Archive for the ‘Scary Stuff’ Category

Last night as I was dropping off to sleep and feeling happy about setting up that new blog of mine (thanks to everyone who’s already signed up to follow that, by the way), my mind started to wander, as it usually does right before I fall asleep. This time around my mind went to horror stories (yeah, it does that quite often too), and I started to ponder character depth and development in horror stories. At some point I realized that in horror, you often have either characters who are very well-rounded and developed, or you have characters that are little more than archetypes, e.g. the Skeptical Dad, the Final Girl, The Psychic Child, The Expert, etc. And you know what else I realized, what made me get up out of bed and write this revelation down before I fell asleep and forgot? Sometimes these stories require different level of character development, depending on what the story is.

Let me explain. In certain scary stories, such as Stephen King’s The Shining (the book, not that poorly adapted Kubrick film), the characters are more than just archetypes and we get to know them very well. This is because their inner conflicts are just as important to the story as is the outer conflicts happening with the hotel. Jack Torrance is trying to keep his cool and be a good husband and father for his family after so many screw ups, while also fending off his desire to drink and the mental assaults of the hotel. His wife Wendy is trying to keep her family together while also keeping an eye on Jack in case he reverts to bad habits. And Danny, psychic and wise beyond his years, is trying to stay strong and endure the hotel’s attempts to kill him because he knows a lot is riding on his father taking care of the hotel through the winter. How they react to situations and grow as characters is just as important as what is happening within the hotel, so King makes sure they are well-developed.

Part of the terror (in the book, anyway), comes from the conflicts these characters wrestle with inside themselves as well as the ones the hotel sends them.

Meanwhile other stories don’t need as much character development. Take Insidious 3, for example (yes, I’m using the third entry in a horror film series, but bear with me). Besides main character Elise Rainier, most of the characters in the film do not get much character development. In the Brenner family, who are experiencing all these supernatural happenings, you don’t see much beyond the roles they play in the story: Quinn is a pretty girl with dreams of acting and is being victimized by a spirit, her dad Sean is the scatter-brained parent trying to keep his family together through grief and tragedy, and the annoying younger brother Alex is…well, the annoying younger brother. Despite not getting a lot of characterization though, these three characters do actually get some growth in the story: Quinn’s car accident and the spirit attacking her causes her, her brother, and her father to get out of their own little worlds and come together as a family to save Quinn’s life.

And of course, there are those stories that require little or no characterization or growth at all. This is common in slasher films, where the characters are often reduced to archetypes or roles (anyone who’s seen Cabin in the Woods knows what I’m talking about). This also happens in a short story I had an idea for recently (and that I might write as soon as I finish editing Video Rage). In this story, I decided that I wouldn’t spend time going over why the protagonist’s younger brother is a bratty kid or why the antagonists are as freaky as they are. The reason I decided this is because the events of the story are where the terror and intrigue come from, not from any inner growth. This is usually the case with slasher films as well: the events of the story are where we get our terror and excitement from, so more attention is pointed towards telling the story than going over any inner conflicts of the characters.

Half the fun of this show is seeing these two interact with each other.

What I’m driving at here is that how much character development is required from a story depends a lot on where the excitement and fear is coming from and how essential developing a character is in order to keep a reader or viewer invested in the story. In the case of a Nightmare on Elm Street film or the story I mentioned above, we’re reading or seeing the story because we know that the story’s events is where we’re going to get the excitement we paid to read/see. In the case of stories like The Shining or most episodes of Hannibal though, a major reason why we’re investing time into the story is because of the characters, not just what’s happening around them. This is especially so in Hannibal, because most of the conflicts and intrigue comes from the characters, their psychological states, and how they play against one another. We’re there not just because Hannibal Lecter is a famous and charismatic serial killer, we’re also there because we like seeing how Will Graham’s relationship with Lecter changes and evolves over time.

And knowing how much to balance of these two elements–character development and story-focus–is very important. Look at the remake of Poltergeist that came out recently. It was an awful film, and one of the many problems it had was that they tried to insert character development near the beginning of the film and failed miserably. Early on it focused on the dad losing his job and trying to find a new one, as well as mentioned something about the wife being a writer. I think the filmmakers were trying to translate this into an arc where the family tries to stay together and come together through rough circumstances, but ultimately the whole thread of the dad looking for a job and the parents trying to keep the family together fails to really get resolved or come together and ends up feeling unnecessary to the story. You’d think that it would just be enough to say the dad got promoted or transferred or a new job and leave it at that!

So whether it’s a zombie flick, a novel about a haunted house, or a psychological horror TV show, knowing the balance between character development and story-focus is just as important as creating a memorable and creepy villain or writing the story in such a way so that the story actually remains scary rather than goofy or just plain stupid (*cough* Friday the 13th remake *cough*). If you do, you’re more likely to write a good story worth remembering than you are to write garbage that horror fans sift through trying to find a nugget of gold.

I’ll certainly keep the balance in mind with the next story I write.

22 years ago, a powerful being of a higher plane burst forth out of its hellish home with the purpose of spreading terror and chaos to the world. It found a human host and came forth from her, bringing insanity wherever it went and making things interesting at parties. This being, known by a thousand names in just as many worlds and cultures, became known in this one as Rami Ungar the Writer.

At least, that’s how I like to tell the story of my birth. It’s better than the one my mother tells, anyway.

But back on point. Today’s my 22nd birthday, and I’m celebrating it by giving a gift to you, my Followers of Fear. From today, June 10th, to Sunday June 14th, all my published works–The Quiet Game, Reborn City, and Snake–will be available at marked down prices or–in the case of the e-book versions–free of charge! And you’ll be able to get them all from Amazon or Smashwords (reminder that Smashwords only does e-books).

All my books, on sale through Sunday

All my books, on sale through Sunday

In case you’re not really familiar with my works, I’ve included descriptions of each book along with the links below. I hope you like what you read and decide to check out one of my books for your reading pleasure. And if you do decide to get one or more of my published works, I hope once you read them you’ll be kind enough to let me know what you think, either in a review or just a comment on a blog post. Positive or negative, I love feedback. It helps me improve the stories I write so that more people get entertaining and thrilling books.

Well, that’s all for now everyone. I’m off to do some writing and try out a new hobby and if I get a chance later today I’ll write another post. Until then, have fun at the sale, my Followers of Fear! And happy reading!

The Quiet Game: Five Tales To Chill Your Bones
Are you ready to face your own inner demons? Or perhaps you are ready to face the dybbuk’s wrath. Maybe you’ll even jump into the lady ogre’s den. And if you’re brave enough, you may end up in the deadliest game of all, a game where if you die, no one will hear you scream. In his debut published work, Rami Ungar takes you through five terrifying tales of darkness, suspense and fear. Get ready to play The Quiet Game.
Amazon link
Smashwords link

Reborn City
When Zahara Bakur moves to the gambling town of Reborn City, she finds her life flipped upside down when her parents are killed in a hate crime and she is forced to join the interracial street gang the Hydras. From the start this gang is different. Its leaders, including the silent and stern Rip, all have powers that defy imagination. And as Zahara becomes closer to the leaders, she becomes aware of a shadowy government organization that has a sinister interest in the Hydras. It will take all that Zahara has to make sure she and her new friends make it out alive of Reborn City, and the choice she makes will affect not only her, but maybe the world itself.
Amazon link
Smashwords link

Snake
How far would you go for love and revenge? When a young man loses the love of his life and afterwards witnesses a horrific murder, he descends into insanity and decides to hunt down the men who took his lover away from him. Styling himself as the Snake, he goes after New York’s most powerful mafia family, and he won’t stop till he finds his love and makes the monsters who took her pay. Even if that means becoming a monster worse than the ones he is hunting.
Amazon link
Smashwords link

It goes without saying, I love villains. They’re often the most memorable part of a story or among the most memorable parts. Everyone recognizes the killer clown from Stephen King’s IT or Dr. Lecter tied up and wearing a mask in Silence of the Lambs. And in certain musicals, when they have a song about the villain, it can become the best part of the entire show. In fact, in some cases it’s the only good part of some musicals.

I guess I’m a little obsessed with villain songs, particularly “In the Dark of the Night” from the movie Anastasia (perhaps the only good part of an expensive Disney rip-off) and “Be Prepared” from The Lion King. I’ve even written my own villain song about me as a horror writer called “Eater of Fear” (boy, would I love to get that thing produced into an actual musical track) and I came up with an idea for a short story involving a villain song. And I’m not the only one. You’ll find plenty of people who like villain songs and even create lists for them (you can find examples of other people’s lists here, here, and here).

What’s with the love of villain songs? Well, I can think of several reasons. One is that everyone likes a catchy song. It’s part of the reason why we can’t get some of Taylor Swift or Carly Rae Jepsen’s songs out of our heads sometimes (I’ve been there more than once). Villain songs are among the catchiest because they are often used to explain the plans or motivations of the villains, so a lot of thought is put into making the lyrics and tune exciting while explaining these plans/motivations. It’s a lot more fun than you’re average monologue about the villain’s plans or beliefs, right? Nobody downloads those on their iPods!

Tell me you weren’t wiggling a little in your seat when Dr. Facilier started doing this fun little song and dance.

 

Another reason is that–and this is my own opinion, but I think it has merit–most people want to indulge in their dark side every now and then, they want to have a little fun being evil. How many times have we wished we could get revenge on our bosses or on that nasty kid on the playground? Probably a lot, but we don’t because most of us are good people who would never do something so horrid or we’re afraid of the consequences. A villain song is a sort of trip to the dark side. You get to indulge in being bad and have fun singing about it. And when the song is over, what’s the worst that comes back to haunt you? Maybe someone sees you singing and goes to warn somebody else, but that might be it. Usually, the song ends and we move onto the next part of the story.

In addition, villain songs are packed with dark visuals. Even non-fans of horror like the dark and the creepy every now and then, they just don’t like being assaulted with it in the books or movies or shows they read or watch. No, they prefer to dip their toes, and a villain song is a perfect way to do it. If you’ve ever watched “Hellfire” from The Hunchback of Notre Dame or “Be Prepared”, you know they’ve got some arresting visuals. The former has some freaky Gothic and hellish imagery, the latter has freaking Nazi hyenas marching in front of Fuhrer Scar. It’s kind of creepy, it stays with you, and it’s a lot of fun to watch.

Anyone who didn’t find this scene a little chilling is either lying or possibly has ties to dangerous organizations or groups.

 

These and a bunch of other reasons could be why villain songs resonate with us so much as an audience. Whether it’s because we love a villain, indulging safely in our dark side, or we just like a catchy tune, villain songs are just a ton of fun and as long as people are writing musicals, they’re bound to show up again and again in our shows and, if they’re good, in our consciousnesses.

Do you have a thing for villain songs? Which are your favorite? And why do you think they tend to stick in people’s minds so much?

Oh, just a reminder that my Big Birthday Sale is in 2 days. From June 10th to June 14th, all my titles–The Quiet Game, Reborn City, and Snake–will be marked down or, in the case of the e-books, free to download from Amazon and Smashwords. So if you’re looking for something new to read and want to get it at a good price, this might be the opportunity for you. Get excited, because it’s coming soon!

That’ll be all for now, Followers of Fear. I’ve got to go and sing some “Eater of Fear” in my head. Have a good one.

It wasn’t a dud! It wasn’t a dud! IT WASN’T A DUD!!!

Sorry, had to get that off my chest. I’ve seen so many bad horror films lately, it felt necessary to shout praise of a good one. And I’m not surprised that this one is so good. Leigh Whannell, James Wan, Jason Blum, and Oren Peli all worked together on this film. These guys are known for great, scary films, so when they come together you know you’ve got something worth getting excited for.

The third chapter in the Insidious saga takes place a few years before the events of the first two films. Quinn Brenner, played by Stephanie Scott, believes she’s being contacted by her dead mother, and encourages this contact. This tragically leads to a car accident that breaks both Quinn’s legs and puts her at the mercy of the spirit after her, The Man Who Can’t Breathe. At the same time, Elise Rainier, the medium from the first two movies, reappears to try and help Quinn, while facing her own darkness and a loss that has made her afraid to do what she does best.

There’s a lot to be said on this film, so I’ll try and keep it to the things I think everyone should know before going to see this one. First, the actors all handle their roles very well. Scott, along with Dermot Mulroney and Tate Berney as her harried father and annoying preteen brother, have great chemistry as a family crippled by a devastating loss and pulled together again by the dark events surrounding them. Best of all though is Lin Shaye as Elise, whose personal journey to recover her confidence is extraordinary and heart-wrenching. I almost cheered in the theater when she had finally regained her former airy manner from the first two films. Plus it’s fun to see her first interactions with Specs and Tucker and how they formed the team we met in the first film.

And speaking of the first film, there’s a notable change between Insidious 3 and its predecessors. In the first two films, they built a mythology based around astral projections and the realms of the dead (aka the Further), but Chapter 3 seems to eschew that mythology for the most part in favor of creating a good old-fashioned ghost story, and a great one too. The suspense is powerful, the atmosphere tense and the creepiness of the whole movie, coupled with the amazing visuals and sets, the jump-scares and the screeching violins in the background music, will keep you on the edge of your seat throughout the movie.

Creepiest of all, of course, is the villain, The Man Who Can’t Breathe. Honestly, even when you see him fully in the light near the end of the movie, he’s still one of the freakiest looking villains I’ve seen in recent memory. What makes him even scarier than his appearance is that you’re not sure exactly why he’s menacing this girl or where he came from. There’s mention of him living in Quinn’s building long ago, and something about “pets” is also mentioned, but we’re never really sure what his reasons are. And that just adds to the horror factor here.

There are only two major complaints I have with this movie. One is that the character of Hector, the lovestruck boy-next-door, seems like he was going to be a bigger part of this movie than he was. Were most of his scenes cut for time? That, and I feel that the climax was a little cliched and a little too short to be truly frightening, though the ending makes up for that. Other than that, I had a really good time.

All in all, I’m giving Insidious Chapter 3 a 4.3 out of 5. A scary good movie that’s put out of my mind all the bad horror films I’ve seen lately and make me want to tiptoe through the tulips with terrified glee. And if the critics and the box office agrees with me, I think we can expect a Chapter 4 someday. And you know what? Even if it might be a little unnecessary (ah horror, the original junkie for unnecessary movie sequels), I might just be okay with that.

I’ve mentioned it before, but being a fan of horror (let alone a writer of horror) can be very difficult sometimes. We’re not even in the Top 10 Most Popular Genres. We might be in the Top 20…I think. Such is the fate of a group that likes to be scared, when most people would rather avoid the feeling of having something evil and murderous lurking over your shoulders. Because of that, I thought I’d make a list of problems that is mostly unique to the horror genre. Here it is for your humor edification.

1. You’re not dangerous or creepy, you’re actually well adjusted. For some reason the popular image of horror fans is that we’re a dark, moody bunch who got bullied a lot as kids and we’re just looking for the opportunity to get our revenge on the world in the most depraved of ways. Why does anyone think that? Is it because we like movies where serial killers find half-naked girls in the woods, throw them against trees, and then cut them in half?

I don’t know. But if I’m anything to go by, I’m not that image. True, I was bullied a bit when I was younger, but it definitely didn’t affect me that badly! People tell me I’m a funny and really nice kind of guy whom they generally like. And most other fans I know are good people, we just like a good ghost story or slasher flick on the weekends rather than the latest Sandra Bullock comedy or have a fantasy football league. I mean, some of us do those things as well, but we also like to shout “Redrum” when we’re angry or go see Slipknot when we’re in concert. It’s just how we roll.

2. It’s hard to get people to go to the movies with you. Is there a new Avengers flick out? You’ll probably find someone to go with you by simply sending a text message. Comedy or romance film? If no one in your immediate social circle is available, chances are someone at the office will go with you. Horror movie? Yeah, unless your date or your friend is super brave or tolerant of scary stuff, you’ll be sitting in that theater alone for the most part. I speak from experience.

And speaking of which…

3. You can’t make people see why Cary Fukunaga’s departure from the new adaptation of IT is such a disaster. In case you didn’t know, Fukunaga, who’s directed True Detective among other things, was set to direct a two-part adaptation of the Stephen King classic. Sadly he split after he and New Line couldn’t see eye-to-eye over certain aspects. To which many say, “NOOOO! Why?” Most people just assume we’re being drama queens, especially since there’s already an adaptation of IT out there that scared them as children.

Really not scary.

Really not scary.

Yeah, as children. Truth be told, you watch it again, it’s a crappy adaptation, sanitized for TV audiences and with so much changed from the original story fans of the novel are left with a bad taste in their mouths. And Tim Curry as Pennywise the Clown isn’t even that terrifying. Mostly he just laughs at a distance and talks about making corpses float. The kids are never shown in real danger. I’ve seen scarier things in a college final (for more reasons why the IT TV miniseries sucks, watch this review by the Nostalgia Critic and laugh yourself silly at how you ever thought this could be scary).

So naturally, we were hoping that we would get the adaptation IT deserves. Without Fukunaga, it’s about as dead as a corpse floating in a sewer, and we’re all disappointed.

Hey, maybe I did make you see why Fukunaga’s leaving is such a disaster. Go me!

4. You can’t wear your horror fan badge with pride on first dates. Horror fans do date, and a lot of us have great relationships and families. However, declaring you’re a horror fan on the first date and several subsequent dates is like romantic suicide. People assume that, if you’re male, you’re some wannabe serial killer creep who spends too much time peeping on girls, looking at graphic porn, and practicing killing in a dark and moldy basement. If you’re female, they think you were one of those goth girls in high school whom nobody got along with and who has anger and break-up issues.

Like I pointed out above, we’re not. Most of us stay out of those basements, get along with plenty of different people, and would never dream of hurting anyone. Not as if we can point that out on the first date though. Maybe pull out a Stephen King novel when you start staying over at one another’s places, and that’ll signal that you like to dip into terror every now and then. After a few more sleepovers or whatever and the books consistently stay scary, they’ll realize that yes, you like horror, but you’re not going to hobble them with an axe or mallet and chain them to a bed in your house.

As you can see, Halloween's a big deal for me.

As you can see, Halloween’s a big deal for me.

5. Halloween is more than just a single day of the year for you. No, it’s an entire freaking month, and a lot goes into it. You want the perfect scary costume, the perfect creepy decorations. You have to decide what scary movies coming out you’re going to see, what scary movies you’re going to revisit on DVD, what books you’re going to read. You’re going to want to discuss how the new season of American Horror Story is doing leading up to the two Halloween episodes. And you’re going to want to find the perfect party to show off your Halloween love.

You see, Halloween for us is kind of like how moms treat their daughters when they enter beauty pageants for children. We want to show the world how good we are, we want it done right, and you all better cooperate with us and with our zeal for this or there will be plenty of hell to pay! Happy Halloween, bitches! You just try and beat me at my own game!

6. Our love of metal is probably much healthier than being a fan of Justin Bieber. Again, we’re back on that negative image. Most horror fans have a pretty wide-ranging taste for music. Stephen King’s a rock fan, and I have an eclectic mix of J-Pop to classical on my iPod. Yes, I like metal too and so do a lot of other people, but it’s all just fun. We’re not actually looking to submit to Satan or in danger of turning into gunmen. Most metal artists are apparently pretty decent people when you meet them too. They have normal lives like you or me, they just are good at reaching our inner angst through music. It’s much better than listening to an overgrown toddler still going through puberty and acting like a total idiot when he’s not on tour, anyway.

7. It’s hard to discuss serial killers, fictional or real, in the company of others. I learned this the hard way, and to this day I still wish I’d shut my mouth before it made people give me stares. Sorry if I’m a little passionate about explaining how Ed Gein helped inspire Hannibal Lecter, Norman Bates, and Texas Chainsaw Massacre. You’re the one who asked if that last one really was based on anything real.

 

8. Most importantly, we go to great lengths to find gold in a pile of shit. I mean that metaphorically, of course. But it applies so well. There’s a lot of horrible horror novels and films out there, and horror fans will go to great lengths to find a film if they think it’ll be interesting to watch, much more than fans of other genres. Fear for us is like a drug, and we’ll try the gamut of bad films if it’ll give us the high we’re looking for. And even if we get a couple of bad ones, it’s well worth it when we find a really awesome one that scares us to our core.

Like Fukunaga’s IT would’ve been. And now I’m sad.

~~~

If anything, this post is meant to show you that horror fans are normal people, just like you or bronies. Are we perfect? No. Are some of our interests very macabre? Yes. Have I been to a morgue? Once or twice, but in the long run, does it really prove anything? Not really. It just shows, like everyone else, we’re all a little different and have our own special quirks.

So the next time you meet a horror fan, do us all a favor. Don’t discuss serial killers with us until we know you better. Instead, talk about the IT adaptation we wish we had and about how hard it is to get a good scare these days. Or the economy, that works just as well.

Was there any particular problems about being a horror fan that I missed?

Do any of these items stand out to you at all?

I’m going to tell you right now, I’m a little disappointed with this film. That might be because I hyped myself over this film due to the trailer being so awesome. However, I think a lot of it was because…well, it was a bad film. Not kidding. There was a little girl in the audience, I thought she was brave for coming to see this. She didn’t need to be brave. It just wasn’t scary.

I should’ve known a Poltergeist remake wouldn’t be good.

We all know the story, so I don’t think anyone will mind if I spoil this movie. If you don’t know the Poltergeist story, then spoilers ahead, and I wonder what rock you’ve been living under. Basically the filmmakers decided that since almost everyone knows the story about a family moving into a haunted house and the cute, innocent kid being abducted by the dead and her family having to go after her, they’d just update it for 2015, change some minor details, and throw the mythology at the audience, who will hopefully find it scary. Really, they would’ve done better going in a new direction, which Insidious did with a new mythology and some slight twists on the familiar formula, adding atmosphere, mystery, and surprise to scare us to death.

Here, like I said, they just throw the mythology at the audience. We’re drowned in it so that we  aren’t scared at all and the moments that actually halfway close to being scary were either included in the trailer and don’t have the same impact, or the sense of danger is just not there. For instance, there’s a moment with a power drill that could’ve been very scary, but the way it’s done you just know things will turn out fine before it does.

The thing about the original Poltergeist was that it took its time. It slowly built up the strangeness and horror and helped us wade into a mythology that would be expanded in the later two films. Here, the filmmakers are so concerned about paying homage to the original film that they rush us into it and pay homage to all that made the original scary in ways that just don’t terrify. “Look here!” “Here’s this reference!” That’s literally what they do.

Another thing is the humor in this movie. They try and insert humor at various times in the movie, and while humor in horror does help in some horror stories in-between terrifying moments, the ones here are all at the wrong places and seemed forced. They’re only barely funny. I think they would’ve done better not to insert humor at all the wrong places and instead try and expand on the character development of these barely-developed characters. Maybe show how the dad is trying to be a good provider even though he’s jobless and refuses to allow his wife to get a job and then show how he fixes that?

Also, why does the the little boy have a sink in his attic bedroom? There’s no bathroom up there, so why’s there a sink? Is it an unfinished bathroom or something? And I don’t care how much wiggle room there is on a house in a neighborhood with plenty of foreclosures and that was built on a cemetery. You don’t buy a freaking huge house like that when you have no steady income! Move into an apartment until you can find something better! You’ll avoid the ghosts too!

There are some good points to this film though. The few variations they make from the original are inventive and interesting, and the scene in the afterlife is much more visually interesting and creepy than the weird green screen effect they had in 1986’s Poltergeist II. And I like how the movie incorporates the ghost-hunting field and how some ghost hunters have become famous through reality TV. As a fan of some of those shows, I had a little laugh at that. Plus I don’t think this version has a curse on it (unless the curse either left the movie alone because it was so bad or it made the movie bad, in which case it’s a very intelligent curse we’ve got here).*

But other than that, not much going for this film. Even the “They’re here” falls flat where it should soar, which is just sad. On a scale of 1 to 5, I’m giving the Poltergeist remake a failing grade of 1.4. It’s almost as bad as the Friday the 13th remake. Almost as bad. Poltergeist wasn’t ruined by Michael Bay, and it didn’t use sex to try and utterly fail to liven things up (which is good, because two of the main female characters are under the age of 18).

All for now, my Followers of Fear. I’m signing off for the night. Let’s hope I find a good horror film next time around. I’ve gotten so many duds lately.

*If you didn’t know, the original Poltergeist is supposedly cursed because during one scene it cost too much to make fake skeletons and instead they used real ones dug up from actual graves. Between the first and third films, several members of the cast and others associated with the film died strange and/or violent deaths. Well, if you let monetary considerations overshadow your respect for the dead, you have to expect some sort of karmic backlash. Too bad it came down on the ones who didn’t deserve it.

A while back I said I was going to try and catch some more Korean horror films after seeing one that wasn’t too bad. Well, I just saw another one. And it sucked. So I’m sharing my thoughts on it here, partly because I feel like I should tell people in case they want to see it, and partly because I need to exorcise my thoughts on it or they’ll stew in my head for a while (never a good thing).

Cinderella is only very tenuously connected to the story we all grew up with. This movie follows Hyeon-su, a very pretty teenager who lives with her talented plastic surgeon mother Yoonhee. After one of her friends suffers a gruesome death after getting plastic surgery from Yoonhee, Hyeon-su starts to wonder about things her mother has kept from her. As more of her friends are attacked after getting surgery and as Hyeon-su’s mother starts to lose her mind, Hyeon-su must find the answers, all while being stalked by a blue-eyed ghost with a preoccupation for pretty faces.

While I give that the premise is good and the story told in the movie is very interesting as well, I have a lot of problems with Cinderella. I found myself having a lot of trouble understanding what was going on, the filmmakers didn’t do a very good job of emphasizing the supernatural elements so that you knew they were supernatural, and they didn’t do a good job explaining the mother’s dark secret very well either, making it so that the final twist loses its punch (if you actually find yourself not having to look up the Wikipedia article so you can have the final twist explained to you). Not only that, but the flashbacks are often forced on us so rapidly we have trouble figuring out whether we’re in the past or the present. Add in only a few real scares and that just shows how bad this movie is.

For what it’s worth though, the scares, when they do happen, are spectacular and frightening. And they do chronicle Yoonhee’s deterioration into madness quite well. And like I said, the premise is good, and the story they were telling would’ve been more impactful if they’d done a better job making the movie.

All in all, I’m giving Cinderella a 2.4 out of 5. Not great, but it was a good attempt, and if it had been done right, Cinderella might’ve been a great horror movie with an underlying theme of how some people, especially some South Koreans, are obsessed with beauty and achieving it through plastic surgery. I’d suggest a North American remake, but I have a feeling that that would just be another House at the End of the Street: great potential but poor execution.

My next review will probably be the Poltergeist remake coming out later this week. I’m a fan of the original and I’d like to see what they change in this adaptation (besides the little girl being a brunette and the medium being a forty-something Brit) and how scary it is. Judging by the previews, it should be plenty scary.

Another late night of writing, and it’s paid off. I’ve just finished my latest first draft of a story, and this one’s a whopper. Tonight we’ve got Streghe (which, by the way, is also the Italian word for witch) and is based on one of the witch mythologies we learned about in History of Witchcraft (that class is already coming in handy). Ever since I heard about the mythology, I’ve been fascinated by it, and I knew I had to incorporate it into a story. So as soon as I could, which meant right after Rose‘s second draft was done with, I started working on it.

I did a few things differently with this story. For one, I wrote an outline of events for it, even though it’s only a short story. I’m trying to see if writing outlines for shorter works makes a difference in how I write them. And it does, because even though I went back several times to change the direction of this story, I felt I had a better idea of where it was going and I wasn’t too worried about word counts this time around.

Still, that nonchalance kind of led to this story getting a bit long. In fact, it’s no longer a short story, it’s a novelette! Over ten-thousand words total. I’m not sure if I want to try and shorten it in the second draft or see about expanding it. There were definitely elements in the first draft I didn’t get to include, so I’d like to see about getting those in during the second draft. It really depends on what ideas percolate in my head between the first and second draft.

Well, it’s a good first draft, I think. And once I’ve had some time, I’ll make a (probably) better second draft. In the meantime, if I have time tomorrow I’ll start a new story that’ll most likely also be novelette length (yeah, I never stop writing) and then I’ll get back to editing Video Rage, and see if I have some ideas on how to rewrite and improve Laura Horn.

Until next time, my Followers of Fear. Things are just going so well for me lately. I could just dance. In fact, I think I might (and I’ll terrify everyone who sees it, which is not a problem for me).

snake

How far would you go for love and revenge?

Well, I’ve been having a pretty good day today. Been having a pretty good week actually. Lots of wonderful things have been happening to me. I’d love to list them all for you guys, but that would be a pretty long list. And since I’m graduating, you can probably guess what some of those good things are. So I’ll just stick to the latest one. As you can see from the title of this post, Snake has a new review. This one comes from ENJ, who is a friend of mine and has read a lot of my work. Her five-star review, titled Must Read (wow, even the title’s a compliment), had this to say:

This book is another awesome creation by Rami. This book is scary and brings the reader to the depths of how evil the human character can be and how anyone can be driven to commit acts of torture. The author does a wonderful job of developing the plot and characters and there are certainly twists and turns. I highly recommend reading this book if you love a good frightening thrill.

Thanks ENJ. I’m glad you found it so frightening. And guess what? This review matches what others have been saying about Snake:

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

This book is violent, and it contains sexual situations. Some of it can be cringeworthy. So I wouldn’t suggest this for young readers. I’d recommend this only to adults. If it was a movie, it would be a strong R. There’s also swearing. These things don’t bother me as a reader, but I know it bothers some, which is why I mention it. But if you don’t mind these elements, I think you will enjoy this book. It’s a great thriller.

Ruth Ann Nordin, author of Ruined by the Earl

Well, I took yet another vacation where I made my family “just wait until I finish this chapter.” This page-turning read was another great effort by Rami. He is not afraid to take risks in plot twists and turns, character development and he takes the reader on quite the journey in this book. So looking forward to his next creation!

Michele Kurland

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Angela Misri, author of Thrice Burned

If you would be interested in reading Snake and meeting the man who would do anything, even become a monster, in order to save the woman he loves, then you can check it out in print paperback and e-book from Amazon and Smashwords. You can also check out my other books, Reborn City and The Quiet Game, on these sites.

And if you do decide to read these works, please let me know what you think, whether it be in a comment or in a review. Good or bad, I love feedback, and I always love hearing what my readers think.

Well, that’s all for now. I’ve got some writing to do, so I’m going to get it done. Have a good one, my Followers of Fear. I know I’m having one!

A while back, I wrote a post about how I was kind of scared of dolls, especially older dolls. Well, it’s been nearly three years since that post, and I’m not sure if that applies so much anymore. I mean yeah, I had a nightmare when I was a kid about a doll that was popular among girls at the time chasing me (great thing about having younger sisters, you know what’s popular among their age group when you spend time with them). And the Goosebumps books about the dummy freaked me out at the time. And anyone who saw the movie Annabelle probably had a healthy fear of human-shaped toys for girls for the next few days (I have a friend who’s been afraid ever since, much to my delight worry).

But am I afraid of dolls in general? Particularly the old ones, dummies, and bisque or porcelain dolls? If I was, I’m not so much anymore. It’d be fairer to say that I find myself fascinated with dolls. They show up in stories I write (good or evil, living or otherwise), they’re in the anime I’m watching these days, and as strange as this sounds, I’m thinking of buying one or two because of their association to said anime (though considering my job and financial status, I’ll probably hold off).

I think the fascination I have derives from where the fear comes from in others. Fear of dolls and other human-like objects, or automatonophobia, has several theorized causes. One of them says that when humans recognize other humans, we expect certain behaviors from them. When something looks human but doesn’t conform to those expected behaviors, we feel fear or repulsion. There’s also the idea that being exposed to negative ideas or portrayals of human-like objects (Chucky from Child’s Play or the Autons from Doctor Who), especially at a young age, can cause bad feelings towards them. And of course, the idea where something looks human but isn’t can scare people badly.

I think for me, instead of revulsion or fear, all those reasons cause me to want to know more. Especially about ones reputedly haunted (I found this article about the market for haunted dolls not too long ago, and I kind of wanted to get in on it, though I’m a little wary about having anything with haunted associations in my house). There’s something about something so small, and so seemingly human but not, and possibly containing some secret soul or knowledge that we can’t truly comprehend, that’s powerful. That’s pretty amazing to me. That’s freaking terrifying! And you know me and terrifying! We’re bosom buddies.

So don’t be surprised if I have a few stories come out that involve dolls of all sorts, that come alive or become the focus for a character’s psychosis. And maybe someday I might actually buy a doll or two, ones that have personal connotations to me or may even have a haunted reputation. You never know.

Anyone else feel that some of these dolls are watching you from the photo?

Anyone else think these things might be watching you from the photo?

What are your thoughts on dolls? Like or dislike? Why or why not?

Let me know, I love to hear your thoughts.

 

Oh, and on an unrelated note, yesterday I had my last class as an undergraduate student. And today I turned in my final essay, for both class and, unless I have to write essays for one of my finals, for my undergraduate career. Two finals next week, and then I’m done. Twelve days to graduation. The road is shortening. Hopefully there will be a job too afterwards. Wish me luck, my Followers of Fear!