Posts Tagged ‘pitching’

The folks of StokerCon waiting for the Final Frame competition to start.

Here’s a riddle for you: what took place in Connecticut last week, had nearly 800 people in attendance, and I was among the attendees? StokerCon! Yes, last week, horror writers from around the world descended upon Stamford, Connecticut. There, we had panels, a short film competition, and our annual awards show, the Bram Stoker Awards, noting superior achievement in horror from the previous calendar year.

(There was also apparently dripping goo and weird liminal spaces out of the Backrooms in the hotel, and somehow, I missed both! I’m annoyed about that, especially the weird liminal space. That would make a great YouTube video!)

As I said in a previous post, my goal for this StokerCon was to level up my writing career and get that much closer to writing full time. This would be achieved by going to panels that I thought would help me reach that goal, being on my first ever panel, and, of course, pitching The Shape of Evil to agents and editors. (Plus meeting new people whom I could network with, but I try to make that more about making new friends than trying to make new business connections.) Did I accomplish my goals? Well, let’s talk about the con and we’ll see.

Hanging with Logan Johnson, one of the organizers of this year’s StokerCon, the moderator on my panel, and a new friend, at the banquet cocktail hour.

Seeing all my friends (meeting new ones). One of my favorite things to do at StokerCon is just to see all my horror-writing friends. Many of us only know each other through social media, so it’s nice to meet in person or to catch up with one another when the last time we saw each other could be a year or two ago. So, of course, I did plenty of that. The hotel had a lobby and a restaurant/bar, so outside of panels, we would gather there or on the second floor (that was where most of the con stuff happened) and just talk. We catch up, discuss our lives and our projects, and just shoot the shit. It’s lovely!

Plus, there’s always new people to meet. I actually got to know quite a few people whom I’d never met before, and it was fun to ask how they were enjoying the con and what they were working on or up to with their horror writing careers. Obviously, some were already well-known within the community, but most were just like me: working stiffs who enjoy horror and hope to make our marks in the genre. I’ve connected with a lot of these people now, and I’m hopeful we can continue to be friends and support each other as we work on our stories.

Going to panels. As I said, with a few notable exceptions, the panels I went to were ones I thought would be helpful for me as I move forward in my writing career. This included a panel on getting your stories adapted for film (it nearly happened once to me, so I thought I’d get some tips in case it happened again), and on how to get along with others as a professional. This one was particularly important to me, because being on the spectrum, I often feel like everyone but me was given a rule book on social interaction at birth and I have a lot of catching up to do. I actually brought this up during the Q&A section at the end of the panel, and what I should do in case I made a mistake. The answers I received were very reassuring. Not just to me, but, as I learned afterwards, to others in the audience who also were neurodivergent and felt the same way. I even got thanked a few times for bringing the topic up, which surprised me but also made me glad I asked.

As for the other panels I went to, one was about a Jewish writer who, while not a horror writer, had some dark themes in some of his work (I’m going to have to read that at some point), and a panel on using public domain characters and stories in horror (as someone who’s seen the Winnie the Pooh and Steamboat Willie horror films, I couldn’t resist). All in all, they were very educational, and I’m glad I went to them.

The signature scavenger hunt. As you might expect, I went a little crazy in the dealer room and bought way too many books. One of the books was The Rack, edited by Tom Deady, which is pictured above. It’s an anthology of stories inspired by those vintage horror paperback covers from the 70s and 80s. I bought it directly from the editor, Tom Deady, in the dealer room, and he signed it. And then I ran into one of the writers in the anthology, Erick Nunnally, a little while after. On a spur of the moment, I asked him to sign the book where his story began, which he did. And then he suggested I get the other authors in the book who were in attendance at StokerCon to sign. Which I did.

Ultimately, I think I managed to get half the authors to sign their stories. Most of those were done during the Mass Author Signing, where you can go around a big room and get your books signed by the authors who wrote them all at once. That was fun, because I also had them sign other books they’d written I’d bought, and then got signatures from other authors whose books I had copies of. The rest were just during random meetings during the con, and they were always happy to sign.

So yeah, I spent a good portion of StokerCon on a bit of a scavenger hunt, but it was still a lot of fun, and I only missed three of the authors who were in attendance (maybe next year?). And now, I have a cool knickknack in my personal library, which I’m currently reading through and loving! So, no regrets whatsoever.

From left to right: Rob Costello, Gaby Triana, Tamika Thompson, myself, Aaron Dries, Rae Knowles, and Logan Johnson.

Being on my first live panel. I’ve done a few StokerCon panels in the past, but they were always pre-recorded on Zoom for the virtual audiences. And while that is great, I’ve always wanted to tackle being on a live one. Not only did I get to do just that last week, but it was on a topic I am passionate about: Authentic Representation in Horror, which was about including marginalized communities and voices in horror and how to do so. And wow, did a lot of people show up! By the end, nearly all the seats were taken. I guess other people wanted to talk about this as well.

To say the least, the conversations were illuminating. I even had a few moments where I was like, “I never thought of that.” Honestly, I want to give this panel its own blog post, so I’ll stop there, but I’ll say this: it was great being on a panel like that. I look forward to doing it again someday soon.

The pitches. I’m sure a few of you skipped ahead just to find out how this went. Yes, during StokerCon’s annual session dedicated to connecting authors with agents and editors, I did get to pitch The Shape of Evil. And you know what? I got results. Three agents and one editor asked me to send them part or all of The Shape of Evil, which I did on Monday after taking a little time to recover from all the travel (and that traveling is worth a blog post on its own).

To say the least, I am beyond happy about this result. It went way better than I thought it would go, even with practicing pitches beforehand (always recommended), and I am hopeful that at least one of them will want to help me get The Shape of Evil published. I’ll likely know something by the end of the summer. And, of course, if it all goes well, I’ll be sure to let you know.

***

Ultimately, StokerCon was an amazing time for me. Sure, this year’s hotel was weird, but I had fun with friends, accomplished my goals, and made sure to celebrate everyone else’s accomplishments with them. And next year, we’re doing it again: at the end of the awards banquet, it was announced that, to control costs and to ensure StokerCon continues to go in a direction that’s as good as possible for as many people as possible, it’ll be in Pittsburgh for the next two years.

Obviously, I’m stoked, since that means I can drive there. In fact, I’ve already bought my ticket! And next year will be the 10th annual StokerCon, so it should be extra special. (Yeah, I thought it’d been around for longer, too. Color us both surprised.)

Members of HWA Ohio at StokerCon. I have a feeling next year, we’re going to have a much bigger showing.

I wonder what will happen. Will I sit on another panel or two? Do a reading? Somehow get on the ballot and get to be a nominee? I guess we’ll see. In the meantime, I’ll work on getting my stories out there and meeting new readers and having plenty to talk about when I drive to Pittsburgh next year.

In the meantime, I’ll have a new blog post out Monday, so keep an eye out for that. And until then, my Followers of Fear, good night, pleasant nightmares, and have a wonderful start to your summer. I know I am.

Well, it happened. It’s finally done. Took a bit longer than I’d hoped, but it is done. The third draft of The Shape of Evil is finally completed.

To be precise, I finished it late last night. Very late. Like close to three in the morning late last night. You see, I was up in Cleveland visiting family and drove home in the afternoon. I got home in the early evening, grabbed something to eat, and thought to myself, I wanted to get it finished this week! And I only have fifty pages to go! I might as well try!

Thus, I started working on it. And by the time I was done, it was three in the morning.

I regret nothing.

Anyway, if you’re new here and wondering what the hell I’m talking about, The Shape of Evil is a novel I wrote last year about a 3D Printer from Hell. Yeah, you read that right. A 3D Printer from Hell. Think “Word Processor of the Gods” by Stephen King meets Gothic by Philip Fracassi with strong LGBT and disabled representation. And I honestly never intended for it to become a novel–it was originally going to be a novelette–but the story just kept growing and growing, and before I knew it, the story was a novel and I was thinking how I would get it published.

Since then, I’ve done a second draft, and then I had sensitivity readers take a look at the story, because my main character is non-binary and I wanted to make sure that I was portraying a non-binary person well. And after I got their notes back, I started work on the third draft.

All this effort is hopefully going to pay off very soon.

And man, the journey this book has gone on has been something else! Not only has the story grown with every draft (273 pages/72,500 words for the first draft, 283 pages/75,300 words for the second, and 291 pages/78,400 pages for this latest one), but it really feels like it has improved with every go-through. Especially this current draft: as I said in a previous post, I’ve been working hard to make sure the words in this draft bring out the full potential of the story. And I think it does. There were a few times where I looked over the text and was like, “Did I really write this? Just from the word choice, it looks and sounds like something come from a much better, more experienced writer!”

Well, wherever it came from, it’s ready to be pitched at StokerCon next month. If you’re unaware, StokerCon is the big convention hosted by the Horror Writers Association, and they have a session where you can pitch your works directly to agents and editors. I was lucky enough to get a slot to pitch to one of my top choices, so I’m glad I got the book done in time.

So, now what happens? Well, I’m going to create a pitch sheet, which is sort of an informational sheet about the book, and practice my pitch between now and StokerCon. And in-between, I have a few things to work on, including the version of Hannah and Other Stories that I’ll use when I re-release it later this year. Should keep me wonderfully busy.

And hopefully soon, I’ll be able to share some wonderful news with all of you.

But I think tonight, I’ll just pour a glass of wine and put on a movie. After all, having time to relax is important. Especially when you work hard and you have so many irons in the fire.

That’s all for now, my Followers of Fear. I’m off to work on a bit more stuff before dinner and wine and the movie. Until next time, good night and pleasant nightmares.

No other way to say it: it’s important to use the right words when telling a story.

That seems to be an obvious statement, but yet it’s something that needs to be stated. Depending on your audience, the genre you’re writing in, the characters you’re working with, and a dozen other factors, what words you choose when telling your story is important. After all, you can’t use complicated, SAT-level words for children’s literature, and you shouldn’t use too simplistic language for work geared exclusively towards adults. You also shouldn’t use futuristic terms or contemporary slang in works taking place in an old-fashioned medieval setting (can you imagine someone saying in a Game of Thrones book, “Dude! The calculations state that winter is only 7.8 parsecs away!”), and you shouldn’t make children sound like adults in their dialogue, though the latter can sometimes work (do you now how often I use the word “dude” myself?).

But more important than this, is finding away to put your carefully-gathered vocabulary together to keep the story together. At least, that’s how it feels to me.

As you may be aware, I’m working on the third draft of The Shape of Evil, a novel I wrote last year about a 3D printer from Hell. I’m hoping to pitch it to agents at StokerCon in a couple of months, where you actually have the opportunity to pitch novels and other works to editors and agents. And I am working hard to make sure the words in that story are compelling and interesting and work cohesively together for that purpose.

That wasn’t such a big problem with the first and second drafts. With the first draft, the point was just to get it out. To make sure it exists and has some semblance of making sense. And with the second draft, the point was to clean it up so that it wasn’t so messy and so that the future beta readers wouldn’t have too many complaints regarding either spelling/punctuation/grammar or the plot (especially since my protagonist is non-binary and my beta readers were also sensitivity readers).

As you are no doubt aware, I’m working especially hard to make the words in this book be the right ones before StokerCon in June.

But with this third draft, the point is to impress agents and/or editors enough that they’ll want to work with me in bringing this book, as well as possibly others, to publication. And with that in mind, I’m putting a lot of pressure on myself–perhaps too much pressure–to make sure those words come together and work well with one another. Like the gears in a clock, moving with one another in beautiful harmony, rather than grinding against each other to make a messy pile of word-vomit.

Then again, why am I putting so much pressure on myself? As with almost all of my books, especially the ones published with publishers, it took way more than three drafts before it was ready for publication. Usually up to seven! And even then, none of my books were perfect. They were just done.

That’s how my high school English teacher, Mr. G, put it. “No story is ever perfect. It’s just done. You’ve done all you can to improve it, and any more edits will only hurt it. Even so, it’s not completely flawless. It’s just done.”

That lesson has stayed with me fourteen years after graduating high school, and I not only try to keep it in mind while writing, but I pass it on to other writers as much as possible. And, occasionally, I’ll remind myself of that lesson when I’m working on a project and have high hopes for it. Hell, I know that no matter how much editing I do, The Shape of Evil won’t be anywhere near done by the time I’m ready to pitch it.

However, it may be far enough along that, when I pitch it, whomever I pitch it to is enchanted enough, and sees enough potential in it, that they’ll help me get it done. And then out into the wider world. And to that end, I’ll try to keep the pressure off myself, so that this metaphorical clockmaker doesn’t feel like he’s forcing the words into the clock and making them work together when they don’t want to.


That’s all for now, my Followers of Fear. I felt like I needed to get this off my chest if I was going to move forward with working on The Shape of Evil. And man, do I feel exorcised of some worries! (Though not of my demons. Those are never going away.)

I’ll be sure to check in if there’s any more news, my Followers of Fear. But until next time, good night and pleasant nightmares!

Photo by Leah Newhouse on Pexels.com

You may have heard of BlueSky as an alternative to Twitter. What you may have not heard is that  there’s a weekly event on BlueSky for horror writers called “Horror Writers Chat.” It started on Twitter and then moved to BlueSky after Twitter became a hellscape. Every week, authors gather to discuss horror, writing and their work posed by Matt Mason and Eryn McConnell. We answer questions, and even get to share links to our works.

I’ve been doing it for quite some time, and it’s become one of the highlights of my week. In fact, some weeks, I really need it.

During the past couple of months, life has been extremely rough. Yeah, there have been reasons to smile, but there’s also been a ton of stuff that just wears down my soul. Work, for one thing, has been absolutely insane since January, to the point where I come home a lot of days very exhausted. And with all the time I need after work to get ready for the next day, as well as get some sleep, my writing time has been cut down drastically.

Which sucks, because writing is one of my ways of de-stressing, as well as how I move forward this career I’m so devoted to.

In addition, recently I was in an accident. Don’t worry, I’m fine, but my car was totaled by the other driver. Thankfully, the other driver’s insurance company agreed to pay all the costs, but this whole experience has been very stressful.

In Tarot, the Ten of Wands represents being overburdened and weary. Matches me some days in so many ways.

Add in all the horrible things happening on the national and world stage (*cough* fascist wave sweeping America *cough*), and it’s enough that even with frequent therapy sessions and all the usual de-stressing methods aren’t enough!

That’s why I’m thankful for all the communities I happen to be a part of. They’re a soothing balm upon my soul.

Obviously, there’s the horror writing communities on social media, that’s been helpful. But there’s also been the horror and horror writing friends and communities I’ve formed IRL. These past few months, I’ve had a few opportunities to see and hang out with my colleagues, which is always a treat. In fact, we’re getting together near the end of April, and I’m super excited about that, as it’s going to be a big meeting and we’ll get to play board games while discussing cannibalism together.

And it’s not just the socializing, either. It’s the professional help. As many of you know, I’m hoping to pitch my novel The Shape of Evil to agents at StokerCon this summer. I was recently discussing this with another member of HWA, and he gave me some critical advice to keep in mind if I hoped to pitch and find someone willing to represent me. One of those pieces was to research each person taking pitches thoroughly to see if they were a good fit for me.

A few weeks later, when the agents and editors taking pitches were announced, I did my research, and reached out to authors who had worked with them, as my friend advised me. Some of these authors have become good friends of mine, so I was able to get some amazing feedback from them and make my choices about whom to pitch to from there.

Community saves me, in more ways than one.

And it’s not just the horror communities that have been helping me. My Jewish community, my family and friends community, and even my work community. Yeah, as tough as work has been, I’m surrounded by a team of people who know what we’re going through and are willing to help me when I ask for it. Not to mention, if we deal with a difficult customer (that happens, sadly), my leadership don’t mind going to bat for us. And when my car got hit, my workmates were among the most concerned about me.

So, despite all the hardships, I’m really happy to have all these people around me in the same situation. We’ve already gotten together once for some much-needed R&R, and have plans for the near future as well.

And guess what? The Followers of Fear community is a wonderful community, too. While engagement and growth changes over time, many of you still take the time to read every post, and provide helpful comments as well. Some of you even read my books and provide reviews, and one or two even created fan art of my work, which was a big honor! In addition, many of you have become dear friends of mine.

All that keeps me going, and holds the doubts that threaten my writing career at bay like no wall can.

So yeah, life’s been hard lately, and therapy and anime and writing can only do so much. But then, there are the people around me who give me encouragement and listen when I vent, or who go to see shows and movies or to grab dinner and drinks with me, or the ones without whom I would not be where I am today. They give me a much needed boost when I need it.

With that in mind, thank you, Followers of Fear. As I said, life’s been a chaotic rollercoaster lately, but you being there makes it somewhat more manageable. So, never forget: I am endlessly grateful for you.

Also, if you would like to take part in “Horror Writers Chat” on BlueSky, make an account and follow Matt Mason (username @chaoticauthor.online) and Eryn McConnell (@erynmcconnell.bsky.social). They switch off hosting every other week, so following both is a good idea. The actual event happens every Wednesday at 2 PM EST, with four questions posted every twenty minutes or so. You quote-post your answers from the post with the original question, and like and repost the ones you like from other participants. And don’t forget to use the hashtag #HorrorWritersChat.

(You can also find BlueSky my account here.)

That’s all for now, my Followers of Fear. Hope to see some of you on BlueSky. Until next time, good night and pleasant nightmares.