No, you didn’t read that wrong. That’s not a misspelling on my part of “Halloween.” That is the name of the novel, and since I heard of it, I’ve wanted to read it. I mean, with a name like that, how could I not? And with the audio book just getting released recently, I decided to give it a listen and see if this would become a new classic for spooky season.
Taking place during the Halloween immediately following the September 11 attacks, several strange things are happening in the small town of Crook’s Corner, Massachusetts. A famous scream queen is kidnapped in town while filming a new horror film. A science teacher is putting together a machine that causes those near it to see strange shapes. A Goth teenager and her little sister use the latter’s psychic abilities to play pranks on their grandmother. All this and more herald the coming of something evil: a cosmic being who wishes to become a god over all humanity. And this Halloween, they may get their chance.
This book was so hard to put down (or should I say put on pause?). The first chapter, where the scream queen is kidnapped, is shocking enough, but then the novel jumps back several hours, showing what the main characters–a group of high schoolers filming a horror movie for a class–are up to. And with those opening chapters, you get several different plot threads and you wonder how they’re all going to wrap up into one neat little package.
Which, much to my delight, they did come together nicely, leading to a harrowing story with a strong atmosphere of dread and tension. In fact, that’s probably the book’s biggest strength: the atmosphere. Once the horror part really gets going in Helloween, it’s just nonstop threat to the characters. Even in the pauses to the horror, there’s so much tension, it’s hard to relax. Add in some of the events in the latter half of the book, and you start to wonder if the characters can even triumph over the great evil.
And that’s the book’s second biggest strength: it’s characters, particularly the antagonist Geth. Geth is an ancient entity who schemes to become a god, and when it–or they, I should say–gets the ball rolling on their plans, you better believe that shit will hit the fan! And the way Geth is written, this alien being who thinks differently than us but plans to become a god over us, just makes them fascinating to follow. Even as you fear their victory due to their overwhelming power and disregard for both human life and human autonomy.
The other characters are great, too. Ralston manages to make almost all of the supporting characters– from kooky science teacher Ernie Combs and the Catholic priest to would have been right at home during the Crusades, to scream queen Darla Knight and the annoying kid who annoys almost all the other characters–feel real and fleshed out. And yes, there are a lot of them, but at no point did I ever feel like I was overwhelmed with the number of characters I encountered in the book.
Of course, our six main characters were no exception. At first glance, they do feel like your typical high school stereotypes: Cody the jock; Britney the popular girl; Jay the computer geek; Walden the film buff; Cassandra the Goth and her sweet little sister Taylor. But early on, we see that they all have deep dimensions to them, and that only grows as we get deeper into the story. Before I knew it, I couldn’t help but root for and love these characters dearly.
All in all, Helloween by Duncan Ralston is scary AF and sure to become a Halloween classic in time. On a scale of 1 to 5, I’m awarding it a 4.8. Consider picking up a copy and adding it to your reading list this spooky season. If you’re a horror fan, you won’t regret it.
This isn’t my normal review. But then again, this is far from a normal graphic novel.
So, when you think of tiny, humanoid people, what do you think of? Fairies? The Borrowers? How about tiny people living inside you (and I don’t mean the emotions from Inside Out)? Not with Beautiful Darkness, a graphic novel by Fabien Vehlmann and Kerascoet.
The graphic novel starts out prettily enough. A girl named Aurora, who is like a Cinderella in a 1950s housedress, is being courted by a princely character named Hector. She’s helped by a short little friend named Plim. In the first page and a half, their romance is going just like a fairy tale…until the cutely drawn characters’ home starts dissolving around them, forcing them to leave.
And then it’s revealed that home is the body of a little girl, left abandoned in the woods to rot. Her name, who she might have been, and how she died, never revealed.
And that’s just the start of a very dark saga dressed up in art that, in another graphic novel, would fit nicely in the children’s section at your local library.
This image is so disturbing, I almost didn’t include it in this review.
Aurora quickly finds herself trying to be a leader as she and the other survivors learn to grasp their new surroundings. However, Aurora, who might be the most realistic, as well as the most idealistic, of this community of tiny people, do not have it easy. Except for one mouse, all the animals and insects are as wild as you’d expect, and do what animals do best. The elements take their toll as well. Schemes to survive lead to further deaths or maiming, such as when one character tries to sneak into a nest full of baby birds and eat with them. The result is that her mouth gets torn open by the mother bird’s large beak, leading her to throwing up blood and running away.
But worse than animals, or nature, or survival attempts, are Aurora’s compatriots. Perhaps because they lived inside the body of a little girl, they are almost oblivious in their innocence and naivete. They see each other die, and move on to fish or fly kites or dance like it was nothing. They scheme against and backstab one another. They even kill each other, and do it with such callousness, never once sparing a thought for the lives they’ve taken!
All this betrayal and disappointment wear on Aurora, especially after her leadership role, and her lover, are usurped by rival leader Zellie. She later thinks that she’s found a friend in a loner survivor named Jane, but events soon force her to make the ultimate choice.
A prime example of how dark and uncaring the world of these characters is.
I’ve written before about “corruption of the innocent” before. The idea that the horrors one faces through a horror story destroys whatever innocence you have left and transforms you into something new. It could be childhood innocence, or that you thought the world was a rational place full of rational people, or that the world is ruled by a loving and merciful god. In some subgenres of horror, like Gothic, it could be considered essential. I certainly consider it essential, to the point I have a tattoo on my back representing it.
And it’s been such a long time since I’ve seen it done so well. Aurora tries to stay strong, but her innocence is destroyed in a world where she and her people are as inconsequential as dust motes, and those she should be able to rely on smile innocently while they betray her. In a way, it’s like cosmic horror, only instead of Cthulhu and the Great Old Ones, it’s a forest full of hungry animals and violent nature, as well as your own community.
(That’s not my observation, BTW: it’s the YouTube channel Tale Foundry, where I first heard of this graphic novel and which I highly recommend. You can check out their video about it here, but beware of spoilers.)
Anyway, it’s probably only a matter of time till this graphic novel appears on my personal shelves. In the meantime, I’m awarding Beautiful Darkness by Fabien Vehlmann and Kerascoet a 4.8 out of 5. It’s dark, it’s disturbing, it’s possibly the prime example of a new subgenre called “innocent horror,” and I think you should check it out.
Just don’t show it to young children afterwards. It’ll mess them up in all the wrong ways.
From left to right: Rob Costello, Gaby Triana, Tamika Thompson, me, Aaron Dries, Rae Knowles, and Logan Johnson.
I’ve been wanting to write this post ever since I got back from StokerCon, but life has been very, very busy. But hey, better late than never, am I right?
So, as you probably recall, at StokerCon I was on the panel Representation in Horror, where we explored the topic of including marginalized voices in our community, as well as writing characters from those communities. I was very excited about the topic; not just because it’s one that’s near and dear to my heart, but because it was my very first time sitting on a StokerCon panel. You know, one that wasn’t pre-recorded.
And I figured I would be bringing something to the panel. I’m Jewish, bisexual, and have some disabilities, including being on the spectrum, after all. With the amount of time I spent just thinking about the things I would say in response to the questions, I thought I could help my fellow panelists blow some minds and get our audience (which nearly filled the room) thinking.
I did not expect to have my mind blown as well. But there were several moments just like that.
Just for a couple of examples, I remember Rob Costello mentioning that fat people were the only group that it was still cool to beat up on and how he was sick of it, and while the audience responded positively to that (apparently they noticed that, too), I was like, “Whoa! How have I never noticed that?” And Tamika Thompson mentioned how much Stephen King uses the trope of the Magical Negro, and I was like “Huh, she’s right. Dick Halloran, Mother Abigail, that dude from The Green Mile. He does use that trope a lot.”
And I’ve been thinking about that panel and all we discussed since then, as well as all the things we didn’t have time to discuss. For example, we didn’t have a chance to discuss various communities and their inclusion in the community or in our literature, such as Muslims, Native Americans, or the Roma community (seriously, even when it’s not overtly negative, I can’t think of a portrayal of the Romani that doesn’t lean on stereotypes). And I forgot to mention how not-helpful the portrayal of mentally disabled people as being magic because of their disability is (examples: Dudditts from Dreamcatcher by Stephen King, the autistic kid from 2018’s The Predator).
I think we could all use further conversation in this topic. Photo by nappy on Pexels.com
And it’s made me realize something: the discussion needs to continue. Because this sort of subject, the kind of stuff certain people call “woke,” requires constant learning and further conversation. That way, we can continue to think about what sort of stories we are creating and foster better understanding between people.
So, don’t be surprised if I have a few more blog posts like this one in the near future, ones where I discuss portrayal in horror and problematic stereotypes and whatnot. I may even reach out to some of my fellow panelists to help with that (I managed to find most of them on social media). But hey, if they feel the same way as me, they might want to continue the conversation as well.
And who knows? We might see Representation in Horror become a regular topic at StokerCon. And I don’t think anyone could see that as a bad thing.
These past two months have gone by so quickly, it’s hard to believe we’re already in July. Not surprising, given how busy I’ve been lately. I mean, I just got done with another con, and I’m preparing for another one the weekend after this!
And yet, two months have indeed passed, and that means that Symphony for Walpurgis is two months old now.
Now, if you don’t know (though at this point, you’re probably so familiar with Symphony, you’re sick of it), Symphony for Walpurgis is my newest collection. It is a collection of nine novelettes that include tales of cryptids, malevolent spirits, and even a Jewish exorcism, and has plenty of LGBT, Jewish, and disabled representation.
And I’m very happy to say that it’s slowly growing a readership. Just the other day, I received fan art from my fellow horror writer and Follower of Fear, Louise C, for one of the stories, “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” It’s of the Akolouthos, the main villain of the story (or one of them). Isn’t it awesome?! I mean, look at it!
And at Big Ohio Book Con this past weekend (which went better than any event I’ve done before, which is even more amazing when you consider that this was the first year this event happened and nobody knew how it would go, but I digress), I sold so many copies, I even sold out on the first day! The same day, someone bought a copy online, which means they were interested enough to get it for their Kindle.
Given all that, plus some glowing reviews and some authors I admire with copies of the book, I’d say that’s been a good first two months. And it makes me hopeful for month number three (especially with the Columbus Book Fest just around the corner). I mean, who knows? Maybe I’ll get to that goal of five-hundred sales and fifty reviews by May 1st, 2026, the one year release anniversary.
And if you enjoy or are curious about scary stories involving cryptids and giant bats, spirits plaguing families with parasites, mermaids, untold masses of spiders, mutating viruses, and, again, a Jewish exorcism, then you should check out Symphony for Walpurgis. It’s nine amazing and terrifying novelettes, and I’m working hard to make sure as many people discover it and enjoy it as possible. And I would love it if you were among those people who discovered and maybe even loved it.
I’ll include links for the book below. And if you end up getting a copy and read it, I hope you’ll let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run.
That’s all for now, my Followers of Fear. I’ve got a busy couple of days ahead of me, but I hope I can have a few more blog posts (including a few I’ve wanted to write for a while now) out soon. Until next time, good night, pleasant nightmares, and I hope you have a great month of July. It’s what I’m planning on.
Back in 2023, I released a collection of short stories called Hannah and Other Stories. It contained tales of ghosts, budding serial killers, and even carnivorous horses. Yes, you read that right. Carnivorous horses. And they were terrifying, as were the rest of the stories. In fact, the book was really well-received by most of the people who read the book.
Sadly, as of New Year’s, the book went out of print, due to Hannah‘s publisher, BSC Publishing Group, and I going our separate ways (don’t worry, it’s not because of bad blood). But the good news, the book’s rights were returned to me, so that meant I could re-publish the book whenever I wanted.
And I decided to do just that. Not immediately. After all, I had Symphony for Walpurgis to put out, so there was no way I was going to work on two collections at once! Instead, I decided to wait till after Symphony was released. Once that was done, I would go over the stories in Hannah one more time, and then proceed with releasing the book one more time.
I’m happy to say that I’ve finished going over the stories in Hannah, correcting any errors or missing pieces I missed from the first release, and making some additions or changes to the story to make them a bit closer to my original vision. I also went and got this unbelievable new cover, which is located…
…RIGHT UNDERNEATH THIS PARAGRAPH!
What do you think? Since the carnivorous horses were such a memorable part of the collection, I made sure they were on the front cover this time. And the cover artist, Carin, really brought out how terrifying they were. At least, that’s my humble opinion.
So, if you’re still with me right now, and you’re at all interested in reading Hannah, you’re probably wondering, where do I get this new edition? Well, it’s currently available for preorder, and will be releasing on September 23, 2025, two years to the day of the first release. You can preorder a copy using the links below.
And guess what else? This time, Hannah and Other Stories will be available in paperback as well as ebook! Yeah, for reasons I’m not going to get into, the first time around, Hannah was only available in an ebook format. But this time, a paperback is going to happen, and it’s currently available for preorder on Barnes & Noble. (Why Amazon doesn’t do preorders for paperbacks from self-published authors, I’ll never know.)
So, if you’re at all interested, go preorder a copy by clicking on any of the links below. And, after the book comes out in September, if you end up reading it, please let me know what you think! Positive or negative, I love reader feedback, and it helps me out in the long run. Plus, leaving reviews for books help other readers decide whether the book is for them or not.
I hope you’re as excited as I am for the re-release of Hannah and Other Stories. I’ve been planning this since around October last year, so I’m glad I can finally come out and say, “Hey, this book is on its way again.” And I have a feeling it’s going to do even better than it did last time!
Who knows? It may even get an audio book this time around. Wouldn’t that be cool.
Anyway, that’s all for now. I’ll be sure to remind you all periodically that Hannah is on its way again. And until next time, good night and pleasant nightmares!
The folks of StokerCon waiting for the Final Frame competition to start.
Here’s a riddle for you: what took place in Connecticut last week, had nearly 800 people in attendance, and I was among the attendees? StokerCon! Yes, last week, horror writers from around the world descended upon Stamford, Connecticut. There, we had panels, a short film competition, and our annual awards show, the Bram Stoker Awards, noting superior achievement in horror from the previous calendar year.
(There was also apparently dripping goo and weird liminal spaces out of the Backrooms in the hotel, and somehow, I missed both! I’m annoyed about that, especially the weird liminal space. That would make a great YouTube video!)
As I said in a previous post, my goal for this StokerCon was to level up my writing career and get that much closer to writing full time. This would be achieved by going to panels that I thought would help me reach that goal, being on my first ever panel, and, of course, pitching The Shape of Evil to agents and editors. (Plus meeting new people whom I could network with, but I try to make that more about making new friends than trying to make new business connections.) Did I accomplish my goals? Well, let’s talk about the con and we’ll see.
Hanging with Logan Johnson, one of the organizers of this year’s StokerCon, the moderator on my panel, and a new friend, at the banquet cocktail hour.
Seeing all my friends (meeting new ones). One of my favorite things to do at StokerCon is just to see all my horror-writing friends. Many of us only know each other through social media, so it’s nice to meet in person or to catch up with one another when the last time we saw each other could be a year or two ago. So, of course, I did plenty of that. The hotel had a lobby and a restaurant/bar, so outside of panels, we would gather there or on the second floor (that was where most of the con stuff happened) and just talk. We catch up, discuss our lives and our projects, and just shoot the shit. It’s lovely!
Plus, there’s always new people to meet. I actually got to know quite a few people whom I’d never met before, and it was fun to ask how they were enjoying the con and what they were working on or up to with their horror writing careers. Obviously, some were already well-known within the community, but most were just like me: working stiffs who enjoy horror and hope to make our marks in the genre. I’ve connected with a lot of these people now, and I’m hopeful we can continue to be friends and support each other as we work on our stories.
Going to panels. As I said, with a few notable exceptions, the panels I went to were ones I thought would be helpful for me as I move forward in my writing career. This included a panel on getting your stories adapted for film (it nearly happened once to me, so I thought I’d get some tips in case it happened again), and on how to get along with others as a professional. This one was particularly important to me, because being on the spectrum, I often feel like everyone but me was given a rule book on social interaction at birth and I have a lot of catching up to do. I actually brought this up during the Q&A section at the end of the panel, and what I should do in case I made a mistake. The answers I received were very reassuring. Not just to me, but, as I learned afterwards, to others in the audience who also were neurodivergent and felt the same way. I even got thanked a few times for bringing the topic up, which surprised me but also made me glad I asked.
As for the other panels I went to, one was about a Jewish writer who, while not a horror writer, had some dark themes in some of his work (I’m going to have to read that at some point), and a panel on using public domain characters and stories in horror (as someone who’s seen the Winnie the Pooh and Steamboat Willie horror films, I couldn’t resist). All in all, they were very educational, and I’m glad I went to them.
The signature scavenger hunt. As you might expect, I went a little crazy in the dealer room and bought way too many books. One of the books was The Rack, edited by Tom Deady, which is pictured above. It’s an anthology of stories inspired by those vintage horror paperback covers from the 70s and 80s. I bought it directly from the editor, Tom Deady, in the dealer room, and he signed it. And then I ran into one of the writers in the anthology, Erick Nunnally, a little while after. On a spur of the moment, I asked him to sign the book where his story began, which he did. And then he suggested I get the other authors in the book who were in attendance at StokerCon to sign. Which I did.
Ultimately, I think I managed to get half the authors to sign their stories. Most of those were done during the Mass Author Signing, where you can go around a big room and get your books signed by the authors who wrote them all at once. That was fun, because I also had them sign other books they’d written I’d bought, and then got signatures from other authors whose books I had copies of. The rest were just during random meetings during the con, and they were always happy to sign.
So yeah, I spent a good portion of StokerCon on a bit of a scavenger hunt, but it was still a lot of fun, and I only missed three of the authors who were in attendance (maybe next year?). And now, I have a cool knickknack in my personal library, which I’m currently reading through and loving! So, no regrets whatsoever.
From left to right: Rob Costello, Gaby Triana, Tamika Thompson, myself, Aaron Dries, Rae Knowles, and Logan Johnson.
Being on my first live panel. I’ve done a few StokerCon panels in the past, but they were always pre-recorded on Zoom for the virtual audiences. And while that is great, I’ve always wanted to tackle being on a live one. Not only did I get to do just that last week, but it was on a topic I am passionate about: Authentic Representation in Horror, which was about including marginalized communities and voices in horror and how to do so. And wow, did a lot of people show up! By the end, nearly all the seats were taken. I guess other people wanted to talk about this as well.
To say the least, the conversations were illuminating. I even had a few moments where I was like, “I never thought of that.” Honestly, I want to give this panel its own blog post, so I’ll stop there, but I’ll say this: it was great being on a panel like that. I look forward to doing it again someday soon.
The pitches. I’m sure a few of you skipped ahead just to find out how this went. Yes, during StokerCon’s annual session dedicated to connecting authors with agents and editors, I did get to pitch The Shape of Evil. And you know what? I got results. Three agents and one editor asked me to send them part or all of The Shape of Evil, which I did on Monday after taking a little time to recover from all the travel (and that traveling is worth a blog post on its own).
To say the least, I am beyond happy about this result. It went way better than I thought it would go, even with practicing pitches beforehand (always recommended), and I am hopeful that at least one of them will want to help me get The Shape of Evil published. I’ll likely know something by the end of the summer. And, of course, if it all goes well, I’ll be sure to let you know.
***
Ultimately, StokerCon was an amazing time for me. Sure, this year’s hotel was weird, but I had fun with friends, accomplished my goals, and made sure to celebrate everyone else’s accomplishments with them. And next year, we’re doing it again: at the end of the awards banquet, it was announced that, to control costs and to ensure StokerCon continues to go in a direction that’s as good as possible for as many people as possible, it’ll be in Pittsburgh for the next two years.
Obviously, I’m stoked, since that means I can drive there. In fact, I’ve already bought my ticket! And next year will be the 10th annual StokerCon, so it should be extra special. (Yeah, I thought it’d been around for longer, too. Color us both surprised.)
Members of HWA Ohio at StokerCon. I have a feeling next year, we’re going to have a much bigger showing.
I wonder what will happen. Will I sit on another panel or two? Do a reading? Somehow get on the ballot and get to be a nominee? I guess we’ll see. In the meantime, I’ll work on getting my stories out there and meeting new readers and having plenty to talk about when I drive to Pittsburgh next year.
In the meantime, I’ll have a new blog post out Monday, so keep an eye out for that. And until then, my Followers of Fear, good night, pleasant nightmares, and have a wonderful start to your summer. I know I am.
Hello, my Followers of Fear. I’m back from StokerCon and I’m sure you’re expecting me to go into detail about that. I plan to do so, believe me, but I need a little more time to process what’s happened, so I won’t be doing that this post.*
Instead, I want to talk about something else this weekend, which hasn’t happened in a long time: I got new fan art!
I’ve long believed that fan art is one of the most honest expressions of love from a fan to a creator, so I’m very touched to have received a new piece. This piece comes from Louise C, a fellow horror writer and a Follower of Fear I met over on BlueSky. She’s been reading several of my stories since we met, and I’m glad not only to have her among the Followers, but that she gave me this amazing piece of fan art, which was intended as a birthday present for me (my birthday was quite recent, if you didn’t know).
Not only that, but she had the fan art created by a commissioned artist! Yeah, really. According to Louise, she somehow won a free commissioned art piece and decided to use it to give me a birthday present. I told her I was really flattered and that, if she wanted to do this, I would be honored. I also told her she could choose whatever the fan art was of.
The result is below.
Pretty awesome, isn’t it? I love the expression on the character’s face. So cocky and full of pride and self-assurance.
If you don’t recognize the character, it’s the Akolouthos, the master of the dragon bats in my novelette “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” He’s described as an extremely tall man of eight or nine feet, with yellow eyes and teeth and wearing a long black coat and broad-brimmed hat. And, as you can guess from one of my stories, he’s not exactly human.
You know, this isn’t the first time that this particular story, which was one of the previously published ones in Symphony for Walpurgis, has had fan art created for it. When I first came up with dragon bats (they came before the story), Iseult Murphy, another friend, fellow writer, and Follower of Fear, created the fan art you see below. It was the first time I ever received fan art, and spurred me to write a story about dragon bats.
I’m glad to know the story is still scaring enough people to generate new fan art.
Thank you again, Louise, for this deliciously scary fan art. It’s such a wonderful birthday present, and there’s a good chance it’s going to end up on my wall, in the spot where my favorite pieces of fan art go. If it does, I’ll be sure to send you a photo.
And, because I would be remiss if I didn’t do this, if you would like to read “Disillusionment and Trauma Sometimes Go Hand-in-Hand” and see this villain in action, you can grab a copy of Symphony for Walpurgis using the links below. It’s the second story in the collection. And if you end up liking what you read, please leave me a review and let me know what you think! After all, reviews help both me and other readers in the long run.
That’s all for now, my Followers of Fear. Until next time (which will hopefully be later this week), good night and pleasant nightmares.
*I will say, however, that I did get a chance to pitch The Shape of Evil to some agents and editors. And I got instructions from four of them on how to send the manuscript to them. Which, yeah, is great, no doubt. However, if one of them wants to work with me to get The Shape of Evil published, that’s when we’ll have a real celebration.
I can’t tell if last month went by super fast or very long, but passed by, May has. And with it, that means we have reached the one-month anniversary of the release of Symphony of Walpurgis!
Now, if you’re unaware, Symphony for Walpurgis is my latest book, a collection of nine novelettes. It was released on May 1st, which happens to be Walpurgis Night, the night when witches are believed to come together for parties and are supposed to be most powerful (see my explanation of that night here). I put this collection together because most of my shorter works tend to be novelette length (around 7,500-17,500 words), but it’s hard to find homes for stories of that length, so I thought I might as well publish a book full of them.
Here’s the back cover blurb:
What’s the difference between humans and monsters? Is there a fine line, or is it more gray and blurred? Rami Ungar, author of Rose and Hannah and Other Stories, explores this question in his latest collection, Symphony for Walpurgis. From legendary cryptids to malevolent spirits and from Ohio in the 1950s to modern-day California, readers will be treated to nine terrifying stories of the weird and macabre. So settle down and be prepared. For you have bought your ticket to Symphony for Walpurgis.
As I said, I released Symphony just a month ago, and so far, it’s been doing well. Not only have people been grabbing up and reading copies, but the reviews I’ve gotten so far have all been extremely positive. Many of the reviews have gone into detail about what they thought of each story (which is why I haven’t added any of these reviews into this post), and how much they loved the book or how scary they think it is.
Which, obviously, makes me happy. I am the author, after all.
And this is just the first month! I can only imagine what might happen in the next eleven months! After all, I’m aiming to get up to five hundred copies sold in the first year, and fifty reviews on both Amazon and Goodreads. And I’m proud to say, I am making progress towards those goals.
Speaking of which, what’s next for me and for Symphony? Well, in the immediate future, there are a couple of events I’ll be attending over the next few months, including StokerCon and the Columbus Book Festival. HWA Ohio, my local chapter of the Horror Writers Association, have tables at both events, and I know at the latter, I tend to do very well, so I’m hopeful plenty of people will want to check out Symphony during both events.
And, outside of events, I’ll do my best to get more and more people interested. Social media isn’t a great place to advertise, but I’ll keep trying there, of course. And I’ll take advantage of word-of-mouth and other events where I can. And…well, I’ll just see if some things I’m trying will work out before I talk about them.
Anyway, if you’re at all interested in checking out Symphony for Walpurgis, I’ll leave links below. And if you do end up reading it, please leave a review and let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run. Plus, readers get a better idea if they’ll like a book if you leave a review of it online, which is a nice bit of service.
That’s all for now, my Followers of Fear. I’m off to work on other projects which I hope to be able to talk about very soon. Until then, good night, happy reading, and pleasant nightmares.
Grady Hendrix telling us about the history of witches and having us in stitches.
Recently, I went to see Grady Hendrix, author of Witchcraft for Wayward Girls and My Best Friend’s Exorcism, speak here in Columbus. It was an exciting event: the venue was an event space usually reserved for wedding receptions and the like, but it was packed, with possibly around 500 people inside the space! I was lucky just to find a table with a good vantage point.
And I’m glad I did: at 7 PM, Hendrix came out and spent the next hour using humor and a PowerPoint slideshow to tell us the history of witches as he saw it, as well as depictions of witches through history. It was hysterical! He made us laugh as he went through some of the ridiculous and not-so-ridiculous stuff that happened in witch trials, the plots of the wild books throughout the years revolving around witches, and why we keep having these witch scares. And I had a great seat to see it all.
It was an amazing night, and I could go on and on about it, but what I want to focus on is just how Hendrix, and other authors, use humor in their work.
I’ve written on this subject before, but horror and humor often go hand-in-hand, much to the surprise of some non-horror fans. You can see this quite prominently not just from Hendrix’s talk, but from his work, which is normally as funny as it is scary (Witchcraft is a rare exception, but then again, it doesn’t have much to laugh about). Not to mention, there’s a whole subgenre of horror called “horror comedy,” which is pretty self-explanatory. Some prominent examples include Clown in a Cornfield by Adam Cesare, where humor adds plenty to the slasher novel’s plot, and my friend D.M. Guay’s “24/7 Demon Mart” series, about a guy who works at a convenience mart with a talking cockroach for a manager and a portal to Hell in the beer cooler.
My friend D.M. Guay’s book. The series has quite a lot of followers.
And if you’ve seen a production of the musical Sweeney Todd (and I guess maybe the movie version), you’ll notice that despite the dark subject matter, there is plenty of humor. Hell, the musical’s most famous song is full of cannibalism puns! It’s almost sad how the movies cuts out most of those jokes.
Why is humor such a big part of horror at times? Well, part of it is for alleviating tension in the story, especially for non-horror fans who may not like stories that are so dark. But I think another part of it is that we need humor. Laughter is the best medicine, as they say, and it can help alleviate dark situations by shining a light on them. In fact, if you think about how horror is therapeutic for some readers (like me), the humor aspect really can pair well with the cathartic aspects of horror.
It also explains how a room of approximately 500 people could laugh so hard about stuff like witch trials, where people got murdered for bullshit reasons.
And it can’t be understated how helpful humor is in getting people to like each other. I certainly found myself liking Hendrix after an hour of his jokes.
Makes me wish I could put more humor into my own work. I love to laugh and joke around, but that doesn’t usually extend to my stories, where the stories I write are usually quite serious. Humor tends to pop up by accident or just evolves organically when I write it. In The Pure World Comes, for example, protagonist Shirley is practical and at times slightly condescending or sardonic, so humor kind of evolved naturally around her. And there’s a naughty joke appears in The Shape of Evil, but that’s because I’ve been in similar moments and made similar jokes.
Still, my style of writing tends to work for me. People like my stories for what they are, and I won’t force humor in when it doesn’t suit the story. And plenty of writers write amazing stories that have endured through time without a laugh. Who’s to say I have to add a laugh to join their ranks?
All that being said, if I find a place to put a bit of humor into one of my stories, and it doesn’t work against said story, I might add it. After all, a little laughter never killed anybody…as far as we know.
And in the meantime, I think I’ll just keep using humor as I have all my life: in my interactions with others, when appropriate and hopefully to great applause.
Do you use humor in the stories you write? Have you noticed any rules to writing humor or humorous passages? And what is your favorite horror story with comedic elements?
Well, it happened. It’s finally done. Took a bit longer than I’d hoped, but it is done. The third draft of The Shape of Evil is finally completed.
To be precise, I finished it late last night. Very late. Like close to three in the morning late last night. You see, I was up in Cleveland visiting family and drove home in the afternoon. I got home in the early evening, grabbed something to eat, and thought to myself, I wanted to get it finished this week! And I only have fifty pages to go! I might as well try!
Thus, I started working on it. And by the time I was done, it was three in the morning.
I regret nothing.
Anyway, if you’re new here and wondering what the hell I’m talking about, The Shape of Evil is a novel I wrote last year about a 3D Printer from Hell. Yeah, you read that right. A 3D Printer from Hell. Think “Word Processor of the Gods” by Stephen King meets Gothic by Philip Fracassi with strong LGBT and disabled representation. And I honestly never intended for it to become a novel–it was originally going to be a novelette–but the story just kept growing and growing, and before I knew it, the story was a novel and I was thinking how I would get it published.
Since then, I’ve done a second draft, and then I had sensitivity readers take a look at the story, because my main character is non-binary and I wanted to make sure that I was portraying a non-binary person well. And after I got their notes back, I started work on the third draft.
All this effort is hopefully going to pay off very soon.
And man, the journey this book has gone on has been something else! Not only has the story grown with every draft (273 pages/72,500 words for the first draft, 283 pages/75,300 words for the second, and 291 pages/78,400 pages for this latest one), but it really feels like it has improved with every go-through. Especially this current draft: as I said in a previous post, I’ve been working hard to make sure the words in this draft bring out the full potential of the story. And I think it does. There were a few times where I looked over the text and was like, “Did I really write this? Just from the word choice, it looks and sounds like something come from a much better, more experienced writer!”
Well, wherever it came from, it’s ready to be pitched at StokerCon next month. If you’re unaware, StokerCon is the big convention hosted by the Horror Writers Association, and they have a session where you can pitch your works directly to agents and editors. I was lucky enough to get a slot to pitch to one of my top choices, so I’m glad I got the book done in time.
Me after my marathon editing session and before my next project.
So, now what happens? Well, I’m going to create a pitch sheet, which is sort of an informational sheet about the book, and practice my pitch between now and StokerCon. And in-between, I have a few things to work on, including the version of Hannah and Other Stories that I’ll use when I re-release it later this year. Should keep me wonderfully busy.
And hopefully soon, I’ll be able to share some wonderful news with all of you.
But I think tonight, I’ll just pour a glass of wine and put on a movie. After all, having time to relax is important. Especially when you work hard and you have so many irons in the fire.
That’s all for now, my Followers of Fear. I’m off to work on a bit more stuff before dinner and wine and the movie. Until next time, good night and pleasant nightmares.
Rami Ungar The Writer 