading her to spiral into paranoia and madness. While the first third is straightforward, and the final third wraps things up nicely, the second third does a damned fine job of making it hard to tell what’s real and what’s delusion. You really feel the protagonist’s terror as she tries to figure out what’s real and what’s not, only to be swept along and finally stop fighting against the current.
Speaking of paranoia and madness, cosmic horror, especially Lovecraftian horror, thrives on ambiguity. The Great Old Ones and other ancient beings often have forms that are undefined by the writers. The most we can say is, “it’s so scary, even thinking about what it looks like is too terrifying! Also, it’s so unlike anything I know, my mind is having trouble defining any particular portion. That being said, it’s so scary, I can’t write it down to tell you about it.”
Even my Cthulhu statue is only an approximation of his true form!
Even Cthulhu, who is the most well-known and most defined of the Great Old Ones, is somewhat undefined. Technically speaking, his whole man/dragon/octopus thing is what people are able to recall he looked like. He’s still somewhat difficult to describe.
And that’s scary. We fear the unknown, and when we can’t fully define what we’re dealing with, it’s frightening.
So, yeah, ambiguity can be frustrating. But it does have its uses. And in the horror genre, it can help us horror writers do what we do best: scare people silly. Hell, at times, it helps the stories become that much more notable. And if a story can be made better by a bit of ambiguity, then a little bit of frustration is well worth the cost.
That’s all for now, my Followers of Fear. I’m off to make dinner and figure out what I’m doing with the rest of my evening. Until next time, good night, pleasant nightmares, and 82 days till Halloween. Thankfully, there’s nothing ambiguous about that!
You know I love Halloween. Hell, on my social media, I have been counting down every day since around August. So, it shouldn’t surprise you that, when October comes, I love having a yard display like the ones my neighbors would put up when I was growing up. Especially now that I have a condo with a small patch of dirt that I can use for a yard display.
Today, after breakfast, I got my Halloween display props out of the attic, and began setting up. The results are below.
Pretty cool, huh? The ghost with the face like the Scream villain is the only new piece I bought this year. Everything else is stuff I’ve collected over the years. Whenever I got them, I think they all look amazing when they’re out on my lawn like this.
And if you read the title of this post, you know I also have a Halloween costume. Last year, I went as Cthulhu using a kigurumi. The year before, I went as the King in Yellow. This year, what am I going as?
I am going as…Sweeney Todd.
Pretty cool, huh? I wore this costume for Purim (sort of like Halloween for Jews, but in the spring) and I got kind of attached for it. So I’ll be wearing this costume, minus the nametag and the wristband on my wrist, for Halloween. And the makeup, which I love in this image. I mean, holy shit, this makes me look my eyes entirely white!
Oh, but when the local ballet company does its production of Dracula later in the month, I’ll be going as a vampire with a cape. You have to dress appropriately for these things, after all.
Anyway, I just wanted to share this with you all. I hope you’re having a good October so far and that you’re looking forward to plenty of spooky tricks and treats. Until next time, my Followers of Fear, good night, pleasant nightmares, and only 26 days till Halloween!
Did I need to write a post about this? No. Am I going to anyway? Oh, hell yeah.
So, as you know, I LOOOOOOOVE Halloween. In fact, I pretty much celebrate it year round and try to get people to freak out with me between late August and November 1st. So, I take great delight and great preparation in my Halloween costume and my front yard (especially now that I have a front yard).
So, without further ado, let me show you my very special Halloween costume. Behold, I am…Cthulhu!
Pretty cool, huh? I’m wearing a kigurumi, which is a Japanese costume you can wear as streatwear, as a costume, or as onesie pajamas. I got them as a birthday present, and have worn them for a couple of YouTube videos. And now that it’s October and it’s gotten colder, I’m wearing this as both pajamas and as a costume. Isn’t it awesome?
I may also wear other stuff, and I’ll be sure to take photos, but this will be my main costume. Besides, it’s so comfy!
And here’s my yard this year. I bought a whole bunch of stuff, so now my yard’s even more creepy! Check it out!
What’s your favorite part? I’m quite proud of the big spider web. I found one that’s not dangerous to wildlife (because, as you may have heard, the stuff that we’ve stretching across our bushes for years can kill birds and small animals) and which I can still hang scary spiders on. One’s even got a baby head! Isn’t that freaky!
And next year, I’ll go even bigger and creepier! Maybe even a giant statue that moves when motion is triggered in front of it!
Whether I dress up as a cosmic horror entity again is another matter (remember last year, when I was the King in Yellow?). Though I’m not sure how I would dress up as Nyarlathotep, Azathoth, or Shub-niggurath without getting an expensive and elaborate costume that’s hard to move around in. I mean, can you imagine what those costumes would like? Without going mad, that is?
Well, that’s all for now, my Followers of Fear. I don’t have work tomorrow, so I’m going to pop popcorn and watch a scary movie. Until next time, my Followers of Fear, good night and pleasant nightmares.
Speaking of Halloween, as you’re probably aware, Hannah and Other Stories is out now and is scaring everyone silly! If you would like to check out these stories full of ghosts, budding serial killers, and carnivorous horses, you can do so using any of the links below. And if you do, please leave me a review after you read the book. Positive or negative, I love reader feedback, and it helps readers decide whether or not to check out the book.
Once more, until next time, good night and pleasant nightmares, my Followers of Fear.
Hello, Followers of Fear. There are sixty days till Halloween. What have you done to prepare?
Artwork produced by artificial intelligence, or AI art, has become kind of a thing as the technology has advanced. In fact, some months back, there was an app that became a fad for horror writers to generate images and even book covers. And earlier this week, John Oliver featured it on his TV show, Last Week Tonight with John Oliver. Here’s the video, if you’re interested. It’s hysterical.
John Oliver’s wife and children must have such a blast telling people who don’t know who he is what he does for a living. “Oh, my husband/dad? He sexually harasses Adam Driver and marries cabbages on TV once a week.”
Anyway, it got me interested enough to want to play around with AI art, so I made an account with one of the recommended companies, Midjourney, and went to work. The results were not only fascinating, but gave me some thoughts on the nascent AI art industry.
First, here are some of my successes. As it turns out, Midjourney’s AI program does very well with Lovecraftian/cosmic horror entities. For example, here’s Cthulhu destroying Las Vegas because I’m not a big Vegas fan (though under the right circumstances I’d visit again).
Then, in order, we have Yog-Sothoth, Shub-niggurath, Nyarlathotep, Azathoth, two pictures of the Deep Ones, the Color from Outer Space, and the King in Yellow.
And portraits of famous people tended to go well with the program. Here are Stephen King, Anne Rice, and HP Lovecraft, three of my biggest influences as a writer, as well as one of Lizzie Borden with an axe. Because why not?
And because I love ballet and try to put dancers in my stories when I can, I made a series of ballet posts, with their titles in the captions.
Dancer and Wolf on the lake
The Little Ballerina Ghost
Dancer in the Egyptian Temple
Dancers on a Moonlit Beach
Little Dancers Running from Lava
Little Dancer and Anubis
Pretty cool, right? Most of them look really good. However, those were success stories, like I said. Here’s what happened when I tried to create Jason Voorhees from the Friday the 13th films.
Yeah, I know. None of those come close to looking like Jason! He’s arguably more famous than Cthulhu, but these were the results. And then there was my attempt at Freddy Kreuger from A Nightmare on Elm Street. Oy freaking vey!
Yeah, who is that? Not Freddy Kreuger, who is definitely more famous than Cthulhu! Honestly, it looks more like my conception of Leland Gaunt, the antagonist from Needful Things by Stephen King. How could the AI get our favorite subconscious serial killer so wrong?
And those are just a few examples. I went through several failures trying to get anywhere close to a specific idea or image, only to give up when I realized the program just couldn’t create it. I couldn’t even create a decent Sailor Moon or an accurate tiger image, and both those prompts have enough references out there that they should have been easy to create something accurate.
Even some of the successes took a lot of work and experimentation, such as The King in Yellow or Little Dancer and Anubis. I won’t even go into detail about how hard it was to get a good Alice in Wonderland pic that wasn’t too trippy. I mean, I know the source material is plenty weird, but not all art based on it has to be super-surreal!
And while I call some of them successes, they aren’t perfect. You can especially see it in the ballerina series, where features like the head and limbs look odd or bent in ways you wouldn’t see on a normal dancer or a Degas painting. Only the tutus and bodices come out well. The rest of their bodies can be a mixed bag.
It kind of reminds me of that scene in 1986’s The Fly, where Jeff Goldblum puts steak through the teleporter and it comes out tasting weird. He figures out that the computer hasn’t learned how to move organic materials, and is instead creating an interpretation or bad imitation of what it thinks steak is. That’s what we have here: the AI has learned how to mimic and create, but it’s still leagues away from making certain things.
And honestly, I’m glad. Art is art because there’s someone behind it with a vision or a passion. You can program a computer to recreate famous art pieces or original pieces, including Batman comics and scripts or horror screenplays. And the computer might even do a good job at times. But there won’t be any passion or soul behind it. Art is art because we’re putting our love and soul into our creations.
And getting to work with a creator? That’s even more special. Believe me, I’ve done it before, and it’s amazing to see your vision come to life with their help. Especially when working on art pieces like book covers. That truly is something special.
That being said, I can see AI-generated art being used for cheap book covers as the technology improves, and the services of artists becoming more expensive. This could especially apply for small presses or independent publishers who need to lower costs while maximizing profits. The only time publishers may use a real artist is if the author is big enough to warrant it.
Hopefully that doesn’t happen, because it would mean we wouldn’t get to see some really amazing collaborations. So, for the meantime, I’ll stop with the AI art (I’ve scratched that itch and I don’t want to pay a subscription for Midjourney, anyway), and continue supporting the artists who create amazing art. Especially horror art.
And now, here are some more pieces I created. Except for a few I’m waiting to reveal till the time is right, here are my other successes. You can ask what was going through my mind when I created these in the comments below. Enjoy, and until next time, my Followers of Fear, pleasant nightmares!
Last month, I wrote a story that combined art and my love of ballet with the stories of the King in Yellow. This was after finally reading the stories earlier this year, which was after hearing about them and their titular subject for a few years. Recently, I edited that story and then submitted it to a publication that I think will like it. And after doing so, I just wanted to write a blog post about the King in Yellow, and see how many of the Followers of Fear are familiar with the character.
So, for those of you who don’t know, The King in Yellow is a collection of short stories published in 1895 by Robert Chambers. The first four stories revolve around the titular character. Or to be more precise, around a fictional play revolving around the titular character. This play has the uncanny ability to make those who read/see it lose their hold on reality. Or, in another sense, to put them under the sway of the King in Yellow.
If you would like a more in-depth analysis of the character, the play, and stories than I can give here, you can watch this video which goes in depth on the collection and the stories in question.
Not bad, huh? I find the Tale Foundry channel puts out some incredible work on all things writing and literature.
Anyway, The King in Yellow–the book, the play, and the character–have had quite an effect on horror literature. HP Lovecraft was actually heavily influenced by the book, and some of the themes in the book could be considered proto-Lovecraftian. Some writers have even included the King in the Cthulhu Mythos under the name of Hastur, a name from the original collection, as well as the half-brother of Cthulhu. And plenty of other writers have played in the sandbox of The King in Yellow, both in and out of the Cthulhu Mythos. He’s appeared in tabletop games, video games, all sorts of stories, and even was heavily referenced in the TV show True Detective.
Question is, why? What is it about these four stories and the King that has caused them to endure and slowly germinate into our popular culture?
Well, that’s the thing: it does germinate. Or the play does, anyway.
If you’ve read the stories or watched the video, you might have noticed that the King himself only appears once. Even then, you can’t be sure this isn’t the hallucination of a madman. Really, what we see in the stories is the effect of the play. It’s power to corrupt people, as well as the public outcry against it, has ensured that if someone hasn’t read it, they at least know of it and have seen the damage it’s caused.
Sounds like Twilight, but better and horrifying in the right ways, if you think about it. And it’s a great metaphor for how stories can spread through a populace and change people and culture, for better or worse. Not just fictional texts, like Harry Potter or Uncle Tom’s Cabin, but non-fiction tomes like The Travels of Marco Polo and Herodotus’s Histories, and religious texts like the Bible. All of these had huge effects on the societies they spread through, changing cultures, beliefs, and minds in so many ways.
The metaphor is even more apt if you think of the play as a religious text for those who worship the King in Yellow.
Just one edition of the King in Yellow collection. There are as many as there are ways to tell a story with the character.
Add in that the stories are psychological works where a lot is left to the imagination, combined with some decent and eerie storytelling, as well as ideas that resonate with writers the way Lovecraft’s world would years later, and it’s no wonder people began playing with and adding to the concept of the King in Yellow. And this was happening even before the stories entered the public domain.
Is it any wonder the King has been partially absorbed into the Cthulhu Mythos now?
And like the Cthulhu Mythos, the King in Yellow is becoming more well-known and mainstream, albeit slower than the Mythos. Still, the fact that it showed up in True Detective says a lot. And I hope, should the story I wrote be published, that it’s considered a nice addition to the King’s legacy, as well as helps to spread awareness of the original stories.
Speaking of which, I highly recommend checking out the original King in Yellow short story collection. They’re really eerie and you probably won’t regret checking them out. At the very least, you’ll be able to see how another classic work of horror has influenced the genre as a whole.
Just don’t read beyond the first four stories. The ones afterward don’t really connect to the stories about the play and aren’t as good, making you wonder why Chambers included those stories. I heard that if you read the book in reverse, it reveals something, but I can think of a lot of other stuff I would rather do with my time.
Have you read The King in Yellow or come across works inspired by it? What do you think of the stories? Let’s discuss.
That’s all for now, my Followers of Fear. I’m going to make dinner, read a story a friend sent to me for feedback, and imagine putting together a King in Yellow costume. Until next time, good night, pleasant nightmares, and beware the Yellow Sign.
One more thing: the crowdfunding campaign for That Which Cannot Be Undone is at 29% funded! And we’ve added a whole bunch of new perks to the campaign, as well as a new author to the anthology!
If you’re unaware, I’m part of a small publishing press and we’re crowdfunding our first anthology, That Which Cannot Be Undone, which will highlight Ohio writers. It’s an exciting new venture, and we’re very excited for you to read the stories that will be included. I’ve already written one story that will be in the anthology, so I hope you’ll support us in making this anthology a reality.
If you’re interested, you can click on the link below and learn more about the anthology. I hope you’ll lend us your support! Thanks, and have a good night!
This has been a very busy, crazy day. But so far, it’s been worth it. And this is one of the reasons why!
So, if you didn’t hear, my story “Cressida,” which follows a man who finds out his uncle is keeping a mermaid in his basement, was accepted for publication. It was to appear in the anthology “Into the Deep” from Jazz House Publishing, which is to release on July 20th. And unless you’re a time traveler and stuck in another period of time/space, today’s July 20th! Which mean “Into the Deep” is out!
First off, can we just admire that artwork? I mean, wow! That is so terrifying, that for a horror fan it’s kind of sexy. Kudos to the cover artist!
Second, this looks to be a great collection. There are ten other short stories and novelettes in the anthology, all of them focused on the ocean and the deep blue sea. One is an aquatic retelling of the ballet Giselle (being such a fan of ballet, I’m looking forward to reading it). Another involves a heist in the Marianas Trench. And there are more that I have yet to discover! I’m so excited to get my copy!
Speaking of which, if you want to read “Into the Deep,” I’m including the link below at the end of the post. At the time I’m writing this, only the ebook version is available. The paperback will be available later today, so keep checking back for that (I’ll post an update when that’s available as well). Please give it a read if you’re at all interested.
And if you do, please let us know what you think. Not just for my sake, but for the sake of all the authors and the publishing company. A lot of work by many different individuals went into this anthology, so letting them know what you think not only brings a boost to their moods, but let’s other readers know if they should check out the anthology.
Anyway, I hope you enjoy “Into the Deep,” and that you like “Cressida” when you read the story. I’m especially proud of that story and think it’s some of my best work. I hope you agree.
That’s all for now, my Followers of Fear. I’ll be back soon with more news and reviews and whatnot (whether you like it or not). Until next time, pleasant nightmares and ph’nglui mglw’nafh R’lyeh Cthulhu wgah’nagl fhtagn.
Just a reminder: there’s only eight days left to submit questions for the Ask Me Anything, or AMA, to celebrate my ten-year blogging anniversary. One lucky participant will receive a prize, so be sure to send your question to ramiungar@ramiungarthewriter.com by 11:59 PM on July 28th. I look forward to reading your questions.
Some of you may recall a few months back that I wrote a story called “Cressida,” a horror story centering around a mermaid. Yeah, you read that right. A horror story centering around a mermaid. Specifically, the story revolves around a young man finding out his uncle is keeping a mermaid in his basement. I can now say that Cressida will be published this month in the anthology Into the Deep from Jazz House Publications!
Ooh, look at this cover! It’s so scary and cool, it’s kind of sexy. I’m honored to have a story being released in a book with such a cover.
Also, fun fact: I got the acceptance for “Cressida” on my birthday last month. Yeah, really. I was really surprised by the timing. I had just gotten out of my birthday party at the bowling alley, got to my car, and was about to pull up the GPS app on my phone when I saw the response from the publisher. I think I almost screamed in my car. Definitely one of the best birthday presents I got that day.
Anyway, I’m really excited for all of you to read “Cressida.” While I wasn’t comfortable saying so when I finished the first draft, I can confidently say this story is some of my best work so far. Hopefully, you’ll think so too.
Not only that, but I’m excited to read the anthology! I’ve read some of the tweets other authors in Into the Deep have put out, and their elevator pitches of their stories have me excited. They’ll make you do what the tagline above says, and “beware what lies below.”
Ooh! I think I just felt a shiver up my spine!
So, as the graphic above states, Into the Deep will be out in less than two weeks. I’ll post links then if you want to get a copy. And if you like what you read, please make sure to post a review somewhere so others know what you think and can decide if they want to check out the anthology too.
That’s all for now, my Followers of Fear. It’s late, so I’ll be heading to bed soon. Big thank you to Jazz House Publications for making “Cressida” part of this anthology. I can’t wait to crack open a copy and “dive” right in. Come on, that was good and you know it!
Until next time, good night, pleasant nightmares, and may Lord Cthulhu, the High Priest of the Deep Waters, bless you from his throne in R’lyeh.
One more thing: I’ll be celebrating my ten-year blogging anniversary next month. To celebrate, I’m having an Ask Me Anything, or an AMA, on this blog. If you want to participate, send an email to ramiungar@ramiungarthewriter.com with your question and where you’re from and I’ll answer it. And one lucky participant will win a prize for submitting a question!
All questions should be sent no later than 11:59 PM on July 28th, 2021. I look forward to receiving your questions, Followers of Fear. Knowing you all, you’ll come up with some good ones.
I first heard about this film last month, described as The Call of Cthulhu meets small Norwegian island and with Barbara Crampton of Re-Animator and Chopping Mall fame heavily featured in the marketing. The trailer looked cool, so I mentioned it in a post about cosmic horror becoming popular, and patiently waited for it to come out. I watched it evening, so obviously I have to write a review about it.
Based on a short story by Paul Kane* and influenced by the works of HP Lovecraft, Sacrifice follows Isaac Jorgstadt and his pregnant wife Emma as they return to the tiny Norwegian island where he lived until he was a child and his mother took him to America. As his mother has recently passed, Isaac now owns the home and has come to see if he can sell it. However, between the townsfolk’s bewildering behavior, unearthed family secrets, and strange dreams, Isaac and Emma find themselves in the crosshairs of a powerful cult worshipping an ancient and terrible god.
Pandemic or no pandemic, I think we can call this the first good horror film of 2021.
First off, the movie was really well done. The strange behavior of the townsfolk adds to this feeling of unreality in the story, which is heightened by frightening imagery and occurrences. The tension between Isaac, who becomes more and more enchanted by the island, and Emma, who is just freaked out, compounds the uneasiness we feel. And the slow-burn nature of the story ramps up in just the right way in the third act.
I also like the way HP Lovecraft’s work is incorporated into the story. Images and statues of Cthulhu–or as he’s known in the movie, “The Slumbering One”–abounds; Isaac’s name in America is Pickman, a reference to Pickman’s Model; dreams play a prominent role in the film; and of course, we get the occasional tentacles. You really enjoy stumbling across all these references and being like, “I get that!”
I always enjoy when cosmic horror is incorporated well into a non-Cthulhu Mythos film.
Excluding Barbara Crampton’s attempt at a Norwegian accent and one line that could be misconstrued as offensive to certain belief systems,** I only had one problem with the film. During the climax, the ending was epic and scary, and then that final shot felt…anticlimatic. I would have liked to see a shot of the Slumbering One or his tentacles or something. Just something more Lovecraftian and scary to end the movie with. Is that too much to ask?
All in all, though, this was a creepy and enjoyable ride. On a scale of 1 to 5, I give it a 4.1 As of right now, it’s only available from iTunes, but I say it’s worth the cost to check out.† Especially if you can pair it with some good calamari.
That’s all for now, my Followers of Fear. I’m off to birth my own nightmares. Until next time, pleasant nightmares (or as they say in the film, “dream well”).
*Whose work I need to check out.
**That better have been a put down on female genital mutilation and not on bris milah or similar rituals, I’m just saying.
†Hopefully you have an easier time playing the movie than I did. Still not sure if that was my iTunes player or my computer, but I had so many issues with the streaming.
Tell me, where would you put Godzilla in this classification system?
For a while now, I’ve been thinking of the different kinds of antagonists in horror stories. Not divided by type, but by level of threat. What do I mean by this? I mean, aren’t all antagonists in horror stories a threat? I mean, it is horror!
Well, yes. But how big that threat is can vary from story to story, and can even influence what kind of tropes and stakes we can expect in the stories. To further illustrate this, let me categorize the level of threats using Starbucks sizes: Tall, Grande, and Venti. Yes, I know they have a Short size and a Trenta size, but I don’t know anyone who uses them. In fact, I don’t think I’ve ever seen the cups for those sizes.
Also, Starbucks, please don’t sue me. I’m just using your sizes to help illustrate a point.
Getting sidetracked. Let’s start talking about the levels of threat, starting from biggest to smallest.
Venti: While all horror antagonists are a threat to the protagonist(s), the Venti-level threats are usually threats to many or all people. Cosmic entities like Cthulhu or the Devil in stories taking place during the Apocalypse usually rank this high. They’re a threat to all life or to all we hold dear, and the suffering they could induce if they succeed would be terrible.
This level can also apply to threats like Pennywise, aka IT. While he’s restricted to the town of Derry, Maine, he’s responsible for countless deaths since the 17th century. Even when he’s not active, his influence over the town of Derry is such that he controls it at all times, causes all sorts of horrors while sleeping. IT is Derry. Thank goodness his children didn’t get anywhere, am I right?
Bughuul from Sinister is a great example of a Grande-level villain
Grande: An antagonist of this size may be a threat to many people, but they’re not as all powerful or have such sweeping implications as a Venti-level threat. Still, you wouldn’t want to cross one of these guys if you ended up in their stories.
An example of a Grande-level threat would be Leland Gaunt from Needful Things. A demonic figure who looks at things from a business-like perspective, any town he comes to faces annihilation once he sets up shop. Half of Castle Rock either ended up dead or blown up because of him, after all.
Another example might be Bughuul from the movie Sinister, a Babylonian deity that eats children. Throughout the centuries, he’s manipulated children into killing their families so he could eat their souls. Anywhere he goes, you can expect blood and death to follow. He’s definitely no small potatoes, though he doesn’t warrant the same level of panic as a Venti-level threat might.
Tall: While they may be the on the lowest level of horror antagonist, that doesn’t mean you should relax. In fact, these villains tend to be much more personal than the likes of Bughuul or Cthulhu.
Tall-level villains may only be a threat to the protagonist and a few others, but they bring with them the power to destroy everything the protagonist holds dear. Demons seeking to possess a soul, vengeful ghosts, stalkers and serial killers focused on one particular victim, cursed objects, etc. They may not be seeking to end the world or blow up a town, but they will destroy the protagonist’s happiness and sanity for their own goals.
I would even include the Overlook Hotel in this category. It may be powerful and evil, but it’s only able to be so in the presence of someone with the shining, and then it only seeks to add the shining to its own power so it can be active more often. In the novel’s case, it breaks down Jack and terrorizes Danny to make them more vulnerable and ultimately to possess the former and kill the latter.
Like I said, what they’re missing in power or scope of threat, they make up for in how personal they are.
This, ladies and gentlemen, is a way to classify the threat level of horror villains.
Where does Jason fit on this scale? It’s not easy to tell.
That being said, it’s not perfect. What villains belong where is entirely dependent on who’s doing the categorizing. Is a slasher villain like Jason Voorhees a Grande because he has a particular hunting area and has killed many over the decades? Or is he a Tall because he’s only a threat if you step into his territory? And this doesn’t even cover stories like Gerald’s Game, where there is no antagonist but a pair of handcuffs and the protagonist’s own psyche. Even the Space Cowboy who visits her doesn’t really threaten her. He’s more of a reflection of her own terrors who turns out to be a real person than anything else.
So why do I write all this, if it’s not a flawed system? I do it because it’s not to categorize the villains themselves, but the stories they belong to. A story with a Tall villain is much more character-focused and can often lean into the character’s mindset. A story with a Venti-sized villain often requires the story to encompass a huge cast, lots of locations, and putting an entire population at risk. A Grande may straddle the line of the other categories, while also having varying kill counts depending on what the story requires.
In a way, The Starbucks Levels of Antagonism (copyright pending), are like the Bechdel or Mako Mori tests: exercises to examine stories, the decisions made while creating them, and how you can learn from them. And given the nature of fiction writing, as well as how difficult it is to categorize fiction like a scientific system, that’s probably for the best.
Thanks for giving me a chance to air some thoughts, Followers of Fear. I’m off to figure out where on this system I belong. Until next time, pleasant nightmares!
Rami Ungar The Writer 