I saw a few trailers for this film, but wasn’t sure what to expect. Still, the premise sounded interesting, so I went to check it out. And that’s my intro.
Directed by David Bruckner and starring Rebecca Hall, The Night House follows Beth, a teacher whose husband committed suicide recently. As she tries to handle day-to-day activities, she finds out that her husband kept things from her. He may have had a secret life full of darkness. And as supernatural events happen around her, Beth begins to discover that something dark has come for her. And it can be found in a reversed replica of her and her husband’s lakehouse across the lake from them.
The first two thirds of The Night House were really good. Rebecca Hall does an excellent job playing a woman grappling with grief and the senselessness of her husband’s death. There’s a genuine atmosphere of unease that starts fairly quickly and keeps building throughout most of the film. A lot of this is done through what’s not seen as much as what is seen, and that proves to be really effective. Add in how skillfully they pull back the layers surrounding the husband, making him seem more and more complicated and twisted with every reveal, and some genuinely terrifying special effects, and you’ve got yourself a horror movie.
I will say, however, that the final reveal didn’t land very well with me and affected how I liked the final act. I think if they changed a few things, it would have kept up the terror of the film and made it a more effective reveal. As it was, however, it wasn’t as powerful or as terrifying. I respect what they were trying to do, especially as it ties into the film’s themes of grief and loss. I just wish they’d approached it in a way that kept the film as scary as it was for the first two-thirds.
All in all, I’m giving The Night House a 3.9 out of 5. As I said, if the final reveal was more to my taste, it would’ve been a better movie and gotten a higher score. Still, the first two-thirds are very scary, so I’d recommend it just to see that.
That’s all for now, my Followers of Fear. I’ll be back before too long, believe me. For now though, it’s late and I need to sleep if I’m to do anything this weekend. So, until next time, good night and pleasant nightmares!
After so many years of writing and networking, I’ve had the pleasure of making many friends who also enjoy a good scary story. Recently, one of those friends had a collection of prose poetry, Oblivion in Flux, released, and I had the opportunity to sit down and talk with him. Ladies and gentlemen, please welcome to Rami Ungar the Writer my fellow HWA Ohio member and creator of the Cyber Gods, Maxwell I. Gold!
Rami Ungar: Welcome to the show, Max. Tell us about yourself and yourcareer as a writer.
Maxwell I. Gold: I’ve always had a passion for storytelling and believe it or not, poetry was not my first love. Growing up I read mostly literary fiction and fantasy (Robert Louis Stevenson, Dante, Victor Hugo) and was only exposed to weird horror and cosmic fiction much later in my post-graduate years. I didn’t begin my career, not my favorite term, as an author until 2017 when I had my first prose poem Ad’Naigon published in Spectral Realms from Hippocampus Press. Since then, I’ve published over 100 poems and short stories in both print and online formats.
RU: For many readers, prose poetry is something they’ve never heard of before. The name itself sounds kinda contradictory. Can you tell us a bit about what prose poetry is and some famous examples?
MIG: Prose poetry is not a new art form, I’m merely another creator who’s attempting to shed some light on this exquisite act of poeticism. A lot of confusion that arises when reading prose poetry is people tend think there must be a narrative, and there certainly can be, but it’s not a requirement. For me, when I am writing a new piece sometimes, I imagine brief snippets of a memory possibly forgotten, or a broken dream. All jagged pieces of something bigger that connect in a mad Escherian jigsaw puzzle.
A few famous and favroite examples of mine are Clark Ashton Smith’s Memnon’s of the Night and Arthur Rimbaud’s The Drunken Boat.
RU: Look those up if you’re curious, folks. Now tell us how Oblivion in Flux came to be.
MIG: There’s no fluid answer to this question as it arose out of a few serendipitious conversations with editors, and I wanted to have a collection of prose poems that painted a broad picture of the vivid world where the Cyber Gods dwelled.
RU: Great segue, actually. What are the Cyber Gods you feature in your work and how do you come up with them? Andis there any influence from the Cthulhu Mythos?
MIG: Strangely enough, this has been a continuously evolving question and that was purposeful. The Cyber Gods began as a thought experiment, like something meant to be beyond the scope of human reason still borne of our own confused, deranged, and quietly destructive philosophies. Something worse than any Elder God or Old One. I was not directly influenced by Lovecraft’s pantheon of gods as much as I was by this concept of cosmic nihilism, that no matter the value placed on a thing or a valued system of things we’re still like mites scrambling to justify meaning in a world we’ve either doomed to oblivion or worse.
As for the Cyber Gods themselves, they aren’t esoteric as much as they are conceptual. This doesn’t mean they aren’t personified in my stories or poems. For example, Hazthrog is a cosmic virus, but appears in one story as a literal ball of sludge that consumes the planet. Ad’Naigon, the first Cyber God, exists 14 billion light-years away at the edge of known space as a yellow neutron star. This is because at the time I created the character the farthest humans could see towards the edge of known space was 14 billion light-years.
RU: What is it about prose poetry and dark fiction that draws you to them?
MIG: As I mentioned previously, I enjoy creating terrifying moments sometimes more than writing longer pieces of fiction.
Oblivion in Flux by Maxwell I. Gold
RU: What are you working on now? Any projects in the near future you can tell us about?
MIG: I’m currently working on a collaborative book of poetry with Bram Stoker nominated author Angela Yuriko Smith, titled Mobius Lyrics. I’m also working on a novella titled The Unspeakable: A Cyberland Tale.
RU: Cool! What are you doing when not writing?
MIG: Watching too many shows on Netflix or reading or playing the piano.
RU: I know two out of three of those way too well. What is some good advice you would give to another writer, regardless of experience or background?
MIG: Never stop writing. I know that sounds cliché, but it’s true, persistence pays off in the end. Always write when you can, and always try something new when you can.
RU: Final question: if you were stuck on a desert island for a while and could only bring three books with you for the duration of your stay there, which would you pick?
MIG: Craig L. Sidney’s Sea Swallow Me, John Langan’s The Wide, Carnivorous Sky and Other Monstrous Geographies, and Matt Cardin’s To Rouse Leviathan.
RU: Thanks for joining us, Max. It’s been a blast!
And finally, if you’re an author with something coming out soon and want to talk about it, hit me up at ramiungar@ramiungarthewriter.com. If I’m not too busy, we might be able to make some magic happen.
That’s all for now, my Followers of Fear. I’m sure I’ll have more to talk about soon. Until next time, good night and pleasant nightmares!
Remember Five Nights at Freddy’s? Well, if you don’t, Five Night’s at Freddy’s, or FNAF for short, is a video game franchise that was pretty popular in the mid-2010’s. The games revolve around surviving the night, usually at a haunted Chuck E. Cheese knockoff, while fending off killer animatronics. The unique and simple gameplay, combined with the dense lore revealed in the games, made it pretty popular for a while. There have even been in-universe novels (all of which I reviewed) and a movie has been in development hell since 2015.
And in the meantime, a couple of other films have been released that use the same concept but are just different enough to avoid IP problems. Thus, we get Willy’s Wonderland, which fills the gap for animatronic carnage horror films FNAF leaves quite well.
Starring (and produced by) Nicholas Cage, the film follows Cage as a mysterious drifter who gets stuck in the tiny town of Hayesville after a car accident. To pay for repairs, he accepts an overnight cleaning job at Willy’s Wonderland, an abandoned family entertainment center complete with giant, creepy electronics and a bloody history. What he’s not told is that the animatronics are alive and murderous. Thus begins a standoff between the eight deadly robots and the drifter. One that will be more explosive than anyone expects.
I’ll say this, these new slasher horror-comedies can be quite surprising. And if films like Happy Death Day, Freaky, and Willy’s Wonderland are the beginning of a new trend in horror, I hope it doesn’t get old too fast.
This film is a bonkers fun time! I think my favorite part is Cage’s unnamed character, who’s kind of a riff on Clint Eastwood’s Man With No Name. He’s always got this sour look on his face, and his silence, addiction to energy soda, and routine make him nigh inscrutable. I also enjoyed the animatronics, which were visually interesting, moved well and were in the right area of the uncanny valley to be both funny and creepy. Add in some stellar action scenes and a good balance between the humor and horror elements and you have a really fun time.
I do have some complaints, however. For one thing, some of the slasher tropes felt kind of shoehorned in because they were expected. You would think this long after the slasher boom, even fictional teens would know not to do some of that dumb shit in a situation right out of a horror film. Speaking of which, several of the teen characters are not at all interesting or sympathetic. Honestly, one or two came off as detestable. Which might have been the point, given which tropes they engaged in, but I really could have done without that aspect of the film.
All in all, though, Willy’s Wonderland is a fun, bloody good time that will leave you amused and wanting more. On a scale of 1 to 5, I’ll give it an even 4. A sequel or prequel is supposedly in the works, and I would love that. You could have a whole trilogy around Cage’s character getting into horror movie shenanigans. It would be hilarious and you could come up with so many inventive ways for him to get into scrapes with monsters or bad guys.
And in the meantime, if you want some FNAF movie goodness and can’t wait for that film to be made,* go check out Willy’s Wonderland.
That’s all for now, my Followers of Fear. I hope the next post isn’t a review (though I guarantee nothing). Until next time, good night and pleasant nightmares!
*Assuming it gets made. Supposedly a script was approved and filming was supposed to begin this spring, but nothing happened and we haven’t had any updates in a while. Between that and the franchise having passed peak popularity, I feel like even if the film gets made, it’s going to face the same issues Slender Man’s film did. Namely that it was too late and there wasn’t enough interest, to say nothing of the quality (see my scathing review here).
I did say in my last post that I was going to try to get my thoughts out on this novel soon. As it happens, I ended up finishing it before bed, and now’s the first time I’ve had the opportunity to write out my thoughts.
The basis for the famous 1999 horror film from Takashi Miike, Audition follows Aoyoma, a father and widower who is ready to date and love again. However, he’s no idea where to start looking for a potential new wife. Luckily for him, his best friend has an idea: they’ll hold auditions for a movie they never intend to make, and Aoyama can pick a girl from any of the applicants. Through this crazy plan, Aoyama meets Yamazaki Asami, a former ballerina who is as mysterious as she is beautiful. And she’s quite beautiful. Problem is, there’s a bit of a dark side to her, and Aoyama is going to discover it pretty quickly. With disastrous consequences.
I may have gone into this one with too-high expectations. I know J-Horror can be hit or miss with me sometimes, but I’ve heard nothing but praise for the movie, so the book had to be good. Right? RIGHT?!
Sadly, I was wrong. As it turned out, this book felt kind of amateurish. The language is elegant and well-written, and the scenario presented within isn’t implausible. And Aoyama’s progression from a salaryman with a somewhat sexist/voyeuristic view of women to a very besotted man with a very narrow view of a particular woman is well written. However, the storyline is basic and nothing special, and there isn’t enough to Aoyama for us to really root for him. I would call it a slow-burn, but there has to be some tension to really make it worth that slow pace. It just comes off as slow and kinda boring.
And Asami’s reasons for becoming the villain that she is feels like it might have been written by a high schooler whose only knowledge of psychology comes from watching Criminal Minds reruns. Not to mention kind of ableist (though that might just be my interpretation).
All told, I’m assigning Audition by Ryu Murakami a 1.3 out of 5. One critic likened it to an early draft or treatment for the movie, and I kind of have to agree with that assessment. It’s the bare bones of what could have been a good, suspenseful story about a man’s love with a twisted femme fatale. As it is, though, it’s at best something to compare to the movie and maybe write an academic paper about.
That’s all for now, my Followers of Fear. I have one more review coming up, this one for a movie (not the Audition movie, though I will try to get my hands on that). And if anything else comes up, exciting news or weird musings, I’ll let you know.
Until next time, good night and pleasant nightmares!
I’ve seen Max Booth’s tweets on Twitter a bit, but this was the first time I’ve read one of his works. I was spurred to do so by the trailer for the upcoming film adaptation, which looks terrifying (click this link to watch it). I had an audio book credit and the novel looked short enough, so I downloaded it and got to listening.
We Need To Do Something follows Melissa, a teenage girl who gets home from a friend’s as a massive storm hits the area and tornado sirens wail. As her family hides in the parents’ bathroom (no basement in the house), a tree falls in front of the door, trapping them inside. As Melissa, her little brother Bobby, her mother Diane and her father Robert, struggle with time, hunger, and their own dysfunction, they’ll also go on the ride from Hell. Possibly in more ways than one.
This novel is predicated on the concept “Hell is other people” and I love it!
What I really was blown away by is that everything takes place in the bathroom. Even flashbacks take place in the bathroom, presented as dreams or as hallucinations rather than as full flashbacks. This really gives you the sense of isolation and claustrophobia the characters are feeling. And this space acts like a pressure cooker, forcing them to confront their problems, themselves and each other. It is intense, and the confusion Booth weaves into the narrative only makes it worse. Are they really experiencing all of this? Is part of it something supernatural, or is there an element of shared delusion? You’ll read till the end asking those very same questions.
It doesn’t help that when the outside world does make an appearance, it’s only to make things crazier. Truth be told, you could learn a lot about writing tension from this novel.
As for the characters, you get to know them quite intimately. You also come to like them quite a bit–well, most of them. Robert, Melissa’s father, is an alcoholic with serious anger and toxic masculinity issues, and does not see the irony in calling his daughter a “snowflake” at one point. You love to dislike this guy from early on. But the others, you do start to feel sympathy for the others. None of them are perfect–Melissa has her own anger, Diane has been suffering for years and probably wishes her life was closer to a fifties sitcom than what it really is, and Bobby exists to annoy his sister and make fart and pee jokes–but you do grow to like them. And Melissa especially has more to her than what you meet in the first few pages, which at first glance is a typical phone-obsessed teen who’s annoyed with her folks.
The one downside is that there’s a lot of ambiguity and not everything you’d think would be clarified is. Now, for me that doesn’t really take away from the novel, but for others it’s going to be frustrating.
Altogether, We Need to Do Something by Max Booth III is a terrifying rollercoaster of a novel. On a scale of 1 to 5, I’m giving it a 4.5. Grab a copy, use the toilet real quick (not during a storm, though), and get settled in. You’re going to want to read this one.
That’s all for now, my Followers of Fear. I’m hoping to get you my thoughts of Audition by Ryu Murakami by the end of the week. And when the movie for this novel comes out, I’ll probably review that too. And I’ll likely have more to say in the near future. Point is, there will be more from me soon.
In the meantime, however, I’ve got work tomorrow, so I’m getting ready for bed. Good night, sleep tight, and pleasant nightmares!
Kid you not, July was a tough month. Yes, there were plenty of acceptances and publications that happened, but there was also a lot of shit that hit the fan in my personal life. I’m really hoping August is a much better month for me. Luckily, there’s something already improving the state of things: an article I wrote was published!
You may remember back in May that I announced I had a couple of acceptances, including an article in the Fall 2021 issue of House of Stitched magazine. Well, I’m pleased to announce that the House of Stitched magazine Fall 2021 issue is now available, and it contains, among many great stories from a variety of talented horror authors, my article “The Horror of the Broken Child.”
What is “the broken child,” you may be wondering? Well, I would tell you, but I would rather you read it in the magazine. I will tell you that it is a character trope I’ve noticed quite a bit in horror stories but nobody is talking about. So, I decided to talk about it in the form of an essay. And House of Stitched magazine liked it enough to publish it. I’m very hopeful that the article will be well-received and maybe spark some further conversation and debate on the trope I’ve identified.
Hell, I’m even hoping some people disagree with my assessment. I think more scholarship on horror writing is a good thing, and if people disagree with me and want to write about it, then good. As long as it brings more understanding about the horror genre and leads to new stories and ideas, all the better.
Just be nice if you disagree with me or you disagree with those who disagree with me. There’s no reason to get nasty over certain things, is there?
Anyway, I hope you’ll check out House of Stitched magazine. Besides my article, there are short stories and articles from numerous other authors, including Brian Keene and Maxwell Ian Gold, the latter of whom is a friend of mine and quite the talent. Not only that, but supporting the magazine will allow for more issues to be made in the future, which will allow more writers to publish their work in the magazine. I can’t think of a better reason to buy a copy, can you?
The purchase link is below. I hope you enjoy reading the magazine and that you find my article illuminating. Thanks again to Lisa and the team at Stitched Smile Publications for publishing my article. Now, if you need me, I’ll be spreading the word over social media and then taking care of various other things in my life. Until next time, my Followers of Fear, good night and pleasant nightmares!
Also, “next time” will be tomorrow morning. Something big is coming, and if you’ve been paying attention, you likely know what it is. Looking forward to seeing you there!
As you’ve probably heard by now, my novelette “Blood and Paper Skin” was accepted by The Dark Sire, a local Ohio horror publication, for serialization over three issues. And, as of today, The Dark Sire, Issue 8 is available for purchase!
For those of you who don’t know, “Blood and Paper Skin” is about a bunch of young adults who go out to buy some drugs, only to be kidnapped and thrown into a prison-like room. There, they meet their captor, who goes by Old Man, and has brought them to this place for a sinister purpose.
I’m so excited for you all to read it, and I hope you enjoy reading it over the next several months. Part 2 will be serialized in late October, I believe. Right in time for Halloween! I’ll let you know for certain when it’s available.
And please make sure to leave your thoughts once you’ve read the issue. The Dark Sire is a great magazine of horror and psychological fiction that tries to support its authors as much as possible. With that in mind, the support from readers is quite important. I hope you’ll support them and even subscribe to the magazine, so it can continue to publish and give voice to a new generations of authors.
Though honestly, that cover should give you all the reason to read it and provide feedback. I mean look at that cover! Look at it!
Also, make sure to check out the other recent publication I’m in, the undersea horror Into the Deep. It has my novelette “Cressida” in it, as well as a number of great stories from a variety of authors. Actually, it’s been high in Amazon’s rankings since release, and just got its first review the other day (thank you, Priscilla Bettis, my loyal Follower of Fear). The paperback is now available, so make sure to order a copy if you wanted one.
That’s all for now, my Followers of Fear. I’ll be up early on Saturday for a special release event for Issue 8 from The Dark Sire themselves. Until next time, pleasant nightmares!
M. Night Shyamalan has a record like a seismographic reading. Sometimes his movies are huge hits, other times they’re disasters, and occasionally they’re just okay. Nothing terrible, nothing great, just okay. Since his latest film had a very interesting concept to it, I thought I’d give it a watch. What did I think? Well, read on and find out.
Based on the Swedish graphic novel Sandcastle (which is available in the United States and which I’ve ordered from the library), Old follows several families who go to a private beach recommended to them by the island resort. However, once there strange things start to happen. Not only are they unable to leave, but the families start to age rapidly, especially the children. With only a day or so until they’re dead, it’s a race against time to find out how to get off the beach. But can they make it?
Well, that was an interesting film. And there was good there. The concept is very interesting and certainly makes for a good scary film. The actors do a damn good job in their roles (not surprising, given that Alex Wolff of Hereditary fame is among the cast, so he’s used to dark and challenging roles). And there are several moments where you feel tense. Not just from the race against time, but the increasingly terrifying acts of violence and body horror.
Also, the film the character Charles is trying to remember with Marlon Brando and Jack Nicholson? It’s called The Missouri Breaks. I may not get why he’s obsessed with that particular film, but I get its use as an indicator of the toll on his mental state.
However, there are some things that just ruin the experience. While I can buy a couple of kids going around asking people their names and professions for their own amusement (I knew plenty of kids who did similar stuff at that age), I couldn’t help but notice that they said everything. And I mean everything! You would think in a movie, showing versus telling wouldn’t be a problem, but there are several times where, instead of showing us what is happening, the camera pans away and the characters just tell us what happens. Um…was there a reason for that?
Speaking of the camera, there are some long, uninterrupted shots that are brilliantly done, but others where you really wonder why we’re panning away and getting blurry or not focusing on the action. This plays a lot into the characters saying everything out loud, and it’s a problem.
That being said, I think this was worth the ticket money. Yeah, it’s not perfect, but Old certainly was a fun, enjoyable horror film and I can see it becoming a cult hit in the future. On a scale of 1 to 5, I hereby bequeath Old a 3.9. Grab a ticket and see for yourself if it’s any good. Just make sure you write out your will before you go.
Only four more days to send in a question for the Ask Me Anything, or AMA, in honor of my ten year blogging anniversary. One lucky participant will win a special prize, even! Just send your question to ramiungar@ramiungarthewriter.com by 11:59 PM on July 28th, 2021. I look forward to reading all your questions.
Last night, I decided to do something I hadn’t done in a while and record myself reading aloud from one of my stories. Why? Because I have two stories coming out one after the other, so I thought it would be a good way to drum up interest in them. However, because longer (and effect-laden) videos take longer to upload to YouTube, this is the first chance I’ve had to post about it.
So, without further ado, here’s me reading from “Cressida,” which is in Into the Deep, and “Blood and Paper Skin,” which will be The Dark Sire starting with Issue 8 on July 31st.
How about that, huh? I still can’t figure out how to have multiple texts throughout the video, but I managed to add music and other effects throughout. Did what showed up at the end surprise anyone?
And if you weren’t able to watch the full video, here’s a quick rundown of all the pieces of news I mentioned after the reading from “Blood and Paper Skin:”
Into the Deep is available now for download. Last I checked, the ebook is still the only version available. If the paperback version isn’t available by Tuesday, I’ll email the publisher and see what’s up. In the meantime, you can check out the ebook of Into the Deep now with this link. If you decide to read it, please let the publisher and me know what you thought (especially of my story “Cressida”).
“Blood and Paper Skin” will be released in The Dark Sire, Issues 8-10. I’m very excited about this. The first issue, Issue 8, will be released on Saturday, July 31st. I really hope you’ll check out the magazine when the story comes out and will let people know what you think. I’ll post a link when the time comes.
As previously stated, an essay I wrote will be in House of Stitched Magazine next month. This is an essay on a trope I’ve noticed in horror, the broken child, and I’m very excited for the issue to feature my essay. Especially considering the great authors whose stories are in the issue as well. I’ll be sure to post a link when the time comes, so keep an eyes out!
My short story “The Divorce from God” will be in The Jewish Book of Horror this holiday season. I’m very excited to be contributing to Jewish literature this way! And obviously, I hope you’ll pick the book up once it’s available later this year. After all, Jewish-influenced horror is pretty rare. Especially when so many writers have been influenced by Christianity, let alone horror writers. I’d love to see what you think.
The Pure World Comes is getting published!!! I know you’re very much aware of this, but it bears repeating. My novel The Pure World Comes will be released through the Readict novel app hopefully in the near future. I don’t have an exact date, but I’ve been communicating with Readict’s staff this whole week, so we’re chugging along. Hopefully things continue to go well and I can update you in the near future.
I’ll be at Bibliophile Books in Dover, OH, on July 31st for an author event! Turns out, the editor of The Dark Sire is from Ohio, as are several of the authors in Issue 8. And in order to draw up some more interest, they’re hosting an author event at the bookstore. Authors who can make it will read short excerpts from their work, answer questions, and sign copies of Issue 8, as well as their own books. I’m looking forward to heading out there and maybe meeting some new readers. Not to mention meeting some of my fellow writers! Be there from 11 AM – 1 PM if you can!
I’m still going to Indie Author Book Expo Aurora this September. Remember, this will be held in Aurora, Illinois on September 11 at the Prisco Community Center from 10 AM – 3 PM. There will be all sorts of awesome authors to check out, as well as great books. I hope you’ll be able to come if you can. You can find out more here.
In addition, I inserted another reminder that I’ll be celebrating my ten-year blogging anniversary next month and will be hosting an Ask Me Anything, or AMA, in honor of the occasion. If you would like to participate, you can submit questions to my email address, ramiungar@ramiungarthewriter.com, until 11:59 PM on July 28th. One lucky participant will even win a prize! I look forward to reading and answering your questions.
Anyway, that’s the content of the video. I hope you enjoyed it if you watched it, and I hope the updates were helpful.
I’ll be back later tonight with a review, so I hope you check that out when it’s released. Until next time, my Followers of Fear, good night and pleasant nightmares!
This has been a very busy, crazy day. But so far, it’s been worth it. And this is one of the reasons why!
So, if you didn’t hear, my story “Cressida,” which follows a man who finds out his uncle is keeping a mermaid in his basement, was accepted for publication. It was to appear in the anthology “Into the Deep” from Jazz House Publishing, which is to release on July 20th. And unless you’re a time traveler and stuck in another period of time/space, today’s July 20th! Which mean “Into the Deep” is out!
First off, can we just admire that artwork? I mean, wow! That is so terrifying, that for a horror fan it’s kind of sexy. Kudos to the cover artist!
Second, this looks to be a great collection. There are ten other short stories and novelettes in the anthology, all of them focused on the ocean and the deep blue sea. One is an aquatic retelling of the ballet Giselle (being such a fan of ballet, I’m looking forward to reading it). Another involves a heist in the Marianas Trench. And there are more that I have yet to discover! I’m so excited to get my copy!
Speaking of which, if you want to read “Into the Deep,” I’m including the link below at the end of the post. At the time I’m writing this, only the ebook version is available. The paperback will be available later today, so keep checking back for that (I’ll post an update when that’s available as well). Please give it a read if you’re at all interested.
And if you do, please let us know what you think. Not just for my sake, but for the sake of all the authors and the publishing company. A lot of work by many different individuals went into this anthology, so letting them know what you think not only brings a boost to their moods, but let’s other readers know if they should check out the anthology.
Anyway, I hope you enjoy “Into the Deep,” and that you like “Cressida” when you read the story. I’m especially proud of that story and think it’s some of my best work. I hope you agree.
That’s all for now, my Followers of Fear. I’ll be back soon with more news and reviews and whatnot (whether you like it or not). Until next time, pleasant nightmares and ph’nglui mglw’nafh R’lyeh Cthulhu wgah’nagl fhtagn.
Just a reminder: there’s only eight days left to submit questions for the Ask Me Anything, or AMA, to celebrate my ten-year blogging anniversary. One lucky participant will receive a prize, so be sure to send your question to ramiungar@ramiungarthewriter.com by 11:59 PM on July 28th. I look forward to reading your questions.
Rami Ungar The Writer 