Posts Tagged ‘writing’

My latest article from Self-Published Authors Helping Other Authors is Short Stories That Are Too Short. This post was inspired by things I learned in my creative writing class last semester, and details one of the lessons I learned there. If you’ve ever worried that the short stories you write are too long or too short, this article might be helpful for you.

And if you’re a writer, traditionally published or independently published, this website might be what you’re looking for. We have hundreds of articles that are devoted to helping authors of all stripes write, edit, publish, and market their books effectively and without too much cost. Check it out if you get the chance.

Well, I’ve got work to do. Goodnight, my Followers of Fear. Pleasant nightmares.

I’m happy to let everyone know that I’ve recently been interviewed by Tricia Drammeh of Authors to Watch about the short stories I published in the Strange Portals anthology last month and which she appears in as well. If you get the chance, please check out the interview. And while I’m talking about it, I’d like to thank Tricia for featuring me. It really means a lot to me and I hope I can return the favor sometime.

Some writers like to compare themselves to gods of the worlds they create, prodding their characters this way and that as the write their stories. I’m one of those writers, as blasphemous as it sounds (even more blasphemous when you consider that my parents are rabbis). But in a strange way, it’s true. I come up with an outline for my stories, I start writing, my characters take over to some degree and make their own choices, but at the end of it all they get to where I wanted them to go.

Sounds like God, doesn’t it? My characters, my creations, have free will of a sort in my world, but in the end the story usually works the way I want it to go because this world is mine and I have ultimate say. Evil has a purpose in my world, and so does reward and punishment (in a way). There’s an ultimate plan or idea of where things will go because I will it to be so, but you have to see the whole picture in order to understand the plan.

And I’m going to stop right there before I get a ton of people angry at me.

But if I’m the god of my worlds and my characters, what does that make me? What kind of god am I? I specialize in horror. It’s a dark genre, where anyone can die at any second, where monsters exist, and if you’re lucky enough to live, you might wish you’d died. It’s the genre that revels in the darkest of humanity as well as the best, brings doubt as well as faith, and above all, scares. I’m the god of such worlds, I adore making them up in my mind and then bringing them to life on the page.

What does that say about me? What does that say about any writer that wants to put their characters through torment or hardship? What does it say about God, that His world which He (or She, I’m equal opportunity) authored is so full of darkness?

Well, this isn’t a philosophy or theology post. But it brings up some good questions in those areas. Imagine if the characters we write were real people and the pain we put them through was real to them. Would we want to keep writing anything where they felt pain? Writers often feel like these characters are family to them, like children. If these were our real children, would we want to keep doing these sort of things to them? Would we ever write a story with conflict in it?

And could we continue to worship God with this sort of definition of Him?

The thing is, we’re not God. And our characters are most likely not real. But if they were, we’d probably go about writing sad or tragic stories. Like God, we have a plan, and the characters who we killed off, if we have any amount of mercy in us, we’d give the dead an afterlife to live in, so that killing them off wouldn’t hurt us as much. Because you know what? We have stories to tell, and maybe they’re not happy all the time, but they’re ours and that’s what we write.

And I do feel my characters are real to some degree. But that doesn’t mean I won’t write. After all, their stories deserve to be told.

All done with the first draft.

All done with the first draft.

Well tonight’s a great night for me! I’ve finished the first draft of Rose, the novel that has doubled as my thesis. I’ve already blasted “Voodoo Child” by Rogue Traders throughout the apartment, did my own choreographed dance to the song, and then had a drink with my roommate. And now I’m working on this blog post, feeling high as a kite about this achievement.

I was hoping to get this chapter started earlier today, but events didn’t allow for it. Still, I’m happy to get it done tonight, nearly six months after starting work on Rose. It’s great to know that it’s finished. Now all I’ve got to do some editing and I’ll be ready for thesis arguments in April.

The total amount of pages for Rose (8.5″ x 11″, double-spaced, 12-point Times New Roman) is 174 pages, an average of about 8.3 pages per chapter, and 50,994 words total, about 2428 words per chapter on average. That’s the length of a mid-sized novella according to the definitions I use. Not a full-length novel, but I’m good with this length. I had a feeling that it’d be around the size of a novella anyway.

Well, I’m going to go to sleep. This is a great night for me, but I’m dead tired and I need to sleep if I’m going to be able to spread the good news tomorrow. I think I’ll take a break in the next week or two from working on Rose before getting started on the second draft. Might edit a short story or two. God knows I’ve got a couple to edit still, and one for a contest soon. Plus some blog posts that I’ve been meaning to write. Boy, I’m going to be busy.

But for now, bed. Goodnight my Followers of Fear (or if you’re reading this in the morning, Good morning). Pleasant nightmares. And wish me luck with this project as it goes into its next phase. It’s going to be interesting where this ends up.

Also, scroll up. There’s a new page I’ve just set up, Stand Alones & Other Works. Rose is a stand alone novel, so it’ll need its own page. And I think Daisy and Strange Portals should be listed somewhere, so I’ll make sure they’re listed on that page. Please check it out if you get the chance. Especially if you have no idea what Rose is about and would like a basic summary to get an idea behind it (summary subject to change over time).

Once again, good night my Followers of Fear. And thanks for your support. I’m always glad you’re there to have my back. See you in the morning!

Sorry it’s coming a little late, but you know, my crazy life. And I wanted to watch it taped so I could fast forward through the commercial breaks.

Anyway, I liked this season of AHS much better than Coven last year. In terms of tone it was closer to the first season, though it had some more lighthearted moments than Season 1. Also, the show’s creator Ryan Murphy -incorporated a few musical scenes, so he’s either testing the waters for a crossover with his other show Glee or he’s just trying to keep things fresh. I definitely think it’s the latter. But like I was saying, this is some pretty good horror. Like previous seasons, you can’t tell where the story is going, and no one’s safe from death. Unlike previous seasons, nobody comes back to life or dies twice (shocker!) and the final episode of the season doesn’t just feel like filler with minimal scares to wrap up loose ends, but an actual episode that is kind of terrifying and very entertaining. There are a few loose ends, but I think we can assume what happened based on what happens in that episode.

Also, this is the first season to connect with another season (Asylum), and apparently all the seasons connect, so I’m wondering how they’re going to connect that in upcoming seasons. Minor detail, but it’s important to talk about.

Anyway, back to the review. What I really liked about Freak Show, besides the final episode actually being pretty good, is that the writers were able to tell a really beautiful story about people on the outskirts of society, and while also keeping things scary and interesting. Everyone has their own story, their own darkness, and their own potential to be evil. In fact at several times many characters cross the lines from good folks to villains and then back again. It’s very hard to pin down a central villain, especially during the first six episodes or so. I guess it shows that in an imperfect world, where most of the characters are scared or in trouble with the authorities, you’ll do what you have to in order to survive.

I also like how the story twists and turns, taking us in directions we couldn’t see, and still keeps things within reasonable bounds of imagination. And I loved the guest stars: Neil Patrick Harris and Jamie Brewer as Chester and Marjorie the Doll, Wes Bentley as Edward Mordrake (my favorite minor character) and quite a few others. But the main cast! Whoo, were they amazing. Sarah Paulson playing a pair of conjoined twins and did it so convincingly, I forgot it was acting and CGI! And Finn Wittrock as Dandy Mott deserves an award, playing the most horrific serial killing chameleon I’ve seen outside of Hannibal. And I loved Jessica Lange as Elsa Mars, who is just as evil and as tragic as any character in this show, but with quite the theatrical flare. Plus all the actors playing the freaks! Some actually have certain conditions, others are actors, but all are amazing in their roles.

Finn Wittrock, the man who played Dandy Mott. I hope he comes back for Season 5, he was definitely my favorite actor this season.

The one thing I did not care for is that Twisty the Clown, who appears in the first four or so episodes, is given an intellectual disability and his mental illness as the reason for which he kills. I swear, I’m tired of people with mental retardation being portrayed in these things as serial killers! I’ve known people with intellectual disabilities. At the worst, they can be difficult to handle in a bad mood, but they are normally sweet and kind. Why they’re portrayed over and over this way, I’m not sure. Honestly, the only times I’ve been okay with it is the Friday the 13th and Texas Chainsaw Massacre franchises, but only then. (Please see my article on tropes that need to be retired for more on this subject).

All in all, I’m giving American Horror Story: Freak Show a 4.5 out of 5. Scary, entertaining, beautiful, and a great 4th season for the anthology series with wonderful performances by all the actors in the show. I’m looking forward to the next season (which has been ordered). I hope it’ll be as dark as Asylum. I wonder what they’ll do for Season 5. I heard a rumor that it might be magicians, and there’s reasons to believe that might be it. Other contenders could be a prison season (though that might be too close to Season 2) and one taking place at a summer camp (a favorite of horror fans everywhere). And there’s always the chance of a high school filled with evil, I guess.

Well, that’s all for now. I’m heading to bed. Friday’s a shorter day for me, so I want to be wide awake for it. Goodnight, my Followers of Fear. I’ll try to write tomorrow or the day after if I can. See ya then!

About a week and a half ago, Variety reported that the Ghost in the Shell live-action film, which had been in development hell for years, was underway and had Scarlett Johanssen in the lead after Margot Robbie turned it down. Not only did this impress upon me to actually read the manga, but it excited and angered GitS fans across the world. The former is understandable, but the latter is a bit more complex. Why? Well, the main character of GitS is named Major Motoko Kusanagi, and she’s Japanese. Johanssen, while a great actress, is white. Why didn’t Touchstone Pictures ask any Japanese actresses?

And this isn’t the only live-action adaptation based on a Japanese franchise where Hollywood has looked at only white actors. The Akira film, which once again is in development after many years in and out of development hell, has been notorious for its producers trying to get white actors in the roles of Japanese characters. Justin Timberlake, Robert Pattinson, and Andrew Garfield are the latest names to come up. George Takei has been vocal about this, warning producers they will upset fans and have a repeat of The Last Airbender (an adaptation of the American anime Avatar: The Last Airbender) if they don’t cast Asian actors. Remember the latter film had a mostly white cast, and, although the film was problematic on a number of levels, the fact that the very diverse characters were all played by white actors upset many fans.

And it’s not just films based on anime that has had this problem. Biblical films such as Noah and Exodus: Gods and Kings have received a lot of criticism not just for the liberties taken with their stories, but the fact that while the characters being portrayed would have most likely have been from the Middle East and Africa, the principle actors were all white. And in Pan, an upcoming movie based on Peter Pan, Tiger Lily is played by Rooney Mara, who is white while her character is Native American. Surprisingly, the Peter Pan live musical on NBC last month actually had a Native American actress and tried not to be so stereotypical with their portrayal of Native Americans, which was one of the few good things about that disaster. The 2003 Peter Pan film also cast a Native American actress in the role of Tiger Lily, and that film rocked! Why can’t Pan do the same thing?

And here’s something interesting I’m not sure if other people have noticed: when the Harry Potter films were still being made, the first couple of films had two different actresses, both black, playing Lavender Brown. At that point she was a background character for the films, but once the sixth book came out she had a much bigger role. When we see her in the sixth movie, she’s played by Jessie Cave, who was white. I mean really. The HP universe has already shown that the main basis for discrimination is how pure your blood is. JK Rowling has already stated that gender isn’t a big deal in the Wizarding world, and I don’t think race would be a big deal either. What’s wrong with Ron dating a black girl, even if the relationship doesn’t work out in the end? Heck, Fred went to the Yule Ball with Angelina Johnson, who in the books was black, and after the series she married and had kids with George Weasley.

And why the heck wasn’t Selma in the Oscars this year? I mean, I don’t really care about the Oscars, but apparently this year has only white nominees, and of those most are male. I don’t know why. I saw Selma, and it was powerful and beautiful. Why can’t it get a nomination or two?

I’ve been vocal about how, almost 47 years after Martin Luther King Jr.’s death, this nation is still full of racial inequality, most illustrated this past year in the deaths of Eric Garner, Michael Brown, and quite a few others, the trials that seem to have lead to nowhere, and the protests that have followed them. The many roles where white actors have played characters of non-white nationalities may seem like a small thing, but it’s actually pretty big. The media has a great power to influence millions and millions of people. What does it say when the people who go to movies don’t see themselves in the movies that they go to see? Even in roles where they should be seeing themselves?

I’m not sure what Hollywood’s reasoning for doing all this white-washing. Maybe they like to bank on star power or something. But I think that studio execs are making a big mistake by not including more diverse casts in their films.  TV execs are catching on much faster: TV shows like Sleepy Hollow,  Scandal and How to Get Away With Murder, which pride themselves on their diversity, are tearing up the prime time landscape, Black-ish and Jane the Virgin, which feature mostly black or Hispanic casts, are some of the year’s best new comedies, and SNL has made it a point to diversify their cast members.

And while I’m still working on getting that sort of reach with my books, I like to use diverse casts in my stories when I can, and I think that that’s some of the best parts of my books. In my thesis novel Rose, half the main cast, including antagonist Akira, are Japanese. In Laura Horn, many of the characters are black or Hispanic, and I plan to keep that in the rewrite. And in the Reborn City series, most of my characters aren’t white. In fact, Zahara Bakur, my protagonist, is an Arab Muslim. And if in an adaptation of any of my works, the white-washing I’ve described above was used in the casting process, I’d be very, very upset.

Because that’s not how the characters should be. We want to see characters who look like us. I’m lucky that I see a lot of white characters. Occasionally I see a Jewish character, though they’re either secular or ultra-Orthodox Jews. But what about others? There have only been two black superheroes in the movies these past couple of years, and they’ve been sidekicks to the white superhero. And what about Hispanic or Asian heroes? Where are the Native American characters?

I think Hollywood is making a great mistake in not diversifying their casts and insisting on the big actors. I’m not saying that white actors no longer have roles in movies. But I do think that there needs to be more roles for blacks, Hispanics, Asians, Native Americans, and other groups and ethnicities in Hollywood movies. It’s not a moral thing. It’s because the world is becoming more diverse every day. The media we consume should reflect that. After all, the media reflects the world, doesn’t it? So reflect the world as it is, Hollywood. And that’s a beautifully diverse landscape of many different groups and peoples with a thousand different stories to tell.

So I’m working on Rose, my latest novel as well as my thesis, and I’m working on a chapter that I finished earlier today. However, this chapter was special, because it’s the first of two chapters that take place away from the titular character’s point-of-view. As I’ve mentioned in previous posts, Rose is told from the first-person point-of-view, and it’s told in the present tense, which originally I had difficulty with but eventually became easier with practice. However, as this chapter takes place away from Rose’s POV, I did it in the third-person POV, and I did it in the present tense.

Needless to say, it was incredibly awkward writing. I don’t know many stories that are written in the present tense, and those that I do are written usually in the first-person, like someone is narrating their life (who actually does that, I don’t know, but whatever). I don’t think I’ve ever read one that is present-tense and told in the third-person though. Maybe John Barth’s Lost in the Funhouse, but I can’t remember that one as well, so don’t take my word on that one. Anyway, writing this chapter in such a way is incredibly awkward for me. And I think it shows throughout the chapter, all six pages of it.

Well, my advisor M, my fellow writer/thesis worker P, and I are trying to arrange to meet sometime next week. I’ve already sent the chapter to them, and I’ve already suggested some changes I could make to this chapter in the second draft. I’m hoping they let me keep it in third-person but switch to past tense, as that would be much easier for me to write. But whatever they feel or whatever suggestions they give, I’ll definitely take them into account. They haven’t steered me wrong before, and I’ve learned a whole lot working from them.

In any case, I’m taking the night off from writing. I’m going to do some reading for homework, practice Torah reading for my cousin’s bar mitzvah next month, and if there’s time relax in front of the TV or with a good book. Stay warm and have a good night, my Followers of Fear. I know I am.

Boy, do I owe her so much. Even today, I’m getting so much from her books. I’ve got to read her new novel one of these days.

It’s been a good day for me. Classes have been fun (I almost wish they’d last longer), work’s been going well, and I’ve already finished one chapter of Rose (six more to go!). And I’ve recently gotten another lesson in writing.

I’ve been listening to the Harry Potter audiobooks lately and I’m currently on Book 4 (Harry’s currently dealing with most of the school and his best friend hating him for being the fourth champion. Hang in there, Harry!). This was the series that made me want to be a writer in the first place. And you can get something out of the HP books at any age, I find. But I also remembered something that I’d forgotten about JK Rowling’s famous series: she can build such amazing images in our heads and do them with such few words.

I forgot about that, how every word is picked to be useful and poetic and not a single one seems wasteful. That sort of economic use of words is hard to come by, and she wields words so well in her books. I used to try to imitate that style when I was first starting out (I also was trying to write my own version of the Harry Potter series with a female protagonist, but that’s another story). Sometimes I didn’t use enough words! Though in my defense, most writers under the age of thirteen are very visual and we don’t always consider that our readers might need a few more words to visualize the story in their heads when we can see it just fine in ours.

As I grew up though, as I got better and I started getting published occasionally, I started using more, bigger words. I think that’s common with plenty of writers at many different ages. We want to sound smart, intelligent, eloquent with words. I’ve done it just now! Eloquent. That’s a word a lot of people know, but wouldn’t it just be fine to use “good with words”? And I used “economic” in the last paragraph. How about frugal? Or choosy? Or maybe even thrifty?

And we do it just to make ourselves look educated and verbose (there it is again). Sometimes we worry that our readers will get lost along the way, but we’re too afraid to stop! We’re afraid we won’t live up to people’s images of writers. Is it our vanity or our fears of how people look at us? Is there a difference? I’m not sure.

But I’m listening to the HP books, and it’s so precise with the words. And it’s a good story. Scratch that. It’s a great story (my mother would kill me with Avada Kedavra if I didn’t make that distinction). Maybe because JK Rowling wrote the HP books with kids rather than adults in mind, but she’s never worried about the words she’s using, about sounding intelligent or loqacious (again!). She just puts down the words as is needed.

Have to stop using words like I’m pulling them out of a thesaurus just because they’re big and fancy. It might be detrimental–darn it!

In my Business and Professional Writing class, we’ve been looking at how businesses and corporations and even school districts use lots of big words in order to sound like they’re qualified for their jobs. What it really does is sound like a robot has produced a lot of inpersonal and indecipherable terms (again) and let’s be honest, nobody likes an inpersonal robot, whether in real life or on the page.

It’s a crazy coincidence that it’s all happening at the same time, but JK Rowling and my class are teaching me something: that perhaps all those words are unnecessary, that instead of making me sound intelligent and articulate (trying to stop) they’re making me sound less like a person and more like a machine. And even though I do a great impression of a Cyberman, I’d rather not be mistaken for a robot.

So I’m going to try being less long-winded, switch to simpler words and get my point across in half the time. Heck, it might help me finally get a short story written in less than forty-five hundred words, something I’ve been trying to do for ages. And maybe it’ll make for a better story overall. We’ll see what happens.

For the present though, I’m certainly exhausted my patience for the overuse of ample language in the pursuit of resplendent storytelling and will henceforth cease such unreasonable actions for the betterment of my vocation and for the beneficial enhancement of my readership.

I’m done.

A picture from the Ohio State Fair, which was a big influence on my own “State Fair”.

Well, it took me a day longer than I wanted it to, but I got it done. This is my final short story for winter break, and I got it done. This one’s called State Fair, and it’s about a ghost haunting a state fairgrounds who becomes infatuated with a girl he sees one day. It’s different than some of my other short stories, very literary but also very ghostly. I also think that this short story’s first draft is much better than my usual first draft, and I wish I could have submitted this one to my creative writing class to critique. I think they would’ve liked this very much.

From the moment I had the initial idea for this short story, I knew this one was different, that it was special. It’s probably why I decided to work on it over winter break. I also got to integrate many of the lessons I got from last semester and from some books I’ve been reading recently with this story, which I think might have contributed to the quality I feel this first draft has (though I still can’t keep a short story under forty-five hundred, it seems).

I’m still deciding what to do with this short story. My ultimate goal for State Fair is to submit it to a contest on campus for short stories. The deadline’s in mid-February, so I have a little time to edit and maybe get another person to take a look and give me some feedback. I got an honorable mention for my submission last year, so I think that this year I’ve got a pretty good chance with State Fair. Whatever the case, I’ll keep everyone posted and let you know how it goes.

In the meantime, I’m watching my beloved Ohio State Buckeyes take on the Oregon Ducks, and I want to see how this game ends. Tomorrow I get back to working on my thesis Rose, with the hope of getting that done by late February. I’ll keep everyone updated on what i’m doing and how things are going. Wish me luck and have a goodnight, my Followers of Fear.

I’ve mentioned several times on this blog that I do a kind of meditation called Sahaja Yoga, and I have to say, it’s been an amazing influence on my life. Not only is it really relaxing, but it’s invigorating and I feel calmer and more balanced and focused after meditation (though nothing can ever seem to take away my wild, silly side). And, during the three years I’ve been meditating, I’ve been given a lot of ideas for stories or on how to modify stories that I’ve been having trouble with.

The first time this happened was after I started learning Sahaja Yoga. I was having trouble trying to figure out this short story I was working on and make it flow as a story. I knew something was missing, but I couldn’t figure out what. At one point I just sat down, started meditating for five or six minutes, and then went out for a walk. During that walk I felt much calmer and more open minded, and I found a way to make the short story work. I went home and finished the short story within the week.

It’s been like that a lot since then, especially during classes on Sundays. I’ll meditate and while I’m cleaning chakras and relaxing, my mind will go into a very different state, in which ideas just come much more easily to me. It’s amazing. Today, I was having trouble figuring out which direction to to go with this short story I’m working on, and I was hoping that today’s class would help me figure out where to go with this story. I put myself into a meditative state and let my mind go. And about ten, twenty minutes into the class, I had it. I knew how to make this story work. And after we finished the meditation, everyone looked very happy to hear that I’d had my idea (everyone in the class is very supportive of my career, and one woman has even read all my books and reviewed one of them). I also had four other ideas for stories today, which is a bit more than usual (don’t know if they’re all related to my class, but I like to think they are).

Why does meditation make me so much more creative? Like hypnosis, meditation puts you into a different state of mind that helps you unwind, relax, and sometimes make you a bit more suggestible. I think that state of mind allows me to hold onto passing thoughts and twist and turn them into workable ideas for stories. In any case, usually after meditation I’m pulling out my little notebook and writing down my ideas, making Sunday one of my more creative days of the week.

Whatever the case, there’s no doubt that, in addition to all the other benefits of meditation I receive, Sahaja Yoga definitely makes me a much more creative person and gives me several more ideas for interesting stories. I never know when I’ll write any of them (that’s how many stories I have and how busy I am trying to get through just one story at a time), but it definitely means I’ll never run out of stories. And it’s another reason why I won’t be giving up meditation any time soon.

Well, that’s all for now, my Followers of Fear. Tomorrow’s the first day of classes, so I’m going to finish up and call it  a night. I’ve got a busy first day (2 classes, a shift at work, and a phone conference, plus Buckeyes take on Oregon tomorrow night. Go Bucks!) so I have to get as much sleep as possible if I’m going to get up tomorrow and take it all one with my usual chipper temperament. Wish me luck, and goodnight, my Followers of Fear!