Posts Tagged ‘review’

I’ve mentioned it before, but being a fan of horror (let alone a writer of horror) can be very difficult sometimes. We’re not even in the Top 10 Most Popular Genres. We might be in the Top 20…I think. Such is the fate of a group that likes to be scared, when most people would rather avoid the feeling of having something evil and murderous lurking over your shoulders. Because of that, I thought I’d make a list of problems that is mostly unique to the horror genre. Here it is for your humor edification.

1. You’re not dangerous or creepy, you’re actually well adjusted. For some reason the popular image of horror fans is that we’re a dark, moody bunch who got bullied a lot as kids and we’re just looking for the opportunity to get our revenge on the world in the most depraved of ways. Why does anyone think that? Is it because we like movies where serial killers find half-naked girls in the woods, throw them against trees, and then cut them in half?

I don’t know. But if I’m anything to go by, I’m not that image. True, I was bullied a bit when I was younger, but it definitely didn’t affect me that badly! People tell me I’m a funny and really nice kind of guy whom they generally like. And most other fans I know are good people, we just like a good ghost story or slasher flick on the weekends rather than the latest Sandra Bullock comedy or have a fantasy football league. I mean, some of us do those things as well, but we also like to shout “Redrum” when we’re angry or go see Slipknot when we’re in concert. It’s just how we roll.

2. It’s hard to get people to go to the movies with you. Is there a new Avengers flick out? You’ll probably find someone to go with you by simply sending a text message. Comedy or romance film? If no one in your immediate social circle is available, chances are someone at the office will go with you. Horror movie? Yeah, unless your date or your friend is super brave or tolerant of scary stuff, you’ll be sitting in that theater alone for the most part. I speak from experience.

And speaking of which…

3. You can’t make people see why Cary Fukunaga’s departure from the new adaptation of IT is such a disaster. In case you didn’t know, Fukunaga, who’s directed True Detective among other things, was set to direct a two-part adaptation of the Stephen King classic. Sadly he split after he and New Line couldn’t see eye-to-eye over certain aspects. To which many say, “NOOOO! Why?” Most people just assume we’re being drama queens, especially since there’s already an adaptation of IT out there that scared them as children.

Really not scary.

Really not scary.

Yeah, as children. Truth be told, you watch it again, it’s a crappy adaptation, sanitized for TV audiences and with so much changed from the original story fans of the novel are left with a bad taste in their mouths. And Tim Curry as Pennywise the Clown isn’t even that terrifying. Mostly he just laughs at a distance and talks about making corpses float. The kids are never shown in real danger. I’ve seen scarier things in a college final (for more reasons why the IT TV miniseries sucks, watch this review by the Nostalgia Critic and laugh yourself silly at how you ever thought this could be scary).

So naturally, we were hoping that we would get the adaptation IT deserves. Without Fukunaga, it’s about as dead as a corpse floating in a sewer, and we’re all disappointed.

Hey, maybe I did make you see why Fukunaga’s leaving is such a disaster. Go me!

4. You can’t wear your horror fan badge with pride on first dates. Horror fans do date, and a lot of us have great relationships and families. However, declaring you’re a horror fan on the first date and several subsequent dates is like romantic suicide. People assume that, if you’re male, you’re some wannabe serial killer creep who spends too much time peeping on girls, looking at graphic porn, and practicing killing in a dark and moldy basement. If you’re female, they think you were one of those goth girls in high school whom nobody got along with and who has anger and break-up issues.

Like I pointed out above, we’re not. Most of us stay out of those basements, get along with plenty of different people, and would never dream of hurting anyone. Not as if we can point that out on the first date though. Maybe pull out a Stephen King novel when you start staying over at one another’s places, and that’ll signal that you like to dip into terror every now and then. After a few more sleepovers or whatever and the books consistently stay scary, they’ll realize that yes, you like horror, but you’re not going to hobble them with an axe or mallet and chain them to a bed in your house.

As you can see, Halloween's a big deal for me.

As you can see, Halloween’s a big deal for me.

5. Halloween is more than just a single day of the year for you. No, it’s an entire freaking month, and a lot goes into it. You want the perfect scary costume, the perfect creepy decorations. You have to decide what scary movies coming out you’re going to see, what scary movies you’re going to revisit on DVD, what books you’re going to read. You’re going to want to discuss how the new season of American Horror Story is doing leading up to the two Halloween episodes. And you’re going to want to find the perfect party to show off your Halloween love.

You see, Halloween for us is kind of like how moms treat their daughters when they enter beauty pageants for children. We want to show the world how good we are, we want it done right, and you all better cooperate with us and with our zeal for this or there will be plenty of hell to pay! Happy Halloween, bitches! You just try and beat me at my own game!

6. Our love of metal is probably much healthier than being a fan of Justin Bieber. Again, we’re back on that negative image. Most horror fans have a pretty wide-ranging taste for music. Stephen King’s a rock fan, and I have an eclectic mix of J-Pop to classical on my iPod. Yes, I like metal too and so do a lot of other people, but it’s all just fun. We’re not actually looking to submit to Satan or in danger of turning into gunmen. Most metal artists are apparently pretty decent people when you meet them too. They have normal lives like you or me, they just are good at reaching our inner angst through music. It’s much better than listening to an overgrown toddler still going through puberty and acting like a total idiot when he’s not on tour, anyway.

7. It’s hard to discuss serial killers, fictional or real, in the company of others. I learned this the hard way, and to this day I still wish I’d shut my mouth before it made people give me stares. Sorry if I’m a little passionate about explaining how Ed Gein helped inspire Hannibal Lecter, Norman Bates, and Texas Chainsaw Massacre. You’re the one who asked if that last one really was based on anything real.

 

8. Most importantly, we go to great lengths to find gold in a pile of shit. I mean that metaphorically, of course. But it applies so well. There’s a lot of horrible horror novels and films out there, and horror fans will go to great lengths to find a film if they think it’ll be interesting to watch, much more than fans of other genres. Fear for us is like a drug, and we’ll try the gamut of bad films if it’ll give us the high we’re looking for. And even if we get a couple of bad ones, it’s well worth it when we find a really awesome one that scares us to our core.

Like Fukunaga’s IT would’ve been. And now I’m sad.

~~~

If anything, this post is meant to show you that horror fans are normal people, just like you or bronies. Are we perfect? No. Are some of our interests very macabre? Yes. Have I been to a morgue? Once or twice, but in the long run, does it really prove anything? Not really. It just shows, like everyone else, we’re all a little different and have our own special quirks.

So the next time you meet a horror fan, do us all a favor. Don’t discuss serial killers with us until we know you better. Instead, talk about the IT adaptation we wish we had and about how hard it is to get a good scare these days. Or the economy, that works just as well.

Was there any particular problems about being a horror fan that I missed?

Do any of these items stand out to you at all?

I’m going to tell you right now, I’m a little disappointed with this film. That might be because I hyped myself over this film due to the trailer being so awesome. However, I think a lot of it was because…well, it was a bad film. Not kidding. There was a little girl in the audience, I thought she was brave for coming to see this. She didn’t need to be brave. It just wasn’t scary.

I should’ve known a Poltergeist remake wouldn’t be good.

We all know the story, so I don’t think anyone will mind if I spoil this movie. If you don’t know the Poltergeist story, then spoilers ahead, and I wonder what rock you’ve been living under. Basically the filmmakers decided that since almost everyone knows the story about a family moving into a haunted house and the cute, innocent kid being abducted by the dead and her family having to go after her, they’d just update it for 2015, change some minor details, and throw the mythology at the audience, who will hopefully find it scary. Really, they would’ve done better going in a new direction, which Insidious did with a new mythology and some slight twists on the familiar formula, adding atmosphere, mystery, and surprise to scare us to death.

Here, like I said, they just throw the mythology at the audience. We’re drowned in it so that we  aren’t scared at all and the moments that actually halfway close to being scary were either included in the trailer and don’t have the same impact, or the sense of danger is just not there. For instance, there’s a moment with a power drill that could’ve been very scary, but the way it’s done you just know things will turn out fine before it does.

The thing about the original Poltergeist was that it took its time. It slowly built up the strangeness and horror and helped us wade into a mythology that would be expanded in the later two films. Here, the filmmakers are so concerned about paying homage to the original film that they rush us into it and pay homage to all that made the original scary in ways that just don’t terrify. “Look here!” “Here’s this reference!” That’s literally what they do.

Another thing is the humor in this movie. They try and insert humor at various times in the movie, and while humor in horror does help in some horror stories in-between terrifying moments, the ones here are all at the wrong places and seemed forced. They’re only barely funny. I think they would’ve done better not to insert humor at all the wrong places and instead try and expand on the character development of these barely-developed characters. Maybe show how the dad is trying to be a good provider even though he’s jobless and refuses to allow his wife to get a job and then show how he fixes that?

Also, why does the the little boy have a sink in his attic bedroom? There’s no bathroom up there, so why’s there a sink? Is it an unfinished bathroom or something? And I don’t care how much wiggle room there is on a house in a neighborhood with plenty of foreclosures and that was built on a cemetery. You don’t buy a freaking huge house like that when you have no steady income! Move into an apartment until you can find something better! You’ll avoid the ghosts too!

There are some good points to this film though. The few variations they make from the original are inventive and interesting, and the scene in the afterlife is much more visually interesting and creepy than the weird green screen effect they had in 1986’s Poltergeist II. And I like how the movie incorporates the ghost-hunting field and how some ghost hunters have become famous through reality TV. As a fan of some of those shows, I had a little laugh at that. Plus I don’t think this version has a curse on it (unless the curse either left the movie alone because it was so bad or it made the movie bad, in which case it’s a very intelligent curse we’ve got here).*

But other than that, not much going for this film. Even the “They’re here” falls flat where it should soar, which is just sad. On a scale of 1 to 5, I’m giving the Poltergeist remake a failing grade of 1.4. It’s almost as bad as the Friday the 13th remake. Almost as bad. Poltergeist wasn’t ruined by Michael Bay, and it didn’t use sex to try and utterly fail to liven things up (which is good, because two of the main female characters are under the age of 18).

All for now, my Followers of Fear. I’m signing off for the night. Let’s hope I find a good horror film next time around. I’ve gotten so many duds lately.

*If you didn’t know, the original Poltergeist is supposedly cursed because during one scene it cost too much to make fake skeletons and instead they used real ones dug up from actual graves. Between the first and third films, several members of the cast and others associated with the film died strange and/or violent deaths. Well, if you let monetary considerations overshadow your respect for the dead, you have to expect some sort of karmic backlash. Too bad it came down on the ones who didn’t deserve it.

A while back I said I was going to try and catch some more Korean horror films after seeing one that wasn’t too bad. Well, I just saw another one. And it sucked. So I’m sharing my thoughts on it here, partly because I feel like I should tell people in case they want to see it, and partly because I need to exorcise my thoughts on it or they’ll stew in my head for a while (never a good thing).

Cinderella is only very tenuously connected to the story we all grew up with. This movie follows Hyeon-su, a very pretty teenager who lives with her talented plastic surgeon mother Yoonhee. After one of her friends suffers a gruesome death after getting plastic surgery from Yoonhee, Hyeon-su starts to wonder about things her mother has kept from her. As more of her friends are attacked after getting surgery and as Hyeon-su’s mother starts to lose her mind, Hyeon-su must find the answers, all while being stalked by a blue-eyed ghost with a preoccupation for pretty faces.

While I give that the premise is good and the story told in the movie is very interesting as well, I have a lot of problems with Cinderella. I found myself having a lot of trouble understanding what was going on, the filmmakers didn’t do a very good job of emphasizing the supernatural elements so that you knew they were supernatural, and they didn’t do a good job explaining the mother’s dark secret very well either, making it so that the final twist loses its punch (if you actually find yourself not having to look up the Wikipedia article so you can have the final twist explained to you). Not only that, but the flashbacks are often forced on us so rapidly we have trouble figuring out whether we’re in the past or the present. Add in only a few real scares and that just shows how bad this movie is.

For what it’s worth though, the scares, when they do happen, are spectacular and frightening. And they do chronicle Yoonhee’s deterioration into madness quite well. And like I said, the premise is good, and the story they were telling would’ve been more impactful if they’d done a better job making the movie.

All in all, I’m giving Cinderella a 2.4 out of 5. Not great, but it was a good attempt, and if it had been done right, Cinderella might’ve been a great horror movie with an underlying theme of how some people, especially some South Koreans, are obsessed with beauty and achieving it through plastic surgery. I’d suggest a North American remake, but I have a feeling that that would just be another House at the End of the Street: great potential but poor execution.

My next review will probably be the Poltergeist remake coming out later this week. I’m a fan of the original and I’d like to see what they change in this adaptation (besides the little girl being a brunette and the medium being a forty-something Brit) and how scary it is. Judging by the previews, it should be plenty scary.

snake

How far would you go for love and revenge?

Well, I’ve been having a pretty good day today. Been having a pretty good week actually. Lots of wonderful things have been happening to me. I’d love to list them all for you guys, but that would be a pretty long list. And since I’m graduating, you can probably guess what some of those good things are. So I’ll just stick to the latest one. As you can see from the title of this post, Snake has a new review. This one comes from ENJ, who is a friend of mine and has read a lot of my work. Her five-star review, titled Must Read (wow, even the title’s a compliment), had this to say:

This book is another awesome creation by Rami. This book is scary and brings the reader to the depths of how evil the human character can be and how anyone can be driven to commit acts of torture. The author does a wonderful job of developing the plot and characters and there are certainly twists and turns. I highly recommend reading this book if you love a good frightening thrill.

Thanks ENJ. I’m glad you found it so frightening. And guess what? This review matches what others have been saying about Snake:

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

This book is violent, and it contains sexual situations. Some of it can be cringeworthy. So I wouldn’t suggest this for young readers. I’d recommend this only to adults. If it was a movie, it would be a strong R. There’s also swearing. These things don’t bother me as a reader, but I know it bothers some, which is why I mention it. But if you don’t mind these elements, I think you will enjoy this book. It’s a great thriller.

Ruth Ann Nordin, author of Ruined by the Earl

Well, I took yet another vacation where I made my family “just wait until I finish this chapter.” This page-turning read was another great effort by Rami. He is not afraid to take risks in plot twists and turns, character development and he takes the reader on quite the journey in this book. So looking forward to his next creation!

Michele Kurland

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Angela Misri, author of Thrice Burned

If you would be interested in reading Snake and meeting the man who would do anything, even become a monster, in order to save the woman he loves, then you can check it out in print paperback and e-book from Amazon and Smashwords. You can also check out my other books, Reborn City and The Quiet Game, on these sites.

And if you do decide to read these works, please let me know what you think, whether it be in a comment or in a review. Good or bad, I love feedback, and I always love hearing what my readers think.

Well, that’s all for now. I’ve got some writing to do, so I’m going to get it done. Have a good one, my Followers of Fear. I know I’m having one!

[Writer’s Note: The following post does contain some slight spoilers about the new Avengers movie, but it’s all very minor stuff, nothing that would ruin your viewing of the film if you plan to go and see it. Just wanted to let you know.]

So last night I went with a friend of mine to catch Avengers: Age of Ultron. It was fantastic, great action scenes, some really dark moments of character development, and plenty of that humor we’ve come to enjoy from the MCU films. If I were to give this film a rating, I’d probably put it between a 4 and a 5.

However, there were some things that bothered me, and I want to talk about them here. One of those things, as said by Maria Hill during that party (which we’ve known about for months, so it’s not a spoiler): “Where are all the women?” Yes indeed, where all the women? If you think about it, while there are plenty of women in these movies who hold their own against the men, the women are still underrepresented in the MCU. Black Widow has shown up in four films so far and set to appear in the next Captain America film, but a solo film isn’t even in the works (though a treatment apparently has been written) and she’s only got 24 action figures compared to over a hundred various Iron Man toys.

It’s even more sad when you consider how she’s such a great, well-rounded character who can be a great role model for girls, and Scarlett Joahnnson’s costars make fun of her and call the character “a slut” and “a whore”. Yeah, they did that. Women are so much more than their sexuality and gender, and yet these guys reduce a character to being sexually promiscuous just because she’s comfortable around a bunch of testosterone-high males. Seriously, half or more of the audiences of these films happen to be female, as I understand. At least half the people in the theater with me last night were women, and I don’t think they were there just for Captain America and Thor’s good looks. You’d think the people making these films would remember that more often before saying something so hurtful and wrong.

Seriously, where’s her time? Where’s her solo film?

 

Now, there is a Ms. Marvel film in the works, Agent Carter was a real hit when it came out as a TV miniseries earlier this year and AKA Jessica Jones is being made into a series on Netflix, but the Ms. Marvel film isn’t due out until late 2018, a full year after DC plans to release a Wonder Woman film. Really Marvel? You’ve been doing this for way longer than the other studios, and you’re going to let DC get a superheroine flick out before you? I’m ashamed. You could’ve at least put more priority on getting more female characters out there.

Another thing that gets my goat (and again, this won’t ruin your experience of the movie, so don’t bite my head off), is that while Nick Fury, James “Rhodey” Rhodes/War Machine and Sam Wilson/Falcon make appearances, the latter two’s involvement in this film is minimal at best. War Machine shows up near the very end but ends up contributing very little. And Falcon is maybe in the film for a little over forty seconds, making me wonder why he was in the film at all if they weren’t going to really use him.

Really? Look, by 2050 minorities are going to be the majority in this country, and shows like Scandal or How To Get Away With Murder and movies like the Fast & Furious franchise are popular partially because of their extremely diverse casting. People like seeing characters like them that they can look up to in these stories, and these franchises and shows give that to so many people who have been shut out of the entertainment industry for years. Yet the most diverse casting so far in these films is the group from Guardians of the Galaxy. And I think with so many different non-white heroes in the Marvel universe, the filmmakers are making a big mistake by not trying to have more diverse casts in their movies.

Then again, there is room for hope. A Black Panther film is in the works with Chadwick Boseman as the character, there are rumors that the new Spider-Man might be black or Latino*, and hints from Age of Ultron that the next couple of movies will feature more diverse casts, which I can only say is a good thing. And with Marvel planning on putting out more of these films at least through 2028 as long as people are still willing to see them (my God, this franchise will never end!), so there’s still opportunity to make sure the women of the MCU get their chance in the spotlight as well.

They’ve got plenty of time, so I hope thy use that to put out a few films with more diverse casts.

 

We just have to hope that Kevin Feige and the folks producing these films take the hints their audiences are sending them.

What’s your take on this? Is it a big problem, or are critics taking this issue way too seriously?

Which character would you like to see given a solo film?

*I’m sorry, I’m going to take the end of this post to rant a little and blow some steam. I kind of liked the Marc Webb Spider-Man films with Andrew Garfield. He was funny, they were clearly setting up a cinematic universe of their own, and I liked the characters very much. But Rise of Electro makes less than $750 million at the box office and what does Sony do? Cancel all immediate plans for a sequel and sell out to Marvel so that Spidey can join the Avengers! I mean really! Why even bother making the films in the first place? I just hope Spidey 3.0 is funny and engaging, otherwise one of my childhood heroes is going to be ruined for me.

Let me just say, it’s always a pleasure reading books by friends, especially because they’re usually really good. And this is no exception. Thrice Burned, the second book in Angela Misri’s Portia Adams Adventures series, has the young detective now living at 221B Baker Street taking on some twisty new cases, while at the same time adjusting to her growing social circle and trying to find the answers to her own deep and complex personal dilemmas.

As expected, the mysteries in this volume are hard to decipher and make you want to read late into the night just to find out the answers (I was able to make some guesses on one of the mysteries that turned out to be true, but that was about it). The resolutions are also fun to watch, and sometimes can be a little touching, usually coinciding with Portia finding something new about herself or making an important decision in her life. Praise should also go to the new characters of Annie Coleson, an energetic and free-spirited journalist, and Gavin Whitaker, an ambitious forensic pathologist with a mind to match Portia’s, who challenge our protagonist in so many fun ways.

And of course, there’s Portia. Honestly, I can see why so many readers identify with her. Her struggles feel more real than many YA heroines, most of whom have to deal with nothing bigger than which boy they like more. Portia Adams has to contend with so much in her life, including where she wants to go with her career, having to adjust to the presence of new people in her life who take her out of her comfort zone in so many ways, earning the respect of her peers in law enforcement, how to be an introvert when society doesn’t always allow for that, the travails of having a mind unlike anyone else’s, and so much more. It’s good to see such a well-rounded character, and I think the character of Portia is going to grow in popularity as more people find her and feel like they they’ve gone through what she’s going through at some point in their lives.

My one complaint would be that at times it feels like the story emphasizes Portia’s personal problems more than the mysteries she’s supposed to be solving, but then again this is technically a YA novel, and they’re supposed to be big on character development, so I can see why.

In any case, this is a great second installment to a series I can see going on for several books, and I can’t wait for March 2016, when the third book in the series comes out (okay, I can wait, but it’ll be agonizing). For great storytelling, characters you feel can come off the pages, and for mysteries that will leave you on the edge of your seat, I rate Thrice Burned a 4.3 out of 5. If you can, definitely check this series out, especially if you like yourself a good mystery.

For more on Portia Adams and her adventures, read my interview with the author, as well as my review of the first book Jewel of the Thames and the interview I had with Angela prior to that one’s release.

The main fear of every fiction writer is whether or not they’re telling a good story, usually meaning they hope they have an interesting story or they’re telling it in the best way possible. After that those, there’s another fear that is just as important and just as scary: you fear your characters aren’t relatable, that they don’t feel real to the reader. The last thing any author wants to read in a review is that the characters seemed “artificial” or “their actions and words felt forced” or instead of seeming like real people, they were “more like robots.”

Unless all or most of your characters are actually robots, of course. Then those reviews might actually be compliments.

But in most other situations, you want to avoid getting these sort of reviews, and there are a number of ways to do that. One is to fill out a full character bio for each of your characters, even if you don’t plan on using everything on that bio in the story. I’m talking full educational history, childhood experiences and traumas, hobbies, likes and dislikes, dirty little secrets, all that good stuff. Having a full picture of your character can help you bring them to life. You can tell a lot about a person just by knowing the full story about them, and you can do the same by knowing everything about your characters, getting in their heads and figuring out everything from reactions to certain situations to their decision-making processes.

Some of these involve writing, which I think adds to the fun.

One of the best parts of some of these is you get to write them out. If you’re one of those types who write a certain amount of words a day, this may help fill it out on a bad day.

Another thing you can do, if you’re wondering if something your character says or does seems believable or not, is to do what I call split-mind writing. I forget where I got this (it might have been a Stephen King novel), but it’s a pretty interesting way to work out problems, if rather schizophrenic. What you do is take a piece of paper, and pretend to have a conversation with someone on that piece of paper. Basically it’s a game of question-and-answer where you bounce ideas off of the person you’re writing to, see if you can work out what’s bothering you about your character and find a solution through this process.

There’s also acting it out, which is as the name implies (and with the perfect partner, is as fun as it sounds). If you have someone to act it out with, fill the in on a scenario in the story and act it out. If you or your partner’s reactions and words are different than what you’d expect or thought might happen, examine why. There might be something in that difference that can help you in your work.

A fourth one, and one that I feel is always worth a try, is to look at your favorite characters in literature. Examine them and ask yourself why those characters feel so real to you, or what about these characters that you identified with. Often we’re inspired by these sort of characters and the stories they’re in. We want to write stories that are just as inspirational as those ones that inspired us. Going back and figuring out why can be very helpful with putting those same qualities into your stories.

And of course, there’s my favorite option: would I do that in the same situation? I find asking myself this sort of question of myself actually helps. Often our characters have a bit of ourselves in them (as they should, seeing as we created them). Asking if we would do the same thing as them, and then exploring the answer, may help you make these characters seem real. After all, if you consider yourself at least fifty-percent normal and your reactions too, then maybe those thoughts and reactions should apply to your characters as well.

Sometimes it’s just a matter of thinking and puzzling it out.

Sometimes it’s just a matter of thinking and puzzling it out.

While making characters seem real to your audience can seem daunting, it’s not impossible to do. We all start out having trouble making our characters seem real, but with time we improve, make them real not just to us, but to our readers. And part of that is just asking a question: why or why does this character not work? The answers you get can be the key to writing something–and maybe even someone–truly awesome.

Let me preface this review by pointing out that I usually enjoy the movies that Jason Blum and his company Blumhouse Productions put out. Sinister, Insidious and Insidious 2, The Conjuring and Annabelle. Those are freaky movies. Which is why I’m saddened to say that this latest venture does not live up to expectations. In fact, Unfriended is more a time waster than a terror coaster.

Unfriended follows Blaire Lily, played by Shelley Hennig of Teen Wolf fame and somehow playing a much blander character than the one she played in Ouija. And for most of that film she’s dead (see my review of that one here)! Anyway, the film is told by watching Blaire’s laptop’s desktop and the multitude of programs she’s got going at once. All of her friends and her boyfriend log in for a Skype call and are joined by a mysterious, faceless person who seems to be stalking them. The person claims to be Laura Barns, a friend of theirs who committed suicide a year previously after an embarrassing video of her was uploaded onto the Internet. Whoever it is, they threaten anyone who signs off, uploads embarrassing information about each person, and then kills them. As the number of friends wind down, we get closer to the heart of the mystery: who filmed and uploaded the video that started it all.

I kind of knew before I even saw the movie that it would be difficult to make an impressive film told entirely from a Mac desktop. If they’d kept the tension and terror going through the whole film, then it might not be a problem. However, there are several minutes where nothing happens, where Blaire is chatting on Facebook or through IMs or looking things up or where Laura is typing to the living. During those parts, the tension doesn’t just mellow out, it disappears. Even during a sequence where Laura is forcing her friends to admit they’ve said or done horrific things, it’s not scary. Tragic or sad, but not scary.

Even sadder is that I don’t get to know these characters enough to build any sympathy for these characters. They’re all pretty much stereotypes or archetypes and not much beyond that. Blaire’s the supposedly sweet and innocent virgin, a horror staple, her boyfriend’s the sweet, lovesick puppy teenager from next door. The others are a bitchy drama queen, an overly-entitled rich kid, a geeky hacker, and a blonde (yeah, she’s just a blonde. Nothing beyond that. As a blonde, I’m kind of insulted). Beyond all that, there’s not a thing to say about these people.

And Laura Barns? Don’t know what to make of her. Some say she was just a sweet girl with some family troubles that are briefly hinted at, others see her as an awful bitch. All we see is the villain manipulating them and their computers. I’d have loved to see a flashback of this girl, rather than just some videos and recollections.

That said, Unfriended does have its points. The film looks like it has been filmed in one continuous shot and any cuts in film (of which I’m sure there are) are so hard to catch it looks seamless. The characters do show how unstable teen relationships can be, how you can be a friend and still call someone a bitch at the same time. And there’s that underlying theme of bullying and cyberbullying throughout. They do that well.

Still, I wouldn’t waste money on Unfriended if I were you. Wait until it’s on DVD. It’s an interesting concept, not something previously done in film, but it might have been better told as a short story than as a movie. I’m giving it a 2.6 out of 5. I’m sad that they’re already considering a sequel to this movie, or maybe even a line of sequels. God, I hope they don’t waste the money making more of these! That cash could go to so many better things.

Well, that’s all for now. I’m–wait. What’s this chat box? I–Oh damn. Ghost on my computer. Gotta go, my Followers of Fear. I think I need an exorcist.

So today was the day. The day I’ve kind of been working towards since Fall Semester started back in August. My thesis discussion, where I would discuss with my advisor and one or two other people about the finished product of the novel I’ve been working on.

Well, finished product is a bit of a misnomer. But you get the idea.

Early this morning I met in my advisor Manny’s office for the big meeting. My second reader for the discussion was Maura, a teacher I’ve taken classes with, whose company I enjoy, and who is a huge sci-fi enthusiast (can you see why I asked her to join us?). For about an hour and a half we sat and discussed Rose, how I got the idea for it (actually in one of Maura’s classes), how it grew in my head and became the novel I wanted to write for my thesis, and how all that went (you know the process of that from my many posts on the subject). We also discussed changes I could make for the third draft (which I will do, in time) and what they liked and disliked about the story.

I won’t do a transcript of the entire hour and a half, but I will go over the salient points. As you probably already know, Rose is about a young woman brought back from the dead by a man claiming to be her boyfriend and begins to turn into a plant-like creature (when Manny told the subject of my thesis to some of his writing friends, they were rather impressed by the originality of the idea). It’s about forty-nine thousand words as of the second draft, and still needs some work.

Maura and Manny definitely enjoyed the symbolism and thematic elements of the story, as well as how Rose’s character developed over the course of the story. However, there were some things that could be changed. The first third of the book or so could stand to have quite a few things changed around, including the portrayal of Rose’s amnesia and how she first interacts with the antagonist, the man who brought her back. They also thought that how certain revelations of both characters could be spaced out a bit more evenly and maybe change how the antagonist’s dad is characterized or used. There were some other elements that they touched upon, but I can’t mention them here because they would reveal too much. In any case, they’ve got my brain churning in all the best ways and when they’ve emailed me their notes I’ll take down some notes of my own and put the story away for the third draft.

In between this draft and the next though, I plan to finish a couple of short stories and then dive right back into editing Video Rage, the sequel to Reborn City. Yes, I know I’m overdo for that one and it might take a little while longer to get it ready, but I promise you, I’ll get it done as fast as I can. And after that…well, I don’t know. Maybe I’ll work on the third draft of Rose. Maybe I’ll have enough material to do that rewrite of Laura Horn I’ve been meaning to work on. Or I’ll work on some short stories and maybe an entirely new project. Anything’s possible.

You know, it’s been quite the crazy journey for this story. It’s gone through so many changes, more than most of the stories I’ve had the pleasure of writing. And it’s journey is not over yet. No, it’s just at rest, waiting for the next transformation, the next polish. And what a polish it will be when it happens. I think that when the third draft is done, even if it’s not the final draft, Rose will definitely be much closer to publication than it is now.

In the meantime, I’ve got a paper to research and a few other things to do, so I’m going to get on that. You have a great rest of your day, my Followers of Fear. I know I will.

Here’s an impression of some of my reactions while watching this film:

“Aah!”
and “Yikes!”
and let’s not forget “Oh my f***ing God!”

Yeah, it was a really good movie. It’s like watching the movie version of a Stephen King novel without actually having anything to do with Stephen King. Inspired by childhood nightmares of writer and director David Robert Mitchell, It Follows…well, follows Jay, a young woman who has recently been seeing a handsome young man named Hugh. One night they have sex in Hugh’s car, which leads to all sorts of trouble. Apparently Hugh’s passed on a curse, making Jay the target of a creature that can only be seen by those affected by the curse and follows them at a walking pace with the intent of killing them, and then going after whoever was the previous bearer of the curse. The only way to pass the curse on is to have sex with someone else.

The “sex equals death” trope has been part of horror since perhaps before Dracula or Frankenstein, but it’s so rare to see a well-worn theme reinvented like this, making the film a very strange metaphor for STDs and the overwhelming power they have on our lives. There’s also the fear of intimacy, alongside a fear of strangers and what they can do to us. That last theme is exploited pretty well in this movie, where every unknown character or extra could be It. Heck, at one point I was wondering if It was a squirrel, and I was afraid!

But that’s not all that makes this film awesome. For instance, the writing is phenomenal, starting slow but mysterious and quickly getting exciting. There’s barely any gore, and the jump-scares, rather than relieving tension, enhances the tense atmosphere that just builds throughout the film. The few moments of humor in this film seem to fit right in, giving us a short break from the constant suspense that characterizes It Follows throughout. And the way it ends is terrifyingly awesome, the perfect satisfactory ending (who knew I’d get that sort of ending just hours after my last post?). And the monster, so undefined and strange, is guaranteed to cause you terror, even at its strangest (and arguably slightly goofy) moments.

Not to mention the acting from the small cast, who are extremely talented! Special mention goes to Maika Monroe, the gorgeous actress playing Jay, shows wonderful breadth and ability despite still being very early in her acting career. I think I fell in love with her a little while watching her performance, it was that good. Also worth mentioning is Keir Gillchrist as Paul, a young man who obviously is crazy for Jay, and his earnest manner is so wonderful that you really want to support him no matter what happens. I definitely empathized with him, and I’m sure I’m not the only one who will.

I can say more about this film–it is phenomenal–but I don’t want to give away any more. Instead, I really encourage horror fans to go see this movie if you can. It’s creepy, it’s fresh, and you’ll have second thoughts about one-night stands forevermore. Just a wonderful example in the continuing trend of great horror films from the indie scene and made on smaller budgets that scare us more than any bigger-budget franchise film.

I’m giving It Follows a 4.5 out of 5. This film is a new gem in the horror genre, so much that I tried to get the poster from the box office after the movie (unfortunately they don’t give those away anymore, darn it). I’m almost kind of hoping for a sequel. God knows the film leaves open the possibility for one, and I wouldn’t mind having some questions answered and seeing Jay and her friends grow in the face of this threat. On the other hand, why risk the possibility of ruining a great story by making a sequel that might fail to live up to the original? It’s quite the dilemma.

Well, that’s all for now. I’m going to bed. Maybe I’ll have a nightmare that’ll lead to an awesome story of my own. One can only hope, right?