Posts Tagged ‘living and life’

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Today I logged onto The Quiet Game’s Amazon page and was surprised and pleased to see a new review there. Not only that, but it was a review from my grandfather, Richard Warren. Knowing him it probably took 20 minutes and plenty of coaching from either my grandmother or my mom to help him post the review, but thanks for taking the effort Grandpa. I always appreciate feedback.

Here’s what my grandfather had to say on The Quiet Game: Five Tales To Chill Your Bones, which he entitled five tales can be stronger and gave a 3-star review:

“These five tales are interesting. I read 3 stories one day & two the next. They held my interest, but I feel they could better, longer.”

Well Grandpa, the good news is that I’ve improved a bit from the time I’ve written these short stories, so the next time you read my work, I hope it’ll be a bit better then than it is now. As for the length, they’re short stories. They can only be so long before they turn into novellas. If I write another collection–and there’s always a possibility of that, so be on the lookout for future announcements–I hope to include more stories and possibly make them of a longer length. Who knows?

As for The Quiet Game, it is now currently holding a 4-star average and is still doing well. I’m pretty sure more copies will be sold by my next expected update, which will be September 17, exactly two months after the book’s publication. Until then, I’ll have plenty of things to occupy myself. Speaking of which, I have homework and laundry to take care of, so I’m going to get on that.

Until then, I’ll blog on you later, and once again, thanks to Grandpa for writing a review and giving his honest opinion. I appreciate it.

Some philosophers and psychologists will say that memory is what makes us who we are, and it’d be hard to say they’re wrong. The retention of past experiences plays a great deal in shaping our personalities, our sense of selves, and how we interpret and react to the world around us. As I’m writing Laura Horn, one of the novels I’m working on at the moment, I’m beginning to understand this concept of memory and what it has over us.

My protagonist and titular character Laura Horn is a victim of sexual assault. Her dark experiences have never been dealt with and she’s still affected by not only the experience of what she went through, but by the memories she has of the assault.

I think for most people, good memories tend to sleep below the surface of our consciousness, always there but not at the forefront of our thoughts until we need them. For example, someone could be driving down a road they hadn’t traveled down in a long time could remember the last time they travelled down the road, maybe with a lover or someone they really liked and what they did that day. Immediately they may feel happy. less stressed, or more excited about their life and their day as the memory returns to the sea of our consciousnesses.

Bad memories though, tend to act like monsters. Fresh memories or those that were formed relatively recent, tend to be worse. They latch onto your consciousness with their teeth and claws, reminding you of their presence, of dark experiences and horrible mistakes, and they never let go, upsetting your day and causing you terror, anger, anxiety, and other negative emotions.

I have more than a few memories I would rather forget, and this is reflected in the way I write Laura’s interactions with her memories. Whenever her memories surface,  she tries to push them away and berates herself for bringing those memories forward in the first place. I feel the same way whenever my bad memories surface, though I learned that instead of pushing them away and berating myself over them, I’ve learned it’s just much healthier to accept the memories as they are and not get too upset over them.

Like I said, Laura hasn’t dealt with her experiences and her memories of those experiences, let alone how to healthily deal with her memories. Because of this, she’s still very stuck in the state of mind she had when she was attacked. She’s terrified of the world around her and most of the people in it. She wishes for the past to change and to return to a happier time, even though she knows this will never happen. Her life is dark and she is terribly unhappy.

I’m hoping as time goes on and I continue writing, I hope I can help Laura move past her experiences to a happier state. To me, this story is more like Laura telling me what her story is about rather than me making up events as I go along, so I’m hoping as time moves along, our collaboration on her tail will yield some positive results.

Until such a time, I have to examine how Laura interacts with her memories of her assault and how those memories be affected as she gets ever closer to the main events of the story, which will change her life forever. And maybe, while doing so, I’ll come to understand my own life and experiences, especially the bad ones, a little bit better.

At Ohio State, the two professors in the English department who are published and celebrated authors (at least locally celebrated) are literary authors. In the two fiction workshops I took last year, the focus was on literary writing. As my undergraduate advisor tells me, “Ohio State is mostly about literary.” And whenever genre is brought up, I hear a lot about how it’s not OSU’s thing, or there’s more of a focus on literary fiction, or that there are no professors who write genre fiction among the staff.

As a genre writer, particularly one of horror, I have to disagree with this. Yes, literary fiction is more focus on character development and on character-driven stories than genre. I am willing to admit that. However, I find it somewhat hypocritical that contemporary genre fiction isn’t worth examination and study in the English department. Yes, there’s a couple of classes that examine science fiction and fantasy, or famous monsters from literature, or YA fiction (I’m taking that first one this semester). But that’s not an acceptance of genre fiction. Ohio State still doesn’t accept genre fiction, at least not any within the past fifty years.

Personally I find that strange, considering how much genre fiction is used in required courses and in general scholarship. I mean, look at it: Shakespeare’s Hamlet and Macbeth are examined in classes all the time. If those were written today, they’d be classified as psychological thrillers with supernatural elements. And A Midsummer Night’s Dream and The Tempest would most likely be fantasy stories.

Ever read Beowulf? That’s in early British fiction courses all the time, and it is fantasy if ever I’ve seen fantasy. Rip van Winkle? Definitely a ghost story, seeing as Captain Hudson came back and put the titular character to sleep for twenty years. Edgar Allen Poe and H.P. Lovecraft? Horror writers and, at least in the case of the former, mystery writers. Frankenstein? The first modern science fiction novel. Dracula, anyone? It’s the basis for the modern vampire legend. Ever read Fahrenheit 451, or 1984, or Atlas Shrugged? They may be philosophical and full of character development, but they are certainly dystopia stories!

So why not contemporary genre fiction, if all this older genre fiction is worthy of attention? Perhaps because it’s popular, or maybe because some of its authors’ fame may not last a hundred years after their death. Maybe the stories haven’t had as much of an influence on literature as others have. Who knows?

But to exclude modern genre fiction just seems wrong. After all, the majority of people see literary fiction as boring or too elite. If English Studies is supposed to examine the English language, how it is used and how it affects the common man, and how it should be used, shouldn’t genre fiction be given as much consideration as literary fiction? Because honestly, genre fiction can have as much an effect on English literature as literary fiction, and sometimes even more.

So don’t exclude it. Include it, with all your academic heart and soul. You may find something there that is worth studying and makes including genre fiction more than worthwhile.

It’s happened folks, I finally did a post about my school life that doesn’t have a sports metaphor or analogy to it.

In four days, I will start my third year at the lovely Ohio State University. Yes, my Michigan relatives, I said “lovely”, and don’t use the fact that we’re without a president to troll. Our football team will still kick your butts come Thanksgiving weekend, so go watch Downton Abbey and be glad the people on that show never get hit by giant football players wearing scarlet and grey!

So now that I’ve sent some wolverines running with their tails between their legs, let me tell you what I’m looking forward to this semester: first, I’m taking five classes this semester, though it feels like six since one is split up into a lab and a lecture. That class happens to be Introduction to Biology, which I’m predicting will be my most challenging class this semester. However I’m determined to get all A’s this semester, something that I’ve been trying to do ever since I got here. On the off-chance that doesn’t happen, I’m making sure to come away from this class with at least a B.

Another class I’m taking is an online Introduction to Sociology class. It looks like it’ll be a challenge as well, but if it’s anything like my Anthropology and Psychology classes of past terms, I’ll most likely get anywhere between a B- and an A, which is what I plan to work towards. I’m also taking an English class required by the English department called Writing For English Majors. You think with a title like that the class would be self-explanatory, but it’s not. Trust me, I’ve read the description and it probably won’t make sense till I read the syllabus. How typical is that?

And there are two classes that I’m really psyched up for this semester: a class called Science Fiction and Fantasy that’s a literature course, and Holocaust as History. The first one is as its title suggests, a class that examines themes in sci-fi and fantasy fiction and applies it to what we read and our world. There are some very interesting books in this class, and we’ll also be watching 2001: A Space Odyssey for class. Looks like I’ll be able to pull out my HAL 9000 impression for this class. And it’s also a chance to possibly advertise Reborn City.

The other class is also pretty obvious from its title. The Holocaust is the focus of my History major, so I’m looking forward to the subject matter. We’ll be reading, among other books, both volumes of the comic book Maus, which if you haven’t read I seriously suggest you do. I’m hoping to learn a lot about the Holocaust from this class, more than I already know, though I don’t think you can read or learn anything about the Holocaust without learning something new.  I can’t wait for it!

Some other things are coming up that I’m looking forward to: my roommate Morgan and I moved into our new apartment a couple days ago, so it’s going to be an adjustment for the both of us, paying rent and bills, cooking and cleaning, getting along with another person in the same living space (though we seem to get along pretty well already). Plus we’re the resident managers of our building, so there are responsibilities for that. Hopefully we can hack it!

Also there are the usual things with classes, getting homework done and doing all my requirements for my classes and whatnot. Plus I have work three days a week, so I want to get a lot done with that and keep my paycheck, maybe earn a little extra with a few extra shifts. And I want to finish Video Rage and Laura Horn, get RC out and finish the final edits on Snake.

And there’s some new stuff this semester: in September I’ll be applying for a trip abroad to see some of the most important sites of World War II Europe, and trying to get as many scholarships for said trip as possible. And I want to be a bit more sociable this semester, instead of spending every evening in front of the TV. Meet new people, make friends, and maybe go out on a date or two. Who knows? I just want to see what happens.

But of course, the ultimate goal is to get good grades. And I will work hard for that, believe me.

Finally, I would like to leave you with a little poem in honor of Morgan and I moving into our new apartment. It’s called “Night-Night Flat” and if you can’t guess what it’s based on, then you’ve been missing out, my friend.

Nighty-Night Flat:

In the land of the Bucks,
There is a two-bedroom flat.
It’s apart of a building
Which may have bats.

In the flat there’s a novelist and an engineer
The novelist writes scary stuff,
But his roommate has nothing to fear.

There’s a Doctor in the fridge,
He doesn’t travel through time or space,
His last name is Pepper,
And he has an excellent taste.

There’s a very creepy ghost over there,
Who we hope will be good to his hosts.
You see, it’s not the renters,
But the ghost who should beware.

On the TV there are four funny nerds.
The tallest one is very absurd.
And in a large rectangular box,
Is a vacuum cleaner that totally rocks.

There are several characters running out of the novelist’s imagination,
They somehow become physical and fill the room with their talk and animation.
And in the engineer’s room is a bunch of books,
Each with a very special opening paragraph for a catchy hook.

Nighty night flat.
Nighty night bats.
Nighty night building.
Nighty night other flats.

Nighty night novelist.
Nighty night engineer.
Nighty night to all their friends and peers.

Nighty night Dr. Pepper,
With your wonderful taste.
Nighty night ghost, who won’t disturb his hosts.
He just learned that the novelist’s parents are rabbis,
And quite possibly also exorcists.

“Oh, so you’re the one who stole my boxers! You’re going to get it when I sick the cheerleading team on you!”

Nighty night nerds on the TV,
We’re not really sure what the really odd one’s girlfriend sees.
Nighty night vacuum that totally rocks.
You are powerful in the way that you suck.

Nighty night characters from the novelist’s imagination.
Nighty night engineer’s books, which are good enough to cause sleep deprivation.

Nighty night Buckeyes everywhere.
And nighty night Brutus Buckeye’s underwear.
Yes, I said that, and I went there.

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It has exactly been one month since The Quiet Game: Five Tales To Chill Your Bones came out. Yes, one month. Feels like a lot longer, but it’s only a month. A pretty crazy month too. I moved into my new apartment with my roommate Morgan, I worked most days, I saw some old friends and met some new ones, and in four days the fall semester starts (more on that later).

I’ve sold 25 print paperback copies and ten or eleven digital copies so far (there’s a guy I met who said he’s going to be downloading the book tonight. Depending on how long it takes for KDP to register a download, I may not find out till tomorrow). Also, I’ve gotten another review on Amazon, this one from Jason Haxton, owner of a box that is said to be possessed by a dybbuk, a demon from Jewish folklore. You may also know him as the author of the book The Dybbuk Box, a book detailing his experiences with the box, and the movie The Possession, which is based on Haxton’s book.

Here’s what he had to say on the book, which he gave 5 stars. The title of the review is Nailed It:

I happened across The author Rami Unger about a year ago when he was researching the paranormal online.
He nailed the Dybbuk story. Write more… soon! Jason Haxton Author of “The Dibbuk Box:.

Pretty awesome, huh? And coming from an author of a really excellent book and someone who’s experienced the supernatural before, I take it as a compliment. Plus his review has brought The Quiet Game‘s rating to a 4.5 average. I cannot complain. Oh and Jason, I have a book coming out in November. If you want me to let you know about that one too, I will.

If you’re interested in reading The Quiet Game, check it out on Amazon or Smashwords. And however you feel about the book, please write a review if you have the time. I always appreciate feedback, whether it be positive or negative feedback that I’m hearing.

Hope things are going well with you tonight. I’ve got another blog post and some writing to do before I go to bed tonight. Wish me luck.

It’s been a while since I’ve seen a movie such as Elysium, one that’s not just visually, but also intellectually stimulating and emotionally invigorating. I was so glad my roommate Morgan and I went to go see it.

Plus we had a laugh afterwards making fun of right conservatives’ reactions to this movie.

Elysium, directed by District 9‘s Neil Blonkamp, depicts a world where the rich literally live above us all, in a Mercedes-logo satellite called Elysium where there is no war, crime, or sickness and all the buildings look like a cross between mansions, Greek temples, and sci-fi edifices. On Earth, the rest of humanity have to deal with poverty, non-existent education, sickness, and crime. That is, until Max de Costa, played by Matt Damon without any hair, gets hit by radiation during a workplace accident and learns he has five days to live. Returning to his old criminal contacts, Max will go to great length to go to Elysium and save his life. What happens next will change the course of human history forever.

What was interesting about this film was that it didn’t follow the normal flow for a sci-fi action movie of this sort, which is introduce the world and the conflict, dive right into the action, have your resolution after a ton of explosions and deaths, all while avoiding character development that can’t be done in a few frames or in a very tense emotional scene with romantic or beautiful background music. Instead, Elysium flows more like a novel, with a slow but steady build-up to the catalyst that causes the conflict in the story, several twists and turns of action and espionage and deceit in the middle, full of character development that penetrated deeply into your soul, and an ending that, while unconventional for sci-fi movies, left you feeling satisfied and full of joy and hope.

Unless of course you’re a right wing conservative, which means you left this movie in tears because you thought you saw the future.

Elysium was well-executed in terms of filmmaking. The settings were vivid in their portrayals of excessive wealth and terrible degradation, the special effects were extremely realistic, and the ways you could relate this film to our own lives and the United States political system these days are many (not surprising, considering whom the director is). My one complaint is that at one point, the all-powerful healing machines do something that I think is a little like cheating, but other than that an excellent movie.

For all of the above, I give Elysium a 4.5 out of 5. Best of all, no bad sequels. I cannot wait for what Neil Blonkamp will make next.

It’s been a little while, but I’ve written my fourth article for that wonderful website, Self-Published Authors Helping Other Authors. I wrote and posted it yesterday, truth be told, but afterwards I started moving into my new apartment, and the cable guy wasn’t scheduled to come and install the Wi-Fi until after I left for work today, and I’m only writing this now because it’s lunch break, so please forgive me for letting you know earlier.

This article, called Can & Should You Ask For Reviews?, discusses whether or not you should ask for reviews from friends and family and how you should go about it if you decide to do so. Already it’s caused quite a bit of discussion, with many people saying they disagreed with my conclusions and with some people adding onto my advice. I’m glad everybody’s discussing the article, even if not everyone agrees with it.

Go check this article out and check out the rest of the website by clicking on the links above. It’s quite a helpful website for authors of all stripes, and I can’t recommend it enough.

We’ve all felt it at some point. Unrequited love. That feeling of such deep attraction to someone who may only see us a friend or like a sibling, maybe a coworker, and sometimes they don’t even notice us at all. It’s heartbreaking, gut-wrenching. We yearn for that person, even though we know that yearning will never be returned. And the feelings we feel hurt us, they slay us from the inside. We want to let go of these feelings, because the ache we feel for these unattainable objects of desire is just so much that some days we can barely stand it. And yet we find it so hard to let go, because as painful as those feelings can be, they can also enhance us and make us enjoy life and being with the people we love, even if they don’t love us back.

Perhaps that is why when a character in a book, TV show, or movie has unrequited feelings for another character, we feel it so keenly, rooting for them while knowing that in all likelihood, those feelings won’t be returned and we’ll have to watch them suffer throughout the story.

I’m actually using a character struck with a case of unrequited love in one of the novels I’m writing at the moment (I won’t say which one because I’m guarding the plots of both rather jealously), and I feel very sorry for this character, for many reasons but this one especially. He’s friends with one girl but he wishes to be more with her. She seems him only as a friend or a kind older brother, and she’s not even aware of his feelings, so it’s tough on him. Still, he goes to great lengths to help her, and that makes him feel good and that at least he can be friends with her.

As I write this, I’m wondering why authors write stories or characters involving unrequited love. Obviously there’s a market for stories where the character(s) is in love with someone they can never have. It’s something most people can identify with emotionally, and it’s definitely an obstacle for the character to overcome. And even when the story doesn’t focus exclusively on the character’s feelings for someone who has no romantic inclinations for this person, it can make for an interesting subplot.

In fact, I think every author should experiment with unrequited love in a story at least once. It’s a sad sort of story to write, but it’s still one that authors can empathize with in most situations, and by drawing on personal experience, you can write a story that feels real. Plus the fans (should you be lucky enough to have any) will really dig it.

What’s your take on stories about unrequited love? And no, you don’t have to tell us your own experiences unless you really want to.

The other day I was daydreaming, brainstorming, and reflecting on a number of subjects (one of the lovely things about me is that my head is in the clouds about half the time). During this particular brainstorming session, I thought up an idea for a novel where half the story is set in an insane asylum. As I wrote the idea down, i thought to myself, “Asylums are great places to set a horror story”.

And that’s when my head exploded with an idea for a blog post. And after the mess was partially cleaned up, I started thinking of all the reasons why someone would want to use an asylum for the setting of a story, especially a horror story. I realized that asylums can add many layers and aspects to a single story in terms of character development, plot points, build-up and suspense, and a variety of other reasons.

I will try to list as many of these aspects and layers as possible in this post without boring you. If I help anyone come up with an idea for a story, then I’m happy to be of service.

Okay, reasons why an asylum is a great location for a story. Here we go:

(The following post will use the terms “asylum” and “mental hosptials” or “mental wards” interchangeably. We apologize for any confusion regarding this flexibility.)

American Horror Story: Asylum’s own Briarcliff Manor. You go in…but you never come out.

1. It’s closed off to the outside world. Asylums and mental hospitals–heck, even menal wards–are like their own little words. No one can get out without express permission from someone in power or without a daring escape plan involving car chases, guns, and possibly a hidden underground tunnel from when the asylum was a TB hospital. Within the hospital itself, there is a set life that cannot be interrupted by outside forces. It’s a little claustrophobic, if you think about it. Especially when it’s a ward that occupies only one-fifth of a hospital floor.
And the intimacy of such a space–everyone’s problems, neuroses, delusions, paranoias–are apparent in such a small space. The amount of openness and lack of privacy can increase the sense of claustrophobia, almost filling up the area of the asylum with its glaring lack of privacy. Talk about terrifying!

2. Everybody who’s there has something. I hesitate to use the words “crazy” or “insane”, because labels can be damaging. But you get the idea. Everyone put in an asylum has some sort of problem that needs addressing through a combination of drugs and talk-therapy.  It can be difficult to live in such an environment, whether or not you actually are suffering from a mental illness (both have been known to happen). And if weird stuff like demons or magic or whatever starts appearing around you, you can’t be sure if you’re really seeing what you’re seeing, if this is a result of your own mental illness, or if you’re being influenced by someone else’s delusions. It can get pretty freaky, which adds to the terror and mystery.

3. The people in authority aren’t always good or wise. This is true on many points. Sometimes guards and orderlies can be overly rough with patients or take certain liberties with them that can be downright illegal. Doctors may believe that someone is sick when they are not (there have been studies that show that if a normal person went into an asylum complaining of voices, they would be instantly committed and nothing they could do to convince people they were sane afterwards worked, passed off as stubbornness or as a result of the illness). And there have been cases when doctors, management, and owners of asylums have deliberately mistreated patients in order to make the most money from the states and the family of those committed. It’s very sick, but unfortunately all these and more have been known to happen.

The voices in your head. Do they confuse you…or help you?

4. Underfunding can make things difficult. There have been state hospitals for the mentally ill and for those with physical and mental disabilities in the past and today that, due to underfunding, have seriously hurt the people those facilities are trying to protect. There was a hospital in Pennsylvania for the mentally and physically disabled, where they had maybe two nurses for two hundred patients, and believe me there was a lot more patients than that. Because the nurses, bless them for the work they did and with so little pay or help or compensation, were so busy cleaning and getting food to these patients, they never had the time to help some of the younger patients with basic activities, such as learning how to walk. Instead, some of them just stayed in bed 24/7, until they died or became adults.
And that’s just the tip of the iceberg! Imagine how those sorts of problems could shape someone forced to live or work in such a place.

5. Perfect place to do a little reflection. If you want to get your head shrunk at an asylum, then by all means do so. Despite the problems with asylums then and now, they are founded with the purpose to help people sort their problems. I’m pretty sure the movie It’s Kind of a Funny Story was about a kid who used a mental ward to help sort through his problems and combat his depression. Who’s to say your character can’t do the same while s/he has been committed? Surely they could use a little character development while they’re locked up with all the time in the world to examine their minds.

That’s really all I have at this point. If I think of any others, I’ll do a second post. Until then, happy brainstorming. Don’t come up with anything that might cause a mess later.

Earlier today I posted the first half of an interview made by some friends of mine, Rui Li and Josh Mangel. Now I’d like to post the second part, which was recorded and then transcribed on July 1st, before The Quiet Game: Five Tales To Chill Your Bones came out.

Before you read it, I’d like to point out that part of the ending of the interview is a little hard to read. That’s because there was some problems with the audio that recorded the interview, and what was said was therefore unintelligible. What is here is my friend Josh’s attempt to get down exactly what was said. So please pardon that, and just enjoy what you read, should you find yourself reading the entire interview.

Once again, thanks to Josh and Rui. I really appreciate you two taking the time to come over to my place and interview me about my writing. It means a lot that you show an interest in it.

~~~

Rami Ungar, a young up-and-coming horror author, has been writing stories since he was the tender age of six. He has one book already published, The Quiet Game: Five Tales That Chill Your Bones, and another coming out in November, Reborn City, a science fiction novel. He also writes for two blogs, one that showcases his personal work, and one that offers advice to self-publishing authors. Rami is sharp as a knife, talented, and certainly has the uncompromising attitude needed for a writer.

We covered several topics with Rami, and he provided us with a wealth of information on writing and the publishing process. The first part of this interview focuses on Rami’s personal story and his influences and experiences, and the second half covers publishing and some of Rami’s other secrets.

Take us through the publishing process. How does that work? I don’t know very much about publishing, and it seems like kind of a crazy process.

Would you like to hear it for a novel or a short story or an article, what?

All (laughing). Sorry.

We could be here for a while.

I think it’s interesting, for people who are reading an interview, because not a lot of people know how that happens.

Well, for a novel… publishing novels has changed over the past couple of years. How much do you know about indie publishing?

Nothing.

Well, it used to be that you wrote a novel, and you had to get an agent, and that agent had to find you a publisher. That publisher had to publish your novel for you, and the marketing department had to do some work in order to make sure that people actually knew about your novel, and bought it. Having a publisher depended on how well your novel did, so if your novel didn’t do well, your publisher could drop you. With indie publishing, authors are able to create novels on their computer, design a cover, and distribute and market themselves. Basically, they’re doing all the work, and they’re making most of the profits. Amazon has really helped with this. Amazon offers the chance for authors to get out there and actually write themselves, publish themselves, and distribute themselves. I’m using Amazon myself in order to distribute my own work, so it’s actually been very helpful. The publishing industry is reacting to that. The Big Six, as they call the big six publishing companies, which includes groups like Penguin, or Doubleday, Random House; they’re reacting to this in ways they never expecting to, because they never saw this coming, and so they have to react. They’re letting fewer books in now, they’re publishing less, because they’re driven by profit, the books they believe will make money. Authors who have really good novels, but publishing houses aren’t accepting them, they’re like, forget the publishing house, I’m going to self-publish. They’re kind of facilitating their own deaths.

So, it’s very similar to the music industry in a lot of ways.

Yeah, the artists are taking control.

What do you think about – I don’t want to admit piracy, but if you go on the Internet, you can read dozens of interesting things just by clicking the button for free. What incentive is there for audiences to read something being published, something that costs money?

Well, the thing is, piracy is taking published works and distributing them illegally, so I’d like to think that the whole legal thing is keeping people from reading pirated work. A lot of authors choose to get copyrights, which is something that I recommend. You pay a small fee to get a copyright for your work, and the legal protection is very good. I’ve copyrighted my work, and so far it’s served me well; people can’t use any of my work without getting in trouble.

Who taught you these things? How did you learn the publishing process?

It’s all out there on the Internet, there are blogs devoted to teaching people how to publish on their own; in fact, I write for a blog.

What’s the blog called?

Self-Published Authors Helping Other Authors. It’s me and four other writers helping other writers writing articles that are meant to help other authors publish on their own. I’ve only been working for them for the past couple of weeks. I don’t get paid for this, but I love doing it. I write articles for them as they come to me, and I publish them and hopefully they help people to write better.

Have you ever had anyone who read an article write you back and say that the information that you shared helped?

Well, the thing is with a blog that people are free to comment, and they do, so I’ve gotten a lot of feedback on my work, most of it, thank God, has been very positive. For novels, though, I often do what’s called a beta reader, and that is, I’ll ask someone, usually a friend who’s also a writer, or maybe just a very avid reader, to take a look at the novel, or sometimes a short story, and to give me feedback. I often get very helpful feedback that tells me what I should change, what I should rewrite, what I should keep…

When you do the blog and the website stuff, sometimes there are very hurtful comments. Have you ever been hurt by an online comment?

I once wrote an article on people that had been very rude to an author because she was against female genital mutilation, sometimes called female circumcision. They didn’t want her to be against this unless she was also against male circumcision. I wrote an article about that, and some people found the article, and they kept trying to convince me that male circumcision and female circumcision were just products of the devil. I just said, that’s not my belief, one may have health benefits, the other is actually very sexist in nature and serves no purpose other than to subjugate women and cause them harm.

How and when did you have the idea to publish a book, to write a book? Did you get the idea yourself or did your parents or family suggest it to you?

Well, I’ve always wanted to be a published novelist, but the whole idea of self-publishing came to me over time. At first I wasn’t sure if I wanted to go this route, but I thought maybe I should… after hearing from people who had had positive experiences with self-publishing, I said, “Heck! Let’s do it!”

The Quiet Game is coming out in seventeen days. I’ve got another novel, my science fiction novel, Reborn City, is coming out in November. Pretty soon I’ll be able to start the process to self-publish my serial killer novel, Snake.

When you self-publish something, do you print copies yourself?

Amazon has a service called Print-On-Demand, which means that someone will order a book, and Amazon will print the order then and there and the send it to them. A little bit of the money from the sale goes to actually printing a copy of the book. With e-books, it’s even easier, because it’s just like replicating a file.

I know that a lot of this is probably already on the blog that you wrote about helping authors self-publish, but do you think that there is a future out there for a lot of the young authors? If you were giving specific advice to young authors about the very best things they could do, the best way to become an author…

Well, to become an author takes a lot of dedication: a lot of reading, a lot of writing, and a lot of passion. I would mostly say that if you want to become an author, you have to read a lot. You have to read many books from many different people. You have to write a lot, and try to learn as much as you can about writing as possible. Most importantly, you can’t lose your nerve; you have to keep going, because you’re basically typing four-letter words forty thousand times. There’s forty thousand words in your average novel, usually a lot more.

What have you done to market yourself? Do you talk to people even though you don’t want to, just to let them know what you’ve done so that others will share your story?

Marketing myself is actually not as difficult as it sounds. Sure, talking to people and telling them about my novels is part of it, but there are many other ways to market yourself; for one thing, I use Twitter a lot to get people interested in my work. These past couple of days, I’ve been using Facebook and Twitter to count down the number of days until The Quiet Game comes out. I also write a blog, a personal blog about my writing that has close to three hundred people following it and hopefully some of them will read my book. As I said, I also write for another blog that helps self-publish authors, so maybe some people will get interested through that.

Since you believe in God, do you carry around a personal item that can protect you from other things, like an amulet?

I do wear a necklace, my necklace is a mezuzah – that’s an object in Judaism that’s put on doorposts – it’s supposed to be like a protective amulet of sorts. I usually wear that all the time, and I feel it will protect me when I wear it. I’m very happy I have it. It was a bar mitzvah gift. I also have a ring with some words on the Talmud on it.

What does it say?

“He who saves a life, it is as if he saves the world entire.” Considering that I kill off a lot of the characters in my books, I have not been doing very well with that commandment (laughing)!

Have you ever wrote anything that opposes Judaism and been criticized by your father?

My dad has wanted me to write stuff based upon my own life or based upon Judaism, but things that go against Judaism in general, I’m not sure that I’ve ever written anything exactly like that that. I have written scenes full of murder, blood, and gore; I have written from the perspectives of Christians, Muslims, others. I also did write a sex scene once! It was between two people that weren’t married to each other, and Judaism does encourage people to wait until they’re married.

Would you say there are other things like Judaism that have influenced you that don’t necessarily relate to horror stories?

Things that have influenced me?

Some people would say, “I read R.L. Stine all the time when I was a kid, so I just loved R.L. Stine.” But have there been things that influenced you to write horror that have nothing to do with horror?

I do read a lot of Japanese comics as well, and those range so much in genre from comedy, to romance, to action – I’ve been able to derive ideas from those. There are stories that take place in other universes or the past, stories that involve magic, and stories that give me a glimpse as to how certain people view romance.

Is there anything else – maybe a park you like and its scenery, or a building, and you imagine the building…

I also use meditation. That’s helped me think more clearly when I write, so that’s helped.

Do you always meditate before you write?

I meditate twice a day, every day. I feel more creative and focused, when I meditate, so try and do it right before I start writing.

What I wanted to know was if there are some writers who have similar problems with writing: they don’t have a regular schedule, they sometimes sleep at night, sometimes during the day, and they don’t want to exercise because they want to just keep writing.

I’m sure there are people like that but I don’t know any personally. Most writers are on a pretty consistent schedule.

Do you have a pretty consistent schedule?

Yeah, I’d be worried if I didn’t have a pretty consistent schedule. It might point to a health problem, it might point to an unhealthy lifestyle, or it might point to something entirely different, I’m not sure. It depends on the circumstance.

How were you educated about writing before college?

I just wrote! I wrote and I wrote and I wrote. I did it for the love of writing.

I meant to ask you that before, actually. Was there someone in particular who taught you about writing?

No, the school I went to didn’t have a lot of writing classes. In fact, we only had one writing workshop in fifth grade, and afterwards everything was meant to prepare you for writing essays in college. I didn’t really have any training in fiction, not until college. But getting this far without that training; people tell me that’s something else. I’ve got to say I got where I am with the support of my friends and my family.

Do you believe you have a talent for writing?

I believe that I’ve developed a talent for writing.

Do you have any events coming up, or readings?

Readings, no. I am trying to develop a stand-up comedy act (laughing). So if it’s any good, we’ll have to see. The Quiet Game is coming out on July 17th. It will be available from Amazon and other retailers in paperback and e-book format. The price is yet to be set; I should set it soon. Reborn City, my science fiction novel, will be available November 1st, so I’m going to be doing a lot work to get ready for that, including creating a Facebook page.

Do you have a favorite writer?

Oh my God, that’s a tough question. I really like Stephen King and Anne Rice.

I know a lot of famous people, before they become famous, they really admire another famous person and sometimes they imitate them until they realize that they need to find their true personality. Did you do that?

Yeah, there were times were I sounded a lot like a hybrid of Stephen King and Anne Rice. But over time, that’s really changed, so that I sound less like them and more like me. By sounding like me, I’ve been published a few times: short stories in magazines. I like my style as it is now; I hope to improve it over time. Like I said, my writing’s improved, and I like writing like I write. My style. Rami Ungar style.

I read some of your stories; I liked them.

Thank you.

I read one about the succubus and Hunter.

Oh yeah, that one.

I liked that one.

You would (laughing).

What do you mean by that (feigns insult)?

Well, you did mention the succubus, and those are…

What are those?

They’re demonesses that have sex with you while you sleep.

Oh, I didn’t know that.

Can you repeat that?

Demonesses that have sex with you while you sleep.

Can you say that again (laughing)?

Now you’re being sarcastic!

How can that be?

Well, they’re not real.

Oh, it’s not a real thing.

Well, it might be real, it might not be. You never know… He’s actually not human, he’s actually a space alien.

(unintelligible muttering)

Actually he’s a space alien. I’m pretty sure I saw her walking around with two antennae.

Oh, is that how you say it? I thought it was antenna.

Antennae. (pause) Well, thanks for coming over.

Thank you very much.

Thanks.