Archive for the ‘Reflections’ Category

That was the question I was posed last week. I was telling a guy about some of the stuff I’d published and some of the stuff that will be published and some of the stuff I hope will be published in the coming months. As I told him, I could just see the awe on his face growing, which made me happy because it meant I might have a new reader to be interested in my work, and what writer doesn’t like people to read his work?

And then the guy asks me, “Are you autistic or something?” Yes, he said that to me.

Now, I do have what’s called Pervasive Developmental Disabilities Not Otherwise Specified (PDD-NOS for short), which is a type of disorder where an individual has some of the markers of autism or Asperger Syndrome but not enough to qualify for either of them, and I don’t mind sharing that with people if the subject comes up. And I did tell this guy that, but I was a little taken aback. I mean come on, who asks that?

When I asked him why he asked me, he said, “You’re just doing so amazing things. You just got to have something.”

So apparently he subscribes to the idea that all great artists either have a condition or a trauma. There is some evidence to support that theory: Stephen King saw his friend run over by a train; van Gogh was mentally ill; Sylvia Plath was bipolar; and Anne Rice lost her father to illness. But not all artists are traumatized or have some mental or social problem. My high school art teacher, who is also a good friend and will be doing the cover to Reborn City, has no traumas or disorders, at least as far as I know, and she’s well-known as an artist and jewelry-maker in Columbus. And Lady Gaga may be a little strange, but not because of anything in her past or brain chemistry.

Amd look at me! I may have both a childhood trauma and a condition, but I don’t let them define me, or attribute them as the sole reasons why I write or write as well as I do. Maybe they help, but so does a lot of other factors, especially experience and hard work!

Well, I ended that conversation as soon as possible and left. I didn’t want him asking any other strange questions to me. It made me wonder though: are other people going to ask that question to me? Has anyone else ever been posed that question? For both, I hope not!

If you have any thoughts, please tell me. I’d love your opinion.

You guys think I could be one of them? Because I would dig being Pugsley and Wednesday’s older brother.

I ended up watching the last twenty-five minutes of the 1991 movie The Addams Family, which would lead to me watching some old reruns from the original show on my computer during dinner. It made me realize two things: one was that I was born the year the sequel came out, which might explain another reason why I’m so creepy (though mostly I’m this way because of something that happened in a synagogue); and two is that if I weren’t an Ungar, I’d probably be an Addams.

Now, before you start wondering what my family will think when they read this, rest assured they’d probably agree with me. In fact, I’d make a great Addams: after all, where else could a horror author learn first-hand how to torture people without consequences? Probably in the playroom with Uncle Fester. And if I wanted to know a thing or two about magic? Morticia and Grandma Frump. And sword-fighting? Apparently Gomez and Morticia are both experienced duelists. It’d be a blast.

Not to say my folks aren’t great or strange. On the contrary, my family does have some similarities to the Addams. For instance, my siblings are all a little creepy and plenty kooky, though not as much as me. The sister closest to me in age definitely reminds me at times of Wednesday (though don’t tell her I said that). My mom did once try to spray me with a fire hose, but instead settled for the hose from the kitchen sink. My dad is very affectionate to his wife, my stepmom, almost to the point of comedic. And we have some very unusal pets in the house, even for cats. Add me into the mix, you’ve got some crazy sitcom material. Oh, and one of my uncles does remind me of Cousin Itt, for which I blame on his alma mater.

You know what? If the Addams were real people, I’d like for my family to be neighbors with them. That would be the best. We’d have so much fun, blowing stuff up and scaring people silly. And I’d have a constant source of inspiration and critique for the stories I write. It may only happen in my head, but it’s still swell even there.

Equation for a successful Burton film: 1 Burton + 1 Depp + 1 Bonham Carter = a blockbutster film (usually).

Speaking of which, I hear that Illumination Entertainment is set to do a stop-motion remake of the creepy-kooky-spooky Addams family, with Tim Burton doing the writing and possibly doing the directing. Even though no details about the story or the cast or whatever has been released, I can garauntee two things: one is that it should be fun for both kids and adults; and two is that since Tim Burtons’ in on it, they’ll have to give Helena Bonham Carter and Johnny Depp roles in it if they want it to be successful at all.

I’ve been wanting to do a post on my favorite types of fictional characters on and off for a while now, but now feels like the right time, since I’ve got an inkling of what sort of characters I like to write and read about and since Reborn City‘s coming out and Snake‘s on its way. So, if you read my work sometime and decide that you want to show how I’m a bad author, here’s the post you can point to if you want to prove I have predictable characters.

So here we go. Here are the types of characters I like to work with:

1. Protagonists with flaws: I like my heroes to be flawed in such ways that it inhibits their abilities. For example, Rip from RC is super bad-ass, but (spoiler alert!) he’s a recovering drug addict and he’s got a huge chip on his shoulder. These sort of things weigh him down and keep him from achieving his true potential. Plus he can be incredibly insensitive, as two characters in chapter two let him know! Not only that, but there’s the Snake himself; he’s killing members of a powerful mafia family and shaking up the criminal underworld, and some might see him as good, whether or not they know why he’s killing in the first place. Either way, there’s one thing that cannot be denied: he’s mentally ill. Not that it inhibits him in life or anything, but I wonder what a shrink might say if they could learn about all the details of the Snake’s condition. It might give people a second thought or two on rooting for him.

2. Amazing girls with issues: What do I mean by that? I like my female leads to have problems even as they’re changing the world around them. For example, the protagonist from RC, Zahara Bakur, is a positive influence on the other characters who inspire them to have lives that aren’t defined by violence. Even so, Zahara saw her parents murdered and feels a little guilty that she’s the one who survived. Not to mention she feels she’s holding her friends back because she’s not real gangster material, and puts herself down when she attributes something that happens to her own weakness. Even with all that, she ends up bringing some positive change to those around her.

Another example is from a political thriller I plan to write someday. The main character is around Zahara’s age, though has her own dark past and her own problems to deal with (not saying what at this point, but it makes an interesting story). She’s timid and shy, and anything that reminds her of her dark past scares her horribly, especially when that past comes back to haunt her while she’s trying to save the United States. Watching her break free of the hold her past has on her and then going on to save the nation is something I’m looking forward to writing, because it’d be an awesome story to read.

3. Nasty human villains: I make a distinction between villains who are human and those who are something else, since I plan to write about both. This one will focus on human villains, which can be vary wide-ranging in their motivations or designs. For the most part though, the villains I write, when they’re human, either think they’re doing good or don’t really care whether or not their actions hurt people. An example of the former comes from RC: the main antagonist Jason Price (who’s design I based on Samuel L. Jackson, by the way), believes that his company’s actions will benefit the world someday, even if it means using unethical and deplorable means to get there, and anyone in his way is trying to stop progress and the safety of the world.

On the other hand, you have Christopher Camerlengo, head of the Camerlengo Family from Snake. The main and final antagonist the Snake goes up against, Camerlengo’s mob organization deals in human trafficking and the sex trade. Does he care that he’s degrading the lives of women and men everywhere? No; instead he sees what he does as a business, and the Snake is ruining that business. Perhaps he’d raise a hand if someone tried to traffic someone from his family–one of his kids, per se–but for the most part, all he cares about is making easy money, and people are easy money when you know what you’re doing (or so I’ve heard).

4. Supernatural villains: Like the human villains, these sorts of villains are wide-ranging both in designs and motivations. But they also have two general types: survival or to be the ultimate ruler of all. In the first category, we have a demon from a supernatural crime novel I’m going to call The Weaver when I get around to writing it. I’m not saying what kind of creature we’re dealing with here, but I will say that the creature in question is concerned about the survival of its species, and goes on a killing spree for that very purpose (do not confuse this with Stephen King’s IT though; it’s very different). In the other category, we have the main villain of a novel based on Alice in Wonderland that I plan to write one day (and in case you haven’t figured it out yet, I have a whole list of stories I’d like to write someday; I just can’t write them all right now). The villain in question, whose specifics I also shall not reveal, is a powerful force of intelligent evil whose whole purpose is to turn our world into a nightmarish hell because he feeds off of suffering, and enjoys it too! Can you see the advantages of stopping this one from achieving power?

5. Wise mentors with mysterious pasts: In the stories where characters have mentors who teach them and guide them during critical minds, these characters have plenty of experience they want to give to the protagonists. In the trilogy RC belongs to, the characters run across an old man with a connection to Rip, and helps them out as best he can. He also becomes close to Zahara, and helps her help her friends in the one way she knows best. In another series, this one a 6-book series set during WWII, the main character receives help from a woman he met while living in America. It is through her tutelage that the main character gains the skills he needs when he decides to take on the Nazis (and boy, that’ll be a story to tell). And remember that story The Weaver? The male protagonist is a cop; whenever he’s in trouble, he looks to his uncle, a veteran detective who was a proud gay man despite never being able to come out at work, whenever he has a problem.

The thing is, most of these mentor figures have pasts that aren’t explained, either for plot purposes or just to make them mysterious or because it doesn’t really matter what their pasts are like, but that just makes them so much cooler, right?

That’s all I can think of for now. If I have some more ideas on characters I like, I’ll let you know. But what about you? What kind of characters do you just loooove to write about? Don’t be shy, let me know; I like discussing the pros and cons of such characters, personally.

I often look at this election and the past one and I think to myself, “I wonder if President Obama’s mother had any inkling of what her son would become when he was born.” And then I think to myself, “What if someone else had any idea what Barack Obama would grow up to be?” And then this leads me to the strange fantasy where a bunch of people living in the United States had a sudden prophetic vision of the 2008 Presidential Election. Some of these people would’ve (predictably) acted with fear and hate; others might’ve cried with joy; and others might’ve been curious as to what might the future hold.

In 2007 and 2008, we had a serious candidate for the White House with more melatonin in his skin than others past. Yet even if the difference was literally only skin-deep, it caused a wave. Every pundit in the media was speculating on what it would mean if an African-American won or lost the race at this point in the election, while also discussing who whites, blacks, and everyone in between would gravitate to, as if everything depended on it. Some people truly felt it did; one time in class we were having a discussion on the race and a friend said he’d heard someone called a racist because that person supported another candidate.

As much as I hate to admit it, race plays a factor in these elections, and in 2008 they played a bigger role than usual, it seemed. Personally, I was more concerned with how the economy might either collapse or grow again depending on which candidate was elected, but people were only seeing the race in terms of what it meant for civil rights and the gap that still existed between whites and minorities.

Do they have a point? Yes, actually; when the President was born, it was 1961 and the civil rights movement wasn’t at its peak yet. African-Americans, Latinos, and Asian-Americans from all walks of life would’ve found it hard to believe that a baby born that year would grow up to achieve the highest office in our country, especially when they themselves were treated as second-class citizens. After all, they were still trying to get a chance to vote safely and desegregate public areas.

But a lot had changed between then and 2008. Segregation is no longer legal (though some places will try to boot out minorities under false pretenses); minorities can vote without worrying about the reprecussions to themselves (if voter ID laws don’t get in the way); and a dark skin tone is not something to be deplored anymore, but something to be admired and proud of (at least in most circles). Much had still to be done, but when the President took office it felt like another step in the right direction.

And in 2012? Well thankfully the role of race has died down a little bit. In fact, “race” pertains less to the candidates and how their race plays into their prospects of winning the election and more into “How can we get the black vote?” or “How can we win minorities over to us?” I must say, I prefer this role than the role played in 2008, though I would rather race didn’t play any role at all in elections and politics at all.

Oh well. Maybe in 2016 or 2020, if this great nation known as the United States is still going strong, the role of race will be even more diminished than it is now. I can hope anyway. I’m looking forward to the day when our nation could care less about race because we’re so mixed anyway it doesn’t matter.

I’ll keep my fingers crossed, anyway.

For those of you who have no idea what that title means, Dodi Li is a short story that I started this summer and that I’m rewriting before National Novel Writing Month starts in two weeks. It means “my darling” or “my beloved” in Hebrew and should not be confused with a popular Jewish song that is sung sometimes on Friday nights by Jews everywhere.

Dodi Li features a succubus, a demoness who visits men at night as a beautiful woman and steals their sperm in order to create demonic children or steal pieces of their soul through fornication, depending on what myths you believe. However my succubus, who I’ve named Umuruk (sounds like a name a succubus would have, right?) is not the antagonist of the story. Instead, she struggles to protect the other protagonist, a male she’s fallen in love with. Succubi have fallen in love with humans before, according to the folklore and stories I found by people who say they’ve had experiences with succubi (it’s on the Internet, so I can’t be sure if the writers are crazy or not, but I try to keep an open mind), and I decided to tap into that for this story.

The first draft was very plot-oriented, and sucked immensely. I decided to leave it alone until I could think of a way to make it better, and if I couldn’t, then it’d make a great learning experience. But yesterday in creative writing class, my teacher gave me an idea on how I could improve the story. So I went back and started to completely rewrite it, going until half-past ten last night, and then resuming for a little while this morning before class.

As I was heading to class, I realized something about my story: the main character, whose nine years old, and the antagonist, a 40-something with some mental issues, are the only male characters. All the rest are female: the doctor, the head nurse, the head of neurology, a possible detective character, and of course the succubus Umuruk, are all women, and all are women in positions of power that they use to help people.

I started to wonder if that might mean something, if my psyche was trying to tell me something through my writing. If it’s that I respect women in positions of power and that I think there should be more of them, that doesn’t surprise me at all; I grew up in a house full of women, my mom’s a rabbi, my boss is a woman, her boss is a woman, and I took a Women’s Studies course my first year at Ohio State, which I did very well in. So no surprise that powerful women show up in my story.

However, if it has something to do with the fact that Umuruk is able to help the main character more than these women, then I wonder what that might be saying. Perhaps even if women are educated and in positions of power, if they don’t occasionally open their minds to the impossible, then a mentally unbalanced man will hurt an innocent nine-year-old? That’s also a possibility.

In any case, once I finish the story I might understand more, and if I manage to get it published, you might be able to read it and give me some suggestions on what my Muse is trying to tell me.

Anyway, I’ve got some homework to do before I go to work, so I better get that taken care of right now. Have a nice day.

Oh, before I forget, something funny I have to tell you: I was talking to my history teacher after class today, and we had a really great discussion on the way out the building. You see, at the beginning of the semester, my teacher, whose focus is African History, told us that if any of us intentionally failed his class, he’d used magic he learned from tribal priests to enter our dreams and scare the heck out of us. Ever since then I’ve been trying on and off to get him to agree to teach me how to enter people’s dreams (can you blame me?).

At some point during our conversation, my teacher revealed he’d been joking, but I thought he’d been serious because he said it in such a serious way. This led to a discussion on witchcraft in different cultures, which led to a discussion on using magic and summoning stuff. That led to a discussion on spirits and possessions, and in the end, I ended up recommending my teacher to go see The Possession, which I reviewed back in September. Turns out, he agreed to see it. How about that?

Anyway, I think it’s funny, I have no idea what you think.

I saw an ad for Google Chrome today that I wanted to share with you. Normally I wouldn’t waste your time with a Google Chrome ad, especially since Internet Explorer is more my type. But this one has to do with a self-publishing success story:

In the video, Clayton Dallas wrote a children’s book for his son that encouraged him to dream big. Mr. Dallas wanted to publish his book, but publishers turned him down. He decided to do self-publishing, and over time, his book, titled An Awesome Book, caught on. Before he knew it, Mr. Dallas was touring the country and abroad, reading his book about how any child can change the future if they put their minds to it.

Well, that’s pretty interesting. Not only am I self-publishing Reborn City, but one of the overarching themes of RC and its two sequels is that one can better their lives and change the world if they work hard and they put their minds to it and never give up. I like that idea, and I think it’s one that not enough people believe in these days, and many people put down all too willingly, which may be why it can be difficult sometimes to get people to vote in elections (a possibility).

So Mr. Dallas, I wish you luck with your book. I hope it inspires a whole new generation of young people. As for myself, I’ll work to get my book out too, and maybe somebody will be inspired enough to try and make a change after reading RC and its sequels (fingers crossed).  I also hope that if publishing companies haven’t taken your book seriously yet, then after the Google Chrome commercial they are! Otherwise, they are just dense.

Talk to you guys later. I’ve got some homework to do and then I’m going to see Taken 2, which I’ll review afterwards. Spoiler alert: Someone gets taken and Liam Neeson has to go save them. But we already knew that, didn’t we?

Anyone else wondering if Mickey Mouse is hiding behind a corner?

Lately I’ve been reading a lot of of books based on Celtic and Arthurian mythology. Knights, faeries, dragons, magic and wizards. I’ve been on a bit of a fantasy binge. So I’d thought I’d devote a post to some of my favorites…not including Harry Potter. Or Tolkein. Or Lewis. Or Game of Thrones. Why none of those, you may ask? Mostly because everybody’s read them and I don’t want to just tell people what everyone know. That, and I’ve only read two of the four mentioned.

So here’s my fantasy favorites, all for your enjoyment:

THE AGE OF MISRULE by Mark Chadbourn

Honestly one of the most interesting fantasy stories I’ve ever read, weaving together both Arthurian and Celtic myths with New Age philosophy and beliefs. In modern-day Britain, strange things start happening. Dragon in the sky…electricity failing mysteriously…technology going haywire…stepping out at night becoming an extreme sport. What’s happening is the ancient gods, demons, and magical creatures of days past are returning to our world, and the only thing standing in the way of humanity being bulldozed by this change is the Brothers and Sisters of Dragons, five ordinary humans who’ve been gifted with the Pendragon Spirit, a power given to them by Existence itself to help humanity weather the coming change. Together the Brothers and Sisters must learn to work together and help humanity adapt, especially when the demonic Fomorii are working to bring their master Balor back to life and wage war on the god-like Tuatha Da Danaan.

I really enjoyed this trilogy, not only because it’s unique and Mark Chadbourn knows how to write a compelling plot and characters, but because even though the world is full of supernatural dangers, I’d want to live there. Heck, I’d want ot be a Brother of Dragons, helping to bring the change to humanity. After all, it’s a simpler life, one where if you’re not working on the land, you’re learning to be in harmony with nature and the spirits around you. And you get to learn magic, which is pretty cool.

 

 

 

 

EARL AND THE FAIRY by Mizue Tani

A series of light novels, the story follows a woman named Lydia Carlton, who is one of the last few fairy doctors around (fairy doctors being people who mediate between humans and fairies). Unfortunately for her, humans in 19th century are not too predisposed to seeing or believing in fairies, so Lydia’s kind of an odd duck to other people. That is, until she meets Edgar Ashenbert, a cunning, manipulative, and mysterious nobleman who enlists Lydia’s help in reclaiming his heritage, which includes a sword that belonged to the Blue Knight Earl, a warrior who had holdings in the realm of the fairies and Edgar’s ancestor. Torn between falling in love with Edgar and hating him for using her in his schemes, Lydia becomes embroiled with supernatural events that seem to gravitate around her and Edgar, sometimes endangering both their lives.

The series is quite popular in Japan, with 29 volumes out already, and a manga and anime series based on the books out as well. Unfortunately, only the manga is available in the US, and only the first 3 volumes as of last month. Still, it is worth a read, especially if you’re looking to get into manga and need an opinion on a good one.

 

 

 

MERLIN

A TV miniseries starring Sam Neill and Miranda Richardson, Merlin chronicles the life of Merlin in his battle against the supernatural Queen Mab. The story starts several years before King Arthur, beginning with Merlin’s birth, his magic training, his animosity with Mab, the rise and fall of Arthur and Camelot, and the final defeat of Mab and the death of magic. I saw this when I was younger, and I always thought it was an amazing story, though now that I think about it I’m not sure how pissing off Merlin and doing everything you can to hurt him is supposed to save your kingdom…oh wait, now I see what Mordred’s purpose was! I really need to rewatch that series now.

The special effects aren’t Avatar or Inception-grade, but the story is compelling and even if the effects aren’t top-notch, they do look believable for their day. Sam Neill is great as a pensive, all-knowing Merlin with anger issues, while Miranda Richardson is the ultimate femme fatale, a hoarse-voiced queen of magic with spells galore and a thousand and one tricks up her sleeve. You’ll love it if you watch it.

 

 

FAIRY CUBE by Kaori Yuki

Kaori Yuki has a reputation for powerful stories with Gothic and supernatural elements. Here she upholds her reputation with Fairy Cube, a story about a boy named Ian who sees spirits and fairies and is haunted by a spirit named Tokage. When Ian is killed by his father in a drunken rage, Tokage possesses Ian’s body and starts romancing Ian’s childhood friend Rin. Determined to get his body back, Ian teams up with a fiery fairy named Ainsel and a mysterious shopkeeper named Kaito in order to get his body back and save his friend. At the same time, Ian starts to become aware of a company called Gotoh that has ties to the spirit world and has sinister plans for the human world (I always knew corporations were up to no good).

Exciting and with Kaori Yuki’s awesome art and storytelling, Fairy Cube is an exciting read for all those interested in dark fantasy in general. I certainly enjoyed it.

 

That’s all I have right now. If I think of any other stories I’d want to put up here, I’ll let you know. If you have any suggestions, if you’ve read any of these works and want to give your review of them, or if you think I’m crazy because I haven’t read Tolkein or Game of Thrones, let me know.

Last night I was thinking of some of the short stories I’ve written over the years that I never got around to giving a second edit. I wondered why I’d never gotten to editing them. And then it hit me: those stories, good or bad, were meant to be teaching stories. To be more exact, they were stories that were meant to teach me something new about writing. I was writing these short stories as learning experiences and hadn’t realized it up until this point, but now that I do, it makes sense why I wrote them in the first place.

I remember this one story I wrote late in my senior year of high school, that was meant to be like a probing psychological examination of two men traveling through space. Of course I failed miserably, but I learned a couple of things writing it, including that you need a lot more than two dudes talking about their feelings in a space ship to make a good story. Back in late winter-early spring, I wrote a short story about a guy who found a letter and then started eating fiction books (not sure if that one can’t be published, but it’s still very weird). I think that one was a lesson on magical realism and showing versus telling and how to draw out a story.

And remember the succubus and doll stories from this summer? Yeah, those were on why you shouldn’t go overboard on the plots of stories and forget the character development, because let’s face it, those stories were so focused on the plot the stories worked against themselves.

So now what am I going to do when it comes to writing short stories? Well, I think I won’t expect every story I write has to be published. Instead, I’ll see where a story can take me and if it can be published, that’s great. I’ll also try new methods of coming up with short stories, some of which I picked up from other people who’ve used these methods to come up with short stories. I’ll let you know if they come of anything, but before I do any of that, I need to finish editing Reborn City.

Until next time (which might be sooner than we both think).

A kid surrounded by strange monsters; I wonder what he’s going to do when he grows up? Probably write fantasy.

I think most horror writers, mystery writers, or thriller writers have something in their childhood that send them into the worlds of darkness and fear. Something in our young lives causes us to gravitate towards murder and psychopaths and demons and very graphic sex scenes (yes, I said that). Some of us have more trouble than others remembering and figuring out what childhood traumas we have, if any.

For a while, I thought I didn’t have a childhood trauma, that I just naturally liked murder and monsters. Of course, that says some scary stuff about yours truly, so what do I do? I try to rack my memory for something in my childhood that might’ve made me like hell and high water.

This evening, it finally came to me. Toledo Ohio, my old hometown, where I lived until I was nine, but when it happened I couldn’t have been more than seven, most likely five or six. My parents were both rabbis at the same synagogue, so I had free range pretty much  over the whole building. And behind the bimah, which is the raised area in the back of the sanctuary in a synagogue, was a small little passageway that opened up on either side of the bimah. The passageway led to where the boiler/furnace/whatever were hidden, and I thought I’d go exploring.

I went into the sanctuary, where two men on the synagogue staff were collecting prayer books from the seats. I didn’t really notice them–they were staff, I was a privileged rabbi’s kid, you get the idea–but they noticed me. And they decided to play a prank on me.

I walked into the passage, and I heard the humming of machines keeping the synagogue at the right chapter. I stand there listening for a second when the two staff members show up on either side of me, with freaky smiles on their faces. The taller (and I think older) says to me, “You hear that sound?” Me, being a little kid and freaked as hell by their smiles, nod in the affirmative. The other one says to me, “That’s the sound of death.” After he says that, the sound of the machines humming seem to change and to become the sounds of buzzsaws cutting things in two, at least to my little ears.

So what did I do? I ran! I ran past the shorter one, out the passageway, and did not stop till I was halfway between the sanctuary and my dad’s office, which to a six-year-old is quite the distance. I didn’t tell my parents. I bottled it up and got on with the day.

A few weeks later, I went into the sanctuary again, this time when those two staff members weren’t around. But it didn’t occur to me that they might not be in that part of the synagogue today or even in the building; to me they were in the passageway, waiting to kill me. Or at least, I thought they might be. I wanted to go in there, to show I wasn’t going to die and that I wasn’t scared.

I went in. Nobody else was there. I left, alive and healthy and full of hyperactive pep. I’d conquered my fear, proven that I was stronger than my fears. Later I forgot the incident, but I remembered I’d conquered my fear, that I’d been stronger than it, that I had ruled over it.

From that time onwards, I slowly but surely became entranced with the macabre and freaky, the stuff that fills nightmares, even when I felt scared by it too. Why? Because I felt that even if something scared me, I could control that scary thing, just like I had conquered and controlled my fears in the passageway. I started really getting into writing, and then after a while, I started really getting into writing scary stories, as well as reading them. Recently I’ve had some luck with publishing them.

And tonight I remembered what scared me back then. I called my dad to see if he remembered the staff members in question. He said that judging by their descriptions, they were most likely two men by the names of Bill and George, though he finds it hard to believe they’d pull on a prank like that on a kid, let alone the rabbi’s son. That, and he likes to joke I was dropped on my head as a child, and that’s why I’m so strange.

So now I remember my traumatic episode that propelled me towards controlling the things that scare others. It’s all because of two men with really sick senses of humor. But I’m not resentful; in fact, I’d like to thank Misters Bill and George, wherever you are today. Did you know that I’d become a writer of scary stories? Probably not, but I hope you eel sorry for what you did. If you don’t, it’s going to be really hard for you to accept that you’ve been outed on the Internet (my little revenge).

Well, now that that’s out of the way, I’ve got classes tomorrow, so it’s time for bed. Good night, and if I can’t write a post tomorrow, have a nice weekend.

Rekall: So good, you’ll never want to come back. Unless your name is Douglas Quaid, of course.

So last night, I decided to watch the original Total Recall, and let me tell you, I liked it, my only problem with it being that the terraforming scene at the end of the movie was a little too ridiculous for me. However, I’m not here to review Total Recall (whose remake, from what I heard, can’t really compare to the original). I’m here to discuss Rekall, the company at the beginning of the film that gives you false memories of wonderful vacations for a price. I was watching the scene where Arnold Schwarzenegger’s character is getting the spin from the doctor about the wondrous packages he could recieve, the memories that were only a few hundred credits away. It made me think, What sort of memories would I pick up if I went to Rekall?

Okay, most of you who know me probably think they know what I would get if I went to Rekall. And now you’re thinking, Of course we do. And now you’re wondering if I’m psychic or something, to which I reply I’m not. I’m also going to tell you that my dream vacation would not be becoming the leader of a demon army and taking over the world. Nor would it be becoming a slasher serial killer and having my own scary movie. Did any of you guess either of those? If you did, then what sort of deranged person do you think I am?

Anyway, this is what I’d want to do if I went to Rekall to get some memories implanted in me: I’d be just a normal human who one day discovers I have magic powers. I would gain a cool magical weapon and a spirit familiar, and I would soon discover that my magical powers mean I am prophesied to stop an evil army from taking over Earth and a magical realm in a parralel universe to Earth. Reluctantly I would take on the mantle of hero and I would go off to fight the demon army, which is comprised of wicked humans who believe they’re controlling the demons, but in reality it is not that simple.

Along the way, I would meet a really cool girl with fighting skills and magic powers and we’ll become friends and fighting partners. I’l also make some more allies, a few rivals, and some more enemies. I’ll train under various masters of magic and combat, learning all I can, and I’ll even discover some amazing things about my friends and about myself along the way, including that my fighting partner is also a princess from a lost kingdom who disappeared years ago and is unaware of her own parentage.

There will be cool fights, a couple of plot twists, one or two love triangles, and maybe a betrayal, but of course, in the end the bad guys get their asses kicked, I get the girl, and we all live happily ever after as Earth and the magical realm come into contact for the first time and learn to live with each other.

Okay, now I showed you mine. You show me yours. What would you do if you went to Rekall to get memories implanted? Would you go on an adventure? What kind? Or would you rather spend it doing something ordinary, maybe spending a couple of weeks in an exotic country? Touring your favorite vacation spot? Maybe you’ll go back in time to an era you’ve always wanted to visit? Let me know, I’d love to hear it.