Posts Tagged ‘college life’

2013 In Review

Posted: January 1, 2014 in Living and Life, Progress Report, Reflections, Writing
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Happy New Year!

As always, WordPress sent me an email letting me know how my blog did this past year. This year, my blog was viewed enough times to fill the Sydney Opera House about four times. That’s great…but I wish I was good enough to fill the Sydney Opera House just once! Honestly, where do they get these statistics?

But I digress. The point is, another year has come and gone. And to quote Dickens, “It was the best of times, it was the worst of times.” That sums up just about every year I know, but it’s pretty accurate. A lot happened this year to me, including two of my books getting published; I moved into an apartment with a friend and learned some more of the tribulations of the adult world; I was accepted into the study abroad trip I’ve been aiming for; I started my third year of college; I began writing and then administrating for Self-Published Authors Helping Other Authors; and a whole lot more that I won’t put on my blog but were important nonetheless.

All in all, a crazy year. Sometimes all that was going on threatened to bury me, while at other times I felt like I could do anything. I had my highs and my lows, like anyone else. But I managed to get through them and I came out stronger for it.

Reborn City

And now for my new year’s resolutions: I resolve to be a better writer. I resolve to get more people interested in my work and even in reading it. I resolve to finish Video Rage (probably happen in the next week or so), get back to Laura Horn and finish that up (shouldn’t be too hard, considering how quickly I tended to write the chapters), finish the final draft of Snake (hopefully sometime in the next couple of months) and publish it by the end of the year (I hope), write a whole ton of original short stories and publish some of them (fingers crossed on that one), start whatever novel will end up being my senior thesis in the fall and maybe a few other projects. I resolve to improve my craft and to help others improve their craft in my own small way. I resolve to grow this blog and Self-Published Authors Helping Others Authors. I resolve to fulfill my dreams of being a successful novelist.

I resolve to be a better person. I resolve to work on my personal flaws and try to improve. I resolve to be a good student, a good scholar of English and History, a good roommate, and a good worker. I resolve to be good to my friends and family and love them as much as they love me. I resolve to go to Europe for my study abroad trip this summer and learn as much as I can on World War II and the Holocaust. I resolve to keep my grades up. I resolve that my conduct in life is exemplary.

With any luck, you’ll be reading about a guy called the Snake soon.

I resolve to read a lot of books, see a lot of movies, and binge on too much TV. I resolve to keep my bank account in order. I resolve to eat healthy and stay healthy. I resolve to…are you still reading this list? If you are, you have the patience of a monk.

All in all, I plan to make 2014 better than 2013. So this year, my Followers of Fear, I wish you luck and I hope we get to share a ton of great experiences together. Happy New Year!

Is This Me Or Someone I’d Like To Be Someday?

Posted: December 31, 2013 in Living and Life, Novel, Reflections, Writing
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My roommate got me into watching Chuck on his Netflix, so I didn’t get as much writing done in the past few days as I would’ve liked. So I’m going to take this opportunity to discuss something I’ve noticed lately before the clock strikes twelve and a new year begins.

Sometimes I look at the rough draft of Video Rage I have in front of me. I look over what I’ve written, I nod at the points that I think are good, I edit something when I see that I’ve made an error or a mistake. And then I ask myself, “Did I really write this? It seems so much better than my work has been in the past.” And that’s not me praising my own work (though I’m happy to do that most days of the week). It’s me wondering who’s actually writing this story.

Let me try to explain this without sounding like I’m trying to toot my own horn. The other day I was writing a scene for Video Rage where a very important world leader points out several flaws in the story the antagonists over at the Parthenon Company have been telling about the West Reborn Hydras. I’m looking over the chapter and I think to myself, “Are you sure you wrote this, Rami? It’s a lot better than  scenes you’ve written before, it reads like a sci-fi version of a scene from Scandal, and it’s almost good enough to be of that quality.” And looking over the entire novel so far, I’m noting a quality in the writing that puts it a level above its predecessor Reborn City. I especially notice these differences in portions where I expand upon the world of RC, in scenes dealing with the interpersonal relationships between the characters, and in those moments when I add items or elements on the spur of the moment that vastly change how I see the scene playing out.

And it’s not just in VR. Two nights ago I had an idea for a short story. I’m writing the idea down so I don’t forget it, and I’m noting how I’d like to write it, how I’m going to be drawing on elements or techniques I noticed in some of the short stories I read this past semester, how the man focus of the short story is going to focus on the inadequacy of the male lead. And as I finish writing the idea down, it hits me that the idea is a lot simpler but also a lot better a short story than anything I’ve ever written before.

I’ve always written short stories like novels, except I’ve got to figure out how to tell the story in less than 10,000 words, so it better be a brief story. Not the best method for writing short stories, is it? In fact, I’ve realized that for ages, but I didn’t know any other way to write them, so I’ve been writing them that way for years. The way this short story goes is very different though. If I had to describe it, it’d be taking an idea, telling a simple story based on it, and centering the focus on the reactions of one character to events around him, drawing on the numerous short stories I read this past semester and the techniques that those authors used to tell those stories.

Trying to explain it here, I know I’m not doing the best job of it. But that’s the closest I can come to. And I know that if I can figure out how to write this short story and others like it, I might be able to step my game up a little and become a much better writer.

And as I write this, I wonder if I’m getting closer to the writer I want to be. One who is able to tell a deep, meaningful story, one which draws the reader in, holds them in terror and in awe, makes them feel for the characters a deep attachment, and causes them to think about the story long after they’ve finished reading it. I’m still a long way from that author I’d like to be, but I’d like to believe that I’m making some headway to that goal based on the maturation  I’ve observed in my writing.

Well, I guess editors and reviewers to come will tell me so if I’ve made any headway to that goal. In the meantime, I’ve got three chapters of Video Rage left, and I’m going to try to finish them before school starts up on Monday. Wish me luck.

Oh, and before I forget, I want to wish all you Followers of Fear a Happy New Year. Your continued support makes it possible for me to keep writing, blogging, and publishing, and it’s your continued support that makes it a bit easier for me as I work to achieve my dreams and become a successful horror author. I wish you all a great year in 2014 and I hope everything goes your way with all your goals and projects.

See you next year!

“Why Young Girls?”

Posted: December 19, 2013 in ideas, Living and Life, Reflections, Scary Stuff, Writing
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Yesterday I visited my advisor’s office in the English department and discussed doing my senior thesis in the fall. Normally I would talk to her about this after spring semester had started, but I wanted to get a jump on things before I was busy with homework from five different classes. Plus I had the day off yesterday so I thought to myself, why not?

During the course of our meeting, I was outlining what I’d like to do for my senior thesis, mainly to write a novel. For this novel, I chose five different ideas for stories from the list of novels I keep on my flash drive and gave a brief synopsis of each one to my advisor Ruth. Around the third idea, Ruth noticed a trend with two of the stories I’d mentioned: they both involved young girls as protagonists in the story (one was a story based on Alice in Wonderland, the other involved demons). She then asked me, “Why young girls? Why are they used so much in horror?” To my surprise, I realized I hadn’t thought of it much, and at that moment I didn’t have a very good answer for why, when children are used so much in scary stories, young girls are more dominant than young boys (notable exceptions include Danny Torrance from The Shining and six out of seven protagonists in Stephen King’s IT, the two boys from Monster House, and Hansel from Hansel and Gretel).

And guess what? The question’s been bugging me since that meeting yesterday. So between writing, work, applying for scholarships, and my household chores, I thought I’d take a moment to examine why young girls are more dominant in these sorts of stories. First, we need to examine why children in general are used so much in horror stories:

1. Children are very innocent creatures. It’s the most obvious reason, but it still needs to be stated. Children are very innocent human beings. They still believe that good usually wins against evil, that bad guys get beat up and thrown in jail by superheroes and cops, and the world is a safe place where they are loved and are protected from evil, at least until they’ve been warped by some of the harsh realities of the world. In horror stories, that innocence is tested and sometimes completely broken by the events of the story, whether it be monsters under the bed, abusive parents/teachers/bullies, or whatever else you may be using as the antagonist in a story.

Even the man/child/sponge has more imagination than most adults.

2. Let’s face it, kids are more imaginative. As we grow older, we tend to think less in terms of the fantastic and more in terms of what is real and reasonable. But as children, we really believe in Santa, the boogeyman, fairies, aliens and ghosts with little doubt that they are actual, concrete beings. This means that kids are usually the first to come to the realization that something evil is at work. They don’t realize it through any leap of logic or reason, but through gut feeling and belief. This is also usually why they are more likely to survive than that one guy in every horror film who insists with fatalistic stubbornness that there’s a logical reason for everything and then when they realize something’s up, they still insist on handling it themselves as men, even if it leads to their heads getting bitten off.

3. Kids are dependent on others. Until sometime between ten or twelve, children are dependent on adults for most of their basic needs, and even when they start to become independent, they still require a good portion of help from adults. When in a horror story, most likely a child can’t recieve help from an adult because they’re less likely to be believed by adults. This means they’re basically adrift in a metaphorical sea that wants to kill them painfully and mercilessly. How they survive without the security of an adult is something that keeps the reader drawn into the story.

4. Children are also not as resourceful. Or to be more specific, it’s rare for children to have access to the knowledge or tools they need to defeat the enemy of the story. They wouldn’t know how to set up a trap for a mutant monster, or how to draw a vampire into the sunlight without being totally obvious of their intentions, or even how to set a windigo on fire with nothing but a set of matches (which they shouldn’t be playing with anyway). If the characters are adult, all they need to do is get out their smartphone and Google “How to make a molotov cocktail” or “how to set up a tripwire alarm system”. Kids wouldn’t even have a smartphone, and even if they did they probably wouldn’t know what to Google. How do they survive with nothing to really help them? That is another draw of a horror story.

Look at that face! You know that hotel gave that kid some big therapy bills.

5. Children are easily influenced. Lastly, children are easy to influence, for better or for worse. Has anyone seen Friday the 13th Part IV? Right at the very end we see just how the events of being around Jason have influenced and hurt little Tommy, who will be dealing with his issues for the next two films. A horrific event can stay with a child for a very long time, corrupt their innocence or make them aware of their own abilities. Either way, the events of the story will stay with the child likely throughout their lives. From what I hear, the Overlook Hotel certainly stuck with Danny Torrance (I haven’t read Doctor Sleep yet, though it’s on my reading list).

Okay, so we’ve established why children in general are used so much in scary stories. But still the answer of why young girls are used in the stories has still to be answered. Often, like Carol Anne from Poltergeist, they are persecuted and kidnapped by beings we can’t really understand. Or, like Samara from The Ring, they are the stuff of our nightmares. And occasionally they are both (anyone watch The Exorcist recently?).

This morning I spent some time trying to figure out and I think a lot of it has to do with socialization and the roles we assign to the female gender. In other words, what we expect from young girls and how we believe they should act, behave, and think are why young girls are so popular in horror stories.

Please note that the suggestions I’ve listed below are for fictional girls and are just based on my own reading and viewing of many different horror novels, comics, TV shows, and movies. There may be several stories featuring girls that are the exact opposite of these reasons, I just have yet to be exposed to these stories. The reasons I’ve listed do not necessarily apply to real girls either, as I’ve made clear below. Here are the reasons I was able to come up with and which back up my beliefs on gender roles making female characters popular:

1. Fictional girls are more prone to sweetness, harmony, and nonviolence. Most boys when they’re young like to get wild, scrap a bit, use their fists and compete with each other through acts of physical prowess and aggression (when my cousin was younger, you could not stop him from acting like this). Young girls though are often portrayed as preferring to be friends rather than fight. They like doing cute stuff and they don’t like to get their hands dirty or do anything too wild. The only exceptions I can think of are Beverly Marsh from IT and my sisters, but then again my sisters are from my crazy family, so go figure. So since these fictional girls are less likely to use their fists and more likely to try to harmonize, they’re at more risk for whatever evil is after them in the story.

2. Young girls have yet to enter into the realm of maturity and sexuality. A lot of criticism with horror comes with how it sexualizes its female characters (please see my article Sex and Horror for more on this topic).However young girls have yet to reach that stage where people begin to see their sexuality. There’s an innocence in this lack of sexuality that young boys don’t get from their ignorance of sexuality, though that might have something to do with the fact that, like I said, a lot of women in horror are defined by their sexuality, whereas men don’t usually receive this sort of sexualized image no matter what age they are.

3. It’s adorable when young girls cry. Because of the pre-assigned roles that differentiate between boys and girls, at some point boys are taught that crying is not a manly thing to do, so they stop crying if they want to retain whatever form of manhood a young boy can have. On the other hand, it’s considered okay for girls to cry throughout their lives. And instead of pitying these girls or questioning their maturity like we would with boys, our hearts go out to the girls and make us want to hug them. This contributes to the popularity of young girls in horror stories.

And if these points haven’t hammered home my belief on gender roles playing a major role in the popularity of young girls in horror, here’s my final point:

In the end, the princess mentality takes a toll.

4. Young girls want to be princesses. It’s no understatement that plenty of girls in our Western society want to become princesses when they grow up and have a handsome prince rescue them from evil so they can live happily ever after, and our media perpetuates this to no end  (even Once Upon a Time and Frozen couldn’t leave this cliché out of their storylines, though they both do something rather original with the trope in each their own way). In horror stories, typically it’s up to a female character to either rescue herself from her predicament or to let a strapping young man save her and then sweep her off her feet. With young girls, that choice isn’t always available, and often the writer will write the story so that we wish for someone to come and save the little girl, while holding us with baited breath to see if she will be saved by a dashing prince…in the case of horror stories, most likely an older male relative with an axe or baseball bat.

So the reason why young girls are so popular in horror stories, as I’ve listed above, is that they fulfill certain gender roles that we’ve come to expect and work nicely into not just the plot of the story, but certain preconceived notions we unconsciously have in their minds. However, not all young girls fall into these roles. Beverly Marsh from IT plays a big part in stopping the demon clown when she’s a little girl by being the more aggressive fighter of the Losers Club. Coraline from the book of the same name is able to release the souls of the eaten children and save her parents all on her own. And even creepy Samara coming out of the TV is an exception, as she doesn’t fulfill any traditional roles, not even the one about needing saving. She’s the freaking villain!

Yeah, don’t mess with her.

So I think I’ve answered the question Ruth posed to me yesterday in her office. I’m not sure it’s the best answer or the right answer, but it’s what I was able to come up with. If you have any ideas about why young female characters are so popular, examples of girls who buck the trend, or any other points relevant to the discussion, please let me know.

Also, in a somewhat related note to children and horror, I finally watched the film version of Battle Royale. It was actually much better than I expected, almost as good as the novel. However there were a couple of creative choices I disagreed with, and that’s why it’s not on equal footing with the book. I also won’t see the sequel, because apparently it’s not based on the original story, its anti-American message goes beyond criticism of America to full-on attack mode, and nearly every reviewer who’s seen it has hated it, apparently.

All for now. Write on you later, Followers of Fear.

Autumn 2013 Semester: Wrap-Up Report

Posted: December 16, 2013 in Living and Life, Progress Report
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Another semester passes by, and with it the realization of two things: one is that I have enough credit to be considered a senior now that the semester is over. The other is that I now have a year and a half left of my time at Ohio State University. Boy, way to make my time here feel finite.

Every semester is different and not just because of a set of new classes. For example, this semester I moved into an apartment with a friend about two blocks from campus, meaning we both had to take on a whole lot of different responsibilities. I also started taking five classes in a single semester, more than I’ve ever had in a single semester. At times the homework load was almost unbearable. I hope that next semester will be a bit easier, though judging by the amount of reading I’ll be doing that doesn’t look like the case.

This semester was also significant because two major events happened to me: I published my first novel Reborn City and I got accepted into a study-abroad trip to Europe for three weeks in May. The latter so far has taken up more of my attention, because I’m going to be spending all of next semester preparing for it. And I mean all of next semester: four out of five of the classes I’m taking are in preparation for what I’m going to study in Europe (by the way, the trip is about studying World War II). Still, RC has taken up a bit of attention too. I’ve had to advertise everywhere I can. I’m actually looking into putting an ad into the student newspaper if it doesn’t cost too much.

And as for my classes this semester, I took Introduction to Sociology, Introduction to Biology, Writing for English Majors, Science Fiction and Fantasy Literature, and History of the Holocaust. The latter two were my favorite classes (despite the dark subject material in the Holocaust course) and they were also the classes I did the best in, getting As on most papers and tests. All told, my grades added to a total 3.263 GPA. I’m happy with my grades (they’re all passing grades) but I’m going to aim for higher next semester. Especially since going on the trip and keeping my scholarships will require me to keep my grades up!

Well, I hope to have more good news later. Watch out for my Spring Semester 2014 Pre-Semester Report. It’ll probably be showing up in the next couple of weeks. In the meantime, I’m going to make dinner and finish Ch. 28 of Video Rage. Wish me luck.

Video Rage: Two-Thirds Of The Way Through

Posted: December 8, 2013 in Novel, Progress Report, Writing
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It’s watching you!

Oh, blessed relief. Today I sat down, once again, to work on Chapter 24 of Video Rage, the sequel to my novel Reborn City. I’d been working on and off on the chapter for the past eight days or so, delayed by homework, exams, and the need to sit down and do something other than writing in order to relax. But today I sat down, and I finally finished it, meaning I only have a third of the novel left to write! Woo-hoo!

I’ve been enjoying my return to the world of the West Reborn Hydras. Not only has it been kind of therapeutic and relaxing to work on my novel after having to take a very long hiatus in order to focus on school, but it seems that the world of the story has expanded on its own,  become more complex and astounding than when I first created it. When I was working on Chapter 22, the characters kind of took the reins away from me and played out a scene before me similar to a cop drama, where one character was poking holes in the story of the other two and showing just how flawed their seemingly-flawless version of events really was. I didn’t even think I could write a scene like that! And when I worked on Chapter 23, new characters and new situations kept intruding into the scene I’d originally envisioned. I guess it’s true what they say, that the characters really write the story and not the authors.

Well, it makes my job easier if they write it for me. And better yet, my characters don’t ask for royalties.

But I digress. Let me update you on page and word counts (and when I say page, I mean your standard 8″ x 11.5″ MS Word paper). In total, the number of pages has risen to 197 pages, while the word count has risen to 54,703 words. That’s about the length of a very short novel, and since I have thirteen chapters left to write, it’s probably going to rise another ten to twenty-thousand words (no, don’t be intimidated. Most of the Harry Potter novels are much longer than that).

For now though, I think I’ll take a very short break from writing VR. I’ll probably write an article for Self-Published Authors Helping Other Authors, I’ll apply for several scholarships offered through my university, I’ll spend a lot of time at work so I can afford to keep a roof over my head, and if my friend Angela sends any more chapters of Snake, I’ll work on edits. And after all that, I’ll start on Chapter 25 of VR. Trust me, it’s going to be awesome. Things will really come to a head in the final seven or so chapters.

For now though, I think I’ll make dinner and settle in with some TV, a nice reward for myself after some really hard work. Until next time, my Followers of Fear.

The 5 Beauties of Horror

Posted: November 24, 2013 in Reflections, Scary Stuff, Writing
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The final article in my series of the various common themes (aka “beauties”) found in science fiction, fantasy, and horror. What started as a discussion in class led to these three posts: The 7 Beauties of Science Fiction, The 7 Beauties of Fantasy, and now the 5 Beauties of Horror.

Now, as to why there are only five beauties in horror, I have an explanation for that: simply, horror often crosses genre. When it features supernatural creatures or monsters from another planet or realm, it’s horror crossing over into fantasy or science fiction. When the story features more human monsters and less of a supernatural aspect, it tends to cross over into the suspense and thriller genres. In that sense, it’s very difficult to get into pure horror, because that’s so difficult to define. So instead, I opted to go into some general themes you find in all forms of horror, no matter what genre they cross over into.

If you have any ideas on how these could be expanded, please let me know. I’d love your opinion on these beauties, since I came up with them on my own (not a lot of horror fans in my science-fiction lit class sadly, or at least not any fans who are as into it as I am).

1. The antagonist–the starting point of the story. Often you can define a horror story by its antagonist. because that’s often what comes first in planning a story and what you use to describe the story: “it’s a story about a murderous ghost”, “it’s a vampire novel”, “there’s a serial killer terrorizing this small farming town”, etc. And in this capacity, I’d like to mention that the antagonist can count as something else if there’s no real human antagonist. For example, in my short story “Addict”, there wasn’t a human or demon up against the narrator. Instead his own addictions were the antagonists of the story. So the antagonist would be more like the evil in the story that wants to do the characters harm or is already doing them harm, I guess.

2. Characters and setting. Usually after I’ve come up with the villain of a story, I start to create the other characters and the setting. The latter can also be a character, such as a haunted house or a forest (if you have trouble believing me on that watch the first season of American Horror Story to see what I’m talking about). I ask myself, who are the characters? Why are they opposite or beside the antagonist? Where is this all happening? What is each character like? All important questions that the author goes into in creating the story.

3. Conflict–there’s going to be one. If there’s a vampire in town, there’s either a vampire hunter or some townsfolk who are going to try and kill the vampire. If someone’s girlfriend has been kidnapped, expect someone’s going to try and get her back. If there’s an evil ghost trying to claim the lives of a family, there might be an exorcist or a paranormal investigator or a really angry mom trying to keep the kids safe from whatever is menacing her family. That conflict is the driving point of the story, and it sets up for the next beauty.

4. Fear. This one seems obvious, but it needs stating anyway. In a horror story, the point is to get the reader or viewer scared silly by telling a story and using the various elements within to terrify. Whether it’s a feeling of being watched, of something out fo the corner of our eyes, of something jumping out, or something just damn strange that we can’t put our fingers on, the whole point of the story is to scare, to create that fear, and it’s up to the storyteller to figure out how to do that and do it well. Otherwise the storyteller has to rely on silly gimmicks like sex or too much blood or watching teens get drunk, stoned, and naked.

5. Rules–there is an MO to what’s happening. Vampires can’t walk in the sun, the killer only goes after people who enter his father’s old prison, the ghost tries to take the souls of children from their parents. There are rules to how the antagonist operates and how it can be taken down. And for the most part, those rules are concrete, or else the story makes no sense and the reader/viewer will lose interest due to disorientation and confusion.

I hope you found these helpful. And once again, if you have any suggestions on how to improve this list, let me know. I do better on this sort of stuff in a group setting sometimes.

The 7 Beauties of Fantasy

Posted: November 22, 2013 in Reflections, Writing
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This is the second in my series of blog posts exploring the general guidelines or common themes that appear in the genres of science fiction, fantasy, and horror (click here to read The 7 Beauties of Science-Fiction). This whole series started in my science-fiction/fantasy literature class this past Wednesday, when we examined the 7 Beauties of Science-Fiction, we also came up with an original list for the 7 Beauties of Fantasy, and I on my own came up with 5 Beauties of Horror. I thought a series of blog posts sharing and examining these various beauties would be helpful and fun to write, especially when you consider how often the three genres intertwine and overlap.

Now without further ado, here are the 7 Beauties of Fantasy, seven themes or motifs that are found in most fantasy stories, as the examples I pick will show.

1. Character–someone through whose eyes we see this mysterious world. Every fantasy story has at least one focal character, someone through whom the world we’ve been introduced is explained and explored. These sort of characters usually end up becoming heroes of some sort and we end up identifying with them very deeply in the course of the story. Examples include Bilbo Baggins and his nephew Frodo in the Lord of the Rings canon, Eragon in the Inheritance Cycle, and Nick Burkhardt in Grimm.

2. Setting and culture–the magical, mysterious world our character explores. If it’s a fantasy novel, there’s almost a 99% garauntee that the world is nothing like the world we live in, and there’s a 100% certainty that something will need to be explained to us. Be it Middle-Earth, Narnia, or Harry Potter’s Wizarding world, there’s a whole realm to explore, with its own cultures, nations, societies, geographies, floras and faunas, and so much more. It’s up to the author, through the narrator’s eyes, that we find out as much as we need to about it.

3. Novums and Neologisms–technology/tools and words/phrases exclusive to the world we are in. Just like in science-fiction, the world of the story in fantasy has words or devices that are exclusive to that world and that we don’t understand entirely. Be it the Invisibility Cloak and Apparation, or the gedwey ignasia and Eldunari, they make no sense in the context of the real world but they make plenty of sense in the context of a fantasy realm.

4. Adventure(s)–you will go on one. Can you think of a single fantasy novel that doesn’t involve some sort of quest or journey or something along those lines? Neither can I. It seems every fantasy story is predicated on the main character going off to save a princess from a dragon or to toss the One Ring into the boiling flames of Mount Doom or find the genie she’s engaged to but who has been kidnapped by an evil sorcerer. Along the way the character fights enormous perils, learns valuable lessons, and grows as a character until he or she becomes the hero or heroine we all long to be on some level.

5. There are things that can’t be explained rationally. How does magic work? Why can a dragon fly when its body is too big for its wings to reasonably lift it off the ground? How come unicorns have magic in their horns? In a science-fiction novel, television show or movie, everything is based on science, and in theory everything can be explained scientificially. Not so with a fantasy story, which are not based on science but on mysterious forces and strange new worlds to explore and are limited only by the author’s own imagination. So don’t ask how come a sword from a water maiden is more powerful than your average sword or how magic can respond to a blood sacrifice, because you’re not likely to find the answer unless the author wants you to.

6. Familiarity–the characters don’t wake up one morning going “what the heck?” The world of the character is the one they gew up in. They know it like the back of their hand, and it would take much to surprise them in this world. In other words, unless they’re a little baby the world isn’t one they are unfamiliar with. It’s the one they know like the real world is the world we know. Not only that, but the world is somewhat familiar to us. You could channel-flip to HBO and might think you’re watching a special on the War of the Roses or on the Norman invasion, and not realize you’re watching Game of Thrones.

7. Internal history–there’s a history to this fantasyland. This is similar to the “historical extrapolation” beauty in science-fiction, but very different. Sci-fi is what could be possible with our world, so the history is the same for the most part. In fantasy though, the world has a very different history than ours. Different nations, different wars, different cultures, different creatures. This world we are visiting through the story likely has its own history that has its own unique players and events. And probably the one person who knows the full extent of that history is the author of the story his/herself (or sometimes not even then: half the time I’m not sure the writers of Once Upon a Time know where there story is going, let alone the entire history of each and every character).

No matter what, fantasy is always a strange and new exploration of new territory. It’s fun to look into and it’s fun to inhabit. And in some cases, it can even become a phenomena lasting years after the new world has entered ours. Knowing how to examine and analyze such places don’t detract from the story, but they make them all the more fun, all the more beautiful.

At least, I think so. Hope you liked the post and be on the lookout for the 5 Beauties of Horror, coming soon.

I’m Writing Again!!!

Posted: November 21, 2013 in Living and Life, Novel, Progress Report, Writing
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Good evening, Followers of Fear. How are you this evening? I don’t know about you, but I’m doing great! I just finished Chapter 20 of Video Rage, after working on it on-and-off for the past six or so days. This officially puts an end to my hiatus that kept me from doing any major writing, and puts me back on track to possibly finishing this novel by the end of this year or the end of January (one or the other, most likely).

It’s been over a month since I had to stop writing because of how busy I was with school and work. I just had way too much on my plate to devote any time to actually writing, but now that my schedule’s eased up a little, thanks to the semester ending soon and Thanksgiving coming even sooner, I can actually afford to sit down for hours at a time and just churn out stories. It’s a wonderful feeling.

Actually, the truth is not being able to write might’ve actually contributed to my stress levels getting worse rather than better. But being able to write these past couple of days has been just wonderful. I feel freer than I have since I began my hiatus, and now that I’ve gotten another chapter under my belt, I’m on a little bit of a writing high. In fact, the writing high made me write a longer chapter than I normally would’ve. Not that I mind though. I think the chapter the way it is right now is pretty awesome. It was a huge fight sequence, which I’m not normally good at writing. But I managed to extend it from what might’ve been a six-page chapter to a ten-page chapter, and it looks better than what I had originally planned, so it’s kind of a win-win situation.

I’ve also decided that working on two novels at once is not the best idea for me. One moment I’m yearning to work on one project but I have to work on the other, next moment I’m working on project number two but I want to work on the first project. It’s a little bit annoying. So for now I think I’ll stick to finished Video Rage, which has only seventeen chapters left in the first draft, and then I’ll get back to working on my other work-in-progress, Laura Horn. After that’s all done…well, who knows? Maybe some short stories, a new novel, some editing work. All depends on what’s on my schedule and what I feel like doing at the moment.

But to sum it all up, I’m really happy at the moment, and I look forward to finishing the first draft of Video Rage.

And while I have your attention, I also want to extend a hearty congratulations to fellow author, colleague, and good friend Angela Misri, whose Portia Adams novel Jewel of the Thames has just been accepted for publication by Fierce Ink Press. Mazel tov Angela, I’m so excited for you and I cannot wait to read all of Portia’s amazing adventures this coming spring. Keep me posted on the news, okay? Also, if your books get made into movies, who do you want to play Portia? Because from what I know of the character, I think Natalie Portman or Eve Myles would be a great early call.

All for now, everybody. Good night!

The 7 Beauties of Science Fiction

Posted: November 20, 2013 in ideas, Living and Life, Reflections, Writing
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In his book The Seven Beauties of Science Fiction, Istvan Csicery-Ronay Jr. explains some of the most common themes of science fiction. He did this in order to examine how these themes could apply and impact our lives as we navigate a world that relies increasingly on technology and information. However, they also make great guidelines for examining science fiction and for writing your own stories that take place somewhere far off in time and space.

We went over these seven beauties early in the semester in my SF/Fantasy literature course, but today we went over them again. It was an optional class today that focused more on fantasy than science-fiction, and we came up with our own seven beauties of fantasy because the two genres overlap and are entwined in so many way. After class, I came up with my own list the horror, but could only come up with five beauties. Oh well.

Anyway, I thought I’d do a trilogy of posts that focused on the different beauties for each genre, because they are related genres and because they overlap in so many ways, so it’s interesting to examine some of the mores and common themes of these three genres. First, I’d like to start with the seven beauties of science fiction, because that’s what I learned first and it’s from these that my class created the seven beauties of fantasy, and I created the five beauties of horror.

With each beauty, I give a definition and an example, some from books and movies I’ve read/watched, some from my own work, and some that I’ve just heard about. If you have any examples, please let me know. I may just add them into the list.

1. Neologisms–new words or phrases that are exclusive to the world of the story. Every term that refers to something that only exists in that world, that’s a neologism. Consider the term twanking from the short story Mr. Boy, or warp in Star Trek. Those terms are a part of the story, and outside the story don’t have any relevance (unless, for the latter term, you’re a theoretical physicist trying to figure out how to warp something from one end of the room to the other).

2. Novums–technology or inventions that exist only in the story of the world. Take the ansible from Ender’s Game, or the lightsaber, or the TARDIS. These are technologies years ahead of us, only existing in stories and as imitations we see sometimes at comic book conventions. One can consider the flying saucer a novum, because as far as we know, real flying saucers don’t exist.

3. Historical extrapolation–referring to events that happened in the past in order to explain the world as it is now. You know how in Episode IV of Star Wars Obi-Wan explains how the Empire rose and the Jedi Order was destroyed thanks to Darth Vader? That’s historical extrapolation. It’s referring to events not always seen in the actual story to explain how the world we are in came to be. Other examples include how the first invasion of the Buggers in Ender’s Game creates Ender’s world and the aliens coming to Japan during the Meiji era in GinTama.

4. Oxymoron–implausibility or absurdities that only work in the story. An example of this would be crossing a human with a housefly to get a man-fly or radiation causing the dead to rise, like in the original Night of the Living Dead. Another way to look at this would be the idea that the human species develops in other regions of the universe at the same time, and when all the species come together, they find out they are all similar. It’s not likely, is it? Yet we see it in science-fiction and we don’t question it.

5. Scientific Impertinence–when laws that are deemed “unbreakable” by science are broken. Travelling at light-speed without expanding your mass to incredible sizes or traveling through time and space all in the course of a second without any aftershocks or side-effects might count as this. Scientifically, they can’t happen, but they do in these stories.

6. Sublime chronotopes– the space/time of the story. A science-fiction story is our world with added elements of scientific nature. Therefore, Star Trek and everything in its franchise are technically taking place in this world, but in the future and on other planets or in the void of space. Therefore, defining the sublime chronotopes of a story is defining its time and space relative to yours.

7. Parable–what’s the story about? Most sci-fi stories, we will find, is a parable that explores a certain issue. District 9 is about apartheid and racism. Do Androids Dream of Electric Sheep? explores what it means to be human. 2001: A Space Odyssey is about mankind’s dependence on technology. And A.I. Artificial Intelligence explores what could happen if robots and humans learned to bond with each other.

Whether you agree or disagree with these 7 Beauties of Science Fiction, they are useful in exploring the genre. And sometimes you can even use them as a tool in the endless debates that seem to come from popular franchises and stories.

Thanks for reading. I hope to have the 7 Beauties of Fantasy and the 5 Beauties of Horror up soon.

What do you think of the 7 Beauties listed here? Do you agree or disagree? Why? Do you have any examples?

The End of My Writing Hiatus Is Nigh

Posted: November 15, 2013 in Living and Life, Novel, Progress Report, Writing
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Today there’s more good news to celebrate. Since October 22 I’ve been on a bit of a hiatus from writing because of how busy I was with school and work. However, things have eased up a bit since then. For the first time in a while, my homework load this weekend is a bit lighter than it’s been, and I don’t have that many books-for-pleasure piled up waiting for me to read them like I did when my hiatus started.

So guess what? That means pretty soon I’ll be able to actually sit down and do some writing! And thank God, because I’ve been itching to do some fiction writing, rather than the writing of numerous essays and papers tht have been my the bulk of my fare lately. And writing Weekly Exercises once a week–a thousand words at most every week–is definitely not enough to scratch that itch.

I don’t know when I’ll be able to start writing–might be today after classes, might be Sunday after homework and before dinner, might even be after I turn in my second-to-last essay next week–but it should be soon. And when I start writing, you can expect some very odd weather around central Ohio, because I’ll be writing up a storm! I plan to finish the first draft of Video Rage and get several more chapters of Laura Horn under my belt. Plus an article or two for Self-Published Authors Helping Other Authors, and my usual Weekly Exercises, and I’ll feel as close to normal as I can get again.

So watch your weather bulletins, people. Until then, I wish you all a wonderful weekend. Good luck to the Ohio State Buckeyes as they take on Illinois tomorrow, and I hope we all get the chance to sleep in and rest a little.

Blog on you later!

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