Archive for the ‘Scary Stuff’ Category

Well, I’m back from my vacation. I enjoyed making memories in St. Louis, the city I was born in but did not remember; I learned I am not a Las Vegas person, but that the Mob Museum is really cool, as is Zak Bagans’s Haunted Museum (more on that later); and I absolutely fell in love with New Orleans, especially the French Quarter.

Now that I’m back, though, I’ve got work to do. And I don’t just mean my day job (though that will be taking up a good chunk of my time). I’m ready to get back to writing and finding homes for my stories. Here’s what’s on the docket:

The Pure World Comes and Hannah

I’m hard at work on getting a paperback, ebook and even an audio book of The Pure World Comes out next year. The goal date is the first Tuesday of September, September 6. Why that date? It’ll be a little over a year since The Pure World Comes was released on the Readict app, and right as the Halloween season gets into full swing. And a lot of books, including successful ones, release on Tuesdays, so might as well.

Anyway, I’ve gone through the manuscript for TPWC again and cleaned up some of the errors I missed for the Readict version (don’t tell VitaleTek). I’ve looked into some platforms that will get a paperback and ebook onto sites like Amazon and Barnes & Noble, and one that does audio books as well. And I’m talking with some audio book narrators. With any luck, I’ll definitely have the paperback and ebook out on September 6 and the audio book out not too long after, if not on the day of.

As for Hannah, the new collection of short stories that was accepted for publication while I was traveling, I cannot wait to send copies to people I know named Hannah and make them think the titular story is based on them (believe me, it’s not). Also, I was just emailing with the publisher, BSC Publishing Group, today. We’ll soon be starting work on the stories, just as soon as an editor is settled on. Once that’s done, I imagine we’ll go through each story, editing until it’s as close to perfect as possible. Then we’ll discuss a final order for the collection, and then let it out into the world.

Anyway, I’ll keep you posted on this. The hope is to get Hannah out at some point in 2022, so I imagine things will be hectic moving forward. Still, if people enjoy the book when it comes out, than it’ll be worth it.

And that brings me to my next point…

Crawler

I know I was going to start work on this novel right after I got back from my vacation. And you know, I still want to. However, Hannah is going to take up A LOT of time. In fact, it might take up as much time as a novel might. With all that in mind, it would be a bad idea to work on a new book while editing another. I would keep bouncing back between one and the other, and I would get super-annoyed by how little progress I’m making on Crawler because I have to keep putting it down and work on Hannah.

So, for now, Crawler will have to wait.

Yeah, I know. I was excited for it as well. I even made some edits to the outline the other day and thought it would be a kick to work on. But that’s too much of a balancing act when I’m still working a day job.

Still, I want to work on new stories. I don’t want to just be editing, especially in-between the stories that need working on. Luckily, I have a million ideas for short stories, including about ten that I came up with during my vacation. Not only that, but I’ve had some success lately writing and finding homes for shorter works, and they’re easier to put down if something comes up.

So, when not working on stories in Hannah, I’ll be working on new short stories and novelettes, and hopefully finding homes for them after they’re edited. Not sure which one I’ll work on first, but I’m currently leaning towards one that incorporates elements of Masque of the Red Death by Edgar Allan Poe (and no, it’s not a pandemic story. I did that already this year). It should be fun to work on.

And eventually, I will get to writing Crawler. It’s just a matter of the right time.

Other Projects

Of course, I also have stories to edit for other publications. “The Hanukkah Massacre,” co-written by Richard Gerlach, will be published in Dead of Winter early next year, and we’ll have to edits for that. Not only that, but I have another project I’ve been working on that I may actually be able to talk about very soon.

So yeah, as it turns out, I’m going to keep being busy this year. Probably into the beginning of next year. Still, it’s better than not having anything to work on. And hopefully all this leads to more people reading my work and letting their friends know to read my work.

One last thing before I sign off, though:

Zak Bagans’s Haunted Museum

If you didn’t already know, Zak Bagans from the TV show Ghost Adventures has a museum in Vegas filled to the brim with haunted artifacts he’s collected over the years from ghost hunting, as well as items donated to the museum. This includes haunted dolls, actual skulls and skeletons, shrunken heads, serial killer murderabilia, and more stuff than I can name! I was there on October 30th, Devil’s Night, for a tour, and then a few hours later I went back for some late-night ghost hunting, what they call a flashlight tour.

And I experienced stuff on both tours.

Highlights include:

  • In the room with Ed Gein’s cauldron and shovel (inspiration for Norman Bates and Psycho, if you don’t know. Look him up), I smelled the smell of cooking meat. Apparently I’m not the only one who smells that in that room, either. Considering he made clothes out of body parts, God only knows what he did with that cauldron!
  • There’s a room with a guitar that might be possessed. It was found on the body of a teenager who died while playing the guitar. I felt so uncomfortable in that room. Nothing really happened in there, and it didn’t have mood music like the basement did (Satanic rituals supposedly took place down there), but it freaked me out anyway. I did not like that room.
  • The Dybbuk Box (inspiration for my story “Samson Weiss’s Curse” and the movie The Possession) had a few things happen. Using a device called a spirit box (it scans through radio frequencies quickly and any voices that come through over multiple sweeps might be a ghost or other spirit), I heard a voice come through saying “dybbuk” multiple times. And at one point, when I asked if anyone was in the room with me, I heard a woman’s voice whisper, “Yes.”
  • In another room containing the remains of a demonically possessed house Zak owned in Indiana before having it torn down, I got some voices through the spirit box. At one point, I asked if anyone wanted to talk to me, a voice responded immediately: “No.”
    Yeah, I thought that was cheeky, too. But that’s not all. Another device called a MEL-meter went off at one point in that room (it measures electromagnetic changes in the air around it) and later, a woman’s voice hissed through the spirit box, “Raaaah!” And I knew it was trying to say my name!
  • Finally, in one room containing a painting taken from Adolf Hitler’s vacation home, Bergdorf, I got voices coming through the spirit box. Apparently, there’s an evil energy attached to the painting and it affects anyone who touches it. I asked if anything evil was attached to it, and a voice came through saying, “Evil.” I then asked if it might be Hitler’s spirit, and I got a “Yes.”
    Not sure if that was actually Hitler’s spirit, as the painting wasn’t near Hitler when he committed suicide. It may have just been an evil energy/spirit messing with me (or nothing at all, if I’m being skeptical). But it made me smile to know that this Jew was standing in front of a painting belonging to Hitler and maybe his ghost and letting him know how bad he failed. I almost went “Neener, neener, neener” to the painting, but provoking the spirits wasn’t allowed.

Oh, and guess who was there? Right before we went into the house to explore for ghosts, we watched a safety information video. Then we split up into two groups. And as my group went around the corner to the building’s back entrance, guess who passed us by and wished us luck? Zak Bagans! I turned to the girl in front of me and whispered, “That was him!” She replied, “I know!”

And yes, he’s as tall as he looks on TV. In fact, I think he’s about a head taller than me. I just find that an interesting detail.


Well, that’s all for now, my Followers of Fear. I have work in the morning, so I’m going to get to bed. I look forward to letting you know what’s going to happen next (whatever that is). Until next time, good night and pleasant nightmares!

Raise the banners of all the Dark Lords! Wail in terror and in jubilation! Dance like the flames and music of Hell are moving through you! Halloween is here! I’ll be posting about my Halloween activities later on, my Followers of Fear (believe me, there’s plenty to talk about while I’m in Vegas during this holiday). However, the reason you’re here is because there are new releases today. Two new anthologies and a new issue of a magazine, to be precise. So, without further ado, let’s get into it!

The Jewish Book of Horror

From the Denver Horror Collective comes an exciting new anthology! I recently spoke to the Columbus Jewish News about the release of TJBOH (you can read that here if you’re curious), and I mentioned that Judaism and the Jewish people are no strangers to horror. All of our history involves other nations trying to annihilate and subjugate us, so we haven’t had to make up monsters to menace us that much. We have enough of those without using our imaginations.

That’s partly why I’m so excited to be part of this anthology (that, and some good old Jewish pride). As far as I’m aware, nothing like this has ever been released before. We’re literally breaking new ground here! I’m so honored to be part of it. So with that stated, I hope you’ll check out TJBOH and let the readers and writers know what you think. And if you don’t, I’ll make your cholesterol test come back with terrifying results (now that’s a Jewish horror if ever there was one).

The Jewish Book of Horror: Amazon, B&N

Dark Nature: A Horror Anthology

You know, I didn’t think I would get into this anthology. Besides the huge amount of competition to get in, my story “Natural Predators” is a pandemic story, and we’re in the middle of a pandemic. However, it was accepted and I can’t wait for everyone to read it!

Not only that, but you should get ready to read the rest of the anthology. Thirteen hair-raising horror stories about Mother Nature getting her revenge against humanity for all the shit we’ve put her through in the name of our survival and greed. I’m looking forward to hearing what people think of it. As well as basking in the irony that they may be reading the book in a paperback format. Enjoy!

Dark Nature: Amazon

The Dark Sire issue 9

I was really excited to learn one of my stories was going to be serialized in The Dark Sire. Issue 8, which came out back in July, was full of amazing stories. And not only that, but I heard from people saying they were intrigued by my story “Blood and Paper Skin” and wanted to know how it would end after reading Part One. Well, Part Two is out today in Issue 9 (Amazon link coming soon, so I’ll post that later), and I’m looking forward to hearing what everyone says about it.

I’ll leave links to both issues below. If you haven’t checked out Issue 8, I suggest you check it out and enjoy the stories and poetry within. And for those who buy Issue 9, I’m looking forward to hearing what you think of Part Two of “Blood and Paper Skin.” Things are about to get violent.

TDS Issue 8: Amazon

TDS Issue 9: Website download

One More Surprise…

You guys remember Indie Author Book Expo? It’s the group that held that book expo in Iowa I attended last year, and was hosting the one in Aurora until COVID-19 canceled it. Anyway, the group put together a horror anthology and I contributed a story for it, “Afternoon Tea,” about a haunted silent film. I kind of forgot about it because I got busy, but then the anthology, “Nightmare Collective Part 2,” was released yesterday. The book’s sales will benefit future Indie Author Book Expo events, so if you would like to help indie, hybrid and/or smaller-name authors continue to have venues to sell their work directly to the people, buying a copy and leaving a review could help. I hope you’ll check out “The Nightmare Collective Part 2” and let people know what you think. And I hope you’ll let me know what you think of “Afternoon Tea.”

Nightmare Collective Part 2: Amazon


That’s all for now, my Followers of Fear. I’m off to enjoy myself on this fabulous Halloween day. I hope you will enjoy yourself as well, while also checking out these new additions to the world of horror literature. Until next time, pleasant nightmares and Happy Halloween!

Hi Followers of Fear! I’m writing from lovely, enchanting Las Vegas! Actually, it’s more elaborate, gaudily opulent and sensory overload-inducing Las Vegas. It’s both, really. And extremely expensive. Whatever, I’m going to enjoy myself here! But first, I have an exciting announcement. One worth getting on the blog and writing up a blog post early for!

As many of you are aware, I’ve been working on getting another collection of original short stories out. I even did a ton of editing over the summer to make it happen. Well, I’m happy to say, all that work paid off! Yesterday at 3:15 PM in St. Louis, I signed a contract with BSC Publishing Group to publish a new collection of short stories, “Hannah and Other Stories.” So, without further ado, here’s a temporary cover that I created until we get something a bit more professional.

Not bad, right? This is actually a hint as to the subject matter of the titular short story. No, not toilet humor or toilet horror, I put all that into The Pure World Comes. In fact, the short story Hannah was inspired by a famous legend from Japan. If you can guess what it is without Google, congratulations! We can be friends.

Also, the titular character in the titular short story is not named after any of the people named Hannah I know. And believe me, there are a few. It’s a popular name in the Jewish religion.

You hear that, Hannah P. whom I went to high school with and sometimes saw at Ohio State? This has nothing to do with you! Though I may send you a copy when it’s out as a cheeky present.

Anyway, where was I? Oh right. Well, in addition to “Hannah,” there are six other stories in the collection: “Queen Alice,” about a mythical Internet boogeyman. Or boogeywoman, to be precise; “The Autopsy Kid and Doctor Sarah,” about a budding serial killer; “Fuselli’s Horses,” about a rather interesting breed of horse; “The Red Bursts,” about a town whose residents become reluctant witnesses to something terrifying; “What Errour Awoke,” about how one innocent reading during an English literature course leads to a terrifying situation during the COVID-19 pandemic (already putting it into my fiction, don’t you know); and “Poor, Unfortunate Souls,” about a party underneath the streets of Paris which takes a turn for the awful.

I look forward to hearing what you all think of the stories. There’s likely going to be a lot of editing over the next year or so, but I have confidence we could see this book out some time in 2022. What this means for the paperback/ebook release of The Pure World Comes, or writing my mummy story Crawler, I can’t say at this point. But all I can say is, I think the next 365 days will be quite eventful.

My view from my hotel in Las Vegas. I can’t wait to have fun in this city.

And in the meantime, if you’re looking for good stories to read, I have plenty available now while you wait. I hope you’ll check them out while I work on Hannah and releasing The Pure World Comes in paperback and ebook. Not only will find them entertaining and possibly terrifying, but it’ll help me out while I’m writing and editing. Also, if you do end up reading one of my stories, let me know what you think. Email me, or leave a review online somewhere. It’ll let me know what you think and help other readers decide whether or not to check out my work. I’ll leavve the links below.

That’s all for now, my Followers of Fear. I’ve got to film a YouTube video and then grab dinner before having a proper celebration in my hotel room tonight. Until next time, good night, pleasant nightmares, and prepare for Halloween in three days! If you don’t, I will obliterate you from the face of the Earth! Mwa ha ha ha!!!

The Pure World Comes: Readict app (free with ads)

The Quiet Game: Amazon, Barnes & Noble, iBooksSmashwords, and Kobo.

Rose: Amazon US, Amazon UK, Amazon Canada, Audible

Snake: Amazon US, Amazon UK, Amazon Canada, Barnes & Noble, iBooksSmashwords, and Kobo

Agoraphobia: Amazon US, Amazon UK, Amazon Canada

Mother of the King: Amazon US, Amazon UK, Amazon Canada

Everyone probably knows Scooby Doo. That dog and his human friends have been solving mysteries and getting into hijinks since my parents were small. However, what most people don’t know is of the other dog dealing with ghosts and ghoulies, Courage the Cowardly Dog. This series aired during the late 90s and early 2000s, and followed a little dog named Courage living on a farm in Nowhere, Kansas with his kindhearted, elderly Scottish owner Muriel and her crotchety husband Eustace Bagg. There, Courage would be forced to fight supernatural, paranormal, and sometimes just weird threats to his home. It was dark, surreal and a ton of fun.

And someone at Warner Bros. had the genius idea that, since Scooby-Doo and Courage the Cowardly Dog have certain similarities, why not have them crossover? Thus came about Straight Outta Nowhere: Scooby-Doo Meets Courage the Cowardly Dog. And fans of both series have been wondering since: is this movie as genius as the idea?

As someone who has been looking forward to this film as much as Halloween Kills, I can confirm it is.

Straight Outta Nowhere starts with Scooby and the gang finishing off a mystery in Kansas when Scooby hears an odd sound and feels an overwhelming compulsion to find the source. This leads him to run off to Nowhere, home to the highest number of strange occurrences in the world, and meets Courage. The two dogs quickly become friends, which is good because giant cicadas have risen up and are attacking people! And surprisingly, this isn’t a normal Tuesday for Nowhere.

There’s a lot to like about this film. The animation styles for Scooby Doo and Courage are highly different, but the animators managed to synthesize them into something that works. Not only that, but the writing is really good and the characters play off each other very well (it’s cute how much Muriel and Velma become besties within five seconds). It also feels like the Courage TV show I remember as a kid, with random monsters unrelated to the main plot showing up at random to menace the cast. Having the Scooby gang trying to logic this stuff out when logic clearly has no place in this story adds a bit of hilarity to the story as well.

Add in all sorts of Easter eggs from the original TV series (haunted mattress for the win!), references to Monty Python and Young Frankenstein, a decent explanation for why Nowhere is so weird without overtaking the actual plot and characters, and some stellar writing, and you’ve got a great movie here.

That being said, it’s not perfect. I would have liked to see some more of the minor characters from Courage the Cowardly Dog, such as the psychic chihuahua and Dr. Vindaloo. And for some reason, Eustace is given a hip-hop number, to which I say, “Why?”

However, all in all, Straight Outta Nowhere is a great mashup of these two shows and will delight fans of both franchises. On a scale of 1 to 5, I give it a 4.5. It’s hilarious, delightful, and might end up in my DVD collection someday.

It’s certainly better than Scooby Doo and the Curse of the 13th Ghost, anyway. That was a big middle finger to fans of the TV show it’s based on and misunderstands what made The 13 Ghosts of Scooby Doo good. It’s basically the Friday the 13th remake of Scooby-Doo. Yes, I trashed the Friday the 13th remake again! Bite me, MIchael Bay!

Cover of Dark Nature. Pretty cool, isn’t it?

Wow, what a week it’s been! First I got that double acceptance on Sunday, and then I get this piece of news on Tuesday. Who knows what’s going to occur over the weekend? But I digress, because “Natural Predators” is being published in the anthology Dark Nature from Macabre Ladies Publishing!

So if you didn’t know, “Natural Predators” is a story I wrote back in June about a pandemic hitting a summer camp. Surprisingly, it’s not based on any of our current events. No seriously. It was actually inspired by my own summer camp days. Back when I was a teen, the sleepaway camp I was at, as well as the surrounding communities, was hit by a nasty stomach virus. Over the course of a weekend, the infirmary was filled with kids and adults throwing their guts up. And I was the first in my year to get it, as well as the one who probably got the rest of my year sick.

Years later, when watching an episode of Family Guy where the characters were trying to write their own horror movie, I imagined the character Joe, who is disabled, drawing on his own personal experience to write a body horror tale. Somehow that combined in my head with the camp epidemic, and a story was born: “Natural Predators.”

Of course, I didn’t write it until this summer, when I had the right stimulus. Dark Nature is an anthology around the idea of Mother Nature getting back at humanity for centuries of abuse. As long as nature was depicted being the revenge, anything went. The idea spoke to me, so I decided to write “Natural Predators” around the theme. And it worked pretty well, too.

That being said, I honestly didn’t think it would get in. It’s a pandemic story, after all, and there was such tough competition. And I thought the other submissions would be so much better than mine (humility is a good quality to have as a writer, I find). But somehow, out of a hundred submissions, mine was one of the ones chosen!

Apparently there’s still a market for pandemic fiction. Even in the middle of a pandemic.

Being serious now, I’m really grateful the editors at Macabre Ladies Publishing liked my story and I’m so excited to work with them. Thank you as well to my beta reader Monica, whose advice was probably instrumental in making the story as good as it is. And congratulations to the other people who got in with me. We all faced some tough competition, so I’m glad we were able to get in together.

I hope you’re as excited as I am about this story being published as I am, and are interested in reading Dark Nature once it comes out. Which, according to the publisher, should be some time this month if all goes as planned. I’ll post links as soon as I can, and I look forward to hearing what you all think of “Natural Predators.”

That’s all for now, my Followers of Fear. At the time this is publishing, I’m off using my dreams to plant dangerous, mutated arthropods in the homes of people who deserve it. So with that, I wish you all a good night, pleasant nightmares, and welcome to October! Truly the most wonderful time of the year.*

*Seriously, it is. I wrote an entire blog post on that and the points still stand.

Read the book by Max Booth III last month. Finally got to see the movie, the screenplay of which was penned by Booth as well and which was directed by Sean King O’Grady, this evening. Let’s get reviewing.

As I said, We Need to Do Something is based on the novel by Max Booth III and follows Melissa and her family as they pile into the master bathroom during a violent storm (no basement). However, they soon find themselves trapped in that bathroom with no way to get out, and it’s unlikely anyone’s coming for them. Hunger, fear and their own dysfunction soon lead to tension, terror and their own personal ride to Hell.

Okay, first off, the bathroom in the movie is both bigger and tackier than the one I had in my head. Seriously, there’s plenty of space, but has that bathroom not been remodeled since the 1970s?

Enough silliness. Onto the actual review.

The film was made during the height of the pandemic and O’Grady said that the movie and current events sort of mirrored and mimicked each other. And you can see it in the film: all four of the main cast are trapped inside a small space due to events in the outside world and can’t leave. They grate on each other rather quickly and events make things worse and worse. Add in some crazy, ambiguous happenings to heighten the atmosphere and the situation further deteriorating, and it makes for a great analogue to the pandemic.

Not only that, but the ambiguity in the novel is translated very well into the film. It’s more heavily implied that what’s happening outside the bathroom (which we never see) might actually be real rather than a side effect of cabin fever or anything. But it’s still quite mysterious and leaves you with just as many questions as the novel did.

Finally, the cast does a great job as their characters. As Melissa, Sierra McCormick is brimming with hurt and pathos, while Vinessa Shaw (Allison in Hocus Pocus, if you can believe it) does a great job as the mother tired of living a friction-filled marriage. And while Pat Healy’s take on dad Robert is written the tiniest bit more sympathetic than in the book, he still comes across as a mega asshole you love to hate.

Oh, and guess what? Ozzy Osbourne is apparently in the film. I’ll let you guess which character he is.

On the downside, the flashbacks with Melissa and her girlfriend Amy do feel kind of lacking without a lot of the context the novel gave them. While the score reminds me of the best of Colin Stetson’s work, it does have a few moments where it doesn’t work too well with what’s occurring in the movie. And in certain moments, the snake does look laughably fake.

But all in all, this is a great translation of the novel to the screen. On a scale of 1 to 5, I give We Need to Do Something a 4.5 out of 5. If you can’t make it to a theater playing it, you can find it on YouTube, Apple TV and Amazon, among other sites, so go give it a watch. You’ll be reminded that, as bad as your pandemic experience with your family has been these 19 months, at least you weren’t trapped like these guys!

That’s all for now, my Followers of Fear. Tomorrow I get to work on new stories, but right now, I’m going to hit the proverbial hay. Until next time, good night and pleasant nightmares!

September has gone by so fast, but I’m having a lot of trouble believing that it’s only been a month since The Pure World Comes has been released. That’s right, an entire month! And man, it’s been doing well. Not only that, but there have been other updates on my projects and upcoming publications. Let me tell you about it.

The Pure World Comes

The cover for “The Pure World Comes” on the Readict app.

So, if you’re new here, The Pure World Comes was a novel I wrote last year and which was published, as I mentioned at the beginning, exactly a month ago on the Readict literature app. The novel was a love letter to the Victorian era and to Gothic literature from that era, which I’ve been obsessed with for quite some time now. Here’s the summary:

Shirley Dobbins wants nothing more than to live a quiet life and become a head housekeeper at a prestigious house. So when she is invited to come work for the mysterious baronet Sir Joseph Hunting at his estate, she thinks it is the chance of a lifetime. However, from the moment she arrives things are not what they seem. As she becomes wrapped up in more of the baronet’s radical science, she realizes something dark and otherworldly is loose within the estate. And if left unchecked, it’ll claim the lives of all she holds dear.

The app records how many people have been reading the novel and aggregating their ratings of the chapters, as well as the novel in general. When I was writing this post, 728 were reading or have read the novel and rated it a 4.7 out of 5 stars! I don’t think any of my published works have ever scored so high before.

But the best feedback was from my sister. She actually doesn’t read much of my work, as she’s both got a busy life and is not a big fan of horror (I can’t even remember if she’s read Rose). But because it was on her phone, she was able to read it more easily than other books, and she tried to read at least a chapter every night. As of last night, she actually finished it and said she loved it. She especially loved the characters and the mystery hanging around the story.

Considering she doesn’t have much time to read, let alone read all my work, I’m happy to hear that.

And if this is how the first month is going, I can’t wait to see how the next year goes. In fact, I hope to get an ebook and paperback out some time next year. I’ll start working to that end after the new year. I look forward to hearing what people say when they can own a physical copy.

In the meantime, you can find it on the Readict app. It’s free with ads, so why not check it out before Halloween? I’d love to hear what you say.

The Jewish Book of Horror

As you may remember, I submitted a story to The Jewish Book of Horror, an anthology all about what scares my people (besides cholesterol and allergies, of course). I’m happy to say that The Jewish Book of Horror will be released this Hanukkah (so December-ish) and will feature my story, “The Divorce from God.”

And the cover is already being circulated around the internet. You can see it on the left, and isn’t it terrifying/sexy? I love it! I’m so honored to have a story in there. I can’t wait for people to read it and the other stories in the anthology and to let me know what they think.

Anyway, it’s only a couple of months till Hanukkah, so I’ll be sure to let you know when the book is available for preorder and purchase. I hope you’ll support it. As I’ve mentioned before, I think it would be cool to have more Jewish portrayals in fiction, especially from Jews. And the Denver Horror Collective, which is putting out the anthology, has hinted that if it does well, they may pursue doing a sequel anthology. I would love to see that (and maybe submit to them again).

Other Stories

I mentioned in a recent post that I had settled on a new novel to write and was working on an outline. The outline for that novel, Crawler, is finished and I should be ready to work on it after my vacation (more on that later). I’m not sure if the novel will be any good, but I think it’s going to be at least fun to write. I’ll let you know how it goes.

Also, the next part of “Blood and Paper Skin” will be published in Issue 9 of The Dark Sire, which should be out at the tail end of October. I’ll post links when they’re available.

And I’m shopping around several more stories, looking for homes for them. I’m even waiting to hear back from publishers regarding a novel and a collection of short stories. Hopefully I’ll be able to give you some great news very soon. I’m trying to get a few more stories accepted for publication before the end of the year, so I won’t let up on writing and editing and submitting.

And I have more stuff I can’t wait to tell you about. I’m just waiting for the right time to tell you.

In the meantime, I’m hoping you’ll check out some of my work that’s available, including The Pure World Comes. Except for that novel, all my stories are sold wherever great stories are sold. I look forward to hearing what you think.


That’s all for now, my Followers of Fear. I’m off to enjoy the weekend and relax after a rough week. I’ll be starting with a Phantom of the Opera movie starring Robert Englund. Yeah, that apparently exists. And it’s apparently really bad. Still, it sounds like something you gotta see to believe. I can’t wait!

Until next time, my Followers of Fear, good night and pleasant nightmares.

I first heard of this film earlier this year. And I heard a lot of back and forth on it. Some people loved it, other people hated it. It got a terrible response when it was released. However, there’s a cult following around it, and I recently found it on HBO Max. So, unsure of what I was getting into, I watched it.

Based on the graphic novel from Boom Studios (which I may need to read now), The Empty Man follows James Lasombra, a former cop with a past. When his friend’s daughter Amanda goes missing and the police show little interest in finding her, he does some investigating himself. This leads him not only to a strange cult with connections to a spirit in Bhutan, but to a rabbit hole that will not only change him, but the world.

Well, that was something else. And I have to say, I’m glad I watched it.

For one thing, the main part of the film is very atmospheric. There’s this somber air around the whole film which pairs well with the story and the characters. Add in some decent jump scares and some even better creepy sequences, and you actually have a film that’s hard to look away from. I especially like the sequences involving the cult, which is just freaky as all get out. Especially that bonfire scene.

Oh, and the sequences with the titular Empty Man is quite creepy to watch when they’re onscreen.

That being said, it’s not perfect. The main issue is the film’s opening. Remember two paragraphs ago where I said “main film?” The first twenty minutes are kind of a prologue to the rest of the movie, but it feels like its own short film rather than part of a cohesive story. And I’m sure the difference between those first twenty minutes and the rest of the film is part of why this film got negative reviews after its release.

In addition, there were never any moments where I felt a huge surge of terror; Lasombra’s personal trauma is supposed to be very important but is only really explored near the end of the film when its impact on the audience won’t be that strong; and I’m sure there are people who won’t like the final twist, or get the philosophical mumbo-jumbo from the cult.

That last part wasn’t a big turn off for me, but I can see it being a turn off for others.

All in all, though, I can see how The Empty Man could receive a cult following and has been doing so much better since being released to streaming and home media. On a scale of 1 to 5, I’ll give it a 4.2. It’s strange, creepy and compelling. It won’t be everyone’s cup of tea, but I think you should check it out and find out if it’s yours.

Don’t let nothing stop you from watching it.*

*That makes plenty of sense if you’ve seen the movie.

It’s a James Wan horror film. He’s the guy behind Saw, Insidious and the Conjuring films. Nuff said.

Malignant follows Madison Mitchell, a woman who becomes connected to several murders in the Seattle area, starting when her abusive husband is murdered by a mysterious intruder. Not only that, but Madison becomes witness to the murders in dreams, committed by a mysterious figure named Gabriel. As the police attempt to figure out the connection, Madison’s sister learns a secret from the former’s past. A rather disturbing and deadly secret.

This film started out rather slow and kinda typical for an average horror film, but it got better with time. And honestly, it was really interesting.

Malignant is rather atypical of a horror film. James Wan made it more of a giallo film, which is an Italian genre mixing mystery-thriller with suspense and horror (they were quite influential on slashers). The result is a mostly well-done balance between a crazy crime thriller and a strange horror film, especially in scenes like in the Seattle Underground. And the final reveal is rather ingenious, with some very nice body horror that made me shout in my own living room in shock.

Also, what a film score! It was kind of all over the place, but it was still interesting to listen to.

However, the film’s first twenty minutes or so did feel a little cliched and below-average for a horror film. And the ending was kind of a let down for me. Something much darker would’ve worked better for me. And they do bring down the film’s score for me.

On a scale of 1 to 5, I’ll give Malignant a 3.4. Yeah, there’s a lot of interesting stuff in the film, and ooh, that twist! What an image! I’m going to dream of that for years. However, there’s a lot that could have been improved or done differently. If you want to watch it, go ahead. It’s in theaters and on HBO Max. Still, it’s not the best thing I’ve seen this year. Not by far.

That’s all for now, my Followers of Fear. I’m going to bed so I can hang with friends and maybe do some editing tomorrow. Good night, and pleasant nightmares!

During the slasher craze of the 1980s and 1990s, Tony Todd’s Candyman was a killer who brought a gravitas, elegance and a deeper origin story to his gruesome work. It’s a shame that he only got three films (and from what I hear, I didn’t miss much not seeing the sequels), because he’s become such a beloved character. So when word got out that Jordan Peele’s Monkeypaw Production company was making what was basically a soft reboot, people were both curious, excited, and more than a little worried.

I saw the film last night and wanted to share my thoughts as soon as possible. But I was tired when I got home last night, so I held off until I had the energy to do so. And folks, I can tell you now that the Candyman still slays like he used to.

And yes, Tony Todd’s Candyman is in this movie. In case you were worried.

Serving as a direct sequel to the original movie (a la 2018’s Halloween), Candyman follows Anthony McCoy, a Chicago artist who hears a version of the events from the first film from his girlfriend’s brother. Interested, he heads to Cabrini-Green to learn more, and there discovers the story of the Candyman. What seems at first to be a simple urban legend turns out to be so much more. And Anthony finding the legend is more than just coincidence. It may even be considered destiny.

First off, I enjoyed the kills in this film. We mostly see the Candyman in reflections from mirrors and windows, which allows for some scary moments and some creative kills (*cough* art critic’s apartment *cough*). I also enjoyed how they re-approached the myth of the Candyman, changing it so that multiple people have taken on the mantle of Candyman so that every generation can recontextualize the myth and have a killer for the age. And the story is very well-written, balancing horror, elements of destiny and the cycle of history with social commentary (mostly race and gentrification).

Also, I love how flashbacks and storytelling is mixed between people talking, shadow puppetry, and flashbacks. It makes for some great visuals.

I did find some elements of the film predictable, however. I guessed one element of the film way early just from some slight foreshadowing, and was right! And there are some moments of info-dumping that I thought could have been done slightly better.

All told, I’m giving 2021’s Candyman a 4.4 out of 5. It’s a visceral, well-done story that brings Candyman back into the spotlight where he should be. And, if it does well, I can see this film being the launching point for numerous sequels and prequels around the new aspects of the mythology.* Grab a ticket, say his name five times in the mirror, and get ready for a bloody good time.

That’s all for now, my Followers of Fear. I’ll likely be taking a break from reviews for a couple of weeks to focus on some reflection/writing posts and my own editing. Until next time, good night and pleasant nightmares!

*And before that, I need to rewatch the original and watch the sequels. I can’t believe how many things I forgot from the first film! I need to remedy that and watch the sequels, even if they aren’t that amazing. Maybe I’ll start on that tonight.