Posts Tagged ‘proper decisions’

Happy New Year!

As always, WordPress sent me an email letting me know how my blog did this past year. This year, my blog was viewed enough times to fill the Sydney Opera House about four times. That’s great…but I wish I was good enough to fill the Sydney Opera House just once! Honestly, where do they get these statistics?

But I digress. The point is, another year has come and gone. And to quote Dickens, “It was the best of times, it was the worst of times.” That sums up just about every year I know, but it’s pretty accurate. A lot happened this year to me, including two of my books getting published; I moved into an apartment with a friend and learned some more of the tribulations of the adult world; I was accepted into the study abroad trip I’ve been aiming for; I started my third year of college; I began writing and then administrating for Self-Published Authors Helping Other Authors; and a whole lot more that I won’t put on my blog but were important nonetheless.

All in all, a crazy year. Sometimes all that was going on threatened to bury me, while at other times I felt like I could do anything. I had my highs and my lows, like anyone else. But I managed to get through them and I came out stronger for it.

Reborn City

And now for my new year’s resolutions: I resolve to be a better writer. I resolve to get more people interested in my work and even in reading it. I resolve to finish Video Rage (probably happen in the next week or so), get back to Laura Horn and finish that up (shouldn’t be too hard, considering how quickly I tended to write the chapters), finish the final draft of Snake (hopefully sometime in the next couple of months) and publish it by the end of the year (I hope), write a whole ton of original short stories and publish some of them (fingers crossed on that one), start whatever novel will end up being my senior thesis in the fall and maybe a few other projects. I resolve to improve my craft and to help others improve their craft in my own small way. I resolve to grow this blog and Self-Published Authors Helping Others Authors. I resolve to fulfill my dreams of being a successful novelist.

I resolve to be a better person. I resolve to work on my personal flaws and try to improve. I resolve to be a good student, a good scholar of English and History, a good roommate, and a good worker. I resolve to be good to my friends and family and love them as much as they love me. I resolve to go to Europe for my study abroad trip this summer and learn as much as I can on World War II and the Holocaust. I resolve to keep my grades up. I resolve that my conduct in life is exemplary.

With any luck, you’ll be reading about a guy called the Snake soon.

I resolve to read a lot of books, see a lot of movies, and binge on too much TV. I resolve to keep my bank account in order. I resolve to eat healthy and stay healthy. I resolve to…are you still reading this list? If you are, you have the patience of a monk.

All in all, I plan to make 2014 better than 2013. So this year, my Followers of Fear, I wish you luck and I hope we get to share a ton of great experiences together. Happy New Year!

I was just informed that JK Rowling, author of the Harry Potter books (as if I need to elaborate on who she is, but whatever) is writing a screenplay for a spin-off movie of the Harry Potter series based on the fictional Hogwarts textbook Fantastic Beasts and Where to Find Them, with the possibility of many sequels. Not only that, but she’s okayed a play to premiere in London’s West End that will explore Harry’s early days with the Dursleys. This, plus the amount of involvement Rowling has in the development of the website Pottermore and various other projects and books related to the Potterverse, points to one thing: Rowling, who wanted to get away from Harry Potter, has come back to him to turn him into an even bigger franchise than he is now.

Now here’s my question: why? Is it because the lackluster response to The Casual Vacancy and the early reveal that Rowling was the real author behind The Cuckoo’s Calling called attention back to the boy wizard who’s name is synonymous with Rowling’s? Did she make a bad bet in stocks and she needs the money? Does she actually want to revisit this magical world (it’s a great world, don’t get me wrong, but I got the sense at some point that she wanted to move on with her career)? Or, God forbid, is she actually selling out for the money?

I guess I’m a little peeved about all this. I love Harry Potter. JK Rowling was the one who got me into writing stories in the first place, HP left an indelible mark on my writing style, I’m a proud member of Slytherin (according to the Pottermore sorting quiz for houses), and I geeked out as much as anyone when the last book and films came out. But perhaps what’s really getting me is that Rowling’s turning her beloved franchise into one of the mega-franchises we keep seeing cropping up all over the place today.

This is something along the lines of what some franchises are going for. I say TOO MUCH!

Everywhere you look, Hollywood producers are looking to make the next mega-franchise, the next Star Trek/Star Wars/Doctor Who/Avengers, something with a main body of work that’s accompanied by tons of additional work of varying canonical status but brings in a ton of money no matter what. Once Upon a Time has its own accompanying novel and a spin-off TV show, The Avengers has a TV show to go with it now, Terminator is doing a reboot/prequel/sequel film with a TV series to go with it, and now Harry Potter has jumped on the bandwagon! As if 8 films, several video games and board games, memorabilia and a theme park, almost all of which came into being because of the films and not the original books, weren’t enough! Now Rowling’s got to go and add in all this prequel and spin-off stuff.

Look, I’m not saying franchises are bad, and I’m definitely not saying we should do away with mega-franchises. I’m a total Sith Lord and Whovian, among other things. But some works are just fine without having a million different products that make up the Expanded Universe and a million more products in merchandising! The seven HP novels and the supplemental books that JK Rowling wrote for charity purposes were wonderful. Isn’t it enough just to have those and all the crap that came with and after the movies? Why do we need all this supplemental stuff that will give us an initial thrill but in the end won’t really add to the Pottermania experience?

If Reborn City or any of my other works were to get famous (and I try to have faith in that, especially with RC. After all, it’s a dystopian science fiction novel with heavy YA themes. I hear that’s popular these days), I would be choosy as to how I continue these stories, especially in other formats. Snake and Laura Horn both have sequels planned for them, while RC is the first in a trilogy. Several other ideas I have for stories have the potential to become franchises. Will I make them into that though? Probably not; sure, some of my stories like RC have the potential to have their worlds explored in other stories and formats. Doesn’t mean I’m going to do that, or let someone else do that. Sometimes it’s just best to leave a story as it is, and not constantly expand upon it, especially if it’s with the intent of making a huge profit.

Yeah, don't expect an expanded universe with 12 different trilogies, a Silmarillion, and a spin-off book series, TV show, or comic book series. Probably won't happen.

Yeah, don’t expect an expanded universe with 12 different trilogies, a Silmarillion, and a spin-off book series, TV show, or comic book series. Probably won’t happen.

At least, that’s my take on the subject.

Thanks for reading my rant. If I post anything else in the coming days, I promise it won’t be as full of ranting as this post was. Have a good night, Followers of Fear.

 

(The following post may contain spoilers for several movies, TV shows, and books. However, these movies, TV shows, and books all came out several years ago. Some before I was even born. So if you read ahead and you haven’t seen any of these movies, TV shows, and books despite their availability…well, you’ve been warned)

As a horror writer, I use a number of techniques to keep the terror in a story at its most present and powerful in order to keep the reader enthralled in the story. At the same time, there are a number of ways I could very easily lose that terror element. This post is dedicated to one of them: revealing the villain and everything about them too soon.

Let’s take the movie Friday the 13th for example (the original, not the crappy remake from 2009). In that movie, we don’t find out the identity of the killer until near the very end of the movie, when it is revealed to be Mrs. Voorhees, Jason’s infamous mother. And even after she is revealed to the audience, we don’t know much about her or her motivation until she tries to kill protagonist Alice. Then we know why she’s killing everyone, but by then we’re too terrified to really process that fact. We’re just like, “The old crone’s got a knife! Run!”

Another example is the original Amityville Horror, which did not reveal the nature of the house and its hauntings until later films. So when you see the first film, you are thrust into this maze of nightmarish strangeness that keeps you terrified wondering two things: 1) what the hell is going on? And 2) what the hell is going to happen next?

An even better example than these two is The Blair Witch Project, in which the antagonist is never really revealed. All you get is spooky noises and some weird happenings around the three main characters. This lends the film a very intense element of fear of the unknown, which would be replicated in Paranormal Activity, Slender, Entity, and several other films that utilize found footage as a storytelling technique.

Some films however reveal their villain way too early, and thus cannot utilize fear of the unknown in their stories. Sometimes this can ruin a movie to the point where it’s no longer scary or fun to watch and you end up thinking to yourself “Why am I still watching this?” One example is 28 Days Later. Now I know there are a lot of fans of the movie out there, but one of my biggest problems with it is that the villains were revealed very quickly and that I felt I knew everything about them before the movie was even ten minutes in. From that point on, slow pacing made it hard for me to stay interested and I ended up stopping the movie after an hour.

Another film that suffered from lack of suspense and fear of the unknown is most of the sequels to Nightmare on Elm Street. In the first film, we’re really terrified. We don’t know why these kids are dying, who’s killing them, how they’re being killed. All we know is there’s an evil man killing these kids in their sleep, and that somehow translates over to the real world in a very bloody fashion. The sequels though feature the same villain and he’s killing in the same fashion. Loses a lot of its scare when you know exactly what’s going to happen, you’re just there to see how it happens, if they can scare you when they do it, and what joke Freddy will make right before he kills his victims.

Of course, revealing your villain or too much about them isn’t always a recipe for failure. In Stephen King’s Misery, we meet antagonist Annie Wilkes very early on in the story, yet she’s able to terrify and disgust and chill us very easily. Of course, that might be Stephen King’s magnificent, if somewhat strange, storytelling at play, but it is possible to reveal your villain early on, even let us know all there is to know about them, and still tell a scary story. You just have to be prepared to find some element to replace that mystery and fear of the unknown (and for God’s sake, I hope it isn’t excessive sex or over-the-top gore).

What do you think of using fear of the unknown in horror stories? What are some other examples or exceptions you can think of where keeping the villain hidden until the right time or revealing them too early made or ruined a scary story?

As you’ve probably figured out from the title, I just got a WattPad account, which means I’ve got another way to release my written work to the world.

You are probably not wondering why I decided to get a WattPad account. However, you’re reading this post, so I’ll tell you anyway. I’d heard of WattPad before, but only in passing. I wasn’t really sure what it was. And then someone posted on Facebook an article about how this British girl a little younger than me had posted a novel of hers on WattPad, gained 19 million likes, got a publishing contract, and then two books later was put on TIME Magazine’s list of 16 Most Influential Teens. My reaction to that article: “Holy s**t, I’ve got to at least check this WattPad thing out.”

So if you haven’t heard of WattPad before, it’s a website where members can upload stories for free viewing and readers can give comments and feedback. So essentially it’s like a blog for storytellers, in some ways. And apparently some of its most popular stories are uploaded by writers in their teens, so as a writer just barely out of the teens, I think I might have a chance.

Of course, the website has its controversies. Stories uploaded onto WattPad are not copyright protected like a blog post or a story published through a magazine or a publishing company. So anything published on WattPad could potentially be stolen by some nefarious person or persons who might try to make some sort of profit or gather a following using another person’s work.

Still, I want to try and see if I can spread my work to new audiences through WattPad. And I’ve heard some other authors have had some success with the format, including a few friends of mine. If it can potentially help me further my writing career, I don’t see any reason why I shouldn’t try it out.

If I publish anything through WattPad, I’ll make sure to post about it here and include a link to the story. I think I’ll start with excerpts from my already published books, and then maybe upload a few original short stories when I have them and when I want to upload them. And with that, I ask of you all one favor: wish me luck as I try to get used to this mew platform for spreading stories and writing and try to utilize it in the best way possible.

Good night, Followers of Fear.

 

I’m basically using this post to vent, so please bear with me. Yesterday my family and I were eating dinner and somehow the subject of a show I watch came up. The show in question, Ghost Adventures, is about an actual ghost-hunting crew who film their investigations of purportedly haunted locations and broadcast them on the Travel Channel. Now, I don’t really care whether or not you believe in ghosts or if you think ghost hunters are charlatans or actually investigating hauntings. My own personal experiences with the supernatural inclines me to believe that the events portrayed on Ghost Adventures and the evidence they collect is authentic.

The majority of my family though think that the show is fake and take the opportunity to mock it at every turn as well as mock me for liking it. And that gets on my nerves. Look, I know that a lot of people don’t believe in ghosts and are skeptical of ghost hunters everywhere. That’s their choice to feel that way. However I draw the line when it comes to mocking the show because I like it and I prefer to at least give ghost hunters the benefit of the doubt. Mocking people who choose to believe in ghosts and ghost-hunting, even when broadcast on television, is just rude when it isn’t done in a kind, comedic way. And trust me, my family wasn’t being kind and comedic about it. They know how I feel and they do it anyway.

The weird thing is, you can compare a belief in ghosts and ghost-hunting to people who profess to belong to a certain religion and have personal proof or documented proof that their religion is true. Both require a certain degree of faith, and the belief and proof of what the religion believes as true can be dismissed by skeptics quite easily. So I find it even more upsetting that a Jewish family with two rabbis in it is so willing to mock belief.

So the next time you see a show where someone is trying to convince a viewer that something that can’t be easily quantified or studied or experimented upon might exist or be real, you can dismiss it as just belief or silliness if you want. But don’t go around mocking it in a crude, hurtful manner like my family does.* Instead, just say you respect their belief in ghosts/extraterrestrials/etc. but you don’t believe in them yourself.

Otherwise, you might find something you enjoy very much getting seriously mocked. I did that with my sisters’ favorite show Supernatural, by pointing out that a lot of fans of the show like to write fanfics portraying the main characters in an incestuous relationship. Trust me, they did not like it when I did that. Now I just have to come up with one for the CSI franchise.

*I would just like to point out that my mother and her partner have never mocked the show, at least not in front of me or to my knowledge. Then again, I don’t think either of them have seen the show, let alone care enough to mock it if they find it ludicrous. Still, their lack of mocking is greatly appreciated.

Normally I don’t wade into censorship debates, but this story caught my eye and I thought it would make for interesting discussion. Now, a lot of authors, especially self-published authors, have noticed that in the past couple of years there’s been an explosion in demand for erotica titles, and many self-published authors are making a lot of money by writing these works, which sometimes involve violent encounters between the characters. And lately there’s been a rising trend in what is known as cryptozoological erotica, which is sexual encounters between humans and legendary beasts such as Bigfoot and others (I know, right?). The example used in the story I’ve linked to is Virginia Wade’s Bigfoot series, which has been downloaded and read by enough people to make me wonder whether I should at least dabble in the erotica genre.

However, authors of these and other erotic works have been finding their works taken off the digital bookshelves by Amazon and other sites as of late:

In October, the online news site The Kernel published an incendiary story called “An Epidemic of Filth,” claiming that online bookstores like Amazon, Barnes & Noble, WHSmith, and others were selling self-published ebooks that featured “rape fantasies, incest porn and graphic descriptions of bestiality and child abuse.” The story ignited a media firestorm in the U.K, with major news outlets like the Daily Mail, The Guardian, and the BBC reporting on the “sales of sick ebooks.” Some U.K.-based ebook retailers responded with public apologies, and WHSmith went so far as to shut down its website altogether, releasing a statement saying that it would reopen “once all self-published eBooks have been removed and we are totally sure that there are no offending titles available.” The response in the U.S. was somewhat more muted, but most of the retailers mentioned in the piece, including Amazon and Barnes & Noble, began quietly pulling hundreds of titles from their online shelves — an event Kobo coo Michael Tamblyn referred to last month as “erotica-gate.” 

The crackdown was meant to target the obvious offenders — ebooks like “Daddy’s Birthday Gang Bang” and others that fetishized incest and rape — but in their fervor to course-correct, the online bookstores started deleting, according to The Digital Reader blog, “not just the questionable erotica but [also]…. any e-books that might even hint at violating cultural norms.” That included crypto-porn. Wade’s sexy Sasquatch, not unlike the elusive hominid beast of legend, vanished without a trace.

Now, there’s been a lot of talk about censorship such as this over the past couple of months. Authors of a lot of works that have been taken down have accused Amazon of not taking a good look at their works and using very vague criteria such as the titles of the books to judge whether or not they are offensive. Amazon’s wording of its policy as to what constitutes “offensive” doesn’t seem to help its case: “What we deem offensive is probably what you would expect.” Giving that people generally have different expectations on what is considered offensive, there’s been a lot of cries that Amazon is only answering to the expectations of a certain segment of its customers. And by having to modify titles or edit their work to be acceptable to these vague standards, they are losing customers and revenue. As one author complained:

Author Emerald Ice (a pen name) — who lives in southern Illinois with her husband, a Catholic high school teacher — is less concerned about offending Amazon browsers than being overlooked by potential paying customers. The first three books in her Alien Sex Slave Series — “Alien Love Slave,” “The Sex Arena,” and “Alien Sex Cove”— were runaway hits, she says. At least until Amazon pulled them from distribution and requested changes, once again citing content guidelines. That’s how “Alien Sex Slave” became “Sidney’s Alien Escapades.” “I hate it,” she admits of the new title. “I came up with it because I was in a panic about the books disappearing.” Her sales have since plummeted, and she isn’t surprised. “If I was a reader searching for hot alien sex books, I wouldn’t look twice at something called ‘Sidney’s Alien Escapades.'”

On the other hand, Amazon and other bookstores like it are private businesses. They can decide what items to have on their shelves and what items they want nothing to do with, especially if a large enough percent of their customers threaten to boycott the site if they hold items deemed “offensive” by whatever criteria these people use. So if Amazon deems a work or works unacceptable and uses no other reason than it threatens their own revenues, then that’s their choice, and there’s not much an author can do to fight back (unless you start a humungous letter writing campaign with a lot of your close author friends and a ton of fans, but that might be difficult to pull off).

Now, my own views on censorship is if a creative work isn’t blatantly encouraging hatred, violence, or other despicable deeds or beliefs, then it should at least be considered as a work allowed to be sold, distributed and enjoyed like any other work. And as much as I don’t like to speak badly about Amazon (mostly because it’s where most of my sales and reviews come from),  I have to admit that they should take a deeper look at their work in order to decide what is offensive and maybe revise their content policy to something that’s not so vague. At the same time, I should advise authors to be careful that the work they write might not be accidentally encouraging rape, incest, or other objectionable acts or could be misconstrued as encouraging those acts. I’m not trying to stifle your creative work, but it might avoid some grief later on if you make sure that someone can’t point to a particular passage of your work and show that it is terribly objectionable.

If you have anything to add to the discussion, please let me know. What do you think constitutes as an “objectionable work”? And do you think what Amazon and other booksellers is doing is justified, or are they overstepping their bounds or being unfair in their attempts to filter out unacceptable works?

Also, that comment I made about dabbling in erotica, in case any of you were wondering: I don’t know how I’d feel about writing an erotica story. If I did though, I’d be honest about it if I decided to publish it, even if I published it under a pen name. Anne Rice did that, and if she can do it, why can’t I? Besides the fact that she’s a huge force in the world of writing and I’m still trying to claw my way up, I mean.

I’m not sure there’s a single American in the country today who opened a newspaper, got on their smartphone, or connected to the Internet who doesn’t realize that today is exactly a year since the horrific tragedy at Sandy Hook Elementary School. Even now, the memories of that terrible day are resurfacing in my mind’s eye: sitting in bed, seeing that a school has been shot up by a gunman. Fatalities, fear, fingers already being pointed, conspiracy nuts shouting their insanity. But for a little while, the American people, a people so prone to heat and rage and division, were united in a way that hadn’t been seen since 9/11. We cried and memorialized the dead. There was grief for the 20 children and six adults who died, grief from people who’d never heard of Newtown until that day. There were numerous memorials and tributes, online and on TV and across the nation by everyone from children to the most powerful of politicians.

However in the days, weeks and months since Newtown, as we learned about the gunman Adam Lanza and we heard stories about the dearly departed. that unity broke up. We looked for solutions to prevent this tragedy from ever happening again. In a year full of monstrous mass shootings in Aurora, Wisconsin, and now in Newtown, advocates for stricter gun safety laws hoped that Congress would pass sensible gun control laws. And with ninety percent of Americans behind measures such as a ban on automatic rifles and expanded background checks, it looked like there might actually be some change this time. Second Amendment advocates meanwhile balked at these proposed measures, and instead said gun control laws didn’t work and called for administrators to be trained in firearm use and to hire security guards for schools. In the end, some states such as Colorado, New York, and Maryland passed their own restrictions, while President Obama passed 23 executive mandates and Congress failed to pass any laws that would truly satisfy either side.

Normally I would use a post such as this to advocate for stricter gun laws, but I’m tempted to not do so in order to keep the dead in mind on this horrible day. However, I read articles that show that the gun maker for the rifles used in the massacre actually had an increase in sales after Sandy Hook, and I feel a little sick to think anyone could profit off a tragedy such as this. Not to mention that nearly a year after Sandy Hook, there was a shooting at a school eight miles from Columbine High School, as if to remind us how little has been accomplished since then.

So I’ll speak and say, a year later, parents are gathering around dinner tables with a vacant seat. They wish to hold their kids close to them, but they can’t. And across the nations, parents and children, siblings and cousins, friends and families, lovers and colleagues, lose someone dear to them because of gun violence. In fact, approximately 30,000 people each year are lost to gun violence, the equivalent of nearly 1154 Sandy Hooks.

We need to do something about this tragedy, but is throwing more gasoline on a fire really going to help? No, it will not! We need to choke out the fire, not give it more fuel. So if you can, call or email your legislators. Support gun control groups if you can afford to. And if you own firearms of any sort, make sure it is in a safe place where it won’t hurt anyone who might accidentally stumble upon it. And I know any Second Amendment advocates will be furious with what I’ve written here, but let me tell you, I’m not advocating for taking away all guns from your homes. Even freedom of speech is regulated when that speech is used to incite violence or is used in a malicious manner. Shouldn’t guns be treated the same way?

And besides, do you really need a military grade automatic rifle? There are no zombies or enemy armies waiting to attack, you can’t go hunting with that kind of gun, and a simple handgun is enough to ward off any burglar or rapist. Just saying, is all.

I’m going to leave you with this video I found. It describes all the grief I feel for the victims of Sandy Hook, and I think it’ll resonate with you too on this most horrid day.

I’m hearing a lot of comments on political news shows about how certain programs the government is doing or how certain actions being taken are being considered as slavery/apartheid/the Holocaust/genocide/etc. by certain people. I’ve just got one thing to say: quit the melodrama! Obamacare is not apartheid or slavery, abortion is not the Holocaust, shaking hands with Raul Castro is not the same as shaking hands with Adolf Hitler!

You see, there are certain groups here in America–African Americans, South African immigrants, Jews, etc.–who get really upset every time their national/ethnic/religious persecutions and injustices are used flippantly in political speech. It belittles the tragedy, makes it seems trivial. I mean, take slavery for example. It seems absurd if I compare myself to a slave if I complain about my homework every day, doesn’t it? How about being told to go to bed by your parents? Does that make you a slave? No it does not!

And actually, not only are these statements trivializing the tragedies in question, they are terribly inaccurate. Obamacare is not forcing people to work in horrid conditions and receive little or no benefits for it and are actually mistreated by overseers. Nor is Obamacare forcing people who are not enrolled in its programs to live in separate areas of towns or even of the country and putting strict legal restrictions on interactions between those enrolled and those not enrolled in the program. And unless abortion has become the state-sponsored deportation of fetuses to ghettos or work camps where they are subjected to conditions meant to either kill off or turn them into human beasts while my back was turned, I think it’s a little much to start comparing your local Planned Parenthood clinic to Auschwitz!

Of course, you’re free to disagree with me. That’s the lovely part of America: we can all have our own opinions, and as long as they don’t lead to violence, becoming socially ostracized, or aren’t a symptom of some mental illness,  we can express them as we wish and expect little or no backlash. However, I urge you to be cognizant of your words when you make a comparison between something you disagree with and a terrible tragedy or an unspeakable act. You may offend somebody with such an interpretation of events or a comparison. And if you don’t care who you offend in making these statements–my, how callous can you get!

And if my point hasn’t gotten across how gross these comparisons are, let my friend Dr. Sheldon Cooper show you how ridiculous these comparisons are.


Get the picture?

Oh, no comments that are offensive or trying to convince me that Obama is out to get Americans or whatever. I don’t want to hear it and I’ll delete those comments should they show up here. I’m just saying, be careful what comparisons you’re using, because many find them upsetting and terribly inaccurate.

Remember George Zimmerman? The guy who shot Trayvon Martin? Guess what he’s done now: he’s threatened his girlfriend with a shotgun and threw her out of the house when she tried to dial 911. When the police searched his car, they found an AR-15, a shotgun, and three handguns. He’s been let free on a $9,000 bond, and he’s entered a plea of not guilty. And this isn’t his first brush with the law since he was let off this summer: he’s been pulled over three times for speeding and assaulted his wife (yeah, he’s still married). The only reason he wasn’t arrested with the last one was because of lack of evidence.

Now, back during the Trayvon Martin trial, those who supported Zimmerman were saying that he was defending himself, that Trayvon was high and unstable and dangerous. They ignored that he had a history of violence before the Martin incident, and they might just try to ignore this situation altogether. But I’m going to repeat what I said back then: that George Zimmerman attacked an unarmed teen and killed him, and got away with it because of lack of witnesses, including the victim who understandably couldn’t speak, and because of a law that makes no sense to me. Yeah, I don’t support Stand Your Ground laws. They basically say I can go into a public setting with a gun, start a fight with any random passerby, and shoot them if I feel threatened.

But the point is, Zimmerman’s proven that he’s more likely to instigate an incident than defend himself. This is his second assault since his acquittal. It’s only the first with enough evidence to actually go to trial. So I’m just going to be the first to say this: Zimmerman should’ve been convicted back in July, because he assaulted Trayvon and killed him. But he didn’t, and then he attacked his wife and girlfriend. Either of those assaults could’ve been avoided, just like Trayvon’s death could’ve easily been avoided, but we allowed them to happen.

I just hope that this time around, Zimmerman gets convicted, because honestly if he keeps getting off like this, his head’s only going to get bigger and he’ll think he’s invincible to prosecution and punishment. And I really don’t want to see the carnage a man like that can leave behind when he believes he’s unstoppable.

Let the trial begin!

Today I logged onto the Huffington Post to check the latest in the news, and I saw a story where a white supremacist found out on a talk show that he’s only 86% white. The rest is 14% sub-Saharan African, which is apparently home to some of the darkest-skinned people on the planet. If I’ve done this correctly, I’ve embedded a video from NewsBreaker onto this post. If not, here’s a link to the article itself.

Shocking, right? And kind of funny, too. According to Cobb, even one drop of black clood makes you black. So sadly, he wouldn’t be allowed in his own “enclave”, were it to actually be set up.

But as much as this Cobb guy and other people who proclaim the (insert race here) race is superior, I’ve got news for them. I’ve learned something recently in my sociology class that I thought was mind-blowing. Apparently “race” as we understand it is a social construction, not a biological thing. It’s something we create in our minds to help us humans categorize, because apparently we love categorizing things.

In biology though, there’s actually little difference between humans of different races. There’s more differences between two penguins of the same species than there are between a black guy and a white guy. And the more scientists look for a biological basis about race, the more they find evidence to the contrary. Even things like melanin content, which determines skin color, and differences in susceptibility to certain diseases, something documented in the various races we’ve created, are determined by a number of traits that all humans share and could occur in people around the world at any time.

Even more mind-boggling is that definitions of race aren’t static: in Brazil, there are around 500 different races, while in the US there are about four or five. And races can changed. Someone from Mexico could be Spanish or Native American, and nobody could see the difference. President Obama could consider himself white if he wanted to, considering his parentage, but he’s black by choice. And not only are the races we define ourselves by subject to change where you go, the traits associated with races can change too:

He not only broke records, he broke down erroneous beliefs.

Before the 1936 Olympics, Americans assumed that because blacks, Native Americans, and Chinese mostly lived in poverty, they were degenerate and inferior in both mind and body (these beliefs never took into account socioeconomic situation, lack of education, or discrimination, even when statisticians published “findings” supporting these beliefs). However, after Jesse Owens took home the gold, race enthusiasts changed their beliefs in order to jibe with Owens’ success at the Olympics. They changed their attitudes to say that because African-Americans had been physically honed for strength and speed while in slavery, their physical abilities were superior, while their brains were inferior to the white man’s brain. I don’t know if Neil deGrasse Tyson plays sports, but that last part is definitely false, and it just shows how fluid beliefs about race are. And just as not all whites are smart or athletically superior, neither are all blacks, Asians, or Native Americans either of those or anything else. Everybody’s different, even as we’re all the same.

And finally, even on the genetic level there’s little to differentiate us from people of different races. If I were to get my blood typed and compare it to others in a worldwide database (and I’m actually looking into doing that, by the way), statistically speaking I’d be just as genetically similar to a Yoruban man as I would be to a Japanese woman or a child in the Amazonian rainforests. So on almost every level, race is not actually biological, but really just a product of our minds.

Reborn City

So why am I writing all this, besides to make fun of the Cobbs guy’s beliefs and possibly blow a few minds? Because all this relates in a strange way to my novel Reborn City. When I wrote the novel back in high school, I still thought there was at least a small basis to differences to races, and that reflects in the novel, where most of the gangs are divided up by race. I didn’t even factor in that there are different subgroups in races, like instead of just all Hispanic/Latino, there are Mexican, Cuban, Dominican, Nicaraguan, etc. I just knew I wanted to include a racially-diverse cast of characters and at the same time show how races work together would always win out over races fighting against each other.

Too bad I find out all this mind-boggling information after the book comes out, right? But now that I’m better armed, I’ll try to be a little smarter about it all. I’ll still include a racially diverse cast, but I won’t write it with the belief that races are homogenous or static or anything. I’ll just have people with very diverse backgrounds and that won’t even be a huge factor in the works I write, but instead just something interesting about my writing style.

However, that doesn’t mean one should ignore race because it doesn’t to exist, or because race shouldn’t matter. The fact is, people still see race as an actual, biological thing, and the belief is the basis of a lot of problems, controversies and discussions in the United States and the greater world. Ignoring it would be like ignoring your health in the hope you won’t get sick; it just won’t work. Instead, one should acknowledge race as a social construction, try to see through it, and if possible help others see through it.

That’s my opinion, anyway. You can agree or disagree as you like.

I’ll try and write a post tomorrow if I can. Until then, good night everybody!