Posts Tagged ‘ideas’

So I’m working on Rose, my latest novel as well as my thesis, and I’m working on a chapter that I finished earlier today. However, this chapter was special, because it’s the first of two chapters that take place away from the titular character’s point-of-view. As I’ve mentioned in previous posts, Rose is told from the first-person point-of-view, and it’s told in the present tense, which originally I had difficulty with but eventually became easier with practice. However, as this chapter takes place away from Rose’s POV, I did it in the third-person POV, and I did it in the present tense.

Needless to say, it was incredibly awkward writing. I don’t know many stories that are written in the present tense, and those that I do are written usually in the first-person, like someone is narrating their life (who actually does that, I don’t know, but whatever). I don’t think I’ve ever read one that is present-tense and told in the third-person though. Maybe John Barth’s Lost in the Funhouse, but I can’t remember that one as well, so don’t take my word on that one. Anyway, writing this chapter in such a way is incredibly awkward for me. And I think it shows throughout the chapter, all six pages of it.

Well, my advisor M, my fellow writer/thesis worker P, and I are trying to arrange to meet sometime next week. I’ve already sent the chapter to them, and I’ve already suggested some changes I could make to this chapter in the second draft. I’m hoping they let me keep it in third-person but switch to past tense, as that would be much easier for me to write. But whatever they feel or whatever suggestions they give, I’ll definitely take them into account. They haven’t steered me wrong before, and I’ve learned a whole lot working from them.

In any case, I’m taking the night off from writing. I’m going to do some reading for homework, practice Torah reading for my cousin’s bar mitzvah next month, and if there’s time relax in front of the TV or with a good book. Stay warm and have a good night, my Followers of Fear. I know I am.

A picture from the Ohio State Fair, which was a big influence on my own “State Fair”.

Well, it took me a day longer than I wanted it to, but I got it done. This is my final short story for winter break, and I got it done. This one’s called State Fair, and it’s about a ghost haunting a state fairgrounds who becomes infatuated with a girl he sees one day. It’s different than some of my other short stories, very literary but also very ghostly. I also think that this short story’s first draft is much better than my usual first draft, and I wish I could have submitted this one to my creative writing class to critique. I think they would’ve liked this very much.

From the moment I had the initial idea for this short story, I knew this one was different, that it was special. It’s probably why I decided to work on it over winter break. I also got to integrate many of the lessons I got from last semester and from some books I’ve been reading recently with this story, which I think might have contributed to the quality I feel this first draft has (though I still can’t keep a short story under forty-five hundred, it seems).

I’m still deciding what to do with this short story. My ultimate goal for State Fair is to submit it to a contest on campus for short stories. The deadline’s in mid-February, so I have a little time to edit and maybe get another person to take a look and give me some feedback. I got an honorable mention for my submission last year, so I think that this year I’ve got a pretty good chance with State Fair. Whatever the case, I’ll keep everyone posted and let you know how it goes.

In the meantime, I’m watching my beloved Ohio State Buckeyes take on the Oregon Ducks, and I want to see how this game ends. Tomorrow I get back to working on my thesis Rose, with the hope of getting that done by late February. I’ll keep everyone updated on what i’m doing and how things are going. Wish me luck and have a goodnight, my Followers of Fear.

I’ve mentioned several times on this blog that I do a kind of meditation called Sahaja Yoga, and I have to say, it’s been an amazing influence on my life. Not only is it really relaxing, but it’s invigorating and I feel calmer and more balanced and focused after meditation (though nothing can ever seem to take away my wild, silly side). And, during the three years I’ve been meditating, I’ve been given a lot of ideas for stories or on how to modify stories that I’ve been having trouble with.

The first time this happened was after I started learning Sahaja Yoga. I was having trouble trying to figure out this short story I was working on and make it flow as a story. I knew something was missing, but I couldn’t figure out what. At one point I just sat down, started meditating for five or six minutes, and then went out for a walk. During that walk I felt much calmer and more open minded, and I found a way to make the short story work. I went home and finished the short story within the week.

It’s been like that a lot since then, especially during classes on Sundays. I’ll meditate and while I’m cleaning chakras and relaxing, my mind will go into a very different state, in which ideas just come much more easily to me. It’s amazing. Today, I was having trouble figuring out which direction to to go with this short story I’m working on, and I was hoping that today’s class would help me figure out where to go with this story. I put myself into a meditative state and let my mind go. And about ten, twenty minutes into the class, I had it. I knew how to make this story work. And after we finished the meditation, everyone looked very happy to hear that I’d had my idea (everyone in the class is very supportive of my career, and one woman has even read all my books and reviewed one of them). I also had four other ideas for stories today, which is a bit more than usual (don’t know if they’re all related to my class, but I like to think they are).

Why does meditation make me so much more creative? Like hypnosis, meditation puts you into a different state of mind that helps you unwind, relax, and sometimes make you a bit more suggestible. I think that state of mind allows me to hold onto passing thoughts and twist and turn them into workable ideas for stories. In any case, usually after meditation I’m pulling out my little notebook and writing down my ideas, making Sunday one of my more creative days of the week.

Whatever the case, there’s no doubt that, in addition to all the other benefits of meditation I receive, Sahaja Yoga definitely makes me a much more creative person and gives me several more ideas for interesting stories. I never know when I’ll write any of them (that’s how many stories I have and how busy I am trying to get through just one story at a time), but it definitely means I’ll never run out of stories. And it’s another reason why I won’t be giving up meditation any time soon.

Well, that’s all for now, my Followers of Fear. Tomorrow’s the first day of classes, so I’m going to finish up and call it  a night. I’ve got a busy first day (2 classes, a shift at work, and a phone conference, plus Buckeyes take on Oregon tomorrow night. Go Bucks!) so I have to get as much sleep as possible if I’m going to get up tomorrow and take it all one with my usual chipper temperament. Wish me luck, and goodnight, my Followers of Fear!

A while back I posted on character tropes and cliches that needed to be retired from literature. Some of my Followers of Fear thought that maybe the trope of “The Chosen One” could stand to be retired. I’ve been thinking about this since I wrote that post, and I thought I’d discuss it in contrast to what I call “Someone Who Grows Into a Hero.” If I had another name for that character trope, something a bit shorter, I would use it. Maybe I’ll think of one in the course of this post. Or maybe you’ll give me one (please?).

So, let’s talk tropes. The Chosen One is, in essence, a character who is basically chosen by some higher power–God, Fate, some powerful wizard, the President, the Force, that kooky neighbor down the street, etc.–to take on some great evil and defeat it. Sometimes this choosing takes place pretty early in life, sometimes years or ages before the Chosen One’s birth. A good example is Harry Potter being chosen to defeat Lord Voldemort (funnily enough, I’ve been listening to Harry Potter audiobooks while I’ve been working lately. Already on Book 3. You can always get something new from these books no matter your age, I find). It’s been used hundreds and hundreds of times throughout history, since possibly before the Greeks and Romans started telling stories involving oracles.

Now, this trope has a good reason for being used so much. The character who is the Chosen One–usually the protagonist–is usually a good person, selfless, kind, somewhat charismatic. They’re often presented with insurmountable odds, but through their own ingenuity, goodness, and the help of their allies they overcome and become victorious. We want to be that person, who is good and destined to be great as well, to save everyone and to have the best group of friends around them. To be a messianic or godlike figure.

However, there are some problems with this trope. For one, it’s been used so much that we know it by heart. Harry Potter, Eragon, Mila Kunis’s character in Jupiter Ascending, Gregor the Overlander, Emma Swan, Anakin Skywalker/Darth Vader (with Luke’s help, I guess), Neo, Buffy, Po the Panda, Thomas from The Maze Runner and many, many more. These characters are everywhere. And they seem to all have similar personal stories. They grow up in simple circumstances–programmer, abused nephew, farmer, teenage girl, etc.–but are thrust into extraordinary circumstances that change their lives and center events on them. They’re told they’re special, that there are things that only they can do. At first they might be reluctant, or not have the confidence to do what they are told to do. But as time goes on and they somehow make it through the most dire circumstances, they become confident and settled in their roles, and they do end up destroying the ultimate evil (except if you’re the Slayer, in which case it never ends) once all is said and done.

trelawney 1

These sort of stories also say something about how the universe works, namely fate vs. free will. In some circumstances, the way these stories work is that no matter what, the Chosen One is to win against the ultimate evil. So personal choice isn’t a factor. The universe must work to get the Chosen One to win. Remember when I said I was listening to the HP audiobooks? In the 2nd, when Harry stabs the diary, and I remember this clearly, Harry doesn’t think when he sees the fang and the diary. He just acts. Perhaps the universe intervened so that Harry could someday take on the full mantle of his destiny? And in the case of Buffy, no matter how much she tries, the duties of a Slayer force her back into the world of darkness and away from anything resembling a normal life. The universe (or the writers) seem to have no care for Buffy’s choices, apparently.

So the problems of this trope is not only that it’s overused, but that it’s predictable, and that it takes the freedom of choice out of the equation to a great extent, sometimes even totally. There are ways to change up the trope, but it’s rarely done. Katniss Everdeen could be considered a slight variation on the theme, as she kind of stumbled into the role of Chosen One by an act of defiance, but from that point on her life is controlled by others. Heck, even Peeta manipulates her by forcing her into the relationship and pregnancy ruses. Still, I’ve been open about my disdain for the Hunger Games trilogy, so I’ll say it’s not the best example. I’m trying to think up a better one, even if I write it myself, so I’ll let you know if I think of (or write) something.

The other trope is the Accidental Hero trope (I did find another title for this trope). This is one I like a bit more, because you can do so much more with it and there’s a growing number of examples of this kind of character. This is a character who, rather than by fate, is made a hero through circumstances and their own choices. They may not be hero material, they may not want to be heroes, they may rather go home, but they rise to become heroes by their own merits. For example, Nathaniel from the Bartimaeus books wasn’t chosen to be a hero, and never set out to be a hero. In the first book, he was seeking revenge for personal reasons, the second book he did it because of his job and because of political reasons. In the third book he does it after a lot of self examination and because he’s scared of the demon uprising.

one does not simply 1

Another example is Teen Wolf (the awesome TV series, not the very bad 80’s movie). Scott McCall became a werewolf by accident, and because of the threats to his family, friends and his town, he has to rise to become a hero and save the day. No fate, no gods, no prophecies. He becomes a hero (and later a very special form of werewolf) because his personality, the events in his town, and his love for the people close to him mold him into a hero.

And there are many more examples. Chuck from the titular series never asked for the Intersect, and he wasn’t supposed to have it. It could’ve been taken out ages ago. But he chose to keep it, use it for his friends, and save the people he cared about. Through that he becomes a spy and a hero. In Doctor Who, the Doctor only wanted to travel and see the universe. He is a hero of his own choice. Lelouch Lamperouge from the anime Code Geass received his powers through luck, and later chose to use them for his own ends and to get his revenge (more antihero I guess, but whatever). It’s a trope with a lot of wriggle room in it, and even better, it’s still underused, unlike the Chosen One trope. So perhaps many more authors should write less Chosen One stories and more Accidental Hero stories.

Of course, there’s no way that this post will cause less Chosen One stories to be written. For better or worse, that trope is popular and will stick around for a long while. Still, I’m hoping for more Accidental Hero stories. I figure most of my stories will feature them. Reborn City and Snake‘s protagonists become heroes (or in the latter’s case, antiheroes) through choice and circumstance. Heck, I might try and find ways to subvert the Chosen One trope while writing Accidental Heroes. We’ll see what I can do.

Which trope do you prefer? What’s your favorite example?

What is a way that one could change either trope so that either one could be a bit more original?

Double, double. Toil and trouble. Fire burn and cauldron bubble! Mwa ha ha ha!

I’ve just finished the second draft of The Murderer’s Legacy, which I’ve renamed Miranda’s Tempest (after trying Miranda’s Retribution and Miranda’s Reprisal). This is the same short story I had a breakthrough on Christmas after having a lot of trouble trying to figure out how to fix that one since I wrote the first version back in May. It took me a couple of days, but I got it done. This draft is about forty-eight hundred words long, it seems I can never get a short story done without it being over 4,500 words.

A lot has changed from the original draft and the second draft. The original was set in a magical version of Victorian England, was complicated and cumbersome, and my protagonist wasn’t enough of an asshole like I wanted to portray him. This version makes magic the result of one person, and my protagonist is a total asshole, like I wanted. Plus I got to add in William Shakespeare’s The Tempest. Can’t complain about that.

Like all my short stories, it could stand some editing. A lot of the story involves flashback and exposition, and I’m worried that might be less in the story’s favor than I think. We’ll see what I can do. I’m hoping that I can get a few people I know to take a look at it before I edit it, maybe get some feedback. There are a couple of fantasy magazines that I think could be interested in this one if I can polish it up a bit.

In the meantime, I have one more short story I’d like to get done before I get back to working on Rose. It’s called State Fair (might change it to The State Fair later on) and its about a ghost haunting a state fairground who becomes infatuated with a girl attending the fair one day. I’m hoping to submit it to an annual short story award they have at Ohio State every year. It’s the kind of thing they tend to like, so I’m hoping they’ll go for it. But first I have to get it finished. In fact, I’m going to start working on it now, and also through tomorrow if I can, I have the day off tomorrow so I shouldn’t have any problem working on it then.

Well, that’s all for now. Have a good night, my Followers of Fear. I certainly am.

As I mentioned in my last post, I was taking a break from Rose to write, edit, and rewrite some short stories. I started by doing the fourth draft of What Happened Saturday Night, which has gone through quite a number of changes since its first draft. I have to say, this might be the best draft I’ve done so far. It took it a long time to get to where it is now, but I think my classmates would have enjoyed this draft much more than some of the other drafts I’ve turned in this semester. That’s the hope, at least.

In any case, I managed to keep this story about a young girl becoming a werewolf at the same time she discovers her sexuality on the two main characters and on their interpersonal struggles. I also got to explore the sensation of being a wild beast on the hunt, and I think I got the ending just right. I may do some more edits on it before I send it off to someone to critique or to a magazine (haven’t decided which I should do first yet),  especially with a small part of the climax, but I’m hoping that this might be the last time I have to do serious editing to the story.

I hope to submit this one to an LGBT literature magazine, of which there are apparently many, and some of the ones I looked at seem to specialize in a wide range of genres and formats. Maybe an editor from one of them will take a look at What Happened Saturday Night and think it’s the perfect match for their magazine. We can only hope, right?

Well, I’m going to do some reading as research for the rewrite of The Murderer’s Legacy, which I’m thinking of renaming to fit with the new direction I want the story to go in. We’ll see what happens. In the meantime, have a Happy New Year, my Followers of Fear and stay safe out there. Don’t party too hard. That’s my job!

As a Jew, Christmas isn’t really my thing. In fact, I’ve been referring to it in a half-joking manner as my month-long headache. But sometimes Christmas surprises me, as it did last night.

After watching The Interview on Christmas Eve and sleeping in much later than I had meant to, I’d pretty much been a couch potato all day, catching up on the shows I’d missed out on this semester. Since I was planning on watching the Doctor Who Christmas special, I went out for a walk and stretch my legs. And what a walk it was! The air was actually much warmer than last year, there wasn’t any rain or snow, and there was hardly any traffic! Hardly any at all! You could walk right into the middle of what would normally be a very busy street and just dance! Which I did, by the way. Several times! And nobody gave me a weird look at all…not that there was anyone really around to look. And I probably wouldn’t care what anyone thought if there was someone there, anyway.

After stopping off at the local donut shop for an after-dinner snack (and for what became this morning’s breakfast), I decided to go for a walk on campus. And it was unlike anything I’d ever experienced before. Everything was so quiet, so empty, and there was a slight mist in the air. It gave everything a strange, magical air, and I kept expecting to see something magical pop out at me (more than usual anyway). With my earbuds popped in, I ended up dancing on the Oval to some of my favorite uplifting party songs, just because I could. I then stopped by Mirror Lake, which at this time of year is lit up with Christmas lights. I don’t normally care for all the lights, but tonight it was enchanting and I really enjoyed myself.

It was at that point that I decided to head home, especially if I wanted to take a shower before the Christmas special began. And it was also at that point that something that I’d been waiting for finally happened: if you recall back in May during my study abroad trip, I began a short story called The Murderer’s Legacy that was inspired by some of the things I’d seen and read about while in London. The story was about a nobleman living in a version of Victorian England where magic is commonplace. The nobleman is being sentenced to death (or at least a very horrific version of it) for the murder of his wife, whom he did not murder. At the end of the story it’s revealed who actually murdered her and why, but by then it’s too late for the nobleman.

Something like I saw last night. You can see how inspiring it is, can’t you?

 

I thought at the time that it was a pretty good story, and that it had a lot of potential. I still do. But I felt that the version I had in the first draft wasn’t sufficient, and I had to do some major editing and rewriting in order to make the story work. This became more apparent to me as time went on, especially as some of the lessons from all the creative writing I did this last semester began to sink in, namely don’t plunge the reader into a fantastic world with a million different parts and pieces to it if you have only ten-thousand words to do it and tell a story set in that world. My first draft felt like starting Harry Potter in Book 4 or 5 and being plunged into this great big established universe, rather than being slowly introduced to that world in Book 1.

The problem was, I didn’t know how to fix this story so that it was not only simpler, but flowed better and actually told a story rather than introducing the reader to a complicated world they couldn’t take in slowly. Try as I might, I couldn’t think of a way to approach this story and edit it. Until last night, that is, when standing by Mirror Lake, something just clicked and inspiration flowed. I finally figured out how to make this story work, how to tell it in a creepy way while keeping the basic idea behind it alive. Not only that, but I had all the research materials I needed at home, so looking up what I needed for this story would be a cinch.

You can imagine the size of the smile on my face as I walked home that evening. I had all the inspiration I needed to rewrite The Murderer’s Legacy into a good story. Then I realized I have no time to work on it, with a thesis and classes to deal with. Oy vey, the life of a writer in college. It’s never easy.

Well, who knows? There may be a chance for me to still work on this story before May. I’ll have an easier workload this coming semester and that means more time for homework and writing. Maybe I’ll be able to finish Rose early and work on this and all my other projects. We can hope, right?

Well, that’s all for now. I’ve got plenty of work ahead of me, so I’m going to try and get that done. Have a good weekend and (if I don’t post again before December 31st) Happy New Year, my Followers of Fear.

A look at central campus. Isn’t it pretty?

Well, another semester has come and gone. I finally got all my grades back, so it’s time to report how my semester went.

All in all, I had a pretty good semester. It was busy (I’m still catching up on everything I DVR’ed), what with five classes and a thesis to work on. But I somehow kept up with it all, through weekends that were too short and weeks that went too fast and assignments that ate up time like Scooby Doo with a pizza. Still, things went pretty well this semester. I kept my average above a 3.0, and got decent grades. I also started eating better and look for more ways to exercise (thank you Biology class for scaring inspiring me to take better care of my health) and..what else? Oh yeah, as of today I’ve got twelve chapters written for my thesis Rose. Not bad. Hope to get two more done before the New Year. Wish me luck!

I think the area where I improved the most was in writing. Having constant feedback while you’re working on your thesis and taking the most stimulating creative writing class in your academic career, all at once, can do that to you. Some of the things I learned to do is that, when introducing a story full of characters, if you’re introducing them in a fantastic world, don’t go into too much detail and don’t expand into the whole universe too quickly. You’ll confuse the reader. Also, if said universe is based on religion or mythology, make sure that even the most unfamiliar reader can get into it. And finally (and perhaps most importantly), even if the story is full of werewolves, demons, ogres, and every other monster under the sky (or in it), your characters are human or probably humanoid. It’s a human story, and all the other stuff revolves around that human story, not the other way around. Keep that in mind and you’ll write a waaaaaay better story.

As I learned the hard way.

Well, the lessons were hard earned, but I’m taking them to heart. I hope that for future stories I can implement them and make much better, way-more-likely-to-get-published stories.

Anyway, I’ve got a little under three weeks till spring semester starts, and it should be interesting. I’ve only got three classes plus my thesis for my final semester (yeah, it’s my final semester. Four and a half months till graduation. God help me get a job before then). I’ll have plenty of time to study and to work on my thesis and–dare I hope for it?–relax with some TV in the evening.

The classes are pretty different from each other, and some of them have me pretty excited. I have a Restoration and 17th century British literature course (might prove tricky, but I’ve survived worse, such as 19th century British literature!), I’m taking a business/professional writing course with one of my favorite teachers, and–ooh, this one’s fun–for history, I’m taking a new course, taught by a new teacher, about the history of witchcraft in medieval Europe! Yeah, you read that right. My dad and one of my best friends are scared that it’ll turn out to be a how-to course. No need to worry, since I already know that sort of stuff. Mwa ha ha ha!

Well, that’s all for now. I’m going to try to enjoy my vacation as much as possible, watching the Buckeyes in the Sugar Bowl and the Doctor Who Christmas Special (not in that order, though), working in the office, and writing as much as possible. Wish me luck and have a good rest of your night, my Followers of Fear.

Also, there’s about eight days and fifty-something minutes left of my holiday sale. All my books, in paperback and e-book, are on sale through the 31st, so make sure to check them out while you still can at a discount price. You won’t want to miss out on them. Don’t believe me? Then ask my reviewers!

Trope: a common recurring literary and rhetorical device, motif, or cliche. When referring to a character, it often refers to a common or well-known character archetype of stereotype that is instantly recognizable (ex. the noble hero, the avenging antihero, the slightly clumsy socially awkward girl in a romantic comedy, etc.)

There are hundreds and hundreds of these different tropes, each with their own special qualities and characteristics that are recognizable to many different people. Some of these tropes have even become staples in our own culture and in the stories we tell. However, there are a few that are, for many different reasons, just unusable these days. Maybe they’ve become so overused they’re a cliche, or maybe just the way society is or what psychology tells us makes such a character hard to believe in. In any case, there are character tropes and archetypes, not just in literature but on TV and in the movies as well, that just have to be retired, and I list some of them here.

I’d like to thank the people who helped to contribute to this list, including Pat Bertram for her many suggestions (though I have to disagree on serial killers. Sure, they’re overused, but there’s plenty of different ways to write them. Case in point: Snake).

So without further ado, let’s take a look at who/what needs to go:

The orphan who grows up with a heart of gold without any adult intervention whatsoever. Whether it’s Oliver Twist or Harry Potter, this character trope is pretty much the same wherever you go: a kid who grows up in an abusive environment, has never received a smile or a word of kindness from anyone, and yet still grows up with virtues to make statues of angels weep for joy. I don’t buy it. Although it’s possible for a kid to grow up that way (and usually, based on these stories, it’s a boy), it’s very unlikely. Without parental love and affection, kids can grow up to be distrustful and try to find other ways (sometimes really unhealthy ways) to replace the bond they should’ve had with their parents. Like I pointed out the other day, Harry should’ve grown up with some insecurities and trust issues, if not full on sociopathy (I might’ve written him that way anyway).

The drunk, possibly depressed cop. I’m sure there are cops who are drunk and/or depressed. But there seems to be a plethora of them in literature, and they are either meant to be tragic, comical, or go on a spiritual quest where they find the meaning in life, stop drinking, and maybe even get the girl. Unless someone finds a new slant on this trope, or it has got to go.

The killer with an intellectual disability. While I disagree with Pat on the need to get rid of serial killers, there is a strain of that sort of character I think we could do without. This strain are characters who would be classified as mentally retarded, and that’s somehow hinted by the writers (and in film and TV, the directors and actors) to be linked to their violent killing sprees. Leatherface from Texas Chainsaw Massacre is an example, and so is a certain character in the current season of American Horror Story (not saying who, because you know, spoilers). It’s actually rather saddening and disturbing to see this trope constantly resurfacing, because most people with intellectual disabilities are really sweet and wouldn’t harm a fly unless under extreme stress. If you’re going to create a killer with a brain problem, make it someone who kills for their own sick pleasure, rather than suggesting that it might have something to do with some intellectual disability they may have. Not only would I thank you, but I’m sure that many people with intellectual disabilities and their friends, family, and caretakers would thank you as well.

The dystopian dreamboy. I think you could actually extend this to a lot of YA stories as well, but I’m not familiar enough with the genre to make that sort of inference, so I’ll just keep it to dystopia fiction. In any case, this character shows up a lot in dystopian/YA fiction, particularly stories trying to portray a strong, female character (whether or not they do depends upon the story and personal choice). The dystopian dreamboy is very one-dimensional, their whole point is to be a romantic interest, and they have hardly any other aspects to them besides being very handsome, props the heroine up when she’s feeling down, and maybe fights or demonstrates some other helpful skill. Other than that, not much to fill that Wikia page. I’d like to see these characters either more developed or just gone.

The damsel in distress. Like our last entry, this character has very little character development or point besides being a male lead’s romantic interest. Of course, there’s a rich history of this character in literature, so it’s hard to get rid of such an archetype. However, in a world where women are taking breaking the glass ceiling in so many ways, the damsel in distress is the sort of character that we could stand to lose, because all it says is that women need a guy to save them and are otherwise helpless. Either that, or it needs a total revamping, where the damsel is at least somewhat proactive (like Allison from Snake).

The bitch who just needs some love in her life. Again, in an era where women are working hard to break the glass ceiling, this trope could be retired. Not tweaked. Retired. This trope basically says that there’s an ambitious, job-driven woman who is at the top of the business world. But she’s a little lonely, pretty stressed, and more often than not kind of bitchy. That is, until she meets this awesome, handsome guy who is sexually stimulating. And then she realizes as fulfilling as her job is, this guy is what she truly wants, and he makes her a better person, and given a choice between him and her job, she’ll take him. I don’t know, it might just be me, but I think plenty of women can be in business and find fulfillment without a guy. Or have a guy (or girl) and not have to choose between the two to get happiness. I’ve seen it plenty of times. Like my boss.

The barely-Jewish Jew. This is the one that gets my goat. Rachel Berry, Noah “Puck” Puckerman, Howard Wolowitz, Willow Rosenberg, John Munch, Dr. Chris Taub. These TV characters  are all Jewish, but if you looked only at them to form your idea of what a Jew is, you’d think that a Jew is someone who just says a bunch of Yiddish words but isn’t that different than anyone else.  Really, that’s only a small–really small, actually–portion of the Jewish population. I’d really like to see more Jewish characters eating kosher, maybe being involved in synagogue activities or doing Israel activism or something. Show some Hasidic Jews or some modern Orthodox or Conservative Jews who like the Ramones and go to day school (I had a friend or two like that). And for more than one guest episode, thanks! The only character who bucked the trend was Ziva David on NCIS, but the actress who played her left the show, so what’s left?

What are your thoughts on these choices?

What are some character tropes and archetypes that you need to be retired? Any you want to be resurrected?

I come from a family where it’s typical for most of us to obsess over certain TV shows, books or movies. One of those things that we love is Harry Potter. Around my mother’s house you will find copies of each book (sometimes more than one), the movies on DVD or VHS, a couple of wands and my mother’s acceptance letter to Hogwarts (apparently you can get those), and a few other knickknacks. Plus two very strange cats. When I told my mom that on Pottermore I’d been sorted into Slytherin, she considered not talking to me for a while (but does that choice surprise any of you?). And at some point soon, my mom and her partner, my stepmom, will be heading down to Florida, where my mom plans to visit Harry Potter World.

But that doesn’t mean that we’re above poking fun at the thing we love or pointing out the flaws. For example, my family is pretty much in agreement that the fact that Harry grew up with the Dursleys and was such a good person despite the abuse and isolation he suffered is very improbable. As I finished the conversation one evening after a long car-ride discussing HP, “At the very least he should have some self-esteem and trust issues. At the very worst he should be a full-on sociopath to rival Voldemort in evil.”

“I grew up in a broken home. Don’t mess with me, baldy.”

One of these days I’ll have to revisit the trope of the righteous orphan in literature, but now is not the time or the place.

The point is, this small flaw is one of a few that people could point out and make a big deal about in the HP series. In fact, if you look at many different works of literature, TV shows, and movies, you’re bound to find something that doesn’t make sense if you really think about it. Even if you don’t count the prequels, there’s some stuff about the Star Wars films that don’t add up (*cough* Princess Leia’s adoption and royal status *cough*). All of Frozen could’ve been avoided if the King and Queen had actually tried to help their daughter instead of trying to shut up her growing powers (but where would the fun in that be?). And don’t get me started on some of the stuff that happens in some comic books and superhero films. Or Hunger Games.

And there are people who LOVE pointing out these flaws to audience, sometimes making it difficult to enjoy these things ever again. How It Should Have Ended, CinemaSins, Nostalgia Critic, so many more. These guys love deconstructing these things and pointing out their flaws. It’s enough to make you want to root out every plot hole you can find in your story so that you don’t get caught in the web of these guys. Or you might just be too afraid to write at all.

The thing is, no story is perfect. Harry Potter is one of the bestselling franchises in the world, yet it’s not free of flaws. And look at Doctor Who! I’m a huge Whovian, yet I’ll admit that it sometimes  falters in the stories it tells (honestly, I thought I’d throw a shoe at the TV after I saw Kill the Moon. What an awful story that makes no sense!). Heck, I’ll admit I have stories that aren’t problem-free. The latter half of Snake has been criticized in the past of being slightly a little hard to justify (though not outside the realm of possibility). And if I learned one thing from my creative writing class, my short stories “Evil Began in a Bar” and “What Happened Saturday Night/Frauwolf”, will need several drafts. Heck, the latter is going to need one more draft before I can even think about submitting it somewhere. Don’t even get me started on the former.

What you have to keep in mind is that you can’t stress over the teeniest, tiniest detail and hoping there’s not something some blogger or YouTube producer or whatever is going to seize upon and make it into a reason to destroy the book. First worry about the big stuff. For example, if you have a plot that basically goes “In a world everyone has a gun but no one uses them, until someone does”, people are going to definitely look at that one and be like, “Say what?” Hash out the big details first. Then worry about the smaller ones. And know that you won’t get them all. Just try and make sure the ones you don’t get are ones that won’t really matter in the end.

“You are of questionable royal lineage and you will need to undergo a blood test. Take her away!”

Sure, Princess Leia’s adoption would probably draw some questions, maybe even the attention of the Empire. Doesn’t mean that it has to draw the attention of the Empire and Leia’s real father Vader. Or that Star Wars isn’t still one of the most awesome stories in the universe (and I count even the prequels, though I’m a little iffy on Episode III).

Keep that in mind for your own work as well. Nothing’s ever perfect, but it can still be great.

That’s all for now, my Followers of Fear. Hope you enjoyed this slightly-rambling post. I’m taking the rest of the night off. You have a good one, and remember to check out my big holiday sale. All books are marked down till December 31st, so check them out now while you got the chance.

Pleasant nightmares.