Posts Tagged ‘Twitter’

The other day, I was scrolling through my Twitter feed and I saw a tweet from a fellow writer in the writing community (or #WritingCommunity). This was the tweet.

Now, if the tweet hasn’t loaded properly into this blog post at the time you’re reading this, it’s from writer Rey Roland using the hashtag @rrowlandwrites and goes like this:

#WritingCommunity do you think that characters have to make mistakes in a story?

I found the question stimulating, so after some back and forth between us, I decided to do a full post on the question (hope you don’t mind, Rey).

So, can and should characters make mistakes? First, let me start with can: yes, characters can make mistakes. In fact, there are plenty of stories where characters make mistakes which become integral to the plot. And yes, characters should on occasion make mistakes, though it depends heavily on the story. A character shouldn’t make a mistake just for the sake of making one when it serves no purpose to the story. Otherwise, the readers will think it’s weird.

Of course, this leads to an even bigger question: is there a benefit to having characters make mistakes? Actually, there are multiple benefits to having a character who makes mistakes.

For one thing, characters who make mistakes are easier to empathize with. Not to say characters incapable of making mistakes can’t be empathized with, but it does make a character more human and easier to identify with for the audience. The possibility of a reader continuing with a story can depend greatly on their connection to the protagonist, so showing them as being like the reader–more human–can be an advantage.

Edmund Pevensie’s mistake was a major driver of the story.

Another reason to have characters make mistakes is that it can help the story along or add to its complexity. Sometimes, it’s even the catalyst of the story. In The Lion, The Witch and The Wardrobe, Edmund makes the mistake of falling under the White Witch’s spell, and betraying his siblings adding both an extra dilemma to an already difficult situation and giving the character a redemption arc during the story. And in the manga Death Note, Light Yagami tries to eliminate suspicion of himself as the murderer Kira by killing the FBI agent following him, as well as the other FBI agents following other suspects. However, this eventually just leads to him becoming a prime suspect again, a problem which lasts the rest of the series.

Of course, it isn’t just protagonists who make major mistakes. Minor characters make mistakes all the time, and they often benefit the plot significantly. In Ania Ahlborn’s novel The Devil Crept In, the protagonist’s mother makes the mistake of not treating her son’s obvious mental issues, which has major consequences before, during and after the story. And in Harry Potter and the Order of the Phoenix, Cho Chang’s best friend Marietta Edgecombe tells Umbridge about Dumbledore’s Army, leading to the organization’s dissolution, Dumbledore’s exile and Umbridge’s assent at Hogwarts, and boils to appear on her face in the shape of the word “SNEAK.”

And villains make mistakes all the time. Often, that’s how their downfall begins. Often, these mistakes are due to the villains’ pride, ignorance, or some other character flaw. Voldemort doesn’t believe anyone will find his Horcruxes; Bane talks too much and doesn’t watch his six; Annie Wilkes is so obsessed with her Misery Chastain novels, she falls for Paul Sheldon’s trick; the White Witch doesn’t read the instructions carefully and misses the deeper magic in the Stone Table; Kaecilius also doesn’t read the instructions and misses what actually happens when you join Dormammu’s dimension; and the Wicked Witch allows water in her castle for some reason, even though she has a serious water allergy (I guess the book version thought Dorothy would never think to use water against her?).

As you can see from the above, not only can and should characters be able to make mistakes, but there are numerous benefits to doing so. Whether to include one or not depends on the author, character(s), and story in question. However, if an opportunity comes up and you think it’ll ultimately benefit the plot, I say do it. Who knows? It could be a major turning point in the story, and the moment readers talk about for years to come.

I hope you found this post edifying, my Followers of Fear. I had fun writing it. And I hope Rey Rowland (whose Twitter page you can find here) enjoys reading this. Thanks for the mental stimulation.

That’s all for now. I’ll check in with you all very soon, I’m sure. So, until next time, stay safe, pleasant nightmares, and DON’T TAKE THAT ACTION! IT’S THE KIND OF MISTAKE THAT’LL LAND YOU IN A HORROR STORY! AND NOT ONE WRITTEN BY ME.

You would think that in the midst of a pandemic, nobody would be interested in pandemic fiction. Paul Tremblay’s new novel Survivor Song, released just last month, is about a pandemic (still trying to figure out if that’s coincidence or if Tremblay knew COVID-19 was on its way and wrote the story in response). And yet I, and many others, picked it up as soon as we could, and devoured it. I got it done in about a week, reading through the last half today. So yes, even in the midst of a pandemic, there’s an appetite for pandemic fiction. And Survivor Song is a welcome addition to the fold.

Survivor Song follows Dr. Ramola Sherman, a pediatrician experiencing a pandemic of her own in her state of Massachusetts. This one is a fast-moving form of rabies, one that affects its host within hours instead of days or weeks. As fear, anger, and conspiracy swirls around the state, Ramola gets a call from her best friend, Natalie, who is eight months pregnant and ready to burst. An infected man killed her husband and bit her. Thus begins a saga to find someplace to get Natalie treated, to save her and her baby. But with rabid humans and animals everywhere and time running out, can Ramola help anyone, let alone her friend and her friend’s baby?

A pandemic story with a slash of zombie thriller (though Dr. Sherman will remind you, none of the infected are zombies), Tremblay’s novel offers a stark, believable story of a disease running rampant through the state and the problems that come up in such a situation. That said, there are plenty of twists and unexpected turns, and they add to the tension of a clock running out of the story. Quite a few times I read something and was like, “Oh no!” or “Well, that’s a complication.” I also loved how Tremblay managed to hit on a lot of what we’re seeing in our current situation, including but not limited to: hospitals fighting an uphill battle; people not obeying health guidelines or employing easy “solutions” that are actually problematic; and crazy, convoluted conspiracy theories.

Also, that ending! Guy knows how to write a tense climax.

At the same time, there’s a deep-running love story here. Not a romance story or romantic love, but love between friends and a mother and child. Through Ramola and Natalie’s interactions, and the messages Natalie leaves to her child, you really come to care for these characters and hope for the best despite the threat of the worst.

If there’s one thing I didn’t care for and would’ve liked to see changed, it’s the ending of the story for Josh and Luis, two teens whom Ramola and Natalie meet while trying to get to the hospital. They were in the story for only a short time, but I really grew to like those goofy nerds and would’ve liked to see more of them in the story, or maybe in a story of their own. And not just because they were Doctor Who fans (Whovians, unite!).

All in all, Survivor Song by Paul Tremblay is a thrilling and emotional read and perfect for these mad times. On a scale of 1 to 5, I’m giving the book a 4.5. Stay inside, grab a bite, and get ready for one roller-coaster of a story. Just hope the bite you grab isn’t something biting your arm off while you’re at it.

And while I still have your attention, guess what happened last night? Stephen King tweeted about this book, and I replied mentioning my progress in it and when I hoped to have it finished. He retweeted it. King retweeted it! And I’ve been fangirling ever since (while at the same time daring to hope this isn’t the last time I end up on his radar). What a world, right?

Everyone, sing it with me.

Happy Birthday to the blog,
Happy Birthday to the blog.
Happy Birthday to Rami Ungar the Writer
Happy Birthday to the blog.

Great job singing, everyone. Except you. Yes, you. You were off-key.

So, as this post says, Rami Ungar the Writer, the very blog you’re reading right now, is nine years old as of today. And even though my memory of starting this blog at my local library has faded over time, this blog hasn’t. True, there were times where I thought it would. During the first year or two of college, there were days where I was lucky to get one or two views a day. I would wonder if writing this blog was even worth it, given how few people were reading what I had to say as I tried to make something of myself as a writer.

But I kept at it. I’m stubborn when it comes to goals, particularly writing-related goals, and I kept blogging. And you know what? People found my posts. They liked them, commented on them. Some even decided to subscribe to the blog. When my books came out, some of those subscribers elected to read them. And many of my subscribers have become dear friends of mine. I’ve even had the pleasure of meeting a few in person, and making happy memories with them. It’s been quite the ride.

As of writing this post (and I know it’s tacky to brag, but nine years! That’s a long time to be blogging, especially in Internet time), Rami Ungar the Writer has 1,694 posts (including this one); 1,217 subscribers; 6,160 likes; and 4,526 comments. Crazy to think about. Even crazier, despite all common sense, some of you are actually proud to be Followers of Fear. I think one or two of you even used the title in hashtags on Twitter. The world is truly something else.

So what’s next? Well, even without a pandemic, I doubt much would change. I’ll be writing and editing stories and working on getting them published. I’ll have reviews on new works of horror as I come across them (and a few new ones are now cheap enough to rent through YouTube, so that’ll work). If I want to discuss a particular aspect of writing or of horror, I will. And if there’s any ghost-hunting or travels to be done, I’ll post about it.

Anyway, thanks for celebrating the blog’s ninth birthday with me. I’m so glad to have so many Followers of Fear interested in my stories and what I have to say. I hope you’ll continue to read what I write, blog or book form, and even let me know what you think.

Also, what do you think I should do for the tenth anniversary? Buy a cake and some champagne? Do another AMA on YouTube? Throw a wild party? I guess we’ll just have to wait till next year to find out.

So, until next time, thanks for being here. And as always, pleasant nightmares!

So the other night on Twitter, I see Richard Chizmar (you know, that author/publisher I interviewed a while back?) tweet about this movie, The House of the Devil, saying he had to stop watching it thirty minutes in and could only finish it by the light of day. Obviously, I’m intrigued, so I went and reserved a copy from the library. And I finished it in one sitting after dark, so I think I can brag about that? Wait, I live in an apartment with noises, and part of the reason Mr. Chizmar couldn’t finish it was because he was watching the film in a dark, quiet house. Obviously, there’s a difference.

Anyway, on with the review!

Set in the 1980s and “based on true events,” The House of the Devil follows Samantha, a college student struggling to make ends meet. In desperation, she answers a babysitting ad she finds on campus and takes it. However, things get weird when she gets to the house. And once she’s alone with her charge, she learns that there’s more afoot than meets the eye.

Ladies and gentlemen, I may have a new favorite horror film!

So first off, this really does feel like a horror film from the late 70s/early 80s. In addition to the normal signs of a 1980s-set story (teased hair, Walkmans, and music from the best era for music ever, etc.), the movie was filmed with 16mm film, giving it that slightly filtered quality we know and feel so nostalgic about. Add in some yellow credits and some pauses during opening credits, and I could almost believe this film was made over thirty years ago rather than just eleven years ago.

I also love how this film builds tension. I know I use the term “slow burn” quite a bit, but it fits here. Director Ti West takes his time laying the groundwork and establishing our main character Samantha (wonderfully played by Jocelin Donahue, who embodies natural 80s beauty as much as Natalia Dyer in Stranger Things). Once we get to the house, things switch to showing Samantha’s increasing unease and paranoia. The camera work in these scenes is great, showing the heroine exploring the house multiple times, as if she’s not sure she’s really alone, while at the same time the camera films things in a voyeuristic way, like we’re the ones stalking Samantha, allowing us to share in her unease.

And that final third! Whoo-boy, things go zero-to-sixty real quick, and it is scary and thrilling to watch. I also like seeing how Samantha strikes a great balance between terrified final girl and willing to fight back. Usually in these films it’s either they’re screaming their heads off or they’re angry vengeance personified, so it’s a nice change to see a compromise.

As far as problems go, this film might be a bit too slow and quiet at times for some viewers. If you prefer your horror film have faster paces or not so many quiet points where characters just talk, this may not be the film for you. Also, there are some flashing imagery at the beginning of the final third that might trigger people with photosensitivity. It’s not as bad as IT: Chapter Two was, but it’s still something to keep in mind.

All in all, The House of the Devil is a wonderful homage to the slasher and suspense-horror films of the 70s and 80s. On a scale of 1 to 5, I’m giving it a 4.8. Settle into the couch, order a pizza and prepare for one of the best horror films you haven’t heard of. You won’t regret it.

Unless you have nightmares. In which case you may regret it.

You know, I feel like I should’ve written a post like this a while ago. Like, at least a month ago. Oh well, better late than never. I’ve been thinking for a while of what I want to do in terms of writing for 2020. Which is unusual, because while I’m a huge plotter for my stories, I don’t usually plan out goals for an entire year. But I feel like, with a book published and a short story included in an anthology last year, I feel like I should try some new strategies to keep the momentum going. So without further ado, let’s talk my writing goals of 2020.

Finish Toyland

Of course, this was on here. Luckily, I’m already on my way there: as of a few days ago, I’m only six chapters away from finishing Toyland, the Gothic horror novel I’ve been working on since November. Depending on how things play out this year, I’ll probably edit it at some point. After that, perhaps I’ll find a publisher for it. Fingers crossed it goes well (and that a novel approaching ninety thousand words doesn’t intimidate anyone).

Complete the short story collection

Before November and NaNoWriMo, I was putting together a collection of short stories. As of now, there are twelve stories in the as-yet unnamed collection. Being a horror writer though, I want thirteen stories. Good thing I’m already making strides on that goal: I’ve been doing a lot of research for a story I want to write after Toyland‘s done. I think it’ll be somewhere between the length of a novelette and a novella, or ten thousand to sixty thousand words. Hopefully writing it goes well, once I hammer out the plot details.

After that, I’ll hopefully be able to find a publisher who can help me get the stories in tip-top shape. Or maybe I’ll self-publish again. We’ll see how things develop.

Write at least ten short(er) stories

Including the last story for the collection, I want to write at minimum ten stories shorter than a novel. Preferably, they’ll all be short stories, but I know that a few of them will be novelette or novella length (depends on the story, obviously). I would also like to edit most of them within a year, and get at least three or four published in some form or another. Getting a short story in The Binge-Watching Cure II last year was an amazing experience, so I want to see if I can do it again.

And of course, it’s always a good idea to polish your short fiction-writing skills.

Maybe start a new novel

I’ve known for a while what novel I’d like to write after Toyland. However, I think I’ll wait a good while until I write it. Novels are a huge commitment of time and energy, so I want to make sure I’m ready before I try my hand at a new one (and maybe get one or two others edited and/or published).

Grow my audience

I’ve been lucky to grow an audience over 8.5 years of blogging, Facebooking, tweeting, Instagramming, and occasional YouTube videos. But I’m always hoping to grow my audience just a bit more. And while I don’t have any particular numbers I want to reach, I want to draw more people in and maybe get them hooked on my particular brand of weirdness. Especially my fiction.

 

Well, those are my writing goals. Here’s to them going well in the 11.5 months we have left of 2020. I hope you’ll continue to support me during that time, and maybe even read/review my published work if you can.

Until next time, Followers of Fear, pleasant nightmares and WHO LET THE MONSTER KNOWN AS THE DEAD MAN’S STRUGGLE INTO MY BUILDING?! Now I have to either kill it or seal it away. Either way, the cleanup’s going to be exhausting.

What are your writing goals for 2020? Have you made any progress with them so far?

Look at this cover! It’s freaking beautiful!

If any of you checked my Facebook page or my Twitter feed after my last post, I hinted that I might have some good news I would be sharing today or tomorrow. Three years ago, I wrote a story called Car Chasers, which I describe as a mash up of Fast & Furious-style races with a ghost story. About a year and a half ago, I announced that the story had been accepted into an anthology. And last night, that anthology, The Binge-Watching Cure II, was released by Claren Books on Amazon!

I’m very excited to let you know this horror anthology has been released. It’s a rather unique anthology, as every successive story is longer than the one preceding it. In fact, during the submission process, we had to submit our stories based on a certain word length and how close we were to fifteen percent of that word count. I was lucky enough to be considered for the eight thousand word spot, and after some deliberation, Car Chasers was selected as the story!

And after having Rose accepted by Castrum Press a few months previously, seeing this story accepted by Claren Books was a really big deal for me. I was still having some anxiety over the amount of editing I needed to do for Rose, so this was a boost to my confidence.

Where was I? Oh right. The Binge-Watching Cure II‘s stories range from 140 characters (just over the original size of a tweet), to twenty-five thousand words. So if you’re looking for something quick to digest, or something long to chew on, you’ll find it here. And there are some great authors here: Amanda Crum, Nick Youncker, Lana Cooper, Robert E. Stahl, and Armand Rosamilia, among many others.

Also this guy named Rami Ungar. Have you heard of him? Neither have I, but I hear he’s a bit of a weirdo. Hopefully the good kind of weirdo, right?

The only version available right now is the ebook, but the paperback will be out soon enough, so keep checking back to the Amazon page if paperback is more your jam. I’ll include the links below. And if you do get the book and read it, please consider leaving a review online where you can. Not just because we love to hear your feedback, but because reviews help more people find the anthology and get them to read it, which keeps the cycle going, as well as encourages Claren Books to put together and release more anthologies like this one.

Also, I’m hoping director James Wan, known for both Furious 7 and the Conjuring movies, will somehow come across the anthology, read Car Chasers, and want to adapt it. I doubt it will happen, but I can dream and encourage, right?

Anyway, thank you to Bill Adler Jr. and Sarah Doebereiner, as well as the rest of the team at Claren Books, for letting me be part of this anthology. And thank you to the other authors whose company I find myself with in The Binge-Watching Cure II. It’s an honor to join you.

And thank you, Followers of Fear. I hope you check out the book, and let me know what you think. And thank you for your continued support. One of the reasons I keep writing is because you keep supporting me, and I’m so grateful for that.

That’s all for now. I’m off to start a new chapter of Toyland, make dinner, bring in Shabbat and the latest night of Hanukkah, and chill out with some TV. Not necessarily in that order. Until next time, Shabbat Shalom and pleasant nightmares.

Link for The Binge-Watching Cure II.

 

I made a little design for this year. It’s how you can tell I’m serious.

Recently I announced the subject of my next novel/my NaNoWriMo project, Toyland. And with November 1st fast approaching, I thought I’d go into the novel a bit more before I start posting once a week about my progress. Plus, I’ve had two reviews in the past week and possibly two tomorrow, depending on how close to my territory Joker lands. Gotta break things up with some variety or I just don’t feel right.

First, let’s go a bit more into what Toyland is actually about. As I said before, Toyland is a Gothic horror novel taking place in a boarding school in southern Ohio. The protagonist’s name is Mason Prather, a teenager who enjoys anime, wants to be a lawyer someday, and is the stepson of the boarding school’s headmistress. However, the autumn semester of his sophomore year proves challenging in many ways, and not just academically. Odd occurrences keep popping up at school, and people are either getting hurt or in danger of getting hurt. All this seems to emanate from a strange girl with dark hair seen around campus by Mason and his friends, as well as from a children’s book Mason finds in the school library.

I’ll give you three guesses what the name of that book is, and the first two don’t count.

Next, let’s talk about researching this novel, because that was a lot of fun. Looking back, I’m not sue when I first settled on doing this book, let alone for NaNoWriMo (curse you, slippery memory!), but I’ve definitely been becoming more familiar with Gothic fiction and its trappings for at least a year. Some of you may remember my post from last summer on what Gothic fiction is, and I’ve continued reading Gothic stories since then, including The Haunting of Hill House by Shirley Jackson, Hell House by Richard Matheson, and rereading The Shining by Stephen King this past winter.

Yeah, lots of fun research that felt more like play at times. But once I decided to work on Toyland next, I started taking in a different kind of media: anime. To be specific, I watched the anime Puella Magi Madoka Magica, Princess Tutu, and Ringing Bell (I also tried to get Made in Abyss, but it’s not streaming anywhere, and I didn’t want to shell out for the Blu-Ray). There are two reasons why I chose to watch these anime as research, but I can only go into one without giving away spoilers. Now these anime, especially the first two, are known for their dark and surreal imagery (especially Madoka). Imagery that’s supposed to be pleasant to the eye but instead comes off as dark, strange and surreal are going to be big parts of Toyland, so I felt watching these shows would be good research.

That, and you can’t go wrong with watching these anime. They’re popular and have even won awards.

They’ll probably show up in an anime recommendation post at some point.

And now that I’ve watched all those series, as well as researched different styles of architecture for the school (I’m going with Queen Anne revival) and have watched a film I will never watch again or let my kids watch, I think I’m ready for November.

Well, almost ready. The other night after reviewing the outline and posting on Facebook and Twitter that I hadn’t “found any plot holes,” I may have found a plot hole. And I’m not sure how to fix it. I hate plot holes in my stories. I spend hours making sure my stories don’t have any (or many). So I’m at the drawing board, looking for fixes or work-arounds. Hopefully before November, something pops up.

Well, if you need me, I’ll be sleeping off my exhaustion from the past few days. Until next time, Followers of Fear, pleasant nightmares.

So yesterday evening, a video was uploaded onto YouTube. But not just any YouTube video: this video was a review of my novel Rose by DeathGroundReviews, a YouTuber whom I’m met through Twitter, where he uses the handle Death Ground Writer. He reads and reviews a lot of speculative fiction, especially horror, and he decided to read and review Rose. The result is this video, which I highly recommend you check out.

Pretty awesome, huh? First off, I love Death Ground Writer’s voice. He’s got a scratchy quality that I think is great for podcasts and narrating scary stories. Which makes his reading of a short passage from Chapter One of Rose all the more creepy (and that music in the background is nice icing on the cake).

Second, after he does his reading and before he does his review, he talks about the novel and how he came across it. We actually talked quite a bit over Twitter before he posted the video, and as you heard, he includes a lot from those conversations in the video. Though to answer your question, DWG, I’m not a pantser,* but a plotter. I plot out 95% of the stories I write, sometimes with several pages worth of notes, names, and plot points. It’s just with Rose, I had to adjust the outline as I discovered issues with the story and had to find new ways to fix themm. Thus we have a story where, at one point, over two-thirds of the novel were rewritten to fix one or two major flaws with the stories.

And obviously, I liked his review. While stating that he likes it and would recommend it, he also goes into what he didn’t care for in the novel. I’m happy to hear that there were things that could be improved. And no, your preferences aren’t weird. I can understand, though if, in the future, a novel requires that kind of storytelling, I probably will use it.

Yes, I know I should state what exactly his criticism was, but I figure by not telling you all the specifics, you’re more likely to watch the video.

Speaking of which, if you haven’t yet, I highly recommend you check out DeathGroundWriter’s video and give it a watch/listen. And if you like what you see/hear, give the video a like and consider subscribing. Doing so supports his channel and allows him to continue doing what he’s doing, so I recommend you at least think about supporting the channel.

At the same time, if you would like to check out Rose, I’ll include the links below. Please consider checking the book out and, if you read it, please consider leaving a review. Positive or negative, I love receiving feedback from readers, and your thoughts help me out in the long run. Believe me on that!

Well, that’s all for now, my Followers of Fear. I’ve got exercising to do and stories to write up. Until next time, pleasant nightmares!

Rose: Amazon US, Amazon UK, Amazon Canada

*Pantser, for those who don’t know, is a writer who discovers the story as they write. Basically they make it up as they go along, only they do it much better than someone who needs to come up with a quick cover story for why something they did is really suspicious.

A sketch of Cthulhu by HP Lovecraft, and an embodiment of cosmic horror.

Earlier today, I read a very interesting article about how cosmic horror is evolving from the state it was in when HP Lovecraft pioneered the genre, courtesy of Bloody Disgusting (you can read the article here). To sum the article up, the author states that cosmic horror originally had little room for emotions other than fear. The idea was to explore a vast cosmos filled with powerful entities and secrets that humanity can’t begin to grasp. Humanity, and our ideas and emotions, are inconsequential to these beings, and they are too much for us to fathom. However, lately the genre has been used to explore emotional themes such as closure of grief or to overcome childhood schisms and trauma.

I thought it was an interesting article, so I shared it among my fellow horror writers (as well as reserved some of the films mentioned in the article from my local library). And the responses I’ve gotten so far have been rather telling. One author I’m friends with mentioned that horror, including cosmic horror, has always been used to explore themes of emotions and the human experience. Sure, that sometimes involves things so outside the human experience our mind can’t comprehend them, but in the end, they deal with every day human fears of how much we matter, whether we’re alone in the universe.

Look at IT, for example (and yes, I am excited for Chapter Two. My sister and I are even trying to arrange to see it opening weekend). While it is about a shape-shifting being fond of the form of a clown and the people who stand up to him, it’s also about dealing with the change from childhood to adulthood, how reality hardens you and destroys your sense of wonderment. Very relevant to the human experience, underneath the clown make-up.

Another person in that discussion also mentioned how, in the age of the Internet, Twitter, and all the human-made horrors, some people doubted the need for cosmic horror. I mean, isn’t everyday news bad enough? Who needs alien gods with tentacles when you have mass shootings and human rights violations?

Well, not necessarily. Think about how, despite all the “connections,” we live more hermit-like and isolated existences these days. We live very much alone. And seeing all these awful things in the world, one can feel powerless. The world is just too much to handle, it seems, let alone take on.

And that’s cosmic horror in a nutshell. Humanity feeling small, our lives not ours to control, but at the mercy of forces that don’t care one way or the other about our well-being. It was a common enough feeling for many after WWI when HP Lovecraft was building the genre, having experienced the trenches, the gas, and the flamethrowers. And it’s still a common feeling today.

And so long as that feeling of hopelessness and isolation in the face of a seemingly senseless, uncaring world is part of people’s lives, there will be an audience for cosmic horror. The genre will evolve and change, but the swirling darkness that birthed Cthulhu and other monstrosities will always be at its core.

But what do you think? Is cosmic horror evolving? What direction do you think the genre will head? Are you, like me, actually an entity from beyond this planet or realm whose true form induces all who see it to madness? Let’s discuss.

Until next time, my Followers of Fear, goodnight and pleasant nightmares.

Yesterday I came out of Avengers: Endgame, in awe of the movie I’d just seen. I pull out my phone, and see a message from a friend. The same friend, might I add, who informed me of the shooting in Pittsburgh. Six months to the day of the Pittsburgh shooting, in fact. This time, it was a Hasidic synagogue in Poway in California. Thankfully, the casualties were much fewer: several people were injured, but only one person died, and she died saving the rabbi, who despite his injuries allegedly finished his Passover sermon and told his congregants that they were strong and would get through this.

Despite all these stories of strength and heroism, however, the fact that this happened again, on an anniversary of the Pittsburgh shooting, is horrifying. It reopens old wounds and reminds us all, but especially the Jewish people, of how vulnerable we can be.

As many of you know, I am Jewish, and I feel deeply connected to my heritage. And twice, my people and my heritage has been openly attacked in America, a country where people are theoretically supposed to be able to live free of persecution.

Reading about this, it’s tempting to think nothing can change in this country, that hate and gun violence can never change. However, remember what that rabbi was supposed to have said? Well, I found a quote by him, and while I can’t verify if he said it at the end of his sermon, I can verify it’s from what I consider a reliable source. He said,

I guarantee you, we will not be intimidated or deterred by this terror. Terror will not win. As Americans, we can’t cower in the face of senseless hate that is anti-Semitism.

Amen. There is an upsurge of open strains of hatred in the US, from all walks of life and all sides of the political spectrum. Not just anti-Semitism, but racism, misogyny, homophobia, xenophobia, transphobia, and so many more. We can’t let this become the norm anymore than it has. Take a stand against hate and fear. Reach out to the people around you when you see them in trouble, if you’re able to. Fight for popular platforms to ban hatred. Facebook’s taken a stand against white nationalist and other groups, and there’s a campaign on Twitter to get similar groups auto-banned from the platform using the hashtag #JackStopTheHate, which is directed to Jack Dorsey (username @jack), the CEO of Twitter. Speak out if someone is posting or saying hateful things, because if you stand up to them, you’re letting them know their views aren’t tolerated.

Together, we can fight for tolerance and love.

At the same time, fight for initiatives to end gun violence. John Earnest, the shooter in Poway, used an AR-15, a military-grade weapon. What is a military-grade weapon doing in the hands of a 19-year-old civilian?! We can’t keep letting people get their hands on military weaponry so easily. If we do, we’re only ensuring that this cycle of violence continues. Vote for bills or leaders who will fight to keep these weapons from being used in shootings over and over.

Together, we can ensure people don’t have to worry about being shot every time they step outside.

This weekend should’ve only been about positive events: Endgame having a billion-dollar opening; She-Ra season 2 hitting Netflix; the end of Passover and plenty of pizza parties! Not this. Nothing like what happened. And it’s up to us to make sure it never happens again.

Again, I’d like to thank everyone who supports me and thinks about me every time something like this happens. I can’t allow myself to be scared into submission by monsters like this. Just know that your love and kindness bolsters me and keeps me from retreating when I need to speak out on issues like this. Thanks.