Some of you may remember that, for most of 2023, I was in what I called The Great Editing. It was a phase where, except for the occasional short story, I did nothing but editing. Mostly stuff related to Hannah and Other Stories‘s first time out, but a few other stories I was editing. When it was done, I hoped to do nothing but write original stories for a long, long while.
Well, man (or whatever entity I am) plans, and God (or whatever entity runs this universe) laughs.
Because I did write a few original short stories last year. And then I wrote The Shape of Evil, which took up half the year. And then I did another couple of stories. Then I did an edit of The Shape of Evil, followed by edits of the stories that were going into Symphony of Walpurgis. Followed by one original story, and then another edit of The Shape of Evil in time for StokerCon. Then I edited stories for Hannah‘s re-release. And then I edited a novella while also writing an essay (which I will likely have to edit soon before I can submit it).
So yeah. I’m in the Second Great Editing. I thought the first one was the editing to end all editings, but I guess a second one was just inevitable! I set myself up for that with the choices I made. And now I’m suffering through it. And it will likely set up the future of my career for decades to come.
Okay, enough with the World War II joke. Point is, I’m stuck in this Second Great Editing. And with two more novellas, that essay, and a short story to edit (plus another novella which needs serious rewrites), I’m likely going to be stuck in it for a while. Possibly till next year, if you can believe it! (Some of these stories will need to be edited again once I have beta readers look them over, after all.)
I’ll hopefully have news to share about this soon.
But you know, it’s not the worst thing. Yeah, except for that essay, I’m mostly putting original works on the back burner until I can get through editing all of these stories that I’ve let sit for so goddamn long. And I really have some new work I want to throw myself into!
But like I said in the WWII joke, I think all this editing is going to have an effect on my writing career. And unlike WWII, the effect will hopefully be positive:
I can’t really get into it right now, but I’m making progress with finding a home for The Shape of Evil. People are reading and enjoying Symphony, and people are getting excited for the return of Hannah and Other Stories. And I hope these four novellas will be published together as a collection. I think this essay, once edited, will make a great entry into a magazine or essay collection. And that short story is rough, but I think it’ll be quite spooky once it’s ready for readers’ eyes.
So, I think I’m doing what I’m supposed to be doing: working on these stories so I can get them to you and, if I’m lucky, maybe write full time someday. I’m working hard to make those goals happen.
That being said, once I’m out of this Second Great Editing, I’m going to dive headfirst into some new stories. You can bet your ass on that!
(I’ll also finish my mummy novel Crawler and that witchy novella I was working on at the beginning of the year. I hate leaving things unfinished. Especially when I think they’ll be amazing once they’re done.)
One last thing, my Followers of Fear: this weekend is the Columbus Book Festival. This annual festival is full of amazing writers, vendors, and entertainers, and my fellow Ohio HWA members and I will have a booth there as well. So, if you’re in central Ohio this weekend, July 12 and 13, 2025, please head to the Main Library and Topiary Park in downtown Columbus. I would love to see you.
And if you can’t stop by but still want to support me, you can check out my work. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, there’s something for every horror fan, so why not grab a book and take a look? There’s even some free stuff. I’ll include a link to my books page below.
And if you like what you read, please leave a review. Positive or negative, I love reader feedback, and it helps both me and other readers in the long run.
That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.
The folks of StokerCon waiting for the Final Frame competition to start.
Here’s a riddle for you: what took place in Connecticut last week, had nearly 800 people in attendance, and I was among the attendees? StokerCon! Yes, last week, horror writers from around the world descended upon Stamford, Connecticut. There, we had panels, a short film competition, and our annual awards show, the Bram Stoker Awards, noting superior achievement in horror from the previous calendar year.
(There was also apparently dripping goo and weird liminal spaces out of the Backrooms in the hotel, and somehow, I missed both! I’m annoyed about that, especially the weird liminal space. That would make a great YouTube video!)
As I said in a previous post, my goal for this StokerCon was to level up my writing career and get that much closer to writing full time. This would be achieved by going to panels that I thought would help me reach that goal, being on my first ever panel, and, of course, pitching The Shape of Evil to agents and editors. (Plus meeting new people whom I could network with, but I try to make that more about making new friends than trying to make new business connections.) Did I accomplish my goals? Well, let’s talk about the con and we’ll see.
Hanging with Logan Johnson, one of the organizers of this year’s StokerCon, the moderator on my panel, and a new friend, at the banquet cocktail hour.
Seeing all my friends (meeting new ones). One of my favorite things to do at StokerCon is just to see all my horror-writing friends. Many of us only know each other through social media, so it’s nice to meet in person or to catch up with one another when the last time we saw each other could be a year or two ago. So, of course, I did plenty of that. The hotel had a lobby and a restaurant/bar, so outside of panels, we would gather there or on the second floor (that was where most of the con stuff happened) and just talk. We catch up, discuss our lives and our projects, and just shoot the shit. It’s lovely!
Plus, there’s always new people to meet. I actually got to know quite a few people whom I’d never met before, and it was fun to ask how they were enjoying the con and what they were working on or up to with their horror writing careers. Obviously, some were already well-known within the community, but most were just like me: working stiffs who enjoy horror and hope to make our marks in the genre. I’ve connected with a lot of these people now, and I’m hopeful we can continue to be friends and support each other as we work on our stories.
Going to panels. As I said, with a few notable exceptions, the panels I went to were ones I thought would be helpful for me as I move forward in my writing career. This included a panel on getting your stories adapted for film (it nearly happened once to me, so I thought I’d get some tips in case it happened again), and on how to get along with others as a professional. This one was particularly important to me, because being on the spectrum, I often feel like everyone but me was given a rule book on social interaction at birth and I have a lot of catching up to do. I actually brought this up during the Q&A section at the end of the panel, and what I should do in case I made a mistake. The answers I received were very reassuring. Not just to me, but, as I learned afterwards, to others in the audience who also were neurodivergent and felt the same way. I even got thanked a few times for bringing the topic up, which surprised me but also made me glad I asked.
As for the other panels I went to, one was about a Jewish writer who, while not a horror writer, had some dark themes in some of his work (I’m going to have to read that at some point), and a panel on using public domain characters and stories in horror (as someone who’s seen the Winnie the Pooh and Steamboat Willie horror films, I couldn’t resist). All in all, they were very educational, and I’m glad I went to them.
The signature scavenger hunt. As you might expect, I went a little crazy in the dealer room and bought way too many books. One of the books was The Rack, edited by Tom Deady, which is pictured above. It’s an anthology of stories inspired by those vintage horror paperback covers from the 70s and 80s. I bought it directly from the editor, Tom Deady, in the dealer room, and he signed it. And then I ran into one of the writers in the anthology, Erick Nunnally, a little while after. On a spur of the moment, I asked him to sign the book where his story began, which he did. And then he suggested I get the other authors in the book who were in attendance at StokerCon to sign. Which I did.
Ultimately, I think I managed to get half the authors to sign their stories. Most of those were done during the Mass Author Signing, where you can go around a big room and get your books signed by the authors who wrote them all at once. That was fun, because I also had them sign other books they’d written I’d bought, and then got signatures from other authors whose books I had copies of. The rest were just during random meetings during the con, and they were always happy to sign.
So yeah, I spent a good portion of StokerCon on a bit of a scavenger hunt, but it was still a lot of fun, and I only missed three of the authors who were in attendance (maybe next year?). And now, I have a cool knickknack in my personal library, which I’m currently reading through and loving! So, no regrets whatsoever.
From left to right: Rob Costello, Gaby Triana, Tamika Thompson, myself, Aaron Dries, Rae Knowles, and Logan Johnson.
Being on my first live panel. I’ve done a few StokerCon panels in the past, but they were always pre-recorded on Zoom for the virtual audiences. And while that is great, I’ve always wanted to tackle being on a live one. Not only did I get to do just that last week, but it was on a topic I am passionate about: Authentic Representation in Horror, which was about including marginalized communities and voices in horror and how to do so. And wow, did a lot of people show up! By the end, nearly all the seats were taken. I guess other people wanted to talk about this as well.
To say the least, the conversations were illuminating. I even had a few moments where I was like, “I never thought of that.” Honestly, I want to give this panel its own blog post, so I’ll stop there, but I’ll say this: it was great being on a panel like that. I look forward to doing it again someday soon.
The pitches. I’m sure a few of you skipped ahead just to find out how this went. Yes, during StokerCon’s annual session dedicated to connecting authors with agents and editors, I did get to pitch The Shape of Evil. And you know what? I got results. Three agents and one editor asked me to send them part or all of The Shape of Evil, which I did on Monday after taking a little time to recover from all the travel (and that traveling is worth a blog post on its own).
To say the least, I am beyond happy about this result. It went way better than I thought it would go, even with practicing pitches beforehand (always recommended), and I am hopeful that at least one of them will want to help me get The Shape of Evil published. I’ll likely know something by the end of the summer. And, of course, if it all goes well, I’ll be sure to let you know.
***
Ultimately, StokerCon was an amazing time for me. Sure, this year’s hotel was weird, but I had fun with friends, accomplished my goals, and made sure to celebrate everyone else’s accomplishments with them. And next year, we’re doing it again: at the end of the awards banquet, it was announced that, to control costs and to ensure StokerCon continues to go in a direction that’s as good as possible for as many people as possible, it’ll be in Pittsburgh for the next two years.
Obviously, I’m stoked, since that means I can drive there. In fact, I’ve already bought my ticket! And next year will be the 10th annual StokerCon, so it should be extra special. (Yeah, I thought it’d been around for longer, too. Color us both surprised.)
Members of HWA Ohio at StokerCon. I have a feeling next year, we’re going to have a much bigger showing.
I wonder what will happen. Will I sit on another panel or two? Do a reading? Somehow get on the ballot and get to be a nominee? I guess we’ll see. In the meantime, I’ll work on getting my stories out there and meeting new readers and having plenty to talk about when I drive to Pittsburgh next year.
In the meantime, I’ll have a new blog post out Monday, so keep an eye out for that. And until then, my Followers of Fear, good night, pleasant nightmares, and have a wonderful start to your summer. I know I am.
Hello, my Followers of Fear. I’m back from StokerCon and I’m sure you’re expecting me to go into detail about that. I plan to do so, believe me, but I need a little more time to process what’s happened, so I won’t be doing that this post.*
Instead, I want to talk about something else this weekend, which hasn’t happened in a long time: I got new fan art!
I’ve long believed that fan art is one of the most honest expressions of love from a fan to a creator, so I’m very touched to have received a new piece. This piece comes from Louise C, a fellow horror writer and a Follower of Fear I met over on BlueSky. She’s been reading several of my stories since we met, and I’m glad not only to have her among the Followers, but that she gave me this amazing piece of fan art, which was intended as a birthday present for me (my birthday was quite recent, if you didn’t know).
Not only that, but she had the fan art created by a commissioned artist! Yeah, really. According to Louise, she somehow won a free commissioned art piece and decided to use it to give me a birthday present. I told her I was really flattered and that, if she wanted to do this, I would be honored. I also told her she could choose whatever the fan art was of.
The result is below.
Pretty awesome, isn’t it? I love the expression on the character’s face. So cocky and full of pride and self-assurance.
If you don’t recognize the character, it’s the Akolouthos, the master of the dragon bats in my novelette “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” He’s described as an extremely tall man of eight or nine feet, with yellow eyes and teeth and wearing a long black coat and broad-brimmed hat. And, as you can guess from one of my stories, he’s not exactly human.
You know, this isn’t the first time that this particular story, which was one of the previously published ones in Symphony for Walpurgis, has had fan art created for it. When I first came up with dragon bats (they came before the story), Iseult Murphy, another friend, fellow writer, and Follower of Fear, created the fan art you see below. It was the first time I ever received fan art, and spurred me to write a story about dragon bats.
I’m glad to know the story is still scaring enough people to generate new fan art.
Thank you again, Louise, for this deliciously scary fan art. It’s such a wonderful birthday present, and there’s a good chance it’s going to end up on my wall, in the spot where my favorite pieces of fan art go. If it does, I’ll be sure to send you a photo.
And, because I would be remiss if I didn’t do this, if you would like to read “Disillusionment and Trauma Sometimes Go Hand-in-Hand” and see this villain in action, you can grab a copy of Symphony for Walpurgis using the links below. It’s the second story in the collection. And if you end up liking what you read, please leave me a review and let me know what you think! After all, reviews help both me and other readers in the long run.
That’s all for now, my Followers of Fear. Until next time (which will hopefully be later this week), good night and pleasant nightmares.
*I will say, however, that I did get a chance to pitch The Shape of Evil to some agents and editors. And I got instructions from four of them on how to send the manuscript to them. Which, yeah, is great, no doubt. However, if one of them wants to work with me to get The Shape of Evil published, that’s when we’ll have a real celebration.
Grady Hendrix telling us about the history of witches and having us in stitches.
Recently, I went to see Grady Hendrix, author of Witchcraft for Wayward Girls and My Best Friend’s Exorcism, speak here in Columbus. It was an exciting event: the venue was an event space usually reserved for wedding receptions and the like, but it was packed, with possibly around 500 people inside the space! I was lucky just to find a table with a good vantage point.
And I’m glad I did: at 7 PM, Hendrix came out and spent the next hour using humor and a PowerPoint slideshow to tell us the history of witches as he saw it, as well as depictions of witches through history. It was hysterical! He made us laugh as he went through some of the ridiculous and not-so-ridiculous stuff that happened in witch trials, the plots of the wild books throughout the years revolving around witches, and why we keep having these witch scares. And I had a great seat to see it all.
It was an amazing night, and I could go on and on about it, but what I want to focus on is just how Hendrix, and other authors, use humor in their work.
I’ve written on this subject before, but horror and humor often go hand-in-hand, much to the surprise of some non-horror fans. You can see this quite prominently not just from Hendrix’s talk, but from his work, which is normally as funny as it is scary (Witchcraft is a rare exception, but then again, it doesn’t have much to laugh about). Not to mention, there’s a whole subgenre of horror called “horror comedy,” which is pretty self-explanatory. Some prominent examples include Clown in a Cornfield by Adam Cesare, where humor adds plenty to the slasher novel’s plot, and my friend D.M. Guay’s “24/7 Demon Mart” series, about a guy who works at a convenience mart with a talking cockroach for a manager and a portal to Hell in the beer cooler.
My friend D.M. Guay’s book. The series has quite a lot of followers.
And if you’ve seen a production of the musical Sweeney Todd (and I guess maybe the movie version), you’ll notice that despite the dark subject matter, there is plenty of humor. Hell, the musical’s most famous song is full of cannibalism puns! It’s almost sad how the movies cuts out most of those jokes.
Why is humor such a big part of horror at times? Well, part of it is for alleviating tension in the story, especially for non-horror fans who may not like stories that are so dark. But I think another part of it is that we need humor. Laughter is the best medicine, as they say, and it can help alleviate dark situations by shining a light on them. In fact, if you think about how horror is therapeutic for some readers (like me), the humor aspect really can pair well with the cathartic aspects of horror.
It also explains how a room of approximately 500 people could laugh so hard about stuff like witch trials, where people got murdered for bullshit reasons.
And it can’t be understated how helpful humor is in getting people to like each other. I certainly found myself liking Hendrix after an hour of his jokes.
Makes me wish I could put more humor into my own work. I love to laugh and joke around, but that doesn’t usually extend to my stories, where the stories I write are usually quite serious. Humor tends to pop up by accident or just evolves organically when I write it. In The Pure World Comes, for example, protagonist Shirley is practical and at times slightly condescending or sardonic, so humor kind of evolved naturally around her. And there’s a naughty joke appears in The Shape of Evil, but that’s because I’ve been in similar moments and made similar jokes.
Still, my style of writing tends to work for me. People like my stories for what they are, and I won’t force humor in when it doesn’t suit the story. And plenty of writers write amazing stories that have endured through time without a laugh. Who’s to say I have to add a laugh to join their ranks?
All that being said, if I find a place to put a bit of humor into one of my stories, and it doesn’t work against said story, I might add it. After all, a little laughter never killed anybody…as far as we know.
And in the meantime, I think I’ll just keep using humor as I have all my life: in my interactions with others, when appropriate and hopefully to great applause.
Do you use humor in the stories you write? Have you noticed any rules to writing humor or humorous passages? And what is your favorite horror story with comedic elements?
Lately, my life has been nothing but growing excitement. Well, that’s not entirely true: there’s a bunch of other stuff. But work has been getting better lately after several months of insanity, and I’ve been balancing my life very well, which has allowed me to notice the excitement more clearly than if life was too busy and I was super exhausted.
And it’s not surprising that life feels like it’s nothing but excitement. For one thing, StokerCon is fast approaching, and there’s plenty I’m looking forward to with that. For one thing, as you know, I’ll be pitching The Shape of Evil to agents and editors there, and I’ve done the majority of my prep in that respect (a friend of mine who will also be pitching, and we’ll be practicing our pitches together as we get closer). Not only that, but I’m involved with a couple of panels, which I wasn’t the last time I went.
One is a virtual panel, “Understanding Historical Horror,” which I was the moderator of. I say “was,” because we filmed the panel ahead of time. As I suggested the panel (I blame “Sinners” inspiring me), I was asked to moderate and film it. And it went well! We had some great panelists–Philip Fracassi, John Langan, Alma Katsu, and John Kachuba–and we had an enjoyable hour and a half of filming and talking about historical horror: what it was, how to go about writing it, and the ethics of writing it. It will premiere during StokerCon, and will be accessible for those attending virtually.
The second one is “Authentic Representation in Horror,” which will focus on including marginalized communities in the horror community and in horror stories. As you probably know, that’s a subject near and dear to my heart, so I’m eager to talk about it with some like-minded writers in front of an audience. We’ve already spent some time emailing each other, suggesting topics for discussion and what we need as individuals to be more comfortable. That panel will also be livestreamed, so we’ll hopefully get a lot of people tuning in online as well as attending in person.
(And hopefully the anti-woke police won’t show up and cause a problem, lol.)
Add in getting to see so many friends, and it’s no wonder I’m excited for StokerCon!
Pretty much how I feel these days.
But StokerCon aside, there are other reasons I’m excited. For example, Symphony for Walpurgis is doing well. It’s only been out a little over three weeks since my latest collection released, but it’s been selling well and a lot of people have been telling me they’ve been enjoying it or expressing interest in getting copies of their own. One person in the horror community I really admire actually reached out to me yesterday to ask if she could have a review copy, which made my day! I’ll be seeing her at StokerCon, so I’ll give her a copy then.
And then there’s so much more! For one thing, we’re in the middle of Memorial Day weekend, and I’m already enjoying all the things I’m planning on doing this weekend, including getting some much needed sleep and doing a lot of projects I’ve put off till now. In fact, I’ve already made some progress with those projects, and I’ll tell you more about them when the time is right.
My Tarot cards say that for June, all troubles will pass, and lots of good things will happen in time. I can’t wait to see if that comes true!
And my birthday is coming up, which is another reason to get excited. I’m already arranging to get a nice massage on the day of, eat ice cream, and hang out with friends (not necessarily in that order and definitely not at the same time). It’ll be a nice celebration of my life and my inevitable inching towards death before heading off to a certain convention I’ve mentioned a hundred times already.
And a hundred other things are happening or will happen that just get me excited and full of zest for life and so glad I’m at this point in my life. Hell, even my Tarot cards seem to have caught something, because lately the majority of my readings have been super-positive! And if there’s something more to the cards than just pure randomness, then that’s significant!
And I’m looking forward to seeing how all these things play out. Whether it’s StokerCon and what I plan to do there, or the Doctor Who season finale, or even just trying out a new recipe this weekend. It’s nice to not only have so much to look forward to, but also to experience it when it arrives.
Makes me wonder what else I’ll get excited about as the stuff I mentioned above happens. I guess we, and especially I, will find out soon enough!
Well, it happened. It’s finally done. Took a bit longer than I’d hoped, but it is done. The third draft of The Shape of Evil is finally completed.
To be precise, I finished it late last night. Very late. Like close to three in the morning late last night. You see, I was up in Cleveland visiting family and drove home in the afternoon. I got home in the early evening, grabbed something to eat, and thought to myself, I wanted to get it finished this week! And I only have fifty pages to go! I might as well try!
Thus, I started working on it. And by the time I was done, it was three in the morning.
I regret nothing.
Anyway, if you’re new here and wondering what the hell I’m talking about, The Shape of Evil is a novel I wrote last year about a 3D Printer from Hell. Yeah, you read that right. A 3D Printer from Hell. Think “Word Processor of the Gods” by Stephen King meets Gothic by Philip Fracassi with strong LGBT and disabled representation. And I honestly never intended for it to become a novel–it was originally going to be a novelette–but the story just kept growing and growing, and before I knew it, the story was a novel and I was thinking how I would get it published.
Since then, I’ve done a second draft, and then I had sensitivity readers take a look at the story, because my main character is non-binary and I wanted to make sure that I was portraying a non-binary person well. And after I got their notes back, I started work on the third draft.
All this effort is hopefully going to pay off very soon.
And man, the journey this book has gone on has been something else! Not only has the story grown with every draft (273 pages/72,500 words for the first draft, 283 pages/75,300 words for the second, and 291 pages/78,400 pages for this latest one), but it really feels like it has improved with every go-through. Especially this current draft: as I said in a previous post, I’ve been working hard to make sure the words in this draft bring out the full potential of the story. And I think it does. There were a few times where I looked over the text and was like, “Did I really write this? Just from the word choice, it looks and sounds like something come from a much better, more experienced writer!”
Well, wherever it came from, it’s ready to be pitched at StokerCon next month. If you’re unaware, StokerCon is the big convention hosted by the Horror Writers Association, and they have a session where you can pitch your works directly to agents and editors. I was lucky enough to get a slot to pitch to one of my top choices, so I’m glad I got the book done in time.
Me after my marathon editing session and before my next project.
So, now what happens? Well, I’m going to create a pitch sheet, which is sort of an informational sheet about the book, and practice my pitch between now and StokerCon. And in-between, I have a few things to work on, including the version of Hannah and Other Stories that I’ll use when I re-release it later this year. Should keep me wonderfully busy.
And hopefully soon, I’ll be able to share some wonderful news with all of you.
But I think tonight, I’ll just pour a glass of wine and put on a movie. After all, having time to relax is important. Especially when you work hard and you have so many irons in the fire.
That’s all for now, my Followers of Fear. I’m off to work on a bit more stuff before dinner and wine and the movie. Until next time, good night and pleasant nightmares.
No other way to say it: it’s important to use the right words when telling a story.
That seems to be an obvious statement, but yet it’s something that needs to be stated. Depending on your audience, the genre you’re writing in, the characters you’re working with, and a dozen other factors, what words you choose when telling your story is important. After all, you can’t use complicated, SAT-level words for children’s literature, and you shouldn’t use too simplistic language for work geared exclusively towards adults. You also shouldn’t use futuristic terms or contemporary slang in works taking place in an old-fashioned medieval setting (can you imagine someone saying in a Game of Thrones book, “Dude! The calculations state that winter is only 7.8 parsecs away!”), and you shouldn’t make children sound like adults in their dialogue, though the latter can sometimes work (do you now how often I use the word “dude” myself?).
But more important than this, is finding away to put your carefully-gathered vocabulary together to keep the story together. At least, that’s how it feels to me.
As you may be aware, I’m working on the third draft of The Shape of Evil, a novel I wrote last year about a 3D printer from Hell. I’m hoping to pitch it to agents at StokerCon in a couple of months, where you actually have the opportunity to pitch novels and other works to editors and agents. And I am working hard to make sure the words in that story are compelling and interesting and work cohesively together for that purpose.
That wasn’t such a big problem with the first and second drafts. With the first draft, the point was just to get it out. To make sure it exists and has some semblance of making sense. And with the second draft, the point was to clean it up so that it wasn’t so messy and so that the future beta readers wouldn’t have too many complaints regarding either spelling/punctuation/grammar or the plot (especially since my protagonist is non-binary and my beta readers were also sensitivity readers).
As you are no doubt aware, I’m working especially hard to make the words in this book be the right ones before StokerCon in June.
But with this third draft, the point is to impress agents and/or editors enough that they’ll want to work with me in bringing this book, as well as possibly others, to publication. And with that in mind, I’m putting a lot of pressure on myself–perhaps too much pressure–to make sure those words come together and work well with one another. Like the gears in a clock, moving with one another in beautiful harmony, rather than grinding against each other to make a messy pile of word-vomit.
Then again, why am I putting so much pressure on myself? As with almost all of my books, especially the ones published with publishers, it took way more than three drafts before it was ready for publication. Usually up to seven! And even then, none of my books were perfect. They were just done.
That’s how my high school English teacher, Mr. G, put it. “No story is ever perfect. It’s just done. You’ve done all you can to improve it, and any more edits will only hurt it. Even so, it’s not completely flawless. It’s just done.”
That lesson has stayed with me fourteen years after graduating high school, and I not only try to keep it in mind while writing, but I pass it on to other writers as much as possible. And, occasionally, I’ll remind myself of that lesson when I’m working on a project and have high hopes for it. Hell, I know that no matter how much editing I do, The Shape of Evil won’t be anywhere near done by the time I’m ready to pitch it.
However, it may be far enough along that, when I pitch it, whomever I pitch it to is enchanted enough, and sees enough potential in it, that they’ll help me get it done. And then out into the wider world. And to that end, I’ll try to keep the pressure off myself, so that this metaphorical clockmaker doesn’t feel like he’s forcing the words into the clock and making them work together when they don’t want to.
That’s all for now, my Followers of Fear. I felt like I needed to get this off my chest if I was going to move forward with working on The Shape of Evil. And man, do I feel exorcised of some worries! (Though not of my demons. Those are never going away.)
I’ll be sure to check in if there’s any more news, my Followers of Fear. But until next time, good night and pleasant nightmares!
Well, that took longer than I expected. But raise your glasses and let out an ear-piercing wail of terror, because I finished my first short story of 2025!
As some of you remember from earlier this month, I was originally working on a witchy Halloween story, but that blew past novelette range into novella territory, and I promised I wouldn’t write any new longer stories until the ones I was already working on were finished and had homes. Thus, the witchy Halloween story got put away for later, and I started working on something new.
And thankfully, this story managed to stay in novelette range, at just under 9,300 words. “The Manhattan Well” follows a young woman in Victorian England meeting a young man from New York who relates his traumatic experience meeting a ghost related to America’s first sensationalized murder.
This story actually has a cool story behind its inspiration. I’m a big fan of the musical Hamilton (I’m actually seeing it live for the third time this summer), and a while back, I had the song “Non-Stop” stuck in my head (I even wrote a blog post about it). As sometimes happens when I have a song stuck in my head, I looked up the lyrics.
Here’s the song in question if you’re unfamiliar or just want to jam.
So, early in the song, when Hamilton and Burr is doing that murder trial, I always thought Burr was saying, “Our client says he’s innocent, call your first witness.” But as it turns out, when I looked up the lyrics, Burr was saying, “Our client Levi Weeks is innocent, call your first witness.”
Dance and celebrate like nobody’s watching.
This led me to ask, “Who the hell is Levi Weeks?” One internet rabbit hole later, not only did I learn about one of America’s earliest true crime stories (and if you’re interested, it’s a rather cool story, so I’d check it out), but I had an idea for a horror story.
And now that the story is written, is it any good? Well, it’s a first draft. It’s not supposed to be good! It’s just supposed to exist and have potential. And on that front, it fulfills both requirements. I’ll give it an edit and see about finding a beta reader later this year. However, I have to do one more edit of The Shape of Evil before I (hopefully) pitch it at StokerCon later this year, so that’s the focus now. After that, we’ll see where we are and what I feel I should be doing.
Anyway, that’s all for now, my Followers of Fear. I just wanted to share the good news with you. If anyone needs me, I’m going to go celebrate and have a super-late dinner. Until next time, good night, pleasant nightmares, and don’t throw away your shot!
Pour the libations! Light the celebratory bonfires! Chant to the eldritch wonders that wait beyond our reality and offer them sacrifices! The sensitivity readers sent me their notes for The Shape of Evil! We are one step closer to my being able to pitch this baby at StokerCon in June!
Now, for those of you who don’t know, The Shape of Evil is a novel I wrote last year about a 3D Printer of Hell. I started it thinking it would be a long novelette or a short novella, but it ended up becoming a whole freaking novel of around 75,000 words. And as I got further along with it, the idea to pitch it to agents at StokerCon, which always has sessions for doing just that, came to me. So, for the past year, that’s what I’ve been working for.
And as part of that process, I had to find at least one sensitivity reader to look it over. You see, my protagonist is non-binary. And I, despite being bisexual, am only cisgender. So, I wanted to have someone who had firsthand experience look over my story and make sure I was being both respectful to the community and portrayed accurately.
As luck would have it, I managed to find two trans horror writers who agreed to look it over. And they both got through the second draft within days of each other, with the second one getting their feedback to me earlier today. This means I’m going to be ready to work on the third draft starting next month!
I’m incredibly thankful to my sensitivity readers for reading through the manuscript, finding issues and giving me their feedback, and doing so in such good time. I’ll do my best to incorporate their feedback and improve the manuscript. That way, when I pitch it to agents and editors, they’ll be that much more likely to want to help me find a home for it.
For now, though, I want to write a spooky short story inspired by Hamilton. Afterwards, I’ll start on the next draft.
That’s all for now, my Followers of Fear. I wanted to make sure you all knew that the next step in this book’s crazy journey is going to start soon, and I wanted to do it today, so I’m glad I got it done. Now, if you need me, I’m going to get ready to bed. Today I was totally drained, so I’ll need sleep if I’m going to get anything done tomorrow.
So, until next time, good night, pleasant nightmares, and be careful with your celebratory rituals tonight. Just Friday, I did one wrong, and my dad’s dog was turned into a cat. She turned back, but she’s still coughing up hairballs. Oops.
Don’t tell anyone I said this, but I can be a real idiot sometimes.
So, back in December, I posted about my plans for 2025 in terms of what I want to accomplish with my writing (you can read that post here). What I didn’t mention was that I had no plans to write anything longer than a novelette. I’d edit the novellas and novels I’d already written, like The Shape of Evil and the four I hope to shop around when I’ve finished editing them. But I wouldn’t work on anything longer. Just short stories and novelettes until those stories were finished and edited and published. And only after I’d gotten back to my mummy novel, Crawler, and finished the first draft of that.
(For those of you who are unaware, the Horror Writers Association defines a short story as 1,000-7,500 words, a novelette as 7,500-17,500, a novella as 17,500-40,000, and a novel is 40,000 words and up.)
So, with my plan in place, I started on a witchy Halloween story that I thought would be maybe a long novelette at most.
And that story ended up going up to 20,000 words! And it’s not even done!
Now, by that point, I had been working on the story since before New Year’s, and I was so frustrated by how busy my life has been, so I completely forgot about my promise to myself and just forged on ahead for a while. But then I found myself just hesitating, not wanting to get further when I knew it could take me another month or two, given my current life.
That was when I remembered my promise to myself. And I slapped myself in the head for not keeping it!
So, the witchy Halloween story is now on hold until I’ve finished Crawler. In the meantime, I’m going to work on something I know will be shorter.* After that, the sensitivity readers should both be done with The Shape of Evil (one’s already sent me their notes), so I’ll probably give that one more round of edits.
After that? Probably another guaranteed short story. We’ll see.
But for now, I should head to bed. I’ve got the Akron Book Fest tomorrow, and I’ll need all the energy I can get.
After I get back home, however, I’ve got a great scary story idea to look forward to writing. And did I mention the story was inspired by Hamilton?
Anyway, that’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!
*Then again, I thought the witchy Halloween story would be short. So who knows?!
Rami Ungar The Writer 