Posts Tagged ‘novel’

I love writing. It’s my passion, it’s my dream, and it’s what I’m good at and getting better all the time at. But it’s also consuming, not just in time and energy, but in creative steam, that wondrous element to a writer that allows us to continue writing book after book, chapter after chapter, page after page, sentence after sentence, word after word.

That’ll be me after work today, mark my words.

Between Video Rage and Laura Horn, I’ve written fourteen chapters total, almost non-stop. Each book is challenging in its own way, and writing both at the same time, even though I’m switching between books every time I finish a chapter, is a lot of work. It’s like this: I immerse myself in the world of the Hydras and I’m writing about how they’re narrowly avoiding a drone or encountering someone from their past at a diner north of Denver, I write anywhere between five-hundred and four-thousand words, I finish and save the chapter, then I find myself in Washington DC about four years from now right before the 2017 Presidential Inauguration, getting into the complex thoughts of a teenager who has never properly dealt with her trauma, and writing about how she reacts to the world (and this is all before she gets wrapped up in the main plot of the story, which will be in about two or three chapters from now), write anywhere from five-hundred to twenty-five hundred words, and then finish and save that chapter!

Frankly, it’s a lot of work, and I need a bit of a break or I’ll suffer burnout and not want to write another words for days or weeks or even months at a time. So for today, and hopefully only for today, I’m taking a break from writing. By that, I mean any sort of writing. I’m only writing this blog post because I wanted to announce the darn break.

And instead of writing, I’m going to spend the day reading several graphic novels from the library and catching up on my shows. Hopefully tomorrow I’ll be able to resume writing at some point, but for now I just need to relax and take a personal day. I’d like to go to a spa and get pampered with a massage or maybe go to a video arcade and play some games, but I don’t have the time or money for that, so I’ll just read, watch TV, and maybe fit a walk in if I can. By the time I’m done, I’ll be at full writing capacity again.

See you after my break!

Yesterday I saw a video on a Freshly Pressed post on pregnancy in science fiction and fantasy, particularly the “mystical pregnancy”. The full video is below:

This video got me thinking. First I started thinking about all the instances not mentioned in this video: Nymphadora Tonks in Harry Potter and the Deathly Hallows, Scully once again in the seventh-eighth seasons of The X-Files, Amy Pond in the sixth series of Doctor Who, Ruth Gallagher in the second book of The Age of Misrule trilogy, Lady Gaga in the Born This Way music video and live performances, Padme Amidala in Revenge of the Sith–you can stop me anytime, you know.

Then it got me thinking about the use of pregnancy in fiction, particularly the TV shows, movies, and books I like. It was a bit of a shock, how transparent and flat these women can become when they are impregnated by their writers. Some are barely there at all as characters. It’s a little sad, and kind of sexist, reducing an entire complex being to the process of pregnancy of birth. And if you need a great example, take a look at Padme in Revenge of the Sith. She gets maybe twenty minutes of screen-time, has very few significant lines, and in the end dies of heartbreak after giving birth. I think her most memorable line from that movie was “So this is how democracy ends: to the sound of thunderous applause.”

To reiterate, this wasn’t what fans were hoping to see.

But after discussing things with the Suspense/Thriller Writers group I belong to on Facebook and sleeping on the subject a bit, I came to a realization that while pregnancies, and mystical pregnancies as well, are used perhaps a bit too much in fiction, it’s the portrayal of the characters that matters the most. For example, Padme’s pregnancy is a very bad example of how badly the subject of pregnancy can be handled. However there are better examples, such as Aeryn Sun from Farscape. According to writer David Lucas: “Aeryn: surrounded by enemies, gives birth. Later, with the baby in a sling, emerges even stronger as a character and as a fighter as she has something even more precious to fight for.” Note this part of a FB comment, so that’s why there’s two colons there.

Two other writers, John Saunders and Annette Wright, points out the character of Sarah Connor in the first two Terminator films. In the first film, Sarah is naïve and has to struggle a lot. But her pregnancy and its aftermath helps hone her into a fierce fighting machine, pun totally intended.

Don’t mess with Sarah Connor, people.

And there are plenty of other examples where female protagonists and other characters have used their pregnancy to grow as characters rather than become one-dimensional breeding machines. For example, Adalind Schade from Grimm becomes even more of a schemer and antagonist, because now she has something over the other characters: the birth of a new prince. Ripley in Alien 3 had a chest-burster growing in her body, but instead of letting the men do the work, she worked proactively to defeat the Dog Alien and kill the Queen growing inside her (and yes, I’m counting that as a mystical pregnancy). And there are probably loads of examples I can’t even think of, showing that portrayal is most important in using pregnancy in science fiction and fantasy.

This was a woman who didn’t let an alien baby get in her way!

So for future reference, I’ll make sure to take a look at pregnancies in fiction and see how it’s portrayed, what works, what doesn’t work, and what can make up a positive or a negative portrayal. I may even write an article on this for Self-Published Authors Helping Other Authors, if I can find the time.

Plus I’d like to check out the other videos in that Tropes vs. Women series. It looks interesting, and I might just learn something important that’ll improve my fiction writing in the future.

As always, thought and comments are welcome on this subject. What is your take on pregnancy in fiction, particularly mystical pregnancy?

I was hampered by a little writer’s block today, but after a pasta dinner, a nice walk and a shower, I was able to get a lot of writing in. And I’m happy to say, I got through Chapter Six of Video Rage, the sequel to Reborn City. Like I’ve stated previously, Video Rage takes place about two or so weeks after RC ends and a lot has changed for the characters. People are pushed in ways they’ve never been pushed before, secrets are revealed, and the whole world is after them now. It’s a pretty crazy trip, but it’s fun writing.

Writing these first six chapters has been a lot of work. I had to re-immerse myself into the world of Reborn City, and since the plot of this novel takes place outside of Reborn City, I had to invent a lot of new aspects in terms of that universe’s society and culture. It was a little difficult at first, especially writing a good hook for the opening, along with showing what the Hydras have been up to and how they’ve changed since RC closed, but now it feels almost natural to go back into that world. Kind of like jumping down the rabbit hole, I guess.

I also had to split up Chapter Four into two parts while I was writing it. I realized that as a chapter it would be packing too much in, so I had to split it into two separate chapters. In terms of character development and storyline, I feel it was the right thing to do. I still have 31 more chapters to write instead of 30 like the original outline intended, but it’ll be 31 better chapters thanks to the split, if you ask me.

Tomorrow I hope to start Chapter Seven, if I can get through Chapter Six of Laura Horn quickly. Working on two novels at once has its drawbacks, but I’m getting a lot of work done, and I’m having fun with it. If I can, I’d like to make a habit of working on two novels at once from now on, if I can. Of course, when senior year comes around and I have a thesis to write, I may have to focus on just one novel! Good thing that’s a year away, right?

I hope to have more good news tomorrow. In the meantime, good night and have a lovely sleep.

Looks like all of my goals for today are done. I stopped by the library, saw The Conjuring (and really enjoyed it) and I finished the Prologue section of Laura Horn. Not a bad day’s work, considering I slept in late.

I’m not sure if I write prologues the same way as other writers do. Most only use a single chapter, but I use several chapters, each no more than 10 pages, to tell a short scene that sets the mood for the novel. In this case, I wrote three chapters, about ten pages total, to start the mystery that is at the center of Laura Horn and will affect our heroine later in the story. It worked very well for Snake, so I’m doing the same thing here, but I still wonder what other people–especially other writers–make of my use of prologues.

Did I mention Laura doesn’t show up in the Prologue? It’s true, she doesn’t make an appearance till Chapter Four, and we don’t see things from her perspective till Chapter Five. Why do I do that? Well, I guess she didn’t need to appear in the story till that point, and in order to understand Laura, it’s best we find out what happens to her in Four before we see things through her eyes, which I save till Chapter Five. Besides, if Harry can wait to appear till the third chapter of Harry Potter and the Half-Blood Prince, why can’t Laura Horn make her first appearance four chapters into her own novel?

Just saying, is all.

Anyway, I’m satisfied with the Prologue. I may have to take a couple more looks at Chapter Three, I feel like something’s missing from it, but I’m not sure what. Chapters One and Two are pretty good though. Very dark and very informative about what’s to come in the novel. Just need another run-through on Chapter Three when I get to editing the first draft.

Tomorrow I’ll switch back to Video Rage, work on a chapter that includes some nasty character conflicts. After that I’ll start Part I of Laura Horn, which is where things start to get moving. I’m enjoying being busy with two novels. Perhaps it’s something I should make a habit of. Could lead to faster publications, at any rate.

And by the way, what do you think of the picture above? I personally like it, and I think Laura would like it too. She’d draw it herself…if she was good at art and wasn’t so badly traumatized. If we had the former, her subject matter would definitely be more dark, and if we had the latter…where would the story be for me to write?

I belong to a group of suspense and thriller writers on Facebook, and occasionally the subject has come up in discussion on characters taking over the plot of the story and acting in defiance to the author’s expectations for the story. Until recently, I had no idea what that meant, though I may or may not have said that I did. With my stories, especially my novels, I wrote an outline, then I wrote the story. The characters mostly followed the outline, and any changes, such as certain areas of the climax of Reborn City, I felt were my own creative decision.

It wasn’t until this morning, waiting for the bus to work, standing in the pouring rain, that I had a little epiphany of the subject. I remembered when I first started writing the outline for Reborn City, back in high school when publishing a book was still just a very far-away dream. Originally I’d planned for bad-boy Rip to be the star of the show, and Zahara Bakur to be the deuterogamist (secondary protagonist for those of you who don’t know that term). But as I started outlining the novel, I saw that Zahara was taking up more of my attention and more of the story than Rip was. Consequently as time went by, Zahara went from deuterogamist to co-protagonist, and by the end of the outline, she’d gone to leading lady, with Rip being the deuterogamist.

Reborn City

And you know what? I thought the novel benefited from that. Sure, the Hydra leaders have a plethora of problems, and having Zahara around doesn’t exactly make them easier. But I think they benefit in some ways from Zahara, and she’s the one who goes through the biggest transformation of all. Heck, I’m only two chapters into the second book of the series (three if I can stay on track for tonight), and I’ve already noticed that she has a confidence that wasn’t present in the first book.

Sure enough, my characters are having more of a say in how the story turns out than I am. If anything, Zahara’s dictating her story to me, rather than I’m coming up with it. It’s a weird feeling, but it’s also kind of fun and exciting, and I get to experience my characters’ growths, decisions, and tribulations with them. And isn’t following a character through all that just the reason we pick up books in the first place and read them?

I’m looking forward to see what happens from here on out. I’m also hoping to see if I’ll write any more stories where the characters do more of the dictating than I do. If I do, it’ll probably be sometime soon, especially since I’m working on two novels at once!

Yesterday I finished one of the first books on my new Kindle, and I’m happy to say that it was by a friend of mine. And since Matt’s done a lot for me and I for him, I thought I’d give him a review of his novel. So Matt, know that what I say here, I say as a friend giving his honest opinion. And I know you wouldn’t want me to just give a gushing review if it wasn’t truthful, right?

So my friend’s novel, Whiskey Delta, is about a world terrorized by zombies. Sounds familiar, right? But there are some key differences between this novel and other works featuring zombies. For starters, the military is actually giving an adequate response to the zombie threat. That’s something you usually don’t see in the zombie literature/films/movies. For another, something about these zombies makes them very different from regular zombies, though I won’t reveal what because that would be a huge spoiler alert. The book itself follows a group of soldiers sent into Los Angeles on a covert mission in order to retrieve something important for the war effort. What happens there will change each and every soldier profoundly.

I thought the story was an entertaining zombie novel. It’s rare to show the military doing anywhere near a good job in a zombie story, so I commend my friend Matt for doing so. Also, I thought the twists in this novel were very interesting, especially in terms of what we thought we knew about these zombies–known as Whiskeys in the novel–and what the truth of the matter turns out to be.

I did think that certain characters such as Kobayashi and Saunders were introduced so quickly that I didn’t even have time to process them into the group before they were in the group, and that the main focus of the novel seemed to shift between characters rather than focusing on one character and saying “Here’s our protagonist”. But it’s a military team, so I’ll let it pass.

I also thought that more character development would’ve been nice, as I seem to know supporting character and all-around hillbilly Whitman better than I know main characters Braun, Dezba, and Saunders, which doesn’t seem right to me. And all the military terms were hard to follow. I’m not overly familiar with the military, so things like claymores, SCARs, and Stryker left me a little confused and I had to rely on my imagination for most of it.

However it was an entertaining story and by the end of it I was glad I read it. For Whiskey Delta, I award it a 3.9 out of 5. I’m looking forward to what the sequel, Papa Zulu, will produce.

Yes, you read that title right. I’ve been using drones recently. I started using them sometime this past weekend, and I’ve been using them almost every night since. Mostly I fly them around certain sections of the state of Colorado, usually near Interstate 70. I’ve fired a few missile and several bullets. The drones were fun to pilot, but they had a bad habit of getting destroyed, and it’s not really my fault. Still, I might get blamed for it, so I won’t be piloting drones for a while.

This is actually the model of drone–or a variation of it–that I used.

Now you are probably wondering variations of “What the f**k is he talking about?” and “How the hell did he get his hands on drones?” Well the answer is simple: I wrote them into the second chapter of Video Rage as part of a fun little battle sequence. I thought it’d be interesting to use drones in this chapter, especially since drones are still relatively new to us now and many people, myself included, are at the very least a little wary of drones and their use by the military, if not downright scared of them. It ended up working out very well, because the drones showed how powerless my protagonists can be even with their powers, and how hard they have to work to stay alive.

Got you, didn’t I?

The drones also allowed me to do something I planned for this novel: cause friction. Something happens to one of the characters during the drone attack, and it causes some tension in the tight-knit group of people who star in this novel of mine. Later on there will be more tension between the Hydras, and we’ll see what happens when that tension hits a boiling point. Believe me, things will get ugly as a result.

I’ll be using drones again later in VR. The drones in Chapter 2 are very similar to drones used today by the US military, but in later chapters I plan on using new drones that the military probably hasn’t dreamt of yet (or if they have, my friend Matthew Williams will know of them). It’ll be interesting to see how the use of drones will work out, both for the story and for the characters.

At the very least, it’ll make for some interesting reading.

Now I’m going to take a break, shower, and then sit down for a movie. Tomorrow I’ll try to start the next chapter of Laura Horn. Things will heat up over in that storyline as well.

 

Lately I’ve noticed I’m a bit more irritable when I read works by other authors. I had some trouble getting through the slower parts of Stephen King’s Cujo, becoming annoyed with the style of King’s writing (imagine that from me!). And when I was reading the first couple chapters of A Discovery of Witches by Deborah Harkness, I kept glancing at things she did that I did not like about her writing style. Granted, her book was like a bad combination of Harry Potter, Twilight, and The Da Vinci Code, making it so that I couldn’t get past page 70, but there were still many things about her writing style, particularly in the first chapter, that just bothered me.

Perhaps this might have something to do with my own writing process. Over the past year or so my own style of writing has emerged, and I find myself much more comfortable with that style of writing than I do with other styles. Or maybe now that my own style’s emerged so much, I tend to nitpick at the styles of other authors, thinking about what works and what doesn’t work. After all, I was reading Horns by Joe Hill recently, and while I liked the overall story, the non-linear structure and the lack of warning between traveling bacwards and forwards in time confused me quite a bit. I don’t like to do flashbacks without some sort of warning to the reader, so maybe it has something to do with that.

Not to say that I may just not like reading the styles of other writers. In fact, I’m reading two books right now: one is the zombie novel of a friend of mine, and the other is the memoirs of an Israeli soldier. I find both of their works intriguing and fun to read, though all the military jargon is a bit difficult for me. So maybe it’s not that I don’t like the styles of other writers, but more that I know what I want when I read a novel and when I don’t get it, I feel annoyed.

Whatever the reason is, I’m pretty sure it has something to do with my own writing in some way or another. After all, plenty of the authors I read are responsible for the author I’ve become, so perhaps I’m picking up on something that connects me to them.

What’s your take on this?

And it has begun! Last night, with my cable/Internet/phone service out but my electricity still working, I set out to work on Video Rage, the sequel to Reborn City (out November 1st). I had started on it several days ago, truth be told, but I had run into all sorts of distractions, so finishing just one chapter was not easy. But last night, with classical and opera music in my ears and no TV or Internet to get in my way, I set about finishing up the chapter. And sure enough I did, with 11 pages and a little over thirty-two hundred words total (page count is based on Times New Roman, 12-point font, and double-spaced lines, so that is not a reflection of what it will be when the novel actually comes out).

Video Rage starts about 11 days after the end of Reborn City, so besides setting the tone and the setting for the story, I used the first chapter to reveal what had happened to the ten main characters since they left the titular city in RC. Suffice to say, I did not make things easy for my characters. They are now wanted for crimes they did not commit and are trying to head east across the North American continent to find asylum somewhere. Of course, things don’t go as planned, especially when a powerful corporation with its own private army is searching for you.

And I’m bringing back a very fearsome and dangerous character from RC to further impede the progress of the Hydras (that’s the name of the gang my main characters belong to, in case you didn’t know). Mix in a little conflict between the main characters, and some rather bloody but heroic deaths, and I think I might have a decent sequel on my hands.

Now that I have one chapter of VR written, I’ll switch off to my other novel-in-progress, Laura Horn. The chapters for LH are much smaller than VR (which shows how differently I write thrillers versus how I write sci-fi novels). I’ll probably do another progress report on VR when I’ve written five more chapters, putting me one-sixth of the way through the novel.

Until that time, look out for a few more posts, including the announcement that I’ve finished the first chapter of LH. Should make for at least a good time-killer.

I was reading a post on Self-Published Authors Helping Other Authors the other day and one of the authors, Ruth Nordin, suggested that if I were to have a page for my books, I should have individual pages for my books, or at least individual books for each series and each stand alone novel. I decided that was a good idea, so I went ahead and created three new pages, one for short story collections, one for the Reborn City series, and one for Snake.

I think this was a very good idea, and I’m glad I did it. The page for short story collections leaves me a chance to put in more entries if I ever put out another collection of short stories (and there’s always a possibility of that, believe me), and so does the page for Reborn City and its sequels. And as for the page for Snake, I only wrote a fuller description for the entry, but I think it’s more enticing than what I had before, distinguishes the Snake as a protagonist and lets people know what the conflict is without giving too much away. I rather like it.

If you want to read the pages, please scroll up and look at the entries next to Home and About Me. They should be there.