Posts Tagged ‘StokerCon 2025’

Well, here we are again, my Followers of Fear. 2025 is nearing its inevitable death, so I’m doing my annual review post. And can I just say, good fucking riddance? This year was fucking rough! How rough, you ask? Well, I would say the amount of swearing I do on a daily basis, as well as much I swear above a whisper or in mixed company, has risen by at least 100%. That rough!

I’m not even going to go into the negative current events of the last year, like I usually do. Because let’s face it, it’s been pretty awful.

And my personal life has had its fair share of troubles. Back in spring, some idiot hit their car with mine, totaling it. Even after their insurance company accepted fault and paid off the value of the car, I still had to pay off the rest of the loan and shell out for a rental! Add in buying a new car, plus the money I lost from the botched trip to Israel, and my finances took a hit I’m still recovering from.

Work was also really stressful. At my company, we were told to go back into the office five days a week, and like the return to three days in office in 2024, it caused my office’s workload to stay three times higher than previous years. Even now, when the workload has gone down again, we’re still dealing with a lot of people angry they can’t work from home (among other things).

Add in a few other things, and it’s no wonder I can’t wait to kick 2025 goodbye. At least it’s keeping my therapist employed.

But you know, 2025 wasn’t all bad. On the current events side, a peace deal was finally struck in Israel, and while there’s still a lot of work to be done, it’s still progress. Plus, here in the US, there has been a tide to fight back against the wave of fascism and authoritarianism that’s sweeping the country. There have been protests and victories in court and even election wins! Again, a lot of work that has to be done, but it’s still progress. Plus, around the world, there were all sorts of victories for democracy, LGBT rights, diversity, and more.

On a personal note, I had my good moments. In my writing career, I got to pitch The Shape of Evil to agents and publishers (and I’m still working towards getting that published, but progress has been made); I broke my personal record for most books sold at an event twice; I published one new book and a few articles, and re-released Hannah and a short story; I wrote and edited a bunch of stories I have high hopes for; and financially, this was my best year since I started keeping track.

Me and my fellow Ohio horror writers at StokerCon this year. Yeah, StokerCon was a definite highlight this year. And not just because of the successful pitch session.

Closer to home, my health has been doing well and work has gotten easier in some respects. I’ve had some wonderful experiences and met some great people. I’m working out more, seeing new places, and hanging out with people I like. I’ve been consistently studying my Hebrew, so whenever I do get to go back to Israel, I should be able to survive. Maybe 2025 wasn’t all bad.

Still glad to see the year change, though.

Now, as for 2026…well, I’m not getting my hopes up too high. Tarot card readings and hopes aside, it’s likely to be another rough year. Still, I’m going to aim for the sky. I’m going to try to get as many stories as possible written, edited, and published, and while I’ll scale back the number of events I’ll attend, I’ll still try to have a great time and get books to good homes. I don’t know if I’ll finally get to the point where I can write full time, but I’ll certainly get closer.

And in my personal life, I’ll hopefully be able to continue to improve health-wise and get my financials to recover. And who knows? Maybe work will finally calm down. Maybe the world stage will be kinder and a lot of what’s plaguing humanity and the Earth will be solved. Maybe we’ll get rid of those tariffs? Any or all of those would be nice.

I guess we’ll just have to take it one day at a time. And with a bit of bravery and a bit of luck, maybe 2026 will be a better year than 2025 ever was.

How was your 2025? Any hopes or plans for 2026? Let’s discuss.


One more thing, my Followers of Fear: we’re still in the holiday season. And if you’re looking for some Christmas horror to read, check out “The Wild Hunt,” one of the stories I re-released this year. Two sisters run away on Christmas Eve and encounter something within a blizzard. It’s a supernatural tale that you can read in one sitting and is perfect for the season. I’ll leave links below.

And if you’re looking for some horror for yourself, or a gift for a loved one, or you just want to support me, know that I have plenty of stories available. From plant/human hybrids and strange gods to Mafia-hunting serial killers and flesh-eating horses, I’ve got something for every horror fan (including some free stuff). I’ll leave a link to my books page below.

And if you like what you read, please leave a review online. Positive or negative, I love reader feedback, and it helps me and other readers out in the long run.

That’s all for now, my Followers of Fear. Here’s hoping what’s left of 2025 is easy on us. And until next time, good night and pleasant nightmares.

Usually, when I do these update posts, they have a sort of format, with specific sections devoted to specific items or topics. But this time, I’m doing things a little differently. Why? Well, it just feels right to do so.

Plus, it’s not like I’m overflowing with news. I just want to update you guys on a couple of items.

So, as you may already know, I’ve been doing a ton of editing lately. A Great Editing, so to speak. I’ve already edited two novellas, and I just finished editing another draft of The Shape of Evil, AKA the 3D Printer from Hell story. Yeah, I hear you. “What? You did another edit of that novel? Why didn’t you tell us sooner? That’s kind of your thing!”

Well, it was on the suggestion of one of the agents I pitched the book to at StokerCon. They got back to me last month and encouraged me to make some changes, including aging up the characters a bit, before they read the rest of the book. After some discussion and consideration, I agreed, and I’ve spent the past month doing those edits. The result is a fourth draft of The Shape of Evil, which I think is even stronger than the last one. And I’m looking forward to sending this draft to that particular agent very, very soon.

By the way, that new draft? I finished it yesterday. I took a day off from work for a mental health day and spent most of it just working on the draft. Finished the final 100 pages or so in a couple of hours.

Now, what’s next? Well, I think I’ll take a break from editing and work on some new short stories. I’ve already started doing research for one of them, and I already have all the research materials I need for the other one. After that, I have a short story, an essay on ballet and horror, and two more novellas that need to be edited. After that, I think I’ll focus on newer work while also trying to find homes for the already edited stuff.

Or I’ll edit the stories I plan to write and try to find them homes, too. Man, it’s so hard trying to strike a balance between writing new stuff and editing the completed stuff! Especially when you’re working a full time job and keeping up with all of life’s demands, like I am.

But hey, I’ll make it work somehow. I usually do.

So yeah, if this was too long to read: lots going on, lots of editing, and some new work on the way as well. But what else is new?


That’s all for now, my Followers of Fear. I have research to get to if I want to get these stories out. Man, just actively researching them and figuring out the names of the characters has me so excited! I’m looking forward to seeing how these stories turn out once I write them.

And speaking of excited, Followers of Fear, we’re 85 days away from Halloween. Have you decided what you’re going to be reading this spooky season? If you’re still looking for the write book, or you want to support me (or both), I have plenty of stories available, including some free ones. Not to mention a wide variety, too! So, if you’re at all interested, click on the link below and check out my bibliography. You might find your new favorite Halloween read among the catalog.

Until next time, my Followers of Fear. Good night and pleasant nightmares.

Photo by cottonbro on Pexels.com

I was watching the movie adaptation of My Best Friend’s Exorcism with my sister the other day. And, right before they’re about to do the exorcism, the exorcist asks the main character if she’s been baptized. And the main character, a high school senior at a Catholic school, taking catechism classes and attending evangelical events at school, says in a deadpan voice, “I’m Jewish.”

My sister and I, as well as her roommates (it was movie night at her place), burst out laughing, because it was great comedic timing. Plus, it wasn’t something about the character that was in the book, so I hadn’t seen it coming. But looking back on it now, I can’t help but feel like it’s the latest example of an issue of Jewish portrayal in media.

I said in a previous post that I might be talking about problems of portrayal I see in media, thanks to the panel I was on last month. And I’ve noticed that portrayal of Jews in the media–at least the media I’ve been consuming–has been problematic. This is because, generally speaking, I have noticed Jews tend to be portrayed in one of three different groups:

  • The religious types. They’re Orthodox, with black coats and beards. At least one of the men is a rabbi, and if the story is speculative in nature, Kabbalah shows up somewhere. I’m not too upset about this portrayal, because I have seen some good and nuanced portrayals of this group since Fiddler of the Roof. I’ve even used it myself. Still, it’s done A LOT.
  • The barely-Jewish portrayal. They say they’re Jewish, but the characters eat bacon, have barely any connection to their ancestry, and their religious affiliation is only used as a joke or a quirk of their character. Examples include Howard Wolowitz from The Big Bang Theory, Rachel Berry from Glee, and, most recently, Abby Rivers in My Best Friend’s Exorcism. There are Jews like this, but it’s nuts that this is the biggest alternative to the religious types I see in media.
  • Jewish equals some weird behavior or stereotype. The fact that they’re Jewish usually translates to some silly behavior or conglomeration of behavior or traits that defines their entire character and is equated with their Jewishness. Maybe they’re clownish wimpy goofs that are always going “Oy vey” and speaking in funny voices, like Krusty the Clown in The Simpsons or Mort Goldman in Family Guy. Or they’re hypochondriacs, like Stan Uris in IT. Usually satirical, but sometimes it’s meant to be taken seriously or realistic, like in IT.*
Ziva David. So far, the most unique portrayal of Jew I’ve come across.

Honestly, the only character I’ve seen buck this trend is Ziva David from NCIS, a former Mossad agent from Israel who was tough, somewhat religious, and very connected to her Jewish heritage and faith. When I watched NCIS, I absolutely loved her, and was so sad when she left the series for good. That was a great and different portrayal of a Jew on media. (As for her being portrayed by a Catholic actress…well, she’s still a great character.)

But that’s the only one. And honestly, I think that’s a damn shame. There are so many different kinds of Jews out there: Jews who are religious but enjoy listening to the Ramones and going out for drinks and bowling with friends; non-religious Jews who are connected to their heritage and use it to make art; Jews who are both Israeli, Jewish, and Arab (just read about him yesterday in an article a friend sent to me); and the disabled Jewish horror writer who lights Shabbat candles on Friday night and keeps kosher while also seeing plays on Saturday afternoons or getting tattoos of Tarot cards all over his body.

Me, if you couldn’t tell.

This is why I’m not just writing an increasing amount of Jewish characters in my work, but also a wider variety of Jewish characters. There’s the married and heavily connected Jewish gay couple in “The Red Bursts,” one of the stories in Hannah and Other Stories; the rabbi, his less-religious but still Jewish best friend and his secular daughter in “The House on Lafayette Square” in Symphony for Walpurgis; and in The Shape of Evil, a Jewish teen on the spectrum (who’s only partially based on me). And I hope to write many, many more.

It may be only a drop in the water. But mentioning those stereotypes at StokerCon did make one or two writers consider how they were writing their Jewish characters. Perhaps mentioning them here, and writing all those characters, might cause some positive ripples. Which, in these scary times, would be most welcome.

I very much prefer this version of Stan than the one in the book.

*In all honestly, I hate Stan Uris. At least Stan in the book. I love King and I love IT. Hell, I’m a horror writer because of them both. But Stan was barely connected to his Jewishness, except in how it made him different, and he was more defined by his clean-freak nature and his almost worshipful adherence to logic and a normal world. In fact, it’s stated in the book that Stan’s suicide was because he wanted to “stay clean,” rather than get “dirty” and jump into a world completely outside of normal. I hated that.

This is why I prefer Stan’s portrayal in the movies. In the first movie, he’s the son of a rabbi studying for his bar mitzvah (I can relate) and, while being religious and connected to his heritage, is still pretty much a normal kid. And as an adult, his suicide is portrayed as him ensuring that the others are able to defeat It. A true sacrifice for the greater good. No wonder I prefer that version.

Lots and lots of editing in my future. Again.

Some of you may remember that, for most of 2023, I was in what I called The Great Editing. It was a phase where, except for the occasional short story, I did nothing but editing. Mostly stuff related to Hannah and Other Stories‘s first time out, but a few other stories I was editing. When it was done, I hoped to do nothing but write original stories for a long, long while.

Well, man (or whatever entity I am) plans, and God (or whatever entity runs this universe) laughs.

Because I did write a few original short stories last year. And then I wrote The Shape of Evil, which took up half the year. And then I did another couple of stories. Then I did an edit of The Shape of Evil, followed by edits of the stories that were going into Symphony of Walpurgis. Followed by one original story, and then another edit of The Shape of Evil in time for StokerCon. Then I edited stories for Hannah‘s re-release. And then I edited a novella while also writing an essay (which I will likely have to edit soon before I can submit it).

So yeah. I’m in the Second Great Editing. I thought the first one was the editing to end all editings, but I guess a second one was just inevitable! I set myself up for that with the choices I made. And now I’m suffering through it. And it will likely set up the future of my career for decades to come.

Okay, enough with the World War II joke. Point is, I’m stuck in this Second Great Editing. And with two more novellas, that essay, and a short story to edit (plus another novella which needs serious rewrites), I’m likely going to be stuck in it for a while. Possibly till next year, if you can believe it! (Some of these stories will need to be edited again once I have beta readers look them over, after all.)

I’ll hopefully have news to share about this soon.

But you know, it’s not the worst thing. Yeah, except for that essay, I’m mostly putting original works on the back burner until I can get through editing all of these stories that I’ve let sit for so goddamn long. And I really have some new work I want to throw myself into!

But like I said in the WWII joke, I think all this editing is going to have an effect on my writing career. And unlike WWII, the effect will hopefully be positive:

I can’t really get into it right now, but I’m making progress with finding a home for The Shape of Evil. People are reading and enjoying Symphony, and people are getting excited for the return of Hannah and Other Stories. And I hope these four novellas will be published together as a collection. I think this essay, once edited, will make a great entry into a magazine or essay collection. And that short story is rough, but I think it’ll be quite spooky once it’s ready for readers’ eyes.

So, I think I’m doing what I’m supposed to be doing: working on these stories so I can get them to you and, if I’m lucky, maybe write full time someday. I’m working hard to make those goals happen.

That being said, once I’m out of this Second Great Editing, I’m going to dive headfirst into some new stories. You can bet your ass on that!

(I’ll also finish my mummy novel Crawler and that witchy novella I was working on at the beginning of the year. I hate leaving things unfinished. Especially when I think they’ll be amazing once they’re done.)


One last thing, my Followers of Fear: this weekend is the Columbus Book Festival. This annual festival is full of amazing writers, vendors, and entertainers, and my fellow Ohio HWA members and I will have a booth there as well. So, if you’re in central Ohio this weekend, July 12 and 13, 2025, please head to the Main Library and Topiary Park in downtown Columbus. I would love to see you.

And if you can’t stop by but still want to support me, you can check out my work. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, there’s something for every horror fan, so why not grab a book and take a look? There’s even some free stuff. I’ll include a link to my books page below.

And if you like what you read, please leave a review. Positive or negative, I love reader feedback, and it helps both me and other readers in the long run.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.

From left to right: Rob Costello, Gaby Triana, Tamika Thompson, me, Aaron Dries, Rae Knowles, and Logan Johnson.

I’ve been wanting to write this post ever since I got back from StokerCon, but life has been very, very busy. But hey, better late than never, am I right?

So, as you probably recall, at StokerCon I was on the panel Representation in Horror, where we explored the topic of including marginalized voices in our community, as well as writing characters from those communities. I was very excited about the topic; not just because it’s one that’s near and dear to my heart, but because it was my very first time sitting on a StokerCon panel. You know, one that wasn’t pre-recorded.

And I figured I would be bringing something to the panel. I’m Jewish, bisexual, and have some disabilities, including being on the spectrum, after all. With the amount of time I spent just thinking about the things I would say in response to the questions, I thought I could help my fellow panelists blow some minds and get our audience (which nearly filled the room) thinking.

I did not expect to have my mind blown as well. But there were several moments just like that.

Just for a couple of examples, I remember Rob Costello mentioning that fat people were the only group that it was still cool to beat up on and how he was sick of it, and while the audience responded positively to that (apparently they noticed that, too), I was like, “Whoa! How have I never noticed that?” And Tamika Thompson mentioned how much Stephen King uses the trope of the Magical Negro, and I was like “Huh, she’s right. Dick Halloran, Mother Abigail, that dude from The Green Mile. He does use that trope a lot.”

And I’ve been thinking about that panel and all we discussed since then, as well as all the things we didn’t have time to discuss. For example, we didn’t have a chance to discuss various communities and their inclusion in the community or in our literature, such as Muslims, Native Americans, or the Roma community (seriously, even when it’s not overtly negative, I can’t think of a portrayal of the Romani that doesn’t lean on stereotypes). And I forgot to mention how not-helpful the portrayal of mentally disabled people as being magic because of their disability is (examples: Dudditts from Dreamcatcher by Stephen King, the autistic kid from 2018’s The Predator).

I think we could all use further conversation in this topic. Photo by nappy on Pexels.com

And it’s made me realize something: the discussion needs to continue. Because this sort of subject, the kind of stuff certain people call “woke,” requires constant learning and further conversation. That way, we can continue to think about what sort of stories we are creating and foster better understanding between people.

So, don’t be surprised if I have a few more blog posts like this one in the near future, ones where I discuss portrayal in horror and problematic stereotypes and whatnot. I may even reach out to some of my fellow panelists to help with that (I managed to find most of them on social media). But hey, if they feel the same way as me, they might want to continue the conversation as well.

And who knows? We might see Representation in Horror become a regular topic at StokerCon. And I don’t think anyone could see that as a bad thing.

The folks of StokerCon waiting for the Final Frame competition to start.

Here’s a riddle for you: what took place in Connecticut last week, had nearly 800 people in attendance, and I was among the attendees? StokerCon! Yes, last week, horror writers from around the world descended upon Stamford, Connecticut. There, we had panels, a short film competition, and our annual awards show, the Bram Stoker Awards, noting superior achievement in horror from the previous calendar year.

(There was also apparently dripping goo and weird liminal spaces out of the Backrooms in the hotel, and somehow, I missed both! I’m annoyed about that, especially the weird liminal space. That would make a great YouTube video!)

As I said in a previous post, my goal for this StokerCon was to level up my writing career and get that much closer to writing full time. This would be achieved by going to panels that I thought would help me reach that goal, being on my first ever panel, and, of course, pitching The Shape of Evil to agents and editors. (Plus meeting new people whom I could network with, but I try to make that more about making new friends than trying to make new business connections.) Did I accomplish my goals? Well, let’s talk about the con and we’ll see.

Hanging with Logan Johnson, one of the organizers of this year’s StokerCon, the moderator on my panel, and a new friend, at the banquet cocktail hour.

Seeing all my friends (meeting new ones). One of my favorite things to do at StokerCon is just to see all my horror-writing friends. Many of us only know each other through social media, so it’s nice to meet in person or to catch up with one another when the last time we saw each other could be a year or two ago. So, of course, I did plenty of that. The hotel had a lobby and a restaurant/bar, so outside of panels, we would gather there or on the second floor (that was where most of the con stuff happened) and just talk. We catch up, discuss our lives and our projects, and just shoot the shit. It’s lovely!

Plus, there’s always new people to meet. I actually got to know quite a few people whom I’d never met before, and it was fun to ask how they were enjoying the con and what they were working on or up to with their horror writing careers. Obviously, some were already well-known within the community, but most were just like me: working stiffs who enjoy horror and hope to make our marks in the genre. I’ve connected with a lot of these people now, and I’m hopeful we can continue to be friends and support each other as we work on our stories.

Going to panels. As I said, with a few notable exceptions, the panels I went to were ones I thought would be helpful for me as I move forward in my writing career. This included a panel on getting your stories adapted for film (it nearly happened once to me, so I thought I’d get some tips in case it happened again), and on how to get along with others as a professional. This one was particularly important to me, because being on the spectrum, I often feel like everyone but me was given a rule book on social interaction at birth and I have a lot of catching up to do. I actually brought this up during the Q&A section at the end of the panel, and what I should do in case I made a mistake. The answers I received were very reassuring. Not just to me, but, as I learned afterwards, to others in the audience who also were neurodivergent and felt the same way. I even got thanked a few times for bringing the topic up, which surprised me but also made me glad I asked.

As for the other panels I went to, one was about a Jewish writer who, while not a horror writer, had some dark themes in some of his work (I’m going to have to read that at some point), and a panel on using public domain characters and stories in horror (as someone who’s seen the Winnie the Pooh and Steamboat Willie horror films, I couldn’t resist). All in all, they were very educational, and I’m glad I went to them.

The signature scavenger hunt. As you might expect, I went a little crazy in the dealer room and bought way too many books. One of the books was The Rack, edited by Tom Deady, which is pictured above. It’s an anthology of stories inspired by those vintage horror paperback covers from the 70s and 80s. I bought it directly from the editor, Tom Deady, in the dealer room, and he signed it. And then I ran into one of the writers in the anthology, Erick Nunnally, a little while after. On a spur of the moment, I asked him to sign the book where his story began, which he did. And then he suggested I get the other authors in the book who were in attendance at StokerCon to sign. Which I did.

Ultimately, I think I managed to get half the authors to sign their stories. Most of those were done during the Mass Author Signing, where you can go around a big room and get your books signed by the authors who wrote them all at once. That was fun, because I also had them sign other books they’d written I’d bought, and then got signatures from other authors whose books I had copies of. The rest were just during random meetings during the con, and they were always happy to sign.

So yeah, I spent a good portion of StokerCon on a bit of a scavenger hunt, but it was still a lot of fun, and I only missed three of the authors who were in attendance (maybe next year?). And now, I have a cool knickknack in my personal library, which I’m currently reading through and loving! So, no regrets whatsoever.

From left to right: Rob Costello, Gaby Triana, Tamika Thompson, myself, Aaron Dries, Rae Knowles, and Logan Johnson.

Being on my first live panel. I’ve done a few StokerCon panels in the past, but they were always pre-recorded on Zoom for the virtual audiences. And while that is great, I’ve always wanted to tackle being on a live one. Not only did I get to do just that last week, but it was on a topic I am passionate about: Authentic Representation in Horror, which was about including marginalized communities and voices in horror and how to do so. And wow, did a lot of people show up! By the end, nearly all the seats were taken. I guess other people wanted to talk about this as well.

To say the least, the conversations were illuminating. I even had a few moments where I was like, “I never thought of that.” Honestly, I want to give this panel its own blog post, so I’ll stop there, but I’ll say this: it was great being on a panel like that. I look forward to doing it again someday soon.

The pitches. I’m sure a few of you skipped ahead just to find out how this went. Yes, during StokerCon’s annual session dedicated to connecting authors with agents and editors, I did get to pitch The Shape of Evil. And you know what? I got results. Three agents and one editor asked me to send them part or all of The Shape of Evil, which I did on Monday after taking a little time to recover from all the travel (and that traveling is worth a blog post on its own).

To say the least, I am beyond happy about this result. It went way better than I thought it would go, even with practicing pitches beforehand (always recommended), and I am hopeful that at least one of them will want to help me get The Shape of Evil published. I’ll likely know something by the end of the summer. And, of course, if it all goes well, I’ll be sure to let you know.

***

Ultimately, StokerCon was an amazing time for me. Sure, this year’s hotel was weird, but I had fun with friends, accomplished my goals, and made sure to celebrate everyone else’s accomplishments with them. And next year, we’re doing it again: at the end of the awards banquet, it was announced that, to control costs and to ensure StokerCon continues to go in a direction that’s as good as possible for as many people as possible, it’ll be in Pittsburgh for the next two years.

Obviously, I’m stoked, since that means I can drive there. In fact, I’ve already bought my ticket! And next year will be the 10th annual StokerCon, so it should be extra special. (Yeah, I thought it’d been around for longer, too. Color us both surprised.)

Members of HWA Ohio at StokerCon. I have a feeling next year, we’re going to have a much bigger showing.

I wonder what will happen. Will I sit on another panel or two? Do a reading? Somehow get on the ballot and get to be a nominee? I guess we’ll see. In the meantime, I’ll work on getting my stories out there and meeting new readers and having plenty to talk about when I drive to Pittsburgh next year.

In the meantime, I’ll have a new blog post out Monday, so keep an eye out for that. And until then, my Followers of Fear, good night, pleasant nightmares, and have a wonderful start to your summer. I know I am.

Hello, my Followers of Fear. I’m back from StokerCon and I’m sure you’re expecting me to go into detail about that. I plan to do so, believe me, but I need a little more time to process what’s happened, so I won’t be doing that this post.*

Instead, I want to talk about something else this weekend, which hasn’t happened in a long time: I got new fan art!

I’ve long believed that fan art is one of the most honest expressions of love from a fan to a creator, so I’m very touched to have received a new piece. This piece comes from Louise C, a fellow horror writer and a Follower of Fear I met over on BlueSky. She’s been reading several of my stories since we met, and I’m glad not only to have her among the Followers, but that she gave me this amazing piece of fan art, which was intended as a birthday present for me (my birthday was quite recent, if you didn’t know).

Not only that, but she had the fan art created by a commissioned artist! Yeah, really. According to Louise, she somehow won a free commissioned art piece and decided to use it to give me a birthday present. I told her I was really flattered and that, if she wanted to do this, I would be honored. I also told her she could choose whatever the fan art was of.

The result is below.

Pretty awesome, isn’t it? I love the expression on the character’s face. So cocky and full of pride and self-assurance.

If you don’t recognize the character, it’s the Akolouthos, the master of the dragon bats in my novelette “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” He’s described as an extremely tall man of eight or nine feet, with yellow eyes and teeth and wearing a long black coat and broad-brimmed hat. And, as you can guess from one of my stories, he’s not exactly human.

You know, this isn’t the first time that this particular story, which was one of the previously published ones in Symphony for Walpurgis, has had fan art created for it. When I first came up with dragon bats (they came before the story), Iseult Murphy, another friend, fellow writer, and Follower of Fear, created the fan art you see below. It was the first time I ever received fan art, and spurred me to write a story about dragon bats.

I’m glad to know the story is still scaring enough people to generate new fan art.

Thank you again, Louise, for this deliciously scary fan art. It’s such a wonderful birthday present, and there’s a good chance it’s going to end up on my wall, in the spot where my favorite pieces of fan art go. If it does, I’ll be sure to send you a photo.

And, because I would be remiss if I didn’t do this, if you would like to read “Disillusionment and Trauma Sometimes Go Hand-in-Hand” and see this villain in action, you can grab a copy of Symphony for Walpurgis using the links below. It’s the second story in the collection. And if you end up liking what you read, please leave me a review and let me know what you think! After all, reviews help both me and other readers in the long run.

That’s all for now, my Followers of Fear. Until next time (which will hopefully be later this week), good night and pleasant nightmares.

*I will say, however, that I did get a chance to pitch The Shape of Evil to some agents and editors. And I got instructions from four of them on how to send the manuscript to them. Which, yeah, is great, no doubt. However, if one of them wants to work with me to get The Shape of Evil published, that’s when we’ll have a real celebration.

Photo by Juan Pablo Serrano on Pexels.com

All you need to do is turn on the TV or go online to see that, particularly in the US, we’re in scary times. This is the first year in several years where the White House or the federal government as a whole haven’t acknowledged Pride Month, and governments around the world are rolling back rights for the LGBT community, especially for trans people. In the past two months, there has been a huge rise in the number of violent attacks against Jews and Jewish institutions, with the most recent being the attack on a run to bring awareness to hostages held captive in Gaza a week ago today.

And at the time I’m writing this, National Guardsmen and Marines are being forced at the direction of the President to attack people in LA protesting the ICE raids on immigrant communities.

And this is just a fraction of all the horrible things that have been happening to marginalized communities lately. Honestly, it’s not hard to feel afraid. I’ve certainly felt quite nervous on more days than one, especially after the attack at the Jewish Capital Museum last month. It doesn’t help that some of these actions seem to come from national governments, like the rollback of federal protections and celebrations on marginalized communities, or the UK Supreme Court ruling on sex and gender identity in April.

And I know that, with how scary it is lately, it feels very easy and somewhat natural to retreat into yourself and distract yourself with only books and TV and things that make you feel good. And I totally get that; there are days when I want to do nothing but watch anime or read books. And if you need to take care of your mental health, you should totally do that. DO NOT ignore your own well-being.

But if writing horror has taught me anything (and it’s taught me many things), it’s that we have to stand up to what scares us if we want to not only fight back but move forward. In fact, horror often teaches me and my fellow horror fans how to deal with current events, because what scares us, including in current events, often makes it into our stories. So, we need to stand up to what’s happening right now and for what we believe in.

So, what can we do? Well, some years ago, I heard a Christian minister say this during an event to commemorate Martin Luther King day: “Sometimes, the least you can do, and often what can say the most, in hard and scary times, is to be there and to ask if someone needs a hand.” Those words have stuck with me through the years, and I think that, right now, that’s a good place to start. Sometimes, just showing up and saying you support them and want to help can do wonders!

In fact, I know this from personal experience. Last week, after the attack in Boulder, some of my non-Jewish friends posted on social media their condemnation of the attacks, and how committing violence, especially against innocent people, was never okay. After hearing condemnations from mainly my fellow Jews and not enough from outside the community, seeing that support helped alleviate so much of my negative feelings.

So, at the very least, show up. Whether that be by showing up at an event or making your voice known online, asking how you can help can help those in marginalized communities feel that much safer and supported, and give them the strength to fight back against oppression. And if you feel safe enough to, please show up to events, reach out to your elected representatives, or sign your name to petitions. And,, of course, donate to organizations that help out with these causes. Doing so may feel like small gestures, but they can have huge impacts. Hell, during the first Trump administration, lawyers at the DOJ did confirm that the protests against certain policies did have an effect on what actions the administration took during the rest of the term.

So, don’t be afraid to show up and to ask what people need. Your little act may end up having the greatest impact on both someone else’s life, and on the world as a whole.


That’s all for now, my Followers of Fear. I’ve been wanting to post something like this for a while now, but what’s happening now really made it a priority. Honestly, I wish I could do more, like that nationwide protest on Saturday against the military parade and a certain someone acting like a king. But as you know, I’ll be at StokerCon during that time. At the very least, I’ll be on a panel about including marginalized communities in horror and pitching a novel that puts my money where my mouth is. So, at the very least, I’m helping out in that way.

Anyway, until next time, my Followers of Fear. I hope you’ll take the message of this post to heart. Stay safe out there while still helping where and when you can. And until next time, good night and pleasant nightmares.

Photo by Andrea Piacquadio on Pexels.com

Lately, my life has been nothing but growing excitement. Well, that’s not entirely true: there’s a bunch of other stuff. But work has been getting better lately after several months of insanity, and I’ve been balancing my life very well, which has allowed me to notice the excitement more clearly than if life was too busy and I was super exhausted.

And it’s not surprising that life feels like it’s nothing but excitement. For one thing, StokerCon is fast approaching, and there’s plenty I’m looking forward to with that. For one thing, as you know, I’ll be pitching The Shape of Evil to agents and editors there, and I’ve done the majority of my prep in that respect (a friend of mine who will also be pitching, and we’ll be practicing our pitches together as we get closer). Not only that, but I’m involved with a couple of panels, which I wasn’t the last time I went.

One is a virtual panel, “Understanding Historical Horror,” which I was the moderator of. I say “was,” because we filmed the panel ahead of time. As I suggested the panel (I blame “Sinners” inspiring me), I was asked to moderate and film it. And it went well! We had some great panelists–Philip Fracassi, John Langan, Alma Katsu, and John Kachuba–and we had an enjoyable hour and a half of filming and talking about historical horror: what it was, how to go about writing it, and the ethics of writing it. It will premiere during StokerCon, and will be accessible for those attending virtually.

The second one is “Authentic Representation in Horror,” which will focus on including marginalized communities in the horror community and in horror stories. As you probably know, that’s a subject near and dear to my heart, so I’m eager to talk about it with some like-minded writers in front of an audience. We’ve already spent some time emailing each other, suggesting topics for discussion and what we need as individuals to be more comfortable. That panel will also be livestreamed, so we’ll hopefully get a lot of people tuning in online as well as attending in person.

(And hopefully the anti-woke police won’t show up and cause a problem, lol.)

Add in getting to see so many friends, and it’s no wonder I’m excited for StokerCon!

Pretty much how I feel these days.

But StokerCon aside, there are other reasons I’m excited. For example, Symphony for Walpurgis is doing well. It’s only been out a little over three weeks since my latest collection released, but it’s been selling well and a lot of people have been telling me they’ve been enjoying it or expressing interest in getting copies of their own. One person in the horror community I really admire actually reached out to me yesterday to ask if she could have a review copy, which made my day! I’ll be seeing her at StokerCon, so I’ll give her a copy then.

And then there’s so much more! For one thing, we’re in the middle of Memorial Day weekend, and I’m already enjoying all the things I’m planning on doing this weekend, including getting some much needed sleep and doing a lot of projects I’ve put off till now. In fact, I’ve already made some progress with those projects, and I’ll tell you more about them when the time is right.

My Tarot cards say that for June, all troubles will pass, and lots of good things will happen in time. I can’t wait to see if that comes true!

And my birthday is coming up, which is another reason to get excited. I’m already arranging to get a nice massage on the day of, eat ice cream, and hang out with friends (not necessarily in that order and definitely not at the same time). It’ll be a nice celebration of my life and my inevitable inching towards death before heading off to a certain convention I’ve mentioned a hundred times already.

And a hundred other things are happening or will happen that just get me excited and full of zest for life and so glad I’m at this point in my life. Hell, even my Tarot cards seem to have caught something, because lately the majority of my readings have been super-positive! And if there’s something more to the cards than just pure randomness, then that’s significant!

And I’m looking forward to seeing how all these things play out. Whether it’s StokerCon and what I plan to do there, or the Doctor Who season finale, or even just trying out a new recipe this weekend. It’s nice to not only have so much to look forward to, but also to experience it when it arrives.

Makes me wonder what else I’ll get excited about as the stuff I mentioned above happens. I guess we, and especially I, will find out soon enough!

Well, it happened. It’s finally done. Took a bit longer than I’d hoped, but it is done. The third draft of The Shape of Evil is finally completed.

To be precise, I finished it late last night. Very late. Like close to three in the morning late last night. You see, I was up in Cleveland visiting family and drove home in the afternoon. I got home in the early evening, grabbed something to eat, and thought to myself, I wanted to get it finished this week! And I only have fifty pages to go! I might as well try!

Thus, I started working on it. And by the time I was done, it was three in the morning.

I regret nothing.

Anyway, if you’re new here and wondering what the hell I’m talking about, The Shape of Evil is a novel I wrote last year about a 3D Printer from Hell. Yeah, you read that right. A 3D Printer from Hell. Think “Word Processor of the Gods” by Stephen King meets Gothic by Philip Fracassi with strong LGBT and disabled representation. And I honestly never intended for it to become a novel–it was originally going to be a novelette–but the story just kept growing and growing, and before I knew it, the story was a novel and I was thinking how I would get it published.

Since then, I’ve done a second draft, and then I had sensitivity readers take a look at the story, because my main character is non-binary and I wanted to make sure that I was portraying a non-binary person well. And after I got their notes back, I started work on the third draft.

All this effort is hopefully going to pay off very soon.

And man, the journey this book has gone on has been something else! Not only has the story grown with every draft (273 pages/72,500 words for the first draft, 283 pages/75,300 words for the second, and 291 pages/78,400 pages for this latest one), but it really feels like it has improved with every go-through. Especially this current draft: as I said in a previous post, I’ve been working hard to make sure the words in this draft bring out the full potential of the story. And I think it does. There were a few times where I looked over the text and was like, “Did I really write this? Just from the word choice, it looks and sounds like something come from a much better, more experienced writer!”

Well, wherever it came from, it’s ready to be pitched at StokerCon next month. If you’re unaware, StokerCon is the big convention hosted by the Horror Writers Association, and they have a session where you can pitch your works directly to agents and editors. I was lucky enough to get a slot to pitch to one of my top choices, so I’m glad I got the book done in time.

So, now what happens? Well, I’m going to create a pitch sheet, which is sort of an informational sheet about the book, and practice my pitch between now and StokerCon. And in-between, I have a few things to work on, including the version of Hannah and Other Stories that I’ll use when I re-release it later this year. Should keep me wonderfully busy.

And hopefully soon, I’ll be able to share some wonderful news with all of you.

But I think tonight, I’ll just pour a glass of wine and put on a movie. After all, having time to relax is important. Especially when you work hard and you have so many irons in the fire.

That’s all for now, my Followers of Fear. I’m off to work on a bit more stuff before dinner and wine and the movie. Until next time, good night and pleasant nightmares.