Posts Tagged ‘entertainment’

Boy, the good news keeps on rolling! Hunt in the Slaughterhouse, another short story I’ve been struggling to find a home for, has finally been published. It’s the story of an undercover cop investigating a neo-Nazi group. When he gets caught by members of the group, things get crazy!

This was one of my first experiences in writing thriller stories, though near the end it took a slightly slasher-esque twist. Either way, I really liked it, and I wanted to see it published. Unfortunately, a lot of places I submitted to either weren’t interested or never got back to me. But there was some light at the end of the tunnel: I remembered how Horror Zone, the magazine that published Revenge for a Succubus’s Beloved (read here if you haven’t read it yet), had taken a short story that had also struggled to find a home, and published it within a couple of days. I sent them Hunt in the Slaughterhouse two days ago, and they published it this morning. And apparently it’s doing well: sixty-something people have already read it, and four people have given some positive comments on the story.

I’d like to thank Horror Zone for publishing my short story and I wish them success in the future. And if you wish to read Hunt in the Slaughterhouse, follow the link here. I hope you like it and let me know what you think.

Oh, I am feeling good tonight, ladies and gentle-bloggers! After going at it for hours on end with only a few breaks to eat, use the bathroom, and working with my sister to create the base to the cover, Reborn City is done! It’s been a crazy and long process for this novel to reach this stage, begun in 2009 and finished right before I graduated high school, but I’m happy we’ve reached this stage.

I’d like to thank my sister Adi Ungar, who helped me with the cover (I’ll unveil it tomorrow after I’ve worked on it a little, God-willing), Matthew Williams for his tireless editing and tolerance to my semicolons and prodding (you’ll get part of that prize, I assure you Matt), and to all those who have supported me over the years and given me advice and encouragement.

Starting tomorrow, the easy parts of the publication process begins: I’ll write a dedication, a note to the readers, a letter of acknowledgement. Then I’ll format the novel so that it’s easy to read on e-reader. After that I’ll get the cover done and send it all to the copyright office, giving me plenty of time till November, when RC hit’s the digital stands. During the waiting period, I’ll create a book trailer, do interviews, create a Facebook page, spread the word, and get people excited. Oh, and The Quiet Game will be coming out during that time, so I’ll do some work on getting that out as well.

I’ll also decide what I want to write in the meantime (though I have a pretty good idea of what I’ll be writing at the moment). I’m looking forward to moving on and writing something new, I can tell you that much.

Wish me luck. I can promise exciting things from here on out, ladies and gentle-bloggers.

Ladies and gentle-bloggers (I so have to patent that term), I have wonderful news.  My friend and fellow author Matt Williams (you can check out his work here) has sent me the final chapters of Reborn City, my science-fiction novel. He has also sent me his praise and some great feedback, so I can’t wait to get to work.

In fact, I’m going to get to work now. I’ve got 5 or 6 chapters to edit still, and then RC will be done. Then I will be able to write a dedication and an acknowledgements page, create the cover myself (I already have an idea for what I want the cover to look like), format the chapters for e-reader, and send it off to the copyright office. At this rate, I’ll be ready for publication by November, which is my ultimate goal. I can even create a book trailer for RC in that time. It’ll be great.

Thanks to Matthew Williams for looking through each chapter and giving me plenty of great feedback. I hope you’ll consider looking at RC‘s sequel, Video Rage, when I’m ready for beta readers to look at that. And thanks to everyone who’s been supporting me since I first began to write RC back in high school. I cannot wait to finally hand it to you and let you read it.

Just pay me a $2.99 download fee first so that I can afford to buy groceries, okay?

Off to edit now. Wish me luck!

Have you downloaded a copy yet?

Have you downloaded a copy yet?

It was bound to happen eventually, but I’m glad it did happen sooner rather than later.

On the Smashwords website, I got a review from a David Blake. Giving Daisy a rating of 3 out of (I’m assuming) 5 stars, this is what he had to say:

“An okay story.  The writing’s quite good for the most part, as it takes the trouble to describe things, yet often blending the descriptions in with the action.  The villain is given sufficient character, his background and motivation being conveyed by clues rather than by a less satisfying full-on explanation.
The main problem I had with the story is that Marie’s actions frequently suggest she’s been trapped in the building for a very long time, and yet the story never really gives the reader a proper sense that she has.  There are windows, yet Marie never looks out of them to see where the building is (she’s surprised when it later starts getting demolished).
The thought of a crazy hobo having (or using) an iPod didn’t quite ring true.
And there are some awkward lines too, such as unbuttoning buttons, and the use of the word ‘from’ twice-over (ie ‘from which the music was coming from’).
Overall, an average story with some good points and some not so good ones.”

Well, I guess it’s average because it was a short story from high school. I can only do so much in a short story, and since it dated from that period, it’s not as good as I’d like it to be. Still, I thought it deserved publication, which is the reason I selected it to be the promotional piece for The Quiet Game: Five Tales To Chill Your Bones. Hopefully more reviews will come in as time goes by. After all, reviews are a very important way for self-published authors to spread spread their work.

If you’ve yet to check out Daisy, I strongly encourage you to do so. It’s free on most websites and can be downloaded onto your e-reader, phone, or even a laptop or desktop computer. And when I finally get the copyright for it, get psyched up for The Quiet Game, coming out this summer.

All for now. I have a short story to write.

If you haven’t heard, then here’s a news piece that’ll at least raise an eyebrow on your forehead: Amazon has announced their intentions to create a new publishing platform for Kindle called Kindle Worlds. The exact nature of this platform is for authors to publish fan-fiction and make money off of it. Yes, you read that right. People can now make money off of fan-fiction.

Naturally, this has set off a storm in the publishing and literary worlds, and a whole lot of discussion across blogs and Internet boards. Fan fiction is, by definition, fans of franchises making up their own stories based on these franchises and display it online or in writing groups for all to see. For many years, fan-fiction, or fanfics for short, have been hidden in the Internet closet. But with this announcement, fanfic writers can now post their stories–some trying to stay true to the original franchises they are based on, some showing unexplored romantic connections between characters, and some of those downright erotic in nature–on the Internet and make money on them.

Of course, there are a few catches. There’s no exact date as to when this platform will be available, and at this moment only certain franchises–The Vampire Diaries, Pretty Little Liars, etc.–are confirmed as allowing their work to be used by Kindle Worlds. In other words, unless the creators give the okay, you can’t publish a short story or novel based on a franchise unless the franchise owners are okay with it. The ones that are confirmed as allowed are franchises with already-large fan bases who write their work regularly in secret and in the Internet version of public. In addition, the owner of the original franchise gets a cut of the money, so they stand to gain too.

However, many authors are seething. Anne Rice is famous for being against fanfics of her work, and the same goes with George R.R. Martin (sorry GoT fans). I’m of this camp, simply because I feel that my stories and the characters within are like my babies, and I don’t want people taking my baby away and telling it what it should or shouldn’t do like it was theirs.

Yeah, he’s not allowing fanfic of his work. I’m not surprised.

Other authors however, have outwardly allowed fanfics of their work. Sci-fi franchises such as Star Trek and Star Wars have always had fanfics, the former at one point having an official fanfic magazine, and the latter creating a specific set of guidelines for fanfics based on the galaxy far, far away. JK Rowling was quoted as saying she was “flattered” that people wanted to write stories based on Harry Potter, while Stephanie Meyer has set up links from her website to fanfic websites where Twilight-esque works are featured.

There are arguments for both camps that each have valid points. For the sake of this post, I’m going to list a few points from both camps. For the pro-fanfic group, here is why they say fanfics are okay:

1. Fanfics encourage reading and writing and imagination. In this digital age when attention spans are short and people are reading less, fanfics allow people to return to reading and writing by giving them the opportunity to read and write things they already love, be it books, TV shows, or movies. If this is encouraging people to guess at what might happen if so-and-so happens to such-and-such character and they read about it or write it down, why should it be discouraged?
2. Good stories can evolve from fanfics. The famous (or infamous) 50 Shades of Grey started out as a BDSM Twilight fanfic. If such a crazy bestseller can result from fanfic, why can’t a best-selling YA series result from a kid in Omaha doing a Naruto fanfic, or a woman in Cardiff create a new type of espionage novel when she has James Bond take on villains with codenames based on The Wizard of Oz, or a new literary novel that has reviewers crying at the end arise from a teen in Johannesburg imagining himself having conversations with Captain Kirk, Darth Vader, and the Doctor and then writing them down?
3. Fanfics could be good source ideas. It is entirely possible–particularly for TV shows with ever-changing storylines and characters–that fanfics could be a source for new material. Perhaps fanfic writers will one day be commissioned to write scripts for new episodes based on a story they wrote when they were exploring a new possibility for a character in their favorite franchise. It could happen.

And now for the opposing camp:

1. Legally, this could be a crime. Many writers don’t approve of fanfics, and in the United States, you can sue a fanfic writer if they created a fanfic based on your work without permission, and the fanfic writer could pay dearly for it. And since most fanfics don’t constitute as fully original works or parodies, they can find themselves at the mercy of a very angry novelist or screenplay writer, especially if the fanfics were sold for money.
2. Fanfics may discourage writers from doing original work. There may be plenty of talent among fanfic writers, but if they spend too much time creating fanfics, how can they achieve their full potential by creating original stories? We may have the next Faulkner, Paolini, or Sparks on our hands, but they may be too busy writing stories based on Scandal or Harry Potter or Friday the 13th to create an original work. Heck, they may be too scared to do an original work, thinking no one will like a story with original characters or that fanfics are the best they can do.
3. Fanfics may create false expectations. You hear of shippers, those people who are rooting for two characters to get together on a show or in a series and talk about it online and write fanfics about it. What if by reading those fanfics, you come only to expect that somehow, some way or another, those characters will be in the relationship by the end of the show? And what if the creators of those characters have other plans? We’ve heard of how some fans were angry about how Charlaine Harris’s final Sookie Stackhouse novel ended and threatened her for it, and years ago when Books 6 and 7 of Harry Potter came out, Harry-Hermione shippers complained that JK Rowling had willfully ignored them or shot them down, particularly in that one scene with the locket Horcrux and Ron holding the Sword of Gryffindor. It’s entirely possible this could happen if fanfics become mainstream.

To do fanfics, or not to do fanfics? That is my question for you right now.

As the debate rages, we may see more and more authors joining the Kindle Worlds platform. Or we may see a retraction, as certain authors launch campaigns against Kindle Words (could happen, you know). I certainly know that I don’t want people making fanfics out of my work, but I can’t speak for other authors.

How do you feel about fanfics? Would you allow fanfics based on your work?

Yes, I have some good news for you, and I cannot wait to share it with you. So I shall not mince words and just tell it to you, in order from smaller pieces of news to bigger pieces of news. Here we go:

1. I finally bought a Kindle. Yes, I finally bought one. It took a lot of saving of Amazon gift cards, taking part in those websites where you fill out surveys for prizes, and more than a little resisting the urge to buy mangas I can’t get at my local library or through interlibrary loan services. But yes, I finally bought one, and it should be arriving sometime next week. I’m very excited, not only that I’ll have my own Kindle, but I can download the books of friends and fellow authors I’ve met while blogging and on Facebook. Heck, I can even download and read my own fiction on my Kindle.

And speaking of which…

2. Daisy has been downloaded 130 times. Yes, the short story I published as a promotional piece for The Quiet Game: Five Tales To Chill Your Bones has been downloaded that many times. I’m very grateful to all those who are downloading and I hope that if you decide to do a review on Amazon or Smashwords or B&N or wherever, that you let me know so I can feature it here on Rami Ungar the Writer. And if you haven’t read Daisy yet, please do. Unless you’re easily scared to the point that you soil yourself when you get scared, in which case I don’t recommend reading.

And last, but certainly not least…

3. I’ve accepted a new opportunity. Some of you may remember I wrote an article for the blog Self Published Authors Helping Other Self-Published Authors. Well, one of the blog’s writers, Ruth Ann Nordin, emailed me and said she really enjoyed my article and asked if I would like to be a regular contributor to the blog. I had maybe a moment’s hesitation before I emailed an emphatic “YES!” As of today I am now a contributor and will have a profile page and whatnot soon. I already have a few ideas for what I’d like to write, including interviews with other self-published authors and some more articles with tips for writers on how to do this or that for their stories. I’m really excited and I would like to thank Ruth Nordin for thinking so highly of my article and  for giving me this chance. I won’t let you down.

That’s all for now. If I have any more good news, I’ll be sure to share it with you. Wish me luck in the future.

Okay, it’s not exactly like this, but it puts things in perspective as far as what I mean when I say “bringing the dead back to life through scientific means”.

Oh, ladies and gentlemen, I feel good. I just finished the short story I started rewriting on Friday, and in a strange way, I finished writing two stories at once.

I was struggling with two stories, one about a demonic possession gone wrong called Ownership, the other a story about a man brought back from the dead through scientific means called Vile. It wasn’t until I combined the stories into a single story called Resurrection that I finally managed to finish the stories. And let me tell you, every minute writing Resurrection was pure fun.

Truth be told, this story took on a life of its own as I wrote it. Most of the time I didn’t know where the story was going or what I was supposed to write next, though it wasn’t like when I had no idea what to do with the original parent stories. It was as if I just needed to find a way to keep the story fun for both me and any potential reader. But it wasn’t too hard to keep this story fun; it was very sci-fi heavy, so I got to really come up with some fun technology that might exist several decades down the road (like drones taking photos and videos at your party). When I wrote Reborn City, I focused less on the technological aspect of a story taking place about forty-five years ahead of us, so writing the science and tech aspects of Resurrection made up for it a little.

The ending of the story caught me by surprise. I always sort of knew how I wanted to end the story, but the twist I added in the end definitely threw me a little, even though I decided it was in the best interest of the story to add that little twist. Afterwards I wanted to add something like a news article stating what happened after the ending, but I felt it was unnecessary and that the ending I gave the story was good enough to close it out.

That, and my word count was getting dangerously high.

Now, I’d like to work on a bit of pure horror. I’ll be starting work on a short story that’ll be a homage to Edgar Allen Poe’s “The Premature Burial”, and it’ll probably be the closest I get to writing about zombies for a very long while. Look out for it, because I can’t wait to tell you about it.

In the article I wrote that was published last weekend (you can read it here if you like), I mentioned that chapters and scenes don’t always mean the same thing. Some scenes take up several chapters, while sometimes several chapters are needed for one scene. This got me thinking on the different types of chapters I’ve seen over the years and doing an examination of these sorts of chapters. Hence the post you are currently reading.

I’ve divided the chapter types into three categories. Note that the names are my own creation and if there’s a proper name for these chapter types, then they’ve escaped me. Also, feel free to add any criticism or any fourth type of chapter that I may have missed or I am unaware of by leaving a comment, and I will gladly write a second post.

The Harry Potter chapter

When I wrote Reborn City, I used this chapter format. This type of chapter I first encountered when I read the HP books, so I’ve always associated the type with Harry Potter. However it is by far the most common type of chapter out there, mostly because it is easy to write and can encompass many events within itself, such as when Mr. Dursley has a very odd day, followed by his nephew being left on his porch in the first chapter of Sorcerer’s Stone. And changes of scene within the chapter are very easy to do, as they can be accomplished by a large space between the ends and beginning of sections or a series of asterisks (I prefer using ~~~ though). When I outline this sort of chapter, it usually looks like this:

Chapter 1: Rami Ungar sits down in front of his computer. He has published several novels, but has written nothing new lately and can’t even be inspired by his trusty list of ideas. He decides to write a story about a man haunted by a muse for no reason but to write something, and when he wakes up, he finds said muse on his couch, telling him to continue to write so that she can take form in this world.

Yes, that sounds like a recent movie, but I’d probably put a more sinister twist on it.

The Alex Cross chapter

This is the chapter format I used when writing Snake. I first encountered this format when I read The Da Vinci Code, but I’ve come to associate it with the Alex Cross books since then. In this format, a scene can take up several chapters, each likely very short, and is usually best utilized in the form of a thriller or other fast-paced novel, due to the short chapters heightening the tension before stopping and leaving the tension to continue in the next chapter. When I outline this sort of chapter, it might look like this:

Chapter 1: Rami Ungar wakes up when he hears a noise in the living room. He goes down to investigate with a baseball bat, but when he looks into the mirror hanging on the study door, he sees someone behind him.
Chapter 2: Rami turns around but sees no one there. He looks back in the mirror and sees no one there. He goes back to his room when he hears someone calling his name. He goes into the kitchen and sees a face peering out of the television beckoning for him to come closer.
Chapter 3: The face in the TV tells Rami she will be his muse from now on and will bring him fortune. Rami is stunned.
Chapter 4: Rami accepts the muse’s help and she tells him his name: Melly. Rami thinks it’s a nickname and wonders what it could stand for.

I could actually use this idea if I’m smart and change some names. Don’t steal it!

The Mark Chadbourn chapter

I have yet to use this sort of chapter, but I’m sure I will at some point in the future. This type isn’t named after any sort of literary character, but is named after the fantasy author Mark Chadbourn, who used this style of chapter with his series of nine fantasy books starting with World’s End and ending with Destroyer of Worlds. This format is unique, because it uses chapters, but each chapter is like a section of the story, and it has numbered sub-sections. I find this helpful for novels where there are a lot of different characters and plotlines to follow and you want to switch between characters and plotlines as dramatically as possible without being cheesy. When outlining this sort of story, it usually looks like this:

Chapter 1: Muse Makes Contact
           I: Rami Ungar wakes up and finds a ghostly woman in his room. She calls to him before she disappears.
           II: A witch has a prophetic dream of danger to come and summons her familiar. The witch, whose names is Azzie, tells her familiar Collos to head to Columbus Ohio and investigate an author by the name of Rami Ungar.
           III: Rami goes to work and then to classes, but sees the same ghostly woman everywhere he goes. Also, he feels like he’s being followed…and is then attacked by a man with a knife.

It goes on like that, if you get my drift, and can have any number of subsections. It’s a tough sort of format to pull off, but it works best with stories like this with multiple narratives, and can leave the author the option of working with many different characters at once.

As I’ve demonstrated here, there are many different types of chapters, and probably some that I’m not even aware of. Whatever one you use though, if you use one because you’re comfortable with it or you switch it up depending on the story, it’s probably because you know the story best and therefore you know what sort of chapter is needed. And if you can give your story what is needed, including chapter, then that is one mark of a great author.

Every author wants to write a great story, one that’ll be remembered for years and years after the author has passed on from this life. It’s the reason why so many of us spend years bettering ourselves, polishing ourselves and learning from as many experts in the field as we can so we can be great at our craft.

But what about writing great lines? Every author also has a desire as the person who coined a phrase like “To be or not to be”, or “Luke, I am your father”, or “When you play the game of thrones, it’s either you win or you die” (That last one I had to find through Google to get the quote right). How do you create a line that will be remembered throughout all time and be dissected in high school and college classrooms for generations to come?

I wish I could offer a trick to creating a great line that’ll stand out in your work. Unfortunately, none exists that I know of. In my experience, the most famous lines happen through accident and luck. Take Stephen King’s The Shining, arguably one of his best novels. The term Redrum has become a part of our social consciousness and is often used for creepy (or sometimes comedic) effect. I bet when King created the term though, he was just looking for something scary and strange, a device to add another layer of menace and mystery to the Overlook Hotel. I also bet that when the novel (and later the movie) became a success, King was very surprised by how popular the term Redrum was becoming.

Or how about “Live long and prosper”? Leonard Nimoy, who played Spock, was drawing on his Jewish roots, as that phrase and accompanying hand symbol were used by the priests in the days of the Holy Temple to bless the nation of Israel. When they were looking for an iconic catchphrase and symbol for the Vulcan character, Nimoy suggested, “How about ‘Live long and prosper’?” It stuck, and thanks to the show’s sometimes mind-boggling fandom, the phrase entered into our culture.

(By the way, that story has been a beloved tale among Jews for decades ever since the show began, and we still get plenty of oppurtunities to tell it and sometimes educate non-Jews about its Biblical significance. L’chaim!)

I guess the best way I can say for someone to create an excellent line is to just write as great a story as you can, and hopefully someday, just by writing a great story, you’ll pen or type out a sentence or phrase or piece of dialogue that’ll really catch the reader’s eyes and resound in their consciousness. Basically, keep doing what you’re doing as a writer and someday a great line may be born.

What’s your take on creating great lines? And what constitutes as a great line in the first place?

Last night I edited two short stories whose editing phases were long overdue because I was busy finishing up Snake. Today I turned to the problem of finishing “Vile”, the short story that I began over the semester but got stuck on. Earlier while hanging out at the library, I was looking over the first page and I thought to myself, How did I write this? It’s terrible. When I considered why it was so bad, I realized it had a lot to do with what I had been trying to accomplish with this story.

When I first came up with the story, about a man who comes back to life through the wonders of cryogenics, I’d set out to write a science-fiction story that was deep and philosophical and reflective, like Star Trek fans often claim the original series was and like a lot of science fiction can be. Despite my best efforts, I’ve never been much of a trekkie, and I apparently can’t write a deeply philosophical story with a sci-fi background, no matter how much I try. And believe me, I’ve tried.

Take a look at Reborn City, for example. It’s a science fiction novel, but it has moral-filled and philosophical themes. Those came later though. I never intended all the morality and philosophy to get in there in the beginning. It just got in there during the planning-and-writing process. The moral of this: I can get deep…but I need a great adventure or horror story to get deep in.

Which is why when I read “Vile”, I wondered to myself, how can I make this a good story without getting stuck again? I went back to the basic idea behind the story: a guy is brought back to life through the power of science, but things don’t go well afterwards. So how can I proceed? I thought about it…and then an idea came to me. I’d been struggling with another story about a demonic possession gone wrong. Could I combine the two? Indeed, I found a way to do so.

So now I’ve got a story I’m pretty sure I won’t get stuck on and be able to finish it. I just need to write it. In fact, I’m going to go do that right now. I’ll see what comes up. Hopefully it’ll be a terrifying sci-fi story with the deep themes I wanted, but the themes don’t clog the writing process.