Posts Tagged ‘reflections’

So I did a thing yesterday.

As you can tell from the the above photo and from the title of this post, I’m now a homeowner. I bought my own home yesterday. I met with the previous owners and our respective realtors yesterday at a title agency office, we all signed a ton of forms, and now I have my own place.

Specifically, I bought a condo which is a short drive from my day job. It’s got plenty of room for a creepy bachelor such as myself, including a second bedroom I can use as a home office, as well as plenty of closet room and a laundry space. It’s in a very nice area, and the monthly payments will be much more affordable than if I had stayed renting.

Honestly, it was not an easy process to find this place. I decided to move around late December, early January, but originally was only looking for apartments. My dad convinced me to at least look at buying in case something good was available. I reached out to a realtor I knew, and we started looking. This led to several emails of listings in my price range, about seven or eight home visits, and five bids on different places, only the last one being successful. The real estate market right now is really tough, especially if you’re a millennial like me.

But I’ll leave that for another post (and believe me, I will write that post). For now, I’m going to start on the process of moving. I have to call the local HOA rep and introduce myself, ensure my utilities, accounts and subscriptions are switched to the new place, and, of course, hire a moving company and get my things packed up. It’s going to be a lot of work.

Still, I’m looking forward to the change in residence and having my own place that I not only live in, but I can modify as I please (to some extent). I feel like it’ll be a good place for me as a person and as a writer.

And I’ll be sure to let you know all about my new place and how it’s coming along in due time. With certain limitations, of course. I’m not going to announce my address or give anything else away that might show stalkers, robbers or weirdoes where I live.

Anyway, thank you to my realtor and my lender for being such wonderful people and for helping me find this place. And thanks to the previous owners for keeping the place in such wonderful condition (and for expressing interest in my writing. I hope they end up reading some of my work like they said they would). And to everyone else who made this possible, thank you. I can’t wait to show you all my new home and update you on my adventures in homeowning.

Also, if it’s haunted, I hope the new home has a friendly spirit in it. Getting rid of evil spirits is such a pain in the ass!

That’s all for now, my Followers of Fear. I have stuff to do if I want to do a late-night editing session tonight. Until next time, good night and pleasant nightmares.

In one of my previous posts, I talked about struggling with showing vs. telling in my stories. At the end of the post, I asked for advice, as I was about to tackle “The Autopsy Kid and Doctor Sarah,” the longest story in my upcoming collection Hannah and Other Stories.

Well, I’m not sure if I’m getting any better. But between the advice everyone was giving me in that previous post and the practice I’ve been getting in, I feel like I’m improving.

Since talking about my issues with showing vs. telling, I’ve started on that story. And while it’s been agonizingly slow at times, I feel like I am recognizing the right moments to expand on and include more detail (showing). In fact, just a couple days ago, I started on a new section of the story and the entire first paragraph was the most summarized thing ever! I was almost ashamed that I wrote it!

Anyway, that led to a pleasant hour of expanding that paragraph into an actual scene so that it was more interesting for the reader. I made extra special effort to describe the character’s experiences through their five senses, as well as their feelings. And I think that not only did I get a much better scene out of it, but I think I was able to emphasize how twisted my antagonist is even more.

That being said, I’m the only one who’s looked at my efforts so far. For all I know, my efforts and changes may still be rather messy attempts at “showing more, telling only when it’s necessary.” But how else do writers improve? We read, we write, and we keep practicing and letting people help us so that we can become better at our craft.

So even if my efforts here still require some work, they’ll at least be the foundations upon which I get better. And that’s never a bad thing.

That’s all for now, my Followers of Fear. I’ve got a busy week ahead of me, but I hope I’ll be able to announce some good news very soon. And no, I’m not retiring to write full time, starting a breakaway Jewish sect revolving around Lovecraftian entities, and magical girls, or pregnant. If any of you guessed that, you’re way off the mark.

Until next time, good night and pleasant nightmares!

So much has happened in just one month, it’s kind of hard to believe. But as I just said, it’s been a month since The Pure World Comes came out and I couldn’t be more pleased that people are reading the book. And not just reading it, they’re enjoying it!

So, for those of you who are unaware (though I would be surprised if any of you are unaware, the way I talk about it), The Pure World Comes is a new Gothic horror novel that I released on May 10th. It’s set in the Victorian period and is about a maid who goes to work for a mad scientist. Imagine if Frankenstein and Crimson Peak had a baby together. Here’s the full back cover blurb:

Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives things are not what they seem. As she becomes wrapped up in more of the baronet’s radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it’ll claim the lives of all she holds dear.

Sounds cool, right? And it’s been selling steadily over the past month, which has made me happy. Not Stephen King numbers, but enough that I’m hopeful that it’ll continue to do well.

And the reviews! Wow, people seem to like this book. Here’s what people are saying about it:

The Pure World Comes by Rami Ungar
The story started with a slow build which
quickly turned into a page turner for me.
It has a bit of a Frankenstein feel to it.
It was a little out there but I really enjoyed
it.

Annette Johnson, Amazon

I really like Gothic stories, so I was excited to read this, and it didn’t disappoint.

I liked the protagonist very much. Shirley had many qualities that, for me, make a strong protagonist. She struck me as being a character who didn’t rely on others for approval, and while she seemed a sensitive character in many ways, I felt that she was self-contained. She was not overly emotional, and it seemed that she had a realistic view of the world around her. I liked that.

The story itself was very gripping, and there were even some moments that caused me to gasp in surprise while I was reading. However, this was something that encouraged me to keep reading.

Something else that I enjoyed about this was that it wasn’t too long or drawn out. It was a satisfying read, and intriguing read, but short enough to read in one sitting, if desired. The kind of thing that I might choose if I wanted a short book to read on the evening before my book club meeting. I have some friends who are keen on this type of story too, so I may recommend this book to them.

Kelly Marie Purdy, Goodreads

I enjoyed this book immensely. It was clear that the author has undertaken thorough research into the Victorian era as well as reading many novels from the period. I don’t know if it was a coincidence or a nod to Victorian classics, but I liked that Nellie shares her name with the housekeeper & narrator from ‘Wuthering Heights’, and when Shirley muses on suitable names for her white kitten, the author name checks Dinah, the cat of the eponymous heroine in ‘Alice in Wonderland’.

The pace of the book was perfect too. Everything was recounted at the right speed and with enough detail to keep me on the edge of my seat. The author successfully frightened me whilst I read this alone, late at night! I will also never dally in the bathroom ever again!

Nicola Mitchell, Goodreads

I like that that last reviewer picked up on those references. Truth be told, though, I put a lot of references in the book, including to the Overlord novels, Once Upon a Time, and even Doctor Who. Good luck spotting them all if you read the book.

Speaking of which, if you’re curious and want to read the book, I’ll leave the links, including to Goodreads, down below. Right now it’s available in paperback and ebook, with an audio book is currently in pre-production (details will be released when the audio book is on its way to being released). And I hope you want to check it out, because I’m really proud of the book. It’s a love letter to the Victorian era of history, which I love, as well as to the Gothic and horror stories from that age.

Not to mention, as the reviews above show, it’s quite scary. Especially that bathroom scene!

And if you do read TPWC, I hope you’ll leave a review somewhere. Not only does the feedback of readers help me improve as a writer, but it tells other likeminded readers whether or not to try out the book. And the more reviews, the more likely they are to check out a book in the first place. And if more people check out the book…well, you get the idea.

Anyway, that’s all for now, my Followers of Fear. I’m off to bury myself six feet deep in scary stories. Until next time, good night, don’t take medical advice from Victorian doctors, and pleasant nightmares.

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads

Eight years, huh? I know I should say it feels like no time at all has passed or that it feels like a lot longer, but it does feel like eight years. Maybe it’s just what’s happened in the meantime that makes it feel like that.

Anyway, eight years ago I self-published a novel that was influenced by slasher films from the 1980s, thriller novels I was devouring at a book every three weeks, and the movie Taken. That book was Snake, which I pitch to people as “about a serial killer hunting mafia in New York City.” Here’s the full blurb from the back of the book:

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

As far as my books go, this one has had the fewest readers. Maybe it’s because it’s around 500 pages, or the paperback’s price is higher than other books, or maybe people just don’t care for serial killers. I don’t know, but I think it’s a damn shame. I had a lot of fun writing this book and you can see it in the story. And my parents, who are not the type of readers who would lie to protect my feelings, have said this book is still the scariest thing I’ve written that they’ve read (my mom still won’t finish it).

On the bright side, I have noticed a slight uptick in readers for Snake lately. It’s nothing big, but based on the number of people who have expressed interest in the book at ParaPsyCon and the Ohio Author Book Fair and the number of sales lately, it has me hopeful. Maybe more people will show an interest in Snake from here on out. It would make me happy if they did.

Perhaps I’ll get more reviews like this one:

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Angela Misri, author of The Detective and the Spy

Anyway, if you are interested in reading Snake, I’ll include links below. And if you enjoy what you read, please leave me a review somewhere. Positive or negative, I love reader feedback, and helps other readers figure out whether or not they want to check out the book.

That’s all for now, my Followers of Fear (though I do have another post soon on the way). I’m off to enjoy myself. Or to sleep. At my age, they’re sometimes the same thing. Until next time, good night and pleasant nightmares!

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

You know, I’m honestly surprised that, in nearly eleven years of blogging, I’ve never once talked about this subject. Well, no time like the present, right?

“Show, don’t tell” is a common phrase taught by creative writing classes and preached by writers of all stripes. Yet actually figuring out what each one is, how to tell them apart (unfortunate pun intended), and then avoid doing one versus the other is really difficult to do. Especially in your own writing.

Or should I say, in my own writing? Yeah, during editing of Queen Alice, the second story in Hannah and Other Stories, one of the notes that kept popping up was, “This is telling. Show it to us!” And while I managed to get something that would satisfy the editors down on paper, it still left me wondering how I was supposed to do this for future stories. Especially for those in Hannah.

Well, I did what I always do when I’m stumped: I do research. And while I’m still not sure I have the method down, I think I gleaned a few gems that should help.

First off, based on what I’ve found, you don’t just give up telling entirely. You actually do need to tell some things. Telling is good for things like quickly moving through parts of the story that aren’t integral and don’t need a lot of description. A better way to phrase this rule would be, “Show more, tell only as necessary.”

Next, what are showing and telling? Well, “telling” is a lot like summarizing. It’s quickly laying down the bare plot events in quick succession. There’s not a lot of description, but it’s enough to tell you what’s going on. Another way to look at it might be as thinking of the way fairy tales are told. Fairy tales don’t have a lot of details. Instead, they just tell us what happens. For example:

Drosselmeyer gave Clara a gift. She unwrapped and opened it. Inside was a nutcracker. She picked it up and instantly fell in love. “It’s the most incredible toy ever!” she said.

Yes, that’s Nutcracker, though not the original 1816 short story. But it illustrates the point, so who cares?

As for showing, it’s more detailed. Well, that’s oversimplifying it. Showing can be thought of as painting a picture that engages most or all of the senses, as well as what’s the character’s thinking. From what I can tell, the idea is to give the reader enough detail so that they not only see what’s happening and feel like they’re there, but maybe even feel the emotions or sensations the characters are experiencing. Here’s what I think might be a good example:

Hank’s muscle fibers snapped and tore apart like Twizzler Pull-n-Peels, before retying themselves into new braids. His abdomen heaved and roiled as, underneath the skin, organs shifted, burst like rotten fruit, and formed into new shapes. He could hear his bones cracking as they changed positions, stretched and folded in on themselves. And all over his body, his nerves screamed as his body shrunk in some places, elongated in others, and created new structures alien to his form. His mouth swung open, and what might have been a scream vibrated out of his throat. To his ears, it sounded like a train whistle, and he thought he saw whisps of steam rising into the air from his lips.

That was from no particular story. I just tried to paint a picture. And even writing this, I’m not sure I was successful. On the one hand, I want you to feel Hank’s pain. But on the other, I’m aware that I have only so much space, so I need to get through it one way or another. Balancing here is a difficult feat.

Maybe that’s another thing about showing vs. telling: with short stories and novelettes, you’re more tempted to tell rather than show. After all, with a novel, you have plenty of space to go into full detail with a single moment. To show, in other words. But in a shorter work, you need to economize your words, so you can only show when it really matters. Otherwise, you tell people what happens and give them enough to go on without using too much space.

Hoping I get better at showing vs. telling before this comes out.

In any case, it seems there’s still a lot for me to learn when it comes to knowing when to show and when to tell. Hopefully, with more practice, I’ll get better at distinguishing those moments and then how to show effectively. Perhaps with the next, and longest, story in Hannah, ‘The Autopsy Kid and Doctor Sarah,” I’ll get in plenty of practice.

What tips do you have for showing vs. telling? Leave them down in the comments below.

Please leave them in the comments down below. The more help I have with this, the better Hannah and other future stories will turn out.

Well, that’s all for now, my Followers of Fear. I’ll keep you updated on Hannah and any of my other projects. Until next time, good night and pleasant nightmares.

As many of you are aware, last October I announced that I would be releasing a new collection of short stories, Hannah and Other Stories, with BSC Publishing Group. Like my previous collection, The Quiet Game: Five Tales to Chill Your Bones, these are all original and unpublished stories that have gone unread except for a few other people at this point. Unlike The Quiet Game, however, Hannah will be seven stories instead of five, and I have a professional editing team working with me to polish up the stories before they’re released.

It’s that editing process I’m here to talk about. As I mentioned in a previous post, BSC is sending me the notes for each story one at a time so that I’m not overwhelmed. I appreciate that, as the last time I was overwhelmed editing a book, I spent a good amount of time watching Sailor Moon on Blu-Ray while trying to quell my anxiety. And recently, they sent me the notes for the second story in the collection, Queen Alice, which they told me is their favorite story in the collection so far.

I started editing Queen Alice recently after several delays (you can guess one or two of the delays were). And there are a lot of notes from the editors.

Not that I’m complaining. I’m grateful that they’ve been so thorough, picking things up that I missed in all that editing and polishing I did last summer before submitting Hannah. However, it is a challenge. I’m seeing a lot of stuff that needs to be clarified or rewritten or cut out, and doing all that so the story turns out better than it was before can be tough at times.

I’m a little nervous about how things will go down the line, when it comes time to polish up What Errour Awoke. Great story in the Lovecraftian universe and it did help me with my anxieties regarding the COVID-19 pandemic when that first began, but I know there’s plenty there that’ll need to be worked on. Especially in the latter half!

Still, I’m working it. I’m taking it one page and one section at a time. And I’m already seeing vast improvement with Queen Alice. At the moment, the story is kind of like a Lovecraft story: great concept, but the writing needs work (thankfully no racism or xenophobia). My goal right now is to get the writing up to the same standard as the concept and the story that my editors fell in love with.

That way, when it gets to you guys, you won’t be disappointed by it, but thrilled. Or maybe, just maybe, you’ll be terrified.


Just a couple of quick notes, my Followers of Fear:

First, as you know, The Pure World Comes has been out five days. And so far, my Gothic horror novel about a maid in Victorian England going to work for a mad scientist has been doing pretty well. It’s not selling like a Stephen King novel (I wish), but it’s been selling steadily and people have been leaving positive reviews on Amazon and Goodreads. This has made me hopeful for the book’s future and I plan to continue letting people know about it so they’ll want to read it (including a more in-depth post on it in the near future).

If you would like to check out The Pure World Comes, I’ll leave links below, including to Goodreads. You can read what people are saying, decide whether to purchase a copy, and maybe, if you like what you read, leave me a review letting me and others know what you think. It would be a big help to me, and let me know just what you thought of the book.

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo, Goodreads

Also, ParaPsyCon is one week from today! If you’re unfamiliar, this is an awesome gathering of ghost hunters, psychics, authors and more at the Ohio State Reformatory in Mansfield, Ohio, one of the most haunted locations in America (and the filming location for Shawshank Redemption). If you want to stop by on May 21st and 22nd, please do! I’ll be selling signed copies of books, including TPWC, and entrance fee is just one ticket for a self-guided tour of the prison. Hope to see you there!

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

You know, I meant to put out another post between this one and my last post about The Pure World Comes. But I couldn’t think of anything worth blogging about, so you get two posts about TPWC in a row. Lucky you!

Anyway, as you all are aware, my novel The Pure World Comes is finally available in paperback and ebook. The novel is set in Victorian England and follows a maid who goes to work at the estate of a mad scientist. The full description is below:

Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives things are not what they seem. As she becomes wrapped up in more of the baronet’s radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it’ll claim the lives of all she holds dear.

Not bad, right? And a lot of the early reviews have been really positive. In fact, at the time I’m writing this, TPWC has a rating of 4.5/5 on Goodreads based on four ratings and two reviews. Honestly, I thought people might like the book, but this response has been better than I expected, and I’m so happy!

Anyway, I hope you’re as excited to read this as I am for you to read it. This novel is a love letter to the Victorian period, both its glitz and glamour and gentility, and its darkness, violence and the possibility of death around every corner,* as well as the scary stories that came out during that time. I had a blast researching it over the years and then an even bigger blast just writing it, followed by editing it for publication.

If you’re interested in grabbing a copy, you can buy one through the links below. And if you do end up getting a copy, please let me know what you think. Positive or negative, I love reader reviews and feedback, and your thoughts not only help me as a writer, but other readers as well.

And if you like TPWC, please consider checking out my other books. Who knows? You might enjoy reading those as well.

And if you’re the type of reader who prefers audio books, I am working on making that possible. I’ll keep you posted on any developments.

Anyway, that’s all for now, my Followers of Fear. I’ve got a big day coming up (first day back in the office after working from home for two years straight), but I’ll check in when I can. So, until next time, good night, happy reading, and pleasant nightmares!

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo

*Seriously, everything and anything could kill you in the Victorian period. Coal dust, cleaning the chimney, the majority of makeups and beauty products, the clothes you wear, the color of your wallpaper. Even your food and water could kill you! Seriously, refrigeration didn’t really exist, they didn’t always throw out their food even after it had gone bad, and a lot of people got their water from the same sources where they dumped their poop. Not exactly sanitary.

And don’t think about going to your doctor. Not unless you wanted to be prescribed solution of lead or powerful opiates!

As you are probably aware, I read Tarot. And in some of my recent readings, especially concerning the month of May, cards have been coming up relating to new cycles in life. Wheel of Fortune, Death, those kinds of cards. And after today’s reading, I had a bit of a revelation: tomorrow is May 1st. And it’s not just going to be a new month, but a month full of changes. And I don’t just mean the weather.*

First, there’s stuff at work. We’re getting ready to go back to the office soon now that the pandemic seems to be winding down (though cases of COVID are rising again in certain areas, including in Ohio, so who knows?). And though my particular section will be going in later and staggering days we’re in the office, and a lot still has to be finalized, it’s still a change after two years working from home.

Then there’s stuff in the writing career. As you all know, The Pure World Comes will release in paperback and ebook on the tenth, so I’m busy promoting the hell out of that. In fact, I think this time TPWC is going to appear on more blogs, websites, and podcasts than Rose did when it came out, so hopefully that, and the fact that I’ll be at ParaPsyCon selling copies at the end of the month, will lead to plenty of people reading and reviewing it.

Funnily enough, both Rose and TWPC involve transformation, so I guess it makes sense for the latter to come out in a month of change and transformation. Hopefully the transformations I deal with won’t be as dramatic or life-threatening. I wouldn’t mind if that transformation leads to the new book doing well.

There are a few other changes I know are happening, though they’re not big enough that I feel like talking about them here. But there might be other big changes on the horizon. I’m actually looking to move out of my current place, so for all I know, I might find where I’ll be living where my rent is up. Though with both the housing and the rental market in a crazy state, I may end up in this place for another year.** Whatever the case, this coming month could be a month where things change dramatically with that search.

Are other changes in my life around the corner? I don’t know. Nearly anything’s possible. I wouldn’t mind if I lost the weight I gained this past month (thanks Passover and home-searching stress!). Well, whatever the case, I’ll try to roll with whatever happens and adjust as necessary. Though if the Tarot cards are anything to go by, it’ll be a good month.

This is from my personal deck and from today’s reading. The center card, the Present card, is The Magician. It represents mastery and having all you need within you. The one on the left, the Past card, is the World. It represents triumph and success, happiness and achievement. Opposite is the Future card, which is The Emperor. It means authority and ambition, as well as achievement and even financial stability. Up top in the Cause position is The Knight of Swords, which represents swift and chaotic movement, or a serious-minded young man (I’m going with the latter this time around). And on bottom, in the Potential space, is The Knight of Pentacles, which represents eventual good news and/or a reliable young man.

The question I asked the cards was, “What do I need to know for the month of May?” Based on the answer, I think May will be a month of good transformations. I hope, anyway.

*Which, let’s face it, this is Ohio. Our weather is notorious for changing at a moment’s notice. In fact, it often does. We joke about it a lot.

**God, I could write a whole post about the state of the market and how mad I am at it. But I won’t, because it’s not that kind of blog.


BTW, Followers of Fear. The Pure World Comes is available for preorder on Amazon! Yeah, they basically lied to me when they said it wouldn’t be. So now, if you would prefer to purchase from there, you can use the link below. And if you decide to read it, let me know what you think. Positive or negative, I love reader feedback and it helps me as a writer, as well as help other readers decide to read the story.

Hope you enjoy the last couple of hours of April, my Followers of Fear. Until next time, good night and pleasant nightmares.

The Pure World Comes: Amazon, Barnes & Noble, Apple Books, Kobo

Photo by Pedro Figueras on Pexels.com

I’ve heard this term thrown about a few times since January, first in the new Scream movie and most recently in an analysis of a horror film on YouTube. “Elevated horror.” And the speakers, whether in in the Scream movie or in the YouTube video, made it sound like it’s a recognized subgenre of horror with its own staple of tropes and trappings. Like slasher and its killers and gore, or Gothic with its ancient, diseased settings and corrupting influence.

The thing is, it isn’t. Elevated horror isn’t an actual subgenre of horror. I’ve consulted with dozens of writers on this (thank you, Twitter and the Horror Writers Association Facebook group) and it’s not a subgenre. It seems like a subgenre of horror at first glance when you look at works referred to elevated horror. In movies, films referred to as elevated horror include The Witch, Babadook, It Follows and Get Out, among others: they’re horror stories that focus more on probing psychological drama, characters and metaphor than blood and gore or supernatural horrors. Often, there’s a powerful social commentary being presented through the narrative, such as Get Out‘s commentary on race.

In terms of literature, “elevated horror” might have all of these as well as flowery language. It might be almost called “literary horror,” because there’s an emphasis on wording the story nicely and making it just too dark to be called “literary fiction.” Examples include The King in Yellow by Robert Chambers, Interview with the Vampire by Anne Rice, The Deep by Alma Katsu, and A Cosmology of Monsters by Shaun Hamill.

And, most importantly, “elevated horror” can sometimes cross over into other genres, such as thriller, literary, or even comedy.

Can you really say The Witch and Get Out belong in the same subgenre?

Sounds like a subgenre, doesn’t it? But it’s not. The works called elevated horror are all as different from each other as roses are to tulips are to primulas. All flowers, but all different kinds of flowers. Let me explain: The King in Yellow and The Deep are cosmic horror mixed with deep psychological themes, The Witch is some cross between folk, religious and historical horror, and Get Out‘s searing satire makes it borderline horror-comedy. In fact, it was nominated at the Golden Globes under categories for comedies or musicals!

Yet all of them are given the designation of elevated horror. So, if it isn’t a subgenre, what is it?

The conclusion I’ve come to after speaking to numerous other writers is that elevated horror is actually horror films taking place in elevators.

Just kidding, that’s elevator horror, and the only example of that I can think of is 2010’s Devil.

No, “elevated horror” is a marketing term. And like all marketing terms, it’s directed towards a specific audience. Who is this target audience? It’s people who normally wouldn’t check out horror because they fear it’s low class, dangerous, or degenerate. They may want to check out horror or be curious, but the stigma still attached to the genre keeps them from doing so. Either that, or they won’t check it out unless a work is given a specific designation.

Calling something “elevated horror” is basically saying, “This isn’t like other horror stories, where half-naked teens are voyeuristically killed with tons of blood and gore, or where supernatural entities menace children in sewers. No, it has nuance and social commentary! There’s psychology and drama and fleshed out characters! You can be respectable while enjoying this!”

In other words, it’s another way of something is high-brow. “There are no explosions and superheroes here. No aliens or elves. No star-crossed lovers up against the odds. Only real people having real life situations, or real people in situations that are absurd but it’s okay, because it says something important about society.”

I almost wish it was a subgenre. I might have found a home for my ballerina-meets-the-King-in-Yellow story already (still working on that, give it time).

Pinhead may not be from an elevated franchise, but that doesn’t make him or Hellraiser any less awesome.

And the problem with this marketing term is it’s misleading. By calling certain movies or books “elevated horror,” it’s labeling all other horror as “trash,” or at the very least “common.” Either way, the designation puts other horror stories down. And that’s a shame, because there’s such good horror out there. Dark Harvest, Kill Creek and Salem’s Lot aren’t high brow, but they’re great stories that thrill and can leave their readers up late into the night. Same with The Thing or the Hellraiser franchise: they may never win Oscars, but goddamn are they scary, and the latter has led to one of the most memorable characters in the slasher genre.

I’m not trying to put down the term. I’m just saying we should understand what it means, both for works designated as such and those that aren’t. And if it lets you enjoy horror, great. Just make sure to check out works that aren’t “elevated” and whose creators don’t really think or care if their work is called that.

Personally, I can see some of my work being called elevated, but I’ll just say that I was trying to write a fun story and wanted others to enjoy it as well.

That’s all for now, my Followers of Fear. After getting my thoughts on this topic out, I’m off to dream of beasties and ghosts. Until next time, good night and pleasant nightmares.

So, I was hoping to have some big news on at least one project by now, but…well, you know what they say. Man plans, God laughs. Or maybe it’s Rami plans, the entities foolish enough to be my enemies get in my way. I don’t know.

Anyway, I thought I would just do an update on the many projects I’m working on, as I don’t know when I’ll have any big news on any one of them. And at the very least, it’ll let you know where I’m at with things and with life in general.

Hannah and Other Stories

As many of you know, I have a collection of seven original short stories being released by BSC Publishing Group. And as I mentioned in my post on mental health during the publishing process, BSC is sending stories one at a time with editing notes so I don’t feel overwhelmed with the amount of work I have. Understandable, considering that at least two of those stories are actually novellas.

Anyway, right now I’m just waiting on the next story with edits, which will hopefully come soon. Once it does, I’ll start work on it immediately so I can get back to waiting for the next story again. I’ll keep you posted.

The Pure World Comes

My Victorian Gothic horror novel and love letter to Victorian England, The Pure World Comes follows Shirley Dobbins, a maid living in Victorian England who goes to work for a mad scientist after the deaths of her employers. It was published last year on an app, but now it’s going to be published as an ebook and paperback so that more people can access and read it. At the moment, I’m just waiting on the new cover. Once I have that, I’ll be able to start on the process that will eventually end in putting it online, selecting a release date, and making it available for preorder. Hopefully we can start on all that by the end of the month.

As for an audio version…well, that will depend on a few things, including how well the book does in paperback and ebook. If it does happen, I’ll be over the moon. If it doesn’t, it’s sad but hey, sometimes those are the breaks.

That Which Cannot Be Undone

As many of you know, some of my fellow Ohio horror authors and I formed a small press with the goal of releasing an anthology of Ohio-based horror stories, That Which Cannot Be Undone. At the time of writing this, we have most of the stories from the contributors and the editor is going over them with a fine-toothed comb. My friends and I are also regularly meeting and making sure we stay on time for our October release while also producing one hell of an anthology. We can’t wait for you to read what we’ve created.

Other Novels

Crawler: I know some of you were really excited when I said I was going to write a mummy novel. Those same people were saddened when I put plans to write that on hold due to Hannah being accepted and wanting to focus more on that. That being said, I think I might be able to start working on it later this year. Still a lot of things up in the air, but if nothing else gets in the way, I could start on it before autumn. If I do, I’ll let you know.

Toyland: Still plan to get this bizarre Gothic ghost story published. I’ll probably give it another round of editing before I submit it anywhere, though. It’s a complex story with lots of moving parts, so I want to make sure everything holds up before I let anyone else read it.

River of Wrath: unfortunately, I think I need to put this in the proverbial trunk. I’m saddened, since I still like this story and I had a hell of a time writing it (and for those of you who know what it’s about, pun totally intended). But I’ve had a lot of time to think regarding this novel as I’ve sent it from place to place to place, and I’ve come to realize that, as much as I love the novel, it does not reflect my best work and I don’t think, even if I made changes, it would be that much better. Hell, it might not even be the original novel I set out to write when all is said and done. (Again, pun totally intended.)

So, it hurts, but in the trunk it goes. At least the lessons it gave me will always be with me. And I now know more about Dante’s Inferno than I ever thought possible. Never a bad thing.

Shorter Works

Over the past several months, I’ve been writing a bunch of shorter works. Right now, I’m up to one novella, four novelettes, and three short stories. And yesterday, I started what will probably be a second novella. I like to think they’re all spectacular, though some of them definitely need more work. Anyway, once I’m done with this current project, I’ll spend time polishing them and trying to find homes for these stories before I do anything else that’s new (and that includes Crawler). Hope you get to read them soon!

Anything Else?

Well, there is, but not anything worth writing a paragraph about. At least, not yet. Hopefully I can tell you all about some of the things developing in my life in the near future.

Anyway, that’s all for now. I’m going to bed. In the meantime, thanks for your continued support of my writing career (and for even reading my books every now and then). Until next time, good night and pleasant nightmares.