Alma Katsu’s become one of those authors for me that, when I hear they have something new coming out, I immediately want to scoop up a copy and read it. And when I heard that, for the first time, she was releasing a horror novel set in our modern era, I was intrigued. When Fiend finally came out, I immediately went to the library to grab my copy (support your local libraries, kids!) and started reading as soon as I could.
That was about a week ago. I finished the book today. And now, I’m reporting my thoughts.
Set in our modern times and with some flashbacks to the past (which, based on the characters’ ages and context clues, I assume is somewhere between 2004-2015), Fiend follows the Berishas, a powerful family hailing from Albania that rules over a wide business empire. Specifically, it follows the youngest generation of the Berishas: Dardan, an anxious young man being groomed to run the family empire; Maris, who rebels against her father’s patriarchal views and wants to rule while also wanting to please him; and Nora, a wildcard who’s more than she seems. They are well aware that their family, ruled over by the tyrannical Zef, is rumored to be aided by a demon that keeps them rich and untouchable. But after a particular incident, the dominoes start falling. Dominoes that will change the family, and possibly bring down the dynasty, forever.
So, while this book has been marketed or compared to “Succession with a demon” (not sure how accurate that is, having never seen Succession, though I know the basic pitch), I would compare it more with 2015’s The Witch. The focus is on these characters, showing an intimate portrait of a family that is breaking down due to isolation, clashing egos, and external pressures closing in. The demon itself, like the witch in the movie, is just one of the catalysts that hastens the breakdown of the family.
And the way Fiend is written, it is hard to put down or look away. I was breezing through each chapter, just wanting to find out what happened next and how each of these fascinating, unhappy, often terrible people would hurt each other next. We spend the most time with Maris, and you can see Alma Katsu having a ball writing her and showing her trying to achieve what she thinks she wants. After her, we spend the most time with Dardan, who is desperately struggling under the weight of his destiny but too scared to find a way out of it.
My two criticisms are this: one, I would have liked to have spent more time with Nora. As I said, she’s a wildcard who’s more than she seems, and I would’ve liked to get further below the surface than what we got with her. I get why she’s the sibling we spend the least amount of time with, but I still wanted to know her. And two, I honestly wanted to see more interactions with Olga, the Berisha matriarch. She’s mentioned more often than seen, and I think it would have been fascinating to see how she’s weathered being part of this screwy family for most of her adult life.
But beyond that, Fiend is an excellent family drama/horror story. On a scale of 1 to 5, I’m giving it a 4.5. An enthralling deep dive into the world of corporate intrigue and what can occur from generations of abuse and trauma (plus a little demonic magic). If this sounds like it might be up your alley, grab a copy and get ready for one hell of a ride.
Rami Ungar The Writer 