Posts Tagged ‘horror’

Ever since I heard that this film was being made, I’ve been excited for it. Over the past few days, my behavior has been pretty close to that of a Belieber right before a Justin Beiber concert, I’ve been so excited. And this evening I went to the movies after dinner and sat in the best seat in the house. Afterwards, I struggled to find a phrase or a sentence, some way to describe the Carrie remake. I hit on it on the way home:

This is not like any version of Carrie you’ve ever seen before.

And I mean that. The storytelling, the acting, the music, and the special effects go together perfectly to create an awesome Halloween movie. Even when I knew something was going to happen, from plot points to scares, I was totally freaked out.

I’ll start with the acting, because that was just phenomenal. It’s amazing to watch Carrie White, played by Chloe Grace Moretz, go from a shy, terrified girl to someone who’s starting to come into her own power and rebel. Then at the climax of the movie, she doesn’t just become an angry telekinetic girl. She becomes Nemesis, Goddess of Revenge, and an angry witch upon her dais emerges to reap what has been sown. Afterwards, broken by all the pain and misery, she become a little girl again, wanting only love. And when she can’t get that, she looks for peace.

Julianne Moore was also great. You sensed she cared for Carrie, but the way she played Margaret White as a delusional woman with vacant eyes and a propensity for self-flagellation even in public was positively spooky. Honestly, she could win an award for playing Margaret and putting the “mental” in fundamentalist. In addition, all the other actors were great in their roles. I truly got the sense that Sue Snell, played by Gabriella Wilde, made me feel her remorse as the one girl who regretted hurting Carrie, while Portia Doubleday embodied the entitled bitch that was Chris Hargensen. And Judy Greer, you get a nod for really seeming like you cared for Carrie, comforting her while also making sure that no one would hurt her further. I can see why Carrie left your character alive. You made us believe she deserved not to die.

The next aspect was the storytelling. In this version of Carrie they actually included parts not seen in other adaptations of Carrie, including the love between Sue and Tommy Ross and what that love results in, the destruction of the town, and even the flying rocks make an appearance in the story (though not in the way we might expect). The filmmakers were also able to work the Information Age seamlessly into the plot, using a video of Carrie’s first period to the greatest effect. The only thing added in that I didn’t care for was the bath scene at the end. Honestly, there’s no bath scene in the book, and we already get Carrie covered in blood in the shower. Why do we need it again in the bathtub?

You don’t want to mess with this Carrie!

Now for the music, it was terrifying and vivid. It matched every moment and I felt it adding to my terror during certain parts of the film. And the special effects were better than everything we’ve ever seen in a Carrie adaptation. The destruction at prom had everyone in the theater on the edge of their seats and the showdown between Chris Hargensen, Billy Nolan, and Carrie is like watching Titans battling each other! I couldn’t believe any of it was done with computers or wires, because it all seemed so real and terrifying to me. The only thing I didn’t like was the blood that fell on Carrie’s head. I thought it looked more like corn syrup or Jell-O that hadn’t yet solidified than blood, but maybe that’s just me.

Am I using the word terrifying too much?

This lady deserves the Award for Best Supporting Actress.

Doesn’t matter. Honestly, I want to buy the DVD when it comes out, because this was one freaking epic horror film and I loved every minute of it. For the 2013 adaptation of Carrie, I give it a 5 out of 5. Congratulations to the cast, the crew, including director Kimberly Pierce, and a special congratulations Stephen King, Chloe Grace Moretz, and Julianne Moore. King made a wonderful story that will last long after he has left the Earth (hopefully that won’t happen anytime soon) and I think Moretz and Moore could easily win Oscars for this one. It’s just that good, so go and see it if you get the chance. You will not regret it.

tqg cover

Last night a review for The Quiet Game: Five Tales To Chill Your Bones appeared on Amazon. This was a very nice 4-star review, keeping the average on Amazon a 4 out of 5. And it was written by my dear old father, affectionately called Abba. Here’s what my dad had to say:

This is not my genre, but since I know the author [:-)], I read the stories.  Each one was very unique and created its own atmosphere and mood.  My favorite story was the Quiet Game but I found the ending a little confusing since I didn’t really know the literary reference at the end; what I loved was the world created in the story and the message it conveyed.  I look forward to the author’s improving his craft, and I will certainly read more.

Well Abba, since you didn’t know the reference, let me tell you that Puck is a fairy or spirit from English folklore who’s considered a very nasty trickster. Don’t cross him if you ever meet him, because he’s just as likely to give you a winning lottery ticket as he is to give you an atomic wedgie. And I’d rather not see that on Facebook.

Also, thanks for uploading that review. It means a lot to me, and there’s good news. Since Reborn City is coming out soon, you can look forward to me hounding you to read that in two weeks’ time! Yay more fiction from your son to read out of obligation as a father! I’m kidding, I bet you can’t wait to read it.

I’m always happy to hear from readers, so whether you liked The Quiet Game or hated it, I don’t mind hearing from you about it. And if you’re interested in reading The Quiet Game; Five Tales To Chill Your Bones, you can read it on Amazon and Smashwords. Have a lovely day.

tqg cover

It’s been exactly three months since I uploaded The Quiet Game: Five Tales To Chill Your Bones onto Amazon and Smashwords. I’ve done a sort-of-but-not-quite second edition to fix the typos in the first couple of books, I’ve told people all about it, and now I’m marking the passage of time again, as I cannot believe how well it’s doing.

I didn’t really have any expectations when I first published The Quiet Game. I mean, I wanted it to do well, but with the volatile market that is self-publishing, I could be totally obscure and sell only a few copies or maybe it’ll be some strange explosion and a lot of copies will sell and plenty of people will write reviews. Turned out to be somewhere in the middle, where in the past three months I’ve sold a little under fifty copies and recieved four reviews (there are supposed to be two more but for some reason neither have appeared on Amazon’s website). The average rating right now is still 4 out of 5 stars incidentally, which I’m very happy about. My one five-star review came from Jason Haxton, author of The Dybbuk Box and owner of a box believed to be possessed by an evil spirit. It meant so much that another published writer thought so highly of my work. Then again, The Quiet Game has a dybbuk* in one of its stories, so that might explain a bit of it.

*A dybbuk, for those of you unfamiliar, is a spirit in Jewish folklore. To find out more about it, please go to Wikipedia, see various films about them, or read my book or Jason’s book.

I’m really looking forward to seeing how The Quiet Game does from here on out. And who knows? With Reborn City coming out in fifteen days, sales may increase. Wait, fifteen days? Jeez, that’s soon!

If you’d like to check out The Quiet Game, you can find it on Amazon and Smashwords. Both offer previews into what the book is like, so take a look if you’re interested.

Time once again for my Weekly Exercises. These flash fiction pieces are part opportunity to practice my craft, part sounding board so as I can feedback on what works and what doesn’t work when I write, and part shameless plug to get readers interested in my published fiction. Remember, the Weekly Exercises rely on reader feedback, so whatever your thoughts, it’s greatly appreciated if you leave a comment and let me know.

Also, if you wish to see my past Weekly Exercises, please follow the link to the Weekly Exercises page.

~~~

He was angry. He’d been taken from the prison system as soon as his mother had died. They said they were going to take him to the funeral service. A special treat, said Officer Marcus, for good behavior. If anything, Teddy would’ve rather had a drink and some video games to celebrate his mother’s death rather than go to his funeral and see if anyone actually showed up, let alone anyone showed up with anything nice to say. After all, Teddy’s mother had let him go to school hungry every day to pay for her drug habit. And when he started breaking into people’s homes in high school, she had given him up as a scoundrel and a menace and lied at the trial! Now at least she could finance her drug habit without having to worry about her kid.

But he was glad to get out of prison for a little while. He could see the sun without having bars around him, and maybe convince these cops to stop by McDonalds for some real food.

But then he’d been taken to a government lab and drugged. And then they’d started experimenting on him, putting weird stuff into his bloodstream. What were they trying to achieve? To turn him into a super soldier? To see how they could awaken telekinetic abilities in him? To see how much a person could be tampered with before their bodies broke down? Or did they just do it for kicks and they had a poor minority kid in the system, so why not use him? Nobody would miss him!

But at some point the experiments had worked. And now he was taking his revenge. The scientists ran in terror while soldiers came for him with bullets. Teddy let them come, let them feel his wrath. He hit them with one of his new tentacles and then started biting them with his poisonous fangs. He was a monster, but he was finally the one in control of his life instead of stupid adults who only cared about themselves.

With a crash and a bang Teddy escaped the lab onto the roof. Far away were the lights of a huge city. Jumping off the roof, crashing through the gates and hiding in the forest, Teddy slowly made his way towards the city, using the trees and rocks and the river to hide from his pursuers. Now that he was out, he thought he’d hit the town and have a little fun.

It’s time for my Weekly Exercises again. These flash fiction pieces are part chance to practice my craft, part sounding board so that my readers can tell me what they think works or doesn’t work, and part shameless marketing ploy to get people interested in my published work. Remember, these Weekly Exercises rely on reader feedback, so whether you love it or hate it, please let me know. I love to hear your opinions.

This week’s exercise is a bit longer than the past seven have been. But it needed to be in order to get what I wanted out of it. Tell me, is it better being longer than the others? Or I was better being brief? You decide.

Hope you like it. And if you wish to read more of my Weekly Exercises, you can find them all on their very own page.

~~~

Lacey had been staring at the painting ever since they’d moved into the house. It came with the house, her mother said. It wasn’t very amazing, for a painting. It was a bunch of ladies in big dresses holding parasols on a beach. The plaque on the frame said it was called The Spider’s Web by William Ryan and painted in 1865. Other than the weird title, she didn’t know why she was so obsessed with the painting.

But for some reason Lacey kept staring at it, kept coming to look at the women in the dresses. Sometimes she thought she could hear the sound of waves and seagulls, a snatch of womanly laughter. And she wanted to know what the laughter was about.

Until the little girl appeared in the painting, though. She hadn’t been there before, hadn’t been holding the women’s hands when Lacey first moved here. And for some reason, the little girl looked a lot like Lacey. And she heard her voice giggling with the woman’s laughter and the seagulls and the ocean waves. She wanted to be in the painting too.

Momma was worried about Lacey. “You spend too much time in front of that painting.” she said. “Play with some toys. Watch TV. Go to school and make some friends. Put rocks up your nose.” And Lacey did all those things, went to school and made friends and played with toys and did things kids shouldn’t do. But she still stared at that painting. Stared at it, and the little girl with the women in the painting

And the painting whispered to her. It said that she could come in. They wanted Lacey to come in and be with them. Lacey wished and dreamed to be in the painting with them. And then one day, the women and little girl came out of the painting. But when they did, they became a big spider with a woman’s head. Lacey wasn’t scared though. She wanted this. And the spider lady picked her up in its six arms and brought her into the painting. And then Lacey was with the ladies on the beach, holding their hands and laughing with them.

She never knew what they laughed about, or that Momma cried when she disappeared, or that the spider lady was eating her soul bit by bit. But she laughed anyway, because she got her wish.

Some of you may be wondering what the scariest chapter I’ve ever written so far must be. I write scary stories, so it must be something gruesome. What could it be? Monsters? Evil spirits? Something not of this world or any other world we know of?

If you guessed pure, human evil, then you were correct.

I’ve written several times on this blog that one of my works-in-progress, Laura Horn, has a teenage girl and a survivor of sexual assault as its protagonist. Naturally, the question came up of whether or not to actually show her sexual assault in the novel. I’m not sure when I decided on that issue, though it was probably when I wrote the outline for the novel. But I decided to show her assault, devoting Chapter 17 of the book to it.

The past few weeks, where I knew it was only a matter of time till I reached that chapter, were not terrifying, nerve-wracking, or exciting as I expected writing a sexual assault would be. Instead, I just felt a sort of…acceptance, I guess. I’d committed to writing that sort of scene, and when I finally got to it, I got to it.

And last night, after finishing Chapter 17 of Video Rage, I took a short break, and then I started writing Chapter 17 of Laura Horn. Today, after finishing up my homework and meditation class, I did the last of it. and now the first draft of that chapter is complete.

I don’t know if what I’ve written will resonate with readers or feel real to them. I wrote this scene based on testimonies and memoirs by rape victims that I’ve read, the articles I’ve read on the statistic and psychology of rape, more Law & Order: SVU episodes than I dare mention, and my own overactive and sometimes unhealthy imagination. (Those last two I’m not sure you can count as credible sources). But if I’ve done my job right, then I will be able to put the reader directly into Laura’s state of mind at the time of her assault, make them understand what she’s been through and how it’s affected her three years after the event when the story takes place. And only then will the readers really understand who Laura Horn is, and truly be able to empathize with her.

And speaking of which, I’ve had trouble at certain points of writing this story getting into Laura’s head and understanding her both as a character and as a person. But having just written the formative event of her young life, I now can truly get into her head, understand her motivations, her thoughts, were obsession with avoiding drawing attention to herself. So hopefully writing the rest of Laura Horn will be a little bit easier.

However, that doesn’t change the fact that this is the scariest chapter I’ve ever written. In fact, it scared me personally, because I was terrified of the fact that I could conceive this scene and then write it down without losing my stomach. Even now, I’m wondering how screwed up I truly am to write such a scene. Considering how many times Stephen King’s written that sort of scene, I can say I’m fairly f***ed up.

I’m not sure if I’ll ever do such a scene again. However I do believe that when Laura Horn makes it to print, whenever that is, if I’ve done my job right, then the readers will feel the fear I wish to convey. And maybe they’ll understand the terror and trauma of rape victims. Maybe the book will help people who’ve experienced sexual assault. Maybe it’ll cause some people to think before they say someone deserves to be raped. I don’t know if any of that’ll happen, but it’s my hope that it will.

And now I’m going to take a break from writing. I’ve done a lot in the past 48 hours, and I’d like a little break before I pick up with Video Rage Ch. 18. I’ll need to recharge my batteries, especially after writing that sexual assault scene.

Until next time.

Had a pretty interesting experience today. This morning as I was getting ready to leave the house for my meditation class when I had an idea for a short story. I wanted to write it down, but I was about to leave the house though, so I couldn’t write it down. Instead I made a promise to write it down as soon as I had the opportunity to do so.

Just one problem: a good percentage of what passes through our five senses and through our thoughts gets forgotten pretty quickly if we don’t really grab onto the details and keep it in the short-term memory. And guess what? I didn’t seize a hold of this idea and now I’ve completely forgotten it! (I have a feeling it has something to do with the movie Pacific Rim, but other than that I cannot remember a single detail). And when I realized that, you know my beat myself up over losing it.

So I spent my meditation class trying to meditate my idea back to myself. I went over my morning, trying to find the moment where I had that spark of inspiration. However, I didn’t catch it. Whatever that idea was, for now it’s been lost to the darker recesses of my memory.

However, the day and the meditation wasn’t a total wash. I did manage to come up with a second idea that was just as good as the first (I think). I remembered a story I read last night, about a man from my state who had chained up his German Shepherd to a tree for four years and had neglected, abused and tortured the poor thing during that time (as hard as it is to read, I urge you to check out here). I thought to myself, what if the police hadn’t intervened and something happened to the dog? I recalled a certain belief from Southeast Asia about what happens when you abuse certain dogs, and I decided to turn that into a short story.

So while I would like to still get that idea back (and maybe someday I will), I think this idea is pretty cool as well. And it gust goes to show how ideas keep bubbling up in a writer’s imagination. It also shows you need to write them down as soon as you get them, but I think I already mentioned that. If I have any other good ideas, I’ll let you all know.

By the way, has anything like this happened to you? How did you feel about it?

Adam & Eve: the original sex story that’s been denounced as evil and immoral.

I’m actually kind of sick while I’m writing this post, so if it’s not up to my usual quality, I apologize. Also, if you want to make me matzo ball soup or something, please make sure it’s prepared in a manner that is acceptable under the laws of kashrut. For an easy guide to cooking kashrut, please contact your local rabbi or read a guidebook to Jewish cooking.

Okay, enough rambling that unfortunately we cannot blame my current condition on. I don’t know if anyone’s noticed this, but the horror genre–whether it be books, movies, comic books, or TV shows on FX–has a lot of sex. It’s one of the draws of the genre, and it’s also one of the things horror authors are criticized for the most (besides the whole–you know–the fact that we write about scary, bloody things that often kill/maim/cover us in blood). Sometimes it seems that there’s more sex in a horror movie than there is horror.

The question is, why? Why is there so much sex in horror stories?

Well, I’m not exactly sure. Besides demons that use sex as a weapon in ancient legends and folklore, there doesn’t seem to be a lot of material on this subject before the 19th century. I do know that works by early horror writers like Edgar Allen Poe and Mary Shelley, who wrote around the same time, didn’t have a lot of sex in their work, and any that did was only subtly hinted at (for example, “The Fall of the House of Usher” hinted at an incestuous relationship between Usher and his sister, but never exactly came out and said it). However things started to change around the turn of the century. Dracula contained several themes about Victorian sexual mores, and theater productions of horror stories often used sex to draw crowds in. I’m not as familiar with the works of HP Lovecraft as I should be, but I bet there might be some naughtiness hinted at in those stories.

(And if I am wrong, I apologize and ask that you please notify me immediately of the fact)

“Bleh! I am so chaste! Bleh!”

Early horror films like the original Phantom of the Opera film with Lon Chaney, Nosferatu, the Universal horror films and some others skirted around sex (mostly because Hollywood had much more stringent censorship back then), but it was still present in books and comics of the time, which led to comic books being censored as well. However with the fifties and sixties came the sexual revolution, and mores surrounding sexuality loosened. This started being reflected in horror, with Stephen King in the seventies debuting with Carrie and Salem’s Lot, which had plenty of sex and sexual themes in them. Slasher films made use of sex as well, showing sex alongside blood and gore well into the late eighties and nineties. Buffy the Vampire Slayer debuted in the late nineties, during which the connection between sex and horror was often explored and commented upon within the show and by its viewers.

Fast forward a little bit, and you have the Scream movies, which poked fun at the supposed “rules of horror movies” (see video below), the Friday the 13th remake which had so much sex, it kind of lost the point of the film till near the end (but still couldn’t salvage the story), and American Horror Story, which actually manages to use sex in an artful way without taking away from the terror of the show.

(If anyone feels my history lesson in horror and sex is lacking something, once again I apologize.)

But like I said, all this sex in the horror genre has its consequences. Some will say that horror is using sex to draw in its audiences, like when you have a pretty girl being tortured while in her underwear (I think that’s a new way of looking at torture porn). Others say that horror authors are making a morality statement when they say “sin” like sex, drugs or booze causes you to die horribly, and the sweet virgin is the only one who survives (albeit with severe trauma). Plenty of critics believe that all the sex, along with the gore and killing, are warping the minds of children and teenagers (I don’t believe that for one minute). And feminists criticize horror authors for objectifiying and sometimes demonizing women and their sexuality in their work.

For that last one, I have to admit, we’ve been guilty of that a few times. So has certain evangelists and nutcases and whatnot, but yeah, horror authors have done this a few times. The video below provides some examples on this.


But this still doesn’t explain how sex has gotten to be such a part of the genre of horror. Maybe it serves as a relief for audiences. After seeing something so scary, a little sex can actually serve to relax people. In some funeral parlors, they’ll actually have lewd statues or paintings in order to make the grieving feel a little better (not kidding). At the same time, sex could act as a way to ramp people up, show them a little nudity, and then when they’re excited, scare them silly with some blood and death.

Personally, I’m of the opinion that if there’s more sex in a horror movie than there is horror, it’s probably because the filmmakers realized they have a pretty weak story to begin with, and need something to draw the audiences in with. I don’t know if anyone else shares that opinion, but I definitely believe it. And it certainly would explain a lot.

And occasionally, sex serves as part of the plot, like how in AHS: Asylum Kit and Grace having sex is used to further certain elements of the story. So occasionally sex can be used in a good way in the horror genre, instead of just making us worry that the people behind the story you’re watching or reading about just needed something after a very bad dry spell.

Here’s another question to ask yourself: Is my story more likely to get this rating than an R or PG-13 rating if I use sex?

I’m still not sure why sex is so intrinsically a part of the horror genre. However, because it is, I think it should be used more wisely. If you write horror stories, unless you’re trying to use sex as part of your story in a tasteful way or as a tool to further character development, then you should probably leave the sex out. Ask yourself this: what does this story gain from me using sex in it?

If you can’t think of a valid reason, then don’t put the sex in. (You can also ask this question for gore, and I highly recommend that you do).