Posts Tagged ‘novel’

Adam & Eve: the original sex story that’s been denounced as evil and immoral.

I’m actually kind of sick while I’m writing this post, so if it’s not up to my usual quality, I apologize. Also, if you want to make me matzo ball soup or something, please make sure it’s prepared in a manner that is acceptable under the laws of kashrut. For an easy guide to cooking kashrut, please contact your local rabbi or read a guidebook to Jewish cooking.

Okay, enough rambling that unfortunately we cannot blame my current condition on. I don’t know if anyone’s noticed this, but the horror genre–whether it be books, movies, comic books, or TV shows on FX–has a lot of sex. It’s one of the draws of the genre, and it’s also one of the things horror authors are criticized for the most (besides the whole–you know–the fact that we write about scary, bloody things that often kill/maim/cover us in blood). Sometimes it seems that there’s more sex in a horror movie than there is horror.

The question is, why? Why is there so much sex in horror stories?

Well, I’m not exactly sure. Besides demons that use sex as a weapon in ancient legends and folklore, there doesn’t seem to be a lot of material on this subject before the 19th century. I do know that works by early horror writers like Edgar Allen Poe and Mary Shelley, who wrote around the same time, didn’t have a lot of sex in their work, and any that did was only subtly hinted at (for example, “The Fall of the House of Usher” hinted at an incestuous relationship between Usher and his sister, but never exactly came out and said it). However things started to change around the turn of the century. Dracula contained several themes about Victorian sexual mores, and theater productions of horror stories often used sex to draw crowds in. I’m not as familiar with the works of HP Lovecraft as I should be, but I bet there might be some naughtiness hinted at in those stories.

(And if I am wrong, I apologize and ask that you please notify me immediately of the fact)

“Bleh! I am so chaste! Bleh!”

Early horror films like the original Phantom of the Opera film with Lon Chaney, Nosferatu, the Universal horror films and some others skirted around sex (mostly because Hollywood had much more stringent censorship back then), but it was still present in books and comics of the time, which led to comic books being censored as well. However with the fifties and sixties came the sexual revolution, and mores surrounding sexuality loosened. This started being reflected in horror, with Stephen King in the seventies debuting with Carrie and Salem’s Lot, which had plenty of sex and sexual themes in them. Slasher films made use of sex as well, showing sex alongside blood and gore well into the late eighties and nineties. Buffy the Vampire Slayer debuted in the late nineties, during which the connection between sex and horror was often explored and commented upon within the show and by its viewers.

Fast forward a little bit, and you have the Scream movies, which poked fun at the supposed “rules of horror movies” (see video below), the Friday the 13th remake which had so much sex, it kind of lost the point of the film till near the end (but still couldn’t salvage the story), and American Horror Story, which actually manages to use sex in an artful way without taking away from the terror of the show.

(If anyone feels my history lesson in horror and sex is lacking something, once again I apologize.)

But like I said, all this sex in the horror genre has its consequences. Some will say that horror is using sex to draw in its audiences, like when you have a pretty girl being tortured while in her underwear (I think that’s a new way of looking at torture porn). Others say that horror authors are making a morality statement when they say “sin” like sex, drugs or booze causes you to die horribly, and the sweet virgin is the only one who survives (albeit with severe trauma). Plenty of critics believe that all the sex, along with the gore and killing, are warping the minds of children and teenagers (I don’t believe that for one minute). And feminists criticize horror authors for objectifiying and sometimes demonizing women and their sexuality in their work.

For that last one, I have to admit, we’ve been guilty of that a few times. So has certain evangelists and nutcases and whatnot, but yeah, horror authors have done this a few times. The video below provides some examples on this.


But this still doesn’t explain how sex has gotten to be such a part of the genre of horror. Maybe it serves as a relief for audiences. After seeing something so scary, a little sex can actually serve to relax people. In some funeral parlors, they’ll actually have lewd statues or paintings in order to make the grieving feel a little better (not kidding). At the same time, sex could act as a way to ramp people up, show them a little nudity, and then when they’re excited, scare them silly with some blood and death.

Personally, I’m of the opinion that if there’s more sex in a horror movie than there is horror, it’s probably because the filmmakers realized they have a pretty weak story to begin with, and need something to draw the audiences in with. I don’t know if anyone else shares that opinion, but I definitely believe it. And it certainly would explain a lot.

And occasionally, sex serves as part of the plot, like how in AHS: Asylum Kit and Grace having sex is used to further certain elements of the story. So occasionally sex can be used in a good way in the horror genre, instead of just making us worry that the people behind the story you’re watching or reading about just needed something after a very bad dry spell.

Here’s another question to ask yourself: Is my story more likely to get this rating than an R or PG-13 rating if I use sex?

I’m still not sure why sex is so intrinsically a part of the horror genre. However, because it is, I think it should be used more wisely. If you write horror stories, unless you’re trying to use sex as part of your story in a tasteful way or as a tool to further character development, then you should probably leave the sex out. Ask yourself this: what does this story gain from me using sex in it?

If you can’t think of a valid reason, then don’t put the sex in. (You can also ask this question for gore, and I highly recommend that you do).

Hey, what’s up everybody?

Well, I’ve got some news. You know how I created a page for The Quiet Game a while back? Well, I decided that since I’ve got Reborn City coming out in November and Snake coming out sometime next year and whatnot, it didn’t make sense for me to have pages for all of my books. It’s just too much work for a college student who already has a pretty big workload, and I can’t afford an assistant (plus I don’t really need one). So I decided to condense everything into a single page: Rami Ungar the Writer.

Yes, just like this blog. Makes sense, right? I plan to post links to my blog there, as well as some updates and other things happening in my life that I can’t put into a blog post for a variety of reasons. And I’m hoping to get plenty of people interested in my new page, talking not just things in my life or my writing, but also thinks happening in the media and in the world, links to the works and blogs of friends, and…well, the possibilities are endless.

If you’d like to subscribe to my Facebook page, you can follow this link here. Also, I still have a Twitter account, so you can click on this link here and check that out if you wish. You don’t have to, but I’d really appreciate it if you did. I’ll also be setting up the links on the About Me page, so they’ll be there if anyone wants to check them out after reading future posts.

All for now. I’m going to try to get some work on Video Rage done. Maybe even get half a chapter written! Let’s see how I do.

Two reviews in one post. That’s a new one for me. But what do you expect from me? Two very interesting series having two significant events on the same night, one after the other? Of course I’m going to do a double review! So without further ado, let’s start the analysis and reviews:

Now that’s what I call graphics.

Sleepy Hollow
Based on the famous short story by Washington Irving, Sleepy Hollow is an updated version of the classic tale, where Ichabod Crane is a Revolutionary War hero instead of a teacher. Get this: he’s the one who beheaded the famous Headless Horseman. Now the Horseman’s back, and Ichabod’s returned from the grave to stop him…and whoever’s controlling him. With some Biblical themes mixed in, some good ol’ fashioned American legend and folklore, and some superb acting, I think this could be the start of a great series.

So far I have only two complaints: one is that Ichabod, played by actor Tom Milson, seems not as culture-shocked as you’d expect for an 18th century man finding himself in the year 2013…or as torn up over the death of his wife Katrina, who appears to him in a ghostly dream. Also, I have a feeling that the series’ producers are trying to create a mythology from the first episode. While I admire that, let’s hope they don’t shove it down our throats. Give us the mythology too quickly and viewers may be turned off from it.

Other than that, the show seems really great. The characters seem very real to me, and the chemistry between Ichabod and Sheriff Abbie Mills (Nicole Beharie) is already strong, like Mulder and Scully in some ways. Also the cast is very diverse, which both brings a little humor to the show (Ichabod is surprised that Abbie, who is a woman and African American, isn’t a slave and is instead a lieutenant, making everyone rolls their eyes or laugh with a knowing smile) and makes me think we’re actually making some progress in terms of race relations. Not much, but some. And the show is filmed in the actual town of Sleepy Hollow, New York. Yes, there’s an actual Sleepy Hollow. It changed its name from Tarrytown a few years back to honor the original Irving story, in which Sleepy Hollow is a part of the Tarrytown township or district or whatever. Who knew!

All in all, I’m giving Sleepy Hollow a 4.6 out of 5. I’m looking forward to the rest of the season, and seeing whether this show can keep up the momentum or…you know what, I’m not even going to finish that sentence lest I jinx it. Let’s hope for the best.

Purists hate this show, but most seem to love it.

Under the Dome
In so many ways this show, based on the uber-long novel by Stephen King, who executive produced the show, departs from the original story. And as we saw tonight, it can sometimes stay true to the original tale. In the meantime, we’ve seen an incredible season. I was skeptical when I saw the first episode this summer (see the review here), but the story got better and better with every episode, taking the story in new directions, developing very real characters, and throwing in as many mysteries as it could without overwhelming viewers.

In a way, it’s really amazing how the show weaves in so many ideas and subplots and characters in a coherent narrative. That’s something I’d like to be able to do someday, and do it with ease as well. In any case, I’m not surprised that Under the Dome will be returning next summer for a second season, especially based on that very strange cliff-hanger of a season finale. If you haven’t gotten into the show yet, I suggest you look it up. Dean Norris from Breaking Bad could easily win an Emmy for his work on the show as town councilman James “Big Jim” Rennie, especially now that Bad‘s over and done with (at least I think it is. The series ended, right?). And Dale “Barbie” Barbara, the show’s lead played by Mike Vogel, looks underdeveloped as a character at first glance, but you find this bad-ass charm, mystery, and kindness on the second. I think it’ll be interesting to see what they do with him in the second season.

For the season finale, I give UTD a well deserved 4.6 out of 5. And for the entire first season…I’m awarding it a 4.8 out of 5, for taking a complicated story and a not-so-good start and making it one of the TV events of the summer. Yeah, I said that. Weep, Miley Cyrus. Your little freak-out on MTV didn’t hit my radar.

Expect more TV show reviews as new and exciting series, like Dracula or Marvel: Agents of S.H.I.E.L.D. begin this fall, and a few movies such as Carrie and Catching Fire come out. Not to mention the Doctor Who 50th anniversary special, The Day of the Doctor, comes out this November. I cannot wait!

Well, that’s all for now. Hope to do my weekly exercises tomorrow. Good night everybody!

I’m on a writing craze lately. In the past two days, I’ve finished a chapter of Laura Horn, wrote an entire chapter of Video Rage, and even did an entire article for Self-Published Authors Helping Other Authors. This time around, I did a little research on The Length Debate, seeing all the opinions on how long a piece of flash fiction, a short story, a novel, and/or everything in-between should be. It was a fun article to research, and I hope you read it and share your thoughts on the debate too.

And as always, I encourage you to subscribe and follow Self-Published Authors Helping Other Authors. If you independently publish, it’s a wonderful site full of information for authors on everything from creating your own cover to information on developments with CreateSpace and Kindle Direct Publishing to just general tips on writing fiction of any sort. I’m sure you’ll find it extremely helpful and informative, just like I did the first time I logged on.

Oh, before I forget and sign off, I just wanted to let you know I updated the About Me page on this blog. It’s just a little bit more general information, but if you’re curious, go ahead and check it out. You’ll find my somewhat-funny bucket list among the material I’ve added there.

See you in the morning, everybody. Have a good night, and I hope you don’t have any dreams about people with schizophrenia performing exorcisms in the street like I did last night (yes, I dreamed that. It seems even in my dreams I can’t escape the weirdness that is my somewhat macabre interests and hobbies).,

Rather disconcerting, isn’t it?

I’ve mentioned in many previous posts that I am working on a novel called Snake, about a serial killer in New York who is hunting down members of a powerful mafia family. In the most recent posts, I may have also mentioned that I am working with my friend and fellow writer Angela Misri of the blog A Portia Adams Adventure to edit Snake and make it ready for publication in Spring or Summer 2014.

As of this evening, Angela and I are officially a quarter of the way through the hundred chapter book and are getting the book done on schedule and will probably be done by New Years. I’m very happy with how speedy the process has been and how diligently Angela’s been working on looking through and critiquing my manuscript. Thanks for your hard work and taking time out of your schedule Angela!

Also, I would like to mention that just because the book’s a hundred chapters doesn’t mean you shouldn’t read it. Each chapter is less than ten pages, so I wouldn’t be surprised that by the end of this, the whole book will be less than 400 pages (we’ll see). The only reason you shouldn’t read it is if you think it’s not your type of book (follow this link to see if it is).

I’ll let you know when there’s more news on the editing and publishing front. Wish us both luck and definitely check out Angela’s blog. It is definitely worth a read.

Writing is a mostly mechanical exercise, making practiced movements with a pen and paper or seeking the correct key on a keyboard. And putting those words together is part of the higher mental powers given to the human species through millions of years of evolution. But the act of imagination, the power it gives us to bring those words together into a coherent narrative and even tell stories with those words, to me that it is transcendent of all the abilities we’ve garnered from evolution. To me, it’s almost a gift of the soul.

I keep three separate lists on my flash drive. One list has short summaries and blurbs of novels, films, TV shows, comic books, and even video games I’d like to write. I’m up to sixty-one ideas at the moment. The second list gives short descriptions of short stories I plan to write (seventeen at the moment). And the third list has subjects for articles I can write for Self-Published Authors Helping Other Authors (great blog, by the way. Totally recommend it). That’s a total of eighty-eight ideas, and all of them are possible through my imagination. Heck, I wouldn’t have any of the ideas for stories I write if it wasn’t for imagination.

And imagination is influenced by so many things. Everyday life influences imagination, allows it to be transformed into stories. I read an article about efforts to stop forced marriages with metal spoons and I got an idea for a short story from that. When I went to my science fiction class, I had an idea for a novella that I had to blog about almost immediately (see this post for the actual article). Speaking to some friends about the recent death of an actor to suicide, I thought of an idea for a crime novel. When the lights in the Super Dome went out early this year, I got an idea from that too.

And not just events in life fuel the imagination. When I read or watch TV or a movie, I get ideas from them too. Just today, a book I’m in the middle of reading gave me an idea for a short story taking place in Jerusalem. Watching a favorite episode of Doctor Who the other day, I had an idea for a six-book series featuring Agatha Christie (Whovians, I bet you can guess which episode that is). I even have an idea for a movie to bring back a TV franchise I used to love as a kid. And how many fairy tales and childrens books have I taken and turned into new stories that boggle the mind and scare the soul? All this is possible through these works’ influences on my imagination, and my imagination’s influence on me.

Imagination. It is the ability to absorb events or old ideas and–pardon the adjective used–regurgitate it into a new form. It is the application of ideas and concepts in a new light, in a new way. It’s the churning of our subconscious, which spits out, like in a Greco-Roman Creation myth, something new and fabulous and beautiful. It is a force that I contemplate, that I look at and wonder about its complexity.

And perhaps one day I’ll write a story about its impact…oh wait. I’ve already got one or two ideas based on that! Never mind.

The point is, the imagination is something that is such a benefit to the act of writing, the act of living, that without it life would be so much less beautiful and powerful and amazing. It’s given me a ton of ideas, and I hope it’ll give me some more in the future. Because if my imagination can allow me to create a large body of work to leave me behind, even if I don’t get famous off of it all, I’ll feel like I’ve left behind an amazing legacy for the world.

Though if I can get famous I won’t complain.

What’s your view on the imagination and its impact on writing and on life?

I love this shot!

Normally I’d be getting ready for bed now because it’s late and I need my sleep for classes. However, I started writing this evening, and I got so much of Chapter Twelve of Video Rage done, I was like, “No way am I going to let this chapter wait till tomorrow to be finished, especially with the amount of homework I’m likely to have!”

And I’m proud to say the hard work paid off. I’m now about one-third of the way through the first draft of Video Rage, the sequel to Reborn City. Well, it’s actually a little less than a third, seeing as the book has a planned 37 chapters, but it’s close enough, so who’s going to start a protest over it? Anyway, it’s a third of the way done, and I’m very excited to announce it.

The last couple chapters I’ve written for VR were actually a lot of work. I had to go through 10 and 11 twice before I could leave them alone, And Chapter Twelve had to be written just right so that it’ll have the impact I want it to have. In fact, a lot happens in Chapter Twelve. I bring up Kony 2012 in the story, and it has an impact on the protagonists, the Hydras. Yeah, I know that video, for all its hype, didn’t lead to Joseph Kony getting caught, but it was influential, which is why I use it in the story.

Remember this video? It makes itself known in Video Rage.

I also made a reference in the chapter to an early idea for VR called Bee Colony, in which the Hydras meet a colony of giant man-bees. Yeah, it sounds ridiculous, especially when you consider how Doctor Who used the idea with Agatha Christie. I thought so too about a third of the way into the outline, so I scrapped the idea and went back to the drawing board. It wasn’t until I saw Kony 2012 that I had an alternative to the man-bee plot, and it’s worked out better than the original idea, I’m happy to say. And the honeybees make an appearance in this chapter, though they aren’t man-sized or anything.

Now for the page and word counts. In total, the number of pages I have in this draft so far is 103 (double-spaced, 12-point Times New Roman font, in case you were wondering), and the word count so far is 28,039 words. Jeez, this novel’s coming together. I wonder how long it’ll be by the time the first draft is done. Heck, I wonder how long it’ll be when Reborn City comes out in November!

For now though, I’d like to take a little break from writing to rejuvenate and relax, or as much as I can while still doing schoolwork and working 3 days a week. In my spare time, I’ll probably take a few days, read a book, watch my shows, sleep, celebrate the Jewish New Year, edit chapters of Snake when I get them, and make jokes that are funny about thirty percent of the time. After that, I’ll probably write an article for Self-Published Authors Helping Other Authors, and then start on Part II of Laura Horn, the other novel I’m working on at the moment.

Until then though, I’m going to go to bed. Good night everybody, Happy New Year from your friendly Internet Jewish blogger and horror writer, and I’ll write again when I have the energy to do it. See you later!

Oh, I had a productive day today. I got a ton of homework done, edited The Quiet Game after being told there were some glaring errors in the book (sorry! If you buy/download it now, there will be less errors than before), I did my weekly exercises (see last post), I came up with an idea for a short story and a book series, and–oh yeah, I finished Part One of Laura Horn, one of the two novels I’m working on right now.

I called this part of the story “That Girl’s A Mouse”, based on what one of the girls at Laura’s school describes Laura. As we read the chapter, we find out some of the reasons Laura’s like that, though some things are still in mystery. I rather enjoy writing Laura’s story, but I sometimes have trouble getting into her head. In some ways she’s still a mystery, even to me, which makes her all the more fun and intriguing to write about.

Now for pages and word counts. The prologue, which is about ten pages and two-thousand, three-hundred sixty-four words, is about three chapters long. The first part spans from chapter four to eleven and is forty-five pages and twelve-thousand, one-hundred and eighty-nine words. This brings it a total fifty-five pages and fourteen-thousand, five-hundred and fifty-three words.  With fifty-six chapters left, it’ll probably get much longer. I’m guessing somewhere around 350 pages and maybe seventy-thousand pages. It’ll be awesome when it’s done.

Tomorrow I plan to do my biology and sociology homework, then I’ll hopefully edit chapters ten and eleven of Video Rage. I’m not entirely satisfied with those chapters, so I can’t start chapter twelve until I at least give those two a look-over and see if there’s some way to fix them up a little.

Until then, have a good night everybody.

Reborn City

I don’t know if book trailers really increase book sales. I’m pretty sure that when I did the book trailer for The Quiet Game (see it here, if you dare). So when I finally had a release date for Reborn City, I had to ask myself, “Do I really want to spend an hour or two making a freaking video that probably create a viral sensation, let alone bring in some revenue for me?”

But then I discovered that you can make videos on your YouTube account. Yeah, I found that out just this week. I have no idea if that’s a new thing or if that option’s been around for a while and I’ve just been oblivious. But yeah, I sat down today, I pulled up YouTube, started creating a video on YouTube. Took me about twenty minutes and then all I had to do was upload it onto YouTube while I went to have Shabbos dinner.

This video is about twenty-five seconds long and features music by the rap group “Triple C’s”, with there song “Where Ya From?” Hey, they even have a song that uses the West Reborn dialect! I just noticed that. Also, the photo of “Reborn City” is actually a shot of the Las Vegas strip. I know, I know, but what do you want from me? I can’t afford to create my own original picture of my conception of Central Reborn. I do what I can.

In any case, I’m very satisfied with the results. Heck, I’ll try and make another video some time, see if I can improve for the next book trailer. Yes, I said the next book trailer. If I can get one done in twenty minutes, imagine what I can get done with an hour and some practice! Snake‘s trailer will be the s**t!

So, without further ado, here’s the official trailer for Reborn City. And subscribe to my channel…as it is. Comments welcome.

Today we had a rather interesting discussion in my Science Fiction and Fantasy class (for those of you new to the blog, yes there’s such a thing. Apparently Ohio State’s English Department has been studying the foundations of nerd culture since 2007. And possibly there’s a grad student in the Sociology Department who’s studying the actual people of nerd culture, but that’s an investigation for another time). Anyway, we were talking about the differences between heroes in science fiction stories from pre-WWII and the stories written after WWII.

In the pre-WWII stories, the heroes were always larger than life, able to overcome evil and fight off any villain with ease. In a sense, they were Supermen without superpowers, and they still won every battle, got the girl, saved the world, and were home in time for tea. Some great examples were John Carter of Mars from the Barsoom novels by Edgar Rice Burroughs and Freder from the movie Metropolis.

But then you have World War II. There you see death camps, POW marches, bombings, jungle warfare, beaches that run red with blood, mortars and claymores and bullets, racism and nationalism, beheadings, and several other bits of Hell made incarnate. Those who came back from the war were given a darker outlook on the world, and those whose talents were more geared to the written word and who in turn enjoyed a little space travel incorporated that new world view into their work. The best examples I can give you of the sort of hero that became popular after WWII are Barton from the short story The Cold Equations and Han Solo from Star Wars. They are not Supermen. They are simply men. They have problems, conflicts, flaws. Barton is haunted by what his job requires him to do when he finds a stowaway on his ship. Solo is looking out for himself and his ship and nobody else, though the Expanded Universe of Star Wars says that he’s like that because his lover died leaving him cynical and jaded. And then he met Jabba the Hutt.

The point is people liked these characters. A lot. They’ve been around since then in some way or another. Look around at science fiction and fantasy stories today. Harry Potter admits he’d be lost without his friends, and as Hermione is fond of pointing out, he’s useless with girls. Katniss Everdeen is troubled by her feelings for both Peeta and Gale and her memories of the Hunger Games, and is only in the situations she’s in so that she can protect her sister and stay alive, in that order…though she does love a little revenge every now and then. Max de Costa from Elysium is trying to be a better man, but with his life on the line he becomes the definition of a survivalist, willing to do anything to live. And Buffy Summers from Buffy the Vampire Slayer has a host of issues that inhibit her life, especially in season six of the series. Jeez, that season was psychologically dark!

And it’s not just science fiction. Other genres of speculative fiction have these sorts of character. My own fiction has these sort of flawed characters:

Zahara Bakur (Reborn City): low self-esteem and a sometimes overwhelming timidity and fear of violence.

Rip (Reborn City): recovering drug addict with image issues.

Snake (Snake): highly disturbed serial killer due to abusive childhood.

Laura Horn (Laura Horn): pathological shyness, social anxiety and general anxiety due to sexual assault.

Why are these characters so popular when they are so far from perfect? I think it has something to do with the fact that’s what they are: imperfect, They care deeply and try hard, but occasionally they fail and they fall and the consequences are terrible. To the readers, that makes them real. We don’t want to read about infallible heroes, because we know all too well that they don’t exist. We want heroes who are a little more like us. They depend on people, they hurt, they need a good smack occasionally to see that what they’re doing is hurting both themselves and their loved ones. We’ve all been in positions like that to some degree in our lives. And that makes these characters relatable to us, and our problems, even if they don’t involve magic or spaceships or fighting in an arena with other young kids.

Not only that, but these protagonists tend to grow in the story. They tend to become better than what they were before. And I don’t mean better warriors or fighters or healers or wizards or whatnot. I mean better people. They learn what’s really important in life, or how to express their love for others, or they come back as true leaders who put the lives and interests of those who depend on them first. In other words, the sort of people we want to be.

I personally prefer using these characters with their flaws and warts and troubles. I used to be more into characters that were impervious, Granted, I was a kid at the time, and all my favorite TV, movie, and book heroes seemed impervious to me. But I’m older now, smarter, wiser, and a bit more aware that the world doesn’t usually produce such heroes. So I like to use the heroes with problems, with something that’s keeping them back. Along with the conflict of the story, it gives me something to grapple with and for the characters to grapple with as they fight onwards. After all, a story is not just getting from Point A to Point B, it’s also about letting the characters grow and become better people.

“I’m not even perfect, and I’m bloody brilliant in all my forms.”

Now are these sorts of characters here to stay? I’m tempted to say yes, at least for the meantime. If you look at the latest movies, TV shows, novels, and comic books, the main characters all have problems of some sort that makes life difficult for them. Watching them grow, take on these problems, and overcome them is part of the appeal of the story. And I certainly plan to use these flawed characters in the future, as do other writers I know. So yes, it’s quite possible these flawed protagonists will be staying for quite a while.

How do you feel about flawed characters? And are there any that you particularly like above all others?