That Which Cannot Be Undone. Cover by Greg Chapman. Hopefully to be in bookstores everywhere.
Run for the hills! Hide in your basements! Sound the trumpets of doom! That Which Cannot Be Undone is now set to preorder!
So, if you’re not aware, some of my Ohio horror writer friends and I started a press last year with the goal of releasing a horror anthology highlighting both Ohio horror and Ohio horror writers. “That Which Cannot Be Undone” is the result of that goal, as well as countless hours of meetings, hard work, rallying, writing, and, of course, the pledges of many supporters on Kickstarter.
And, as of this morning, the ebook is available for preorder on Amazon, with a release date of October 11th.
Here’s the blurb from the back cover:
Beneath Ohio’s congenial midwestern facade lies a dark underbelly of urban legends, cursed sites, and unseen terrors. From a woman drawn to an underwater town haunted by its last resident to a killer desperately seeking to experience new life through the teeth of his victims, these eighteen stories all take place in the Buckeye State, some drawn from already-known accounts of strangeness and infamous settings, others completely the author’s invention.
Edited by Bram Stoker Award-winner Jess Landry, That Which Cannot Be Undone features works from new and established voices in horror, including Bram Stoker Award-winners Gary A. Braunbeck, Tim Waggoner, Lucy A. Snyder, Gwendolyn Kiste, and Kealan Patrick Burke, and New York Times and USA Today bestselling author, Megan Hart.
it also includes a story by this guy named…Rami Ungar. Hmmm, I don’t know him. Do you? And is he any good?
Jokes aside, I can’t tell you how excited we are for everyone to read this anthology. It was one thing just to imagine this book coming out, especially as we were looking for ways to make the pandemic go by faster. But then talk turned into research, research turned into decisions, decisions turned into, plans turned into starting a business, the business made more plans, those plans led to the cooperation of several writers, an editor, and a Kickstarter campaign! The Kickstarter campaign surpassed its goal, authors starting submitting their stories, we hired an amazing cover artist who produced a terrifying cover, our editor Jess Landry helped us polish up our stories, and now we have the book ready to release! And very soon, many of you will be reading it.
Down below is the link to preorder the ebook (sadly, Amazon makes it so we can’t offer a preorder for the paperback just yet). I hope you’ll preorder a copy or purchase it when it’s out. And for those of you whose pledges include a copy or two of the book, don’t worry; we’re working hard to ensure you get your copies as soon as possible.
Either way, we hope you’ll read the anthology, enjoy it, and leave a review to let us know what you thought. Reviews are huge boosts for these books and help them find new readers, so we appreciate every review left for us.
Anyway, that’s all for now, my Followers of Fear. I can tell you, October is going to be an exciting month, and not just for all the usual reasons. I look forward to celebrating all the events that are to come.
Until next time, good night, pleasant nightmares, and 42 days till Halloween!
I got to know Heather Miller earlier this year, and I saw from the get-go that she was passionate about horror. In fact, she’s become well-known in the horror community as a horror reader and reviewer, to the point where she gets through multiple books a year and posts her thoughts on them. I considered it a true honor when she gave The Pure World Comes a four-star review.
I also learned that Heather is a writer as well, and that she had a book coming out. I not only volunteered to be an early reader (my review will be out later this month), but to interview her for my blog. So, sitting with me here today to discuss her upcoming collection, Tales My Grandmother Told Me, is Heather Miller.
Rami Ungar: Welcome to the blog, Heather. Tell us about Tales My Grandmother Told Me and some of the stories inside.
Heather Miller: Tales is a collection based on old stories and songs my grandmother used to tell and sing. These stories are family heirlooms in a way, part of our oral history. In the book you’ll find stories of both supernatural and entirely man-made horror, you’ll find stories which are based on real events and stories which are clearly made up. You might even find a bit of humor.
RU: What was the impetus for this collection? And was it difficult to turn those tales and songs into stories?
HM: I’ve always had it in the back of my mind to take Grandma’s stories and share them with the world. I chose to do this collection at this particular time because my mother was in failing health and I wanted her to see our family’s stories go out into the world before she died. Unfortunately, she passed away recently and never got to see the final copy, but she read the stories as I wrote them and knew the book was coming out.
I really didn’t find it difficult to turn the old tales into stories. These are stories which have been percolating in my brain since childhood, so when I sat down to write, they just flowed out of me. Some were certainly easier than others. One in particular gave me trouble as it was one I remembered only vaguely. But honestly, I had a lot of fun taking the old tales and twisting them around a bit, adding to them, making them my own while still honoring the old storytelling tradition of my grandmother.
RU: Did you have a particular audience in mind when you wrote the collection? Were you hoping to pass these stories to your children like your grandmother passed them onto you?
HM: The great thing about this collection is that these stories are unnerving enough to give an adult the creeps, but also perfectly suitable for older children to read. There’s nothing in this book (aside from horror) that would be considered too “adult” for kids. While this is certainly not a children’s book, or even Young Adult, I think these are easily stories that adults could read with their kids, if those kids like a good scare.
RU: What are some other works you’ve written? And do you have anything else coming out?
HM: I have a novella out, called Knock Knock. It’s a modern Gothic ghost story. Also I have stories coming out in a couple of anthologies later this year: my story “The Far Field” is part of the book These Lingering Shadows (Last Waltz Press), and my story “Baba Yaga in Repose” is in the book Into the Forest: Tales of the Baba Yaga (Black Spot Books).
RU: In addition to writing horror, you also regularly read and review horror from a variety of authors. In fact, you’ve gained a reputation as a discerning horror reviewer. How does that make you feel? Is that something you set out to do?
HM: Honestly, I just like to talk about books. I never dreamed when I first started my Bookstagram account that just a couple of years later, publishers would be sending me books like crazy and authors would wait anxiously to hear what I had to say about their writing. It feels good, don’t get me wrong, but it’s also sort of weird to me still. I’m just a girl who likes to read, likes to be scared, and likes to tell other people when I find a good book. I also have come to love the literary horror community. They are the most amazing people.
RU: What is it about horror that draws you in? And are there any particular kinds of horror stories or genres that you gravitate to the most?
HM: I’ve always loved horror. Even as a small child, reading picture books, I was drawn to horror elements. It could be June and I’d still go straight to the Halloween books section when we visited the library. If a book had witches or ghosts or creepy monsters, I wanted it. As I grew older, I discovered adult horror and delved right in. I think I like horror because it is such an escape. It’s fantastical because these things will never really happen but it’s so exciting to lose yourself in that world of suspended disbelief for a while. And who wouldn’t want to live in a world where ghosts and witches and vampires are real?
I will read almost any kind of horror as long as it’s well-written, but my deepest love will always be for the old-fashioned kind of horror, the Gothics (original and modern). A heroine finding her inner strength while battling evil in a haunted house will never get old to me.
RU: I hear that. Now, what is some advice you would give to other authors, regardless of background or experience?
Tales My Grandmother Told Me, out September 27th.
HM: Good readers make good writers. Read like crazy.
Don’t be afraid to write what makes you happy. You don’t have to write a certain way or in a certain sub-genre (or NOT write a certain way or avoid a certain sub-genre) just because it’s the current trend. Whatever you write, if well-written, will find it’s audience.
Find your voice. Find your brand. Know yourself and let that bleed into your work.
Kill your darlings but pay your editors.
RU: All good pieces of advice. Finally, if you were stuck on a desert island for a little while and could only bring three books with you, which books would they be?
HM: The Haunting of Hill House by Shirley Jackson, Something Wicked This Way Comes by Ray Bradbury, and The Collected Tales and Poems of Edgar Allan Poe
RU: Excellent choices. Well, thank you for joining me on the blog, Heather. Good luck with the release of Tales My Grandmother Told Me.
If you would like to check out Tales My Grandmother Told Me, you can find it available for preorder from most retailers and will release September 27th. And if you would like to connect/learn more about Heather Miller, you can find her on her website, Heather Miller Horror, as well as on Facebook, Twitter and Instagram.
That’s all for now, my Followers of Fear. I hope you’ll check out Tales My Grandmother Told Me once it releases (as well as my review once it’s out). Until next time, good night, pleasant nightmares, and 58 days till Halloween!
The Mummy of Rameses I. I thought it worked well for the post.
Sheriff’s Deputy Cole Sawyer knew he had the right house before he’d even read the numbers beside the door. The body was sitting there on the front stoop, just as the caller had said it would be.
I’ve mentioned before that I started a new novel, a mummy story I’m calling Crawler until I can come up with a better title.* It’s been a little over three weeks since I started the novel with the lines posted above. I’m now three chapters in, and I wanted to take some time to share my thoughts with you on the writing process so far.
And what are those thoughts? Well, I’m wondering what I got myself into. This book is already seventy pages (8.5 x 11 inches, double-spaced, 12-point Times New Roman), and rapidly approaching twenty thousand words! And that’s just the first three chapters! It’s going to be as long as Snake by the time the first draft is done. You could use it with your favorite Stephen King doorstopper to knock someone out.
Which I don’t recommend doing unless your life is in danger and you have no other options.
All that being said, it’s also been fun to write. The first chapter, I had such a hard time pulling myself away from the computer to go to bed because I was just so into the story. I got it done at that pace in two nights. And while the next two chapters haven’t gone at such a crazy pace, it’s still been a fun process.
For example, one of my characters has grown up extremely sheltered, and the events of the novel force her into the world. Writing things from her POV has been a fantastic journey of trial and discovery. I think by the end of Chapter Two, I got her down pat, but there could still be challenges ahead.
Scratch that, I know there are challenges ahead. It may be a world where a mummy is on the attack, but it’s still based on our world. The characters’ actions and reactions to events must make sense to someone in our world. That could be hard. And I have to keep the slower moments interesting. And of course, I’ll have to get on the net every now and then to do some research. Yeah, lots of challenges ahead.
But hey, the first draft isn’t meant to be perfect. It’s meant to be passable. That way, I can build on it in subsequent drafts and create something spectacular. So if I mess up, I’m sure I’ll find some way to fix it further down the line.
That’s all for now, my Followers of Fear. I’ll post more updates as I make progress. I promise, they won’t come at a crawl (get it?). So don’t worry, I’ll be back again soon. And until then, good night, pleasant nightmares, and do not read from the Book of the Dead. If you’re not careful, you might wake up an undead Egyptian high priest seeking to resurrect his girlfriend.
*And no, I’m not going with The Mummy. Nor am I going with I Want My Mummy; Are You My Mummy?; or Man, Fuck This Mummy. One’s taken, two are probably taken by RL Stine or Doctor Who, and the last one sounds too close to a novel on my TBR list. I might go with Sympathy for the Mummy, however. I mean, that’s probably not too like a famous Rolling Stones song, is it?
If you’re reading this, it means two things. One is that I finally have internet at my new condo, so glory hallelujah on that. The other is that I’m probably going to watch the latest episode of Ms. Marvel and get all caught up for the finale on Wednesday (I know where my priorities are).
So, with so much going on in my life and in my writing career, I thought I’d do a post on all the things I’m working on and where I am in them. Given that it’s been a while since I’ve updated you all on certain projects, it felt necessary. And hell, sometimes I need a reminder of all I got going on! It’s a lot to keep straight in this wacky head of mine.
And since that about sums it up, let’s get into it. Without further ado, here are updates on what I’m doing.
The Condo
Off the top, let’s talk about the condo. At this point, I’m almost entirely unpacked and am making a list of projects and changes I want to do for the place. It’s going to be a lot of work (and a lot of cash), but I think I’m up for it. Especially with the help I’ve been getting from friends, family and contractors.
In the meantime, I’m living and liking it here. In fact, I’m planning on posting some photos of the space soon (if I haven’t already), and maybe even doing a YouTube video on my new writing space. And I’ll definitely be posting about homeownership and the search for a home in the future. Is that unusual for this blog? A bit. Is it something I want to talk about here anyway? Yes, so look forward to lots of news about the condo in the future.
That Which Cannot Be Undone anthology
The anthology project I’m working with my colleagues here in the Buckeye State to highlight Ohio horror and Ohio horror writers is still coming along. We’ve been going over what could end up being the cover art for the anthology, and sending edited drafts of our stories to our fabulous editor. At this rate, we should be on schedule for an October release.
And given some of the stories I’ve read already, it’s going to be an awesome anthology. I can’t wait for you to read it.
The Pure World Comes
Nothing to update here from yesterday, but the audio book is still coming along. Just thought I’d mention it.
Hannah and Other Stories
Back at the end of June, I sent the edits for the second story, Queen Alice, and an initial polish of the third story, The Autopsy Kid and Doctor Sarah, back to the publisher. They’re now looking through the draft and making further recommendations for the story. After that, there are four more stories to edit, and then hopefully we can set a release date for this collection.
Other Projects
I’m shopping around a bunch of short stories and novelettes, trying to find them a home. It’s difficult, but since when has playing the publishing game ever been easy? And I’ve already had some success this year, so there’s a good chance I’ll get a few acceptances.
Speaking of which, The Dedication of the High Priestess is still on track to air on Tales to Terrify at some point this year, so keep an eye out for updates on that.
In the meantime, I’ll be editing They Sleep Within the Rock (AKA the novella where I let my frustrations out and terrorize some white supremacists). I may then let someone beta read it before editing it again and finding somewhere to submit it. Hopefully, someone likes it enough to publish it.
And I might start a new story I just had the idea for tonight. I don’t know why, but it feels like a winner.
But after that…
A New Novel
Yeah, you read that right. I’ll be working on a new novel when I’m not working on other projects. Specifically, I’ll be working on Crawler, the mummy novel I planned to start last year before Hannah was accepted. I actually looked at the outline I wrote last year and have already started thinking of ways to improve the story (including a better working title). Once that’s taken care of and I’ve edited the novella I mentioned, I’ll hopefully get started and create one hell of a horror novel.
Well, that’s all I can think of right now. If I come up with anything else, I’ll be sure to give you all a shout. So, until next time, good night and pleasant nightmares. I’m off to deal with my first supernatural invasion of my condo. Curse you, Undead Moon Bear! You’re scuffing up the hardwood!
Jonesy, my skeleton roommate, chills while the rest of us move my boxes in. Honestly, if he weren’t already dead, I might kill him for being so lazy.
In a previous post, I mentioned how stressful and anxiety-inducing packing up for my move had been. Now, I’m unpacking in my new home, trying to make it livable and taking note of what needs to be worked on. And boy, is that a wave of emotions!
As many of you know, I bought my first home recently, a nice condo perfect for a guy living on his own like myself. On the one hand, I’m glad to have finally stopped renting, as now is not a good time to rent and I’m tired of living where I was. I have a quiet place and I can do with it what I want (on the inside and according to cost, at least). But at the same time, my new home is still a mess of boxes, I have so much left to do, I’m already encountering things that need to be worked on, and I’m getting ready to pay the various bills associated with owning a home.
It’s a lot, and every day I feel like I’m on roiling sea of emotions. Happiness, hope, excitement, worry, regret, anxiety, annoyance (mostly because my internet provider screwed up and I won’t have internet till next week), and exhaustion. Mostly exhaustion. Kid you not, I’ve gone to bed every night feeling like I’ve run a marathon from all that I’ve done!
Still, I’m trying to remain positive. Moving out and getting a new home is what I wanted. And of the five homes I bid on, four were in the area I moved to, including the one I got. I can’t help but feel this is fate. And every time I break down a box, I feel like I’ve lightened my load a little bit. And I’m doing everything I can to make sure my mental health doesn’t take a toll. It’s good that I have a strong support network around me, to boot.
And talking about this here on my blog helps.
Also, and this may or may not be related, but I’ve been feeling a strong urge to get back to writing. Not editing, which I’m already doing plenty of, Hannah-related and otherwise, but something new. Perhaps a novel. Perhaps Crawler, the mummy novel I was going to start last year before Hannah was accepted (also, that title is a working title). Perhaps with a new change of home, I want to channel that new energy and all these roiling emotions into some new creative work?
Well, I’ll keep you all informed on any big developments. The next time I write about my new life as a homeowner, I hope I’ll have plenty to share with you, and most of it good news. Not only that, but there are a couple of book anniversaries coming up, so I’ll be sure to post about those somehow. And I’m always hopeful of another advance in my writing career.
In the meantime, I hope you’ll continue to support me by checking out my already published books. Some of them, like Snake and The Pure World Comes, have been getting all sorts of new reviews, and the readers seem to enjoy them, calling them quite scary and engrossing. And the latter has an audio book on the way, which is super exciting. Why not check read the reviews and check them out? I’ll include links below.
That’s all for now, my Followers of Fear. I’m off to finish up one DIY project and unpack my bedroom and office. Until next time, good night, pleasant nightmares, and don’t set off commercial grade fireworks in residential areas. It can be quite an issue for your neighbors, to say the least.
As many of you know, I’ve been preparing to move from my apartment this weekend and into a condo. (And if you don’t, now you do). However, when I haven’t been packing, I’ve been trying to meet my obligations as a writer. The most important of these is to get edits done on one of the stories in Hannah and Other Stories, my upcoming collection of short stories. And damnit, I just finished it today.
So just to recap, Hannah and Other Stories is a collection of short stories I’ll be publishing with BSC Publishing Group. There are seven stories in the collection, and I just finished editing the third, “The Autopsy Kid and Doctor Sarah,” about a girl’s relationship with a budding psychopath. It’s one of at least two edits I’ll be doing on this story for the next draft.
You see, during the revisions for the second story in Hannah, “Queen Alice,” the editors brought to my attention that I was doing more telling than showing and that I needed to work on that. They recommended that I go over “Autopsy Kid” after finishing “Queen Alice” to try to add more instances of showing and otherwise fix it up before they went over it. That way, I might get some lessons in better storytelling and they would have less notes to make regarding edits.
So, how did this first round of edits go? Really well, I think. As I said in my post about showing vs. telling, I wasn’t sure I understood the concept too well, let alone applying it in my writing. But “Autopsy Kid” is the longest story in the collection, so there were plenty of instances to practice. Indeed, I found plenty of places where I thought I should show rather than tell, and I think it worked out. The result was a more fleshed out story, with an antagonist who seemed more like a dark force of evil than a young boy with severe mental issues.
We’ll just have to see what BSC says. They have the manuscript now, so they’ll look through the story and let me know what edits they think I need to make. With any luck, showing vs. telling won’t be one of them and they’ll see less issues than I did on the first run-through. After that…well, we’ll see. Probably they’ll send me edits on the next story, “Fuselli’s Horses,” about carnivorous horses.
Yeah, you read that right. Carnivorous horses. I come up with the scariest, craziest shit.
And while I wait for those drafts, I’ll be moving and working on the first draft of the audio book of The Pure World Comes (which is coming along great). And after that? Well, we’ll see. It wouldn’t do to jump ahead of ourselves, now would it?
Anyway, that’s all for now. I’ll update you as updates come, especially for Hannah and for my new place.
And if you would like to support me, or if you would like something new and scary to read, I’ll post links to my books below. They’re all amazing stories that have received a lot of love over the years (Snake and The Pure World Comes especially have gotten some good feedback recently), so I urge you to check them out. And if you like what you read? Leave a review online somewhere! Positive or negative, I love reader feedback, it helps me out in the long run, and they help other readers decide what to read next themselves.
Until next time, my Followers of Fear, good night, pleasant nightmares, and don’t befriend children who like cutting things up.
In one of my previous posts, I talked about struggling with showing vs. telling in my stories. At the end of the post, I asked for advice, as I was about to tackle “The Autopsy Kid and Doctor Sarah,” the longest story in my upcoming collection Hannah and Other Stories.
Well, I’m not sure if I’m getting any better. But between the advice everyone was giving me in that previous post and the practice I’ve been getting in, I feel like I’m improving.
Since talking about my issues with showing vs. telling, I’ve started on that story. And while it’s been agonizingly slow at times, I feel like I am recognizing the right moments to expand on and include more detail (showing). In fact, just a couple days ago, I started on a new section of the story and the entire first paragraph was the most summarized thing ever! I was almost ashamed that I wrote it!
Anyway, that led to a pleasant hour of expanding that paragraph into an actual scene so that it was more interesting for the reader. I made extra special effort to describe the character’s experiences through their five senses, as well as their feelings. And I think that not only did I get a much better scene out of it, but I think I was able to emphasize how twisted my antagonist is even more.
That being said, I’m the only one who’s looked at my efforts so far. For all I know, my efforts and changes may still be rather messy attempts at “showing more, telling only when it’s necessary.” But how else do writers improve? We read, we write, and we keep practicing and letting people help us so that we can become better at our craft.
So even if my efforts here still require some work, they’ll at least be the foundations upon which I get better. And that’s never a bad thing.
That’s all for now, my Followers of Fear. I’ve got a busy week ahead of me, but I hope I’ll be able to announce some good news very soon. And no, I’m not retiring to write full time, starting a breakaway Jewish sect revolving around Lovecraftian entities, and magical girls, or pregnant. If any of you guessed that, you’re way off the mark.
Until next time, good night and pleasant nightmares!
You know, I’m honestly surprised that, in nearly eleven years of blogging, I’ve never once talked about this subject. Well, no time like the present, right?
“Show, don’t tell” is a common phrase taught by creative writing classes and preached by writers of all stripes. Yet actually figuring out what each one is, how to tell them apart (unfortunate pun intended), and then avoid doing one versus the other is really difficult to do. Especially in your own writing.
Or should I say, in my own writing? Yeah, during editing of Queen Alice, the second story in Hannah and Other Stories, one of the notes that kept popping up was, “This is telling. Show it to us!” And while I managed to get something that would satisfy the editors down on paper, it still left me wondering how I was supposed to do this for future stories. Especially for those in Hannah.
Well, I did what I always do when I’m stumped: I do research. And while I’m still not sure I have the method down, I think I gleaned a few gems that should help.
First off, based on what I’ve found, you don’t just give up telling entirely. You actually do need to tell some things. Telling is good for things like quickly moving through parts of the story that aren’t integral and don’t need a lot of description. A better way to phrase this rule would be, “Show more, tell only as necessary.”
Next, what are showing and telling? Well, “telling” is a lot like summarizing. It’s quickly laying down the bare plot events in quick succession. There’s not a lot of description, but it’s enough to tell you what’s going on. Another way to look at it might be as thinking of the way fairy tales are told. Fairy tales don’t have a lot of details. Instead, they just tell us what happens. For example:
Drosselmeyer gave Clara a gift. She unwrapped and opened it. Inside was a nutcracker. She picked it up and instantly fell in love. “It’s the most incredible toy ever!” she said.
Yes, that’s Nutcracker, though not the original 1816 short story. But it illustrates the point, so who cares?
As for showing, it’s more detailed. Well, that’s oversimplifying it. Showing can be thought of as painting a picture that engages most or all of the senses, as well as what’s the character’s thinking. From what I can tell, the idea is to give the reader enough detail so that they not only see what’s happening and feel like they’re there, but maybe even feel the emotions or sensations the characters are experiencing. Here’s what I think might be a good example:
Hank’s muscle fibers snapped and tore apart like Twizzler Pull-n-Peels, before retying themselves into new braids. His abdomen heaved and roiled as, underneath the skin, organs shifted, burst like rotten fruit, and formed into new shapes. He could hear his bones cracking as they changed positions, stretched and folded in on themselves. And all over his body, his nerves screamed as his body shrunk in some places, elongated in others, and created new structures alien to his form. His mouth swung open, and what might have been a scream vibrated out of his throat. To his ears, it sounded like a train whistle, and he thought he saw whisps of steam rising into the air from his lips.
That was from no particular story. I just tried to paint a picture. And even writing this, I’m not sure I was successful. On the one hand, I want you to feel Hank’s pain. But on the other, I’m aware that I have only so much space, so I need to get through it one way or another. Balancing here is a difficult feat.
Maybe that’s another thing about showing vs. telling: with short stories and novelettes, you’re more tempted to tell rather than show. After all, with a novel, you have plenty of space to go into full detail with a single moment. To show, in other words. But in a shorter work, you need to economize your words, so you can only show when it really matters. Otherwise, you tell people what happens and give them enough to go on without using too much space.
Hoping I get better at showing vs. telling before this comes out.
In any case, it seems there’s still a lot for me to learn when it comes to knowing when to show and when to tell. Hopefully, with more practice, I’ll get better at distinguishing those moments and then how to show effectively. Perhaps with the next, and longest, story in Hannah, ‘The Autopsy Kid and Doctor Sarah,” I’ll get in plenty of practice.
What tipsdo you have for showing vs. telling? Leave them down in the comments below.
Please leave them in the comments down below. The more help I have with this, the better Hannah and other future stories will turn out.
Well, that’s all for now, my Followers of Fear. I’ll keep you updated on Hannah and any of my other projects. Until next time, good night and pleasant nightmares.
As many of you are aware, last October I announced that I would be releasing a new collection of short stories, Hannah and Other Stories, with BSC Publishing Group. Like my previous collection, The Quiet Game: Five Tales to Chill Your Bones, these are all original and unpublished stories that have gone unread except for a few other people at this point. Unlike The Quiet Game, however, Hannah will be seven stories instead of five, and I have a professional editing team working with me to polish up the stories before they’re released.
It’s that editing process I’m here to talk about. As I mentioned in a previous post, BSC is sending me the notes for each story one at a time so that I’m not overwhelmed. I appreciate that, as the last time I was overwhelmed editing a book, I spent a good amount of time watching Sailor Moon on Blu-Ray while trying to quell my anxiety. And recently, they sent me the notes for the second story in the collection, Queen Alice, which they told me is their favorite story in the collection so far.
I started editing Queen Alice recently after several delays (you can guess one or two of the delays were). And there are a lot of notes from the editors.
Not that I’m complaining. I’m grateful that they’ve been so thorough, picking things up that I missed in all that editing and polishing I did last summer before submitting Hannah. However, it is a challenge. I’m seeing a lot of stuff that needs to be clarified or rewritten or cut out, and doing all that so the story turns out better than it was before can be tough at times.
I’m a little nervous about how things will go down the line, when it comes time to polish up What Errour Awoke. Great story in the Lovecraftian universe and it did help me with my anxieties regarding the COVID-19 pandemic when that first began, but I know there’s plenty there that’ll need to be worked on. Especially in the latter half!
Still, I’m working it. I’m taking it one page and one section at a time. And I’m already seeing vast improvement with Queen Alice. At the moment, the story is kind of like a Lovecraft story: great concept, but the writing needs work (thankfully no racism or xenophobia). My goal right now is to get the writing up to the same standard as the concept and the story that my editors fell in love with.
That way, when it gets to you guys, you won’t be disappointed by it, but thrilled. Or maybe, just maybe, you’ll be terrified.
Just a couple of quick notes, my Followers of Fear:
First, as you know, The Pure World Comes has been out five days. And so far, my Gothic horror novel about a maid in Victorian England going to work for a mad scientist has been doing pretty well. It’s not selling like a Stephen King novel (I wish), but it’s been selling steadily and people have been leaving positive reviews on Amazon and Goodreads. This has made me hopeful for the book’s future and I plan to continue letting people know about it so they’ll want to read it (including a more in-depth post on it in the near future).
If you would like to check out The Pure World Comes, I’ll leave links below, including to Goodreads. You can read what people are saying, decide whether to purchase a copy, and maybe, if you like what you read, leave me a review letting me and others know what you think. It would be a big help to me, and let me know just what you thought of the book.
Also, ParaPsyCon is one week from today! If you’re unfamiliar, this is an awesome gathering of ghost hunters, psychics, authors and more at the Ohio State Reformatory in Mansfield, Ohio, one of the most haunted locations in America (and the filming location for Shawshank Redemption). If you want to stop by on May 21st and 22nd, please do! I’ll be selling signed copies of books, including TPWC, and entrance fee is just one ticket for a self-guided tour of the prison. Hope to see you there!
That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!
You know, I meant to put out another post between this one and my last post about The Pure World Comes. But I couldn’t think of anything worth blogging about, so you get two posts about TPWC in a row. Lucky you!
Anyway, as you all are aware, my novel The Pure World Comes is finally available in paperback and ebook. The novel is set in Victorian England and follows a maid who goes to work at the estate of a mad scientist. The full description is below:
Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives things are not what they seem. As she becomes wrapped up in more of the baronet’s radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it’ll claim the lives of all she holds dear.
Not bad, right? And a lot of the early reviews have been really positive. In fact, at the time I’m writing this, TPWC has a rating of 4.5/5 on Goodreads based on four ratings and two reviews. Honestly, I thought people might like the book, but this response has been better than I expected, and I’m so happy!
Anyway, I hope you’re as excited to read this as I am for you to read it. This novel is a love letter to the Victorian period, both its glitz and glamour and gentility, and its darkness, violence and the possibility of death around every corner,* as well as the scary stories that came out during that time. I had a blast researching it over the years and then an even bigger blast just writing it, followed by editing it for publication.
If you’re interested in grabbing a copy, you can buy one through the links below. And if you do end up getting a copy, please let me know what you think. Positive or negative, I love reader reviews and feedback, and your thoughts not only help me as a writer, but other readers as well.
And if you like TPWC, please consider checking out my other books. Who knows? You might enjoy reading those as well.
And if you’re the type of reader who prefers audio books, I am working on making that possible. I’ll keep you posted on any developments.
Anyway, that’s all for now, my Followers of Fear. I’ve got a big day coming up (first day back in the office after working from home for two years straight), but I’ll check in when I can. So, until next time, good night, happy reading, and pleasant nightmares!
*Seriously, everything and anything could kill you in the Victorian period. Coal dust, cleaning the chimney, the majority of makeups and beauty products, the clothes you wear, the color of your wallpaper. Even your food and water could kill you! Seriously, refrigeration didn’t really exist, they didn’t always throw out their food even after it had gone bad, and a lot of people got their water from the same sources where they dumped their poop. Not exactly sanitary.
And don’t think about going to your doctor. Not unless you wanted to be prescribed solution of lead or powerful opiates!
Rami Ungar The Writer 