Archive for the ‘Scary Stuff’ Category

It wasn’t a dud! It wasn’t a dud! IT WASN’T A DUD!!!

Sorry, had to get that off my chest. I’ve seen so many bad horror films lately, it felt necessary to shout praise of a good one. And I’m not surprised that this one is so good. Leigh Whannell, James Wan, Jason Blum, and Oren Peli all worked together on this film. These guys are known for great, scary films, so when they come together you know you’ve got something worth getting excited for.

The third chapter in the Insidious saga takes place a few years before the events of the first two films. Quinn Brenner, played by Stephanie Scott, believes she’s being contacted by her dead mother, and encourages this contact. This tragically leads to a car accident that breaks both Quinn’s legs and puts her at the mercy of the spirit after her, The Man Who Can’t Breathe. At the same time, Elise Rainier, the medium from the first two movies, reappears to try and help Quinn, while facing her own darkness and a loss that has made her afraid to do what she does best.

There’s a lot to be said on this film, so I’ll try and keep it to the things I think everyone should know before going to see this one. First, the actors all handle their roles very well. Scott, along with Dermot Mulroney and Tate Berney as her harried father and annoying preteen brother, have great chemistry as a family crippled by a devastating loss and pulled together again by the dark events surrounding them. Best of all though is Lin Shaye as Elise, whose personal journey to recover her confidence is extraordinary and heart-wrenching. I almost cheered in the theater when she had finally regained her former airy manner from the first two films. Plus it’s fun to see her first interactions with Specs and Tucker and how they formed the team we met in the first film.

And speaking of the first film, there’s a notable change between Insidious 3 and its predecessors. In the first two films, they built a mythology based around astral projections and the realms of the dead (aka the Further), but Chapter 3 seems to eschew that mythology for the most part in favor of creating a good old-fashioned ghost story, and a great one too. The suspense is powerful, the atmosphere tense and the creepiness of the whole movie, coupled with the amazing visuals and sets, the jump-scares and the screeching violins in the background music, will keep you on the edge of your seat throughout the movie.

Creepiest of all, of course, is the villain, The Man Who Can’t Breathe. Honestly, even when you see him fully in the light near the end of the movie, he’s still one of the freakiest looking villains I’ve seen in recent memory. What makes him even scarier than his appearance is that you’re not sure exactly why he’s menacing this girl or where he came from. There’s mention of him living in Quinn’s building long ago, and something about “pets” is also mentioned, but we’re never really sure what his reasons are. And that just adds to the horror factor here.

There are only two major complaints I have with this movie. One is that the character of Hector, the lovestruck boy-next-door, seems like he was going to be a bigger part of this movie than he was. Were most of his scenes cut for time? That, and I feel that the climax was a little cliched and a little too short to be truly frightening, though the ending makes up for that. Other than that, I had a really good time.

All in all, I’m giving Insidious Chapter 3 a 4.3 out of 5. A scary good movie that’s put out of my mind all the bad horror films I’ve seen lately and make me want to tiptoe through the tulips with terrified glee. And if the critics and the box office agrees with me, I think we can expect a Chapter 4 someday. And you know what? Even if it might be a little unnecessary (ah horror, the original junkie for unnecessary movie sequels), I might just be okay with that.

I’ve mentioned it before, but being a fan of horror (let alone a writer of horror) can be very difficult sometimes. We’re not even in the Top 10 Most Popular Genres. We might be in the Top 20…I think. Such is the fate of a group that likes to be scared, when most people would rather avoid the feeling of having something evil and murderous lurking over your shoulders. Because of that, I thought I’d make a list of problems that is mostly unique to the horror genre. Here it is for your humor edification.

1. You’re not dangerous or creepy, you’re actually well adjusted. For some reason the popular image of horror fans is that we’re a dark, moody bunch who got bullied a lot as kids and we’re just looking for the opportunity to get our revenge on the world in the most depraved of ways. Why does anyone think that? Is it because we like movies where serial killers find half-naked girls in the woods, throw them against trees, and then cut them in half?

I don’t know. But if I’m anything to go by, I’m not that image. True, I was bullied a bit when I was younger, but it definitely didn’t affect me that badly! People tell me I’m a funny and really nice kind of guy whom they generally like. And most other fans I know are good people, we just like a good ghost story or slasher flick on the weekends rather than the latest Sandra Bullock comedy or have a fantasy football league. I mean, some of us do those things as well, but we also like to shout “Redrum” when we’re angry or go see Slipknot when we’re in concert. It’s just how we roll.

2. It’s hard to get people to go to the movies with you. Is there a new Avengers flick out? You’ll probably find someone to go with you by simply sending a text message. Comedy or romance film? If no one in your immediate social circle is available, chances are someone at the office will go with you. Horror movie? Yeah, unless your date or your friend is super brave or tolerant of scary stuff, you’ll be sitting in that theater alone for the most part. I speak from experience.

And speaking of which…

3. You can’t make people see why Cary Fukunaga’s departure from the new adaptation of IT is such a disaster. In case you didn’t know, Fukunaga, who’s directed True Detective among other things, was set to direct a two-part adaptation of the Stephen King classic. Sadly he split after he and New Line couldn’t see eye-to-eye over certain aspects. To which many say, “NOOOO! Why?” Most people just assume we’re being drama queens, especially since there’s already an adaptation of IT out there that scared them as children.

Really not scary.

Really not scary.

Yeah, as children. Truth be told, you watch it again, it’s a crappy adaptation, sanitized for TV audiences and with so much changed from the original story fans of the novel are left with a bad taste in their mouths. And Tim Curry as Pennywise the Clown isn’t even that terrifying. Mostly he just laughs at a distance and talks about making corpses float. The kids are never shown in real danger. I’ve seen scarier things in a college final (for more reasons why the IT TV miniseries sucks, watch this review by the Nostalgia Critic and laugh yourself silly at how you ever thought this could be scary).

So naturally, we were hoping that we would get the adaptation IT deserves. Without Fukunaga, it’s about as dead as a corpse floating in a sewer, and we’re all disappointed.

Hey, maybe I did make you see why Fukunaga’s leaving is such a disaster. Go me!

4. You can’t wear your horror fan badge with pride on first dates. Horror fans do date, and a lot of us have great relationships and families. However, declaring you’re a horror fan on the first date and several subsequent dates is like romantic suicide. People assume that, if you’re male, you’re some wannabe serial killer creep who spends too much time peeping on girls, looking at graphic porn, and practicing killing in a dark and moldy basement. If you’re female, they think you were one of those goth girls in high school whom nobody got along with and who has anger and break-up issues.

Like I pointed out above, we’re not. Most of us stay out of those basements, get along with plenty of different people, and would never dream of hurting anyone. Not as if we can point that out on the first date though. Maybe pull out a Stephen King novel when you start staying over at one another’s places, and that’ll signal that you like to dip into terror every now and then. After a few more sleepovers or whatever and the books consistently stay scary, they’ll realize that yes, you like horror, but you’re not going to hobble them with an axe or mallet and chain them to a bed in your house.

As you can see, Halloween's a big deal for me.

As you can see, Halloween’s a big deal for me.

5. Halloween is more than just a single day of the year for you. No, it’s an entire freaking month, and a lot goes into it. You want the perfect scary costume, the perfect creepy decorations. You have to decide what scary movies coming out you’re going to see, what scary movies you’re going to revisit on DVD, what books you’re going to read. You’re going to want to discuss how the new season of American Horror Story is doing leading up to the two Halloween episodes. And you’re going to want to find the perfect party to show off your Halloween love.

You see, Halloween for us is kind of like how moms treat their daughters when they enter beauty pageants for children. We want to show the world how good we are, we want it done right, and you all better cooperate with us and with our zeal for this or there will be plenty of hell to pay! Happy Halloween, bitches! You just try and beat me at my own game!

6. Our love of metal is probably much healthier than being a fan of Justin Bieber. Again, we’re back on that negative image. Most horror fans have a pretty wide-ranging taste for music. Stephen King’s a rock fan, and I have an eclectic mix of J-Pop to classical on my iPod. Yes, I like metal too and so do a lot of other people, but it’s all just fun. We’re not actually looking to submit to Satan or in danger of turning into gunmen. Most metal artists are apparently pretty decent people when you meet them too. They have normal lives like you or me, they just are good at reaching our inner angst through music. It’s much better than listening to an overgrown toddler still going through puberty and acting like a total idiot when he’s not on tour, anyway.

7. It’s hard to discuss serial killers, fictional or real, in the company of others. I learned this the hard way, and to this day I still wish I’d shut my mouth before it made people give me stares. Sorry if I’m a little passionate about explaining how Ed Gein helped inspire Hannibal Lecter, Norman Bates, and Texas Chainsaw Massacre. You’re the one who asked if that last one really was based on anything real.

 

8. Most importantly, we go to great lengths to find gold in a pile of shit. I mean that metaphorically, of course. But it applies so well. There’s a lot of horrible horror novels and films out there, and horror fans will go to great lengths to find a film if they think it’ll be interesting to watch, much more than fans of other genres. Fear for us is like a drug, and we’ll try the gamut of bad films if it’ll give us the high we’re looking for. And even if we get a couple of bad ones, it’s well worth it when we find a really awesome one that scares us to our core.

Like Fukunaga’s IT would’ve been. And now I’m sad.

~~~

If anything, this post is meant to show you that horror fans are normal people, just like you or bronies. Are we perfect? No. Are some of our interests very macabre? Yes. Have I been to a morgue? Once or twice, but in the long run, does it really prove anything? Not really. It just shows, like everyone else, we’re all a little different and have our own special quirks.

So the next time you meet a horror fan, do us all a favor. Don’t discuss serial killers with us until we know you better. Instead, talk about the IT adaptation we wish we had and about how hard it is to get a good scare these days. Or the economy, that works just as well.

Was there any particular problems about being a horror fan that I missed?

Do any of these items stand out to you at all?

I’m going to tell you right now, I’m a little disappointed with this film. That might be because I hyped myself over this film due to the trailer being so awesome. However, I think a lot of it was because…well, it was a bad film. Not kidding. There was a little girl in the audience, I thought she was brave for coming to see this. She didn’t need to be brave. It just wasn’t scary.

I should’ve known a Poltergeist remake wouldn’t be good.

We all know the story, so I don’t think anyone will mind if I spoil this movie. If you don’t know the Poltergeist story, then spoilers ahead, and I wonder what rock you’ve been living under. Basically the filmmakers decided that since almost everyone knows the story about a family moving into a haunted house and the cute, innocent kid being abducted by the dead and her family having to go after her, they’d just update it for 2015, change some minor details, and throw the mythology at the audience, who will hopefully find it scary. Really, they would’ve done better going in a new direction, which Insidious did with a new mythology and some slight twists on the familiar formula, adding atmosphere, mystery, and surprise to scare us to death.

Here, like I said, they just throw the mythology at the audience. We’re drowned in it so that we  aren’t scared at all and the moments that actually halfway close to being scary were either included in the trailer and don’t have the same impact, or the sense of danger is just not there. For instance, there’s a moment with a power drill that could’ve been very scary, but the way it’s done you just know things will turn out fine before it does.

The thing about the original Poltergeist was that it took its time. It slowly built up the strangeness and horror and helped us wade into a mythology that would be expanded in the later two films. Here, the filmmakers are so concerned about paying homage to the original film that they rush us into it and pay homage to all that made the original scary in ways that just don’t terrify. “Look here!” “Here’s this reference!” That’s literally what they do.

Another thing is the humor in this movie. They try and insert humor at various times in the movie, and while humor in horror does help in some horror stories in-between terrifying moments, the ones here are all at the wrong places and seemed forced. They’re only barely funny. I think they would’ve done better not to insert humor at all the wrong places and instead try and expand on the character development of these barely-developed characters. Maybe show how the dad is trying to be a good provider even though he’s jobless and refuses to allow his wife to get a job and then show how he fixes that?

Also, why does the the little boy have a sink in his attic bedroom? There’s no bathroom up there, so why’s there a sink? Is it an unfinished bathroom or something? And I don’t care how much wiggle room there is on a house in a neighborhood with plenty of foreclosures and that was built on a cemetery. You don’t buy a freaking huge house like that when you have no steady income! Move into an apartment until you can find something better! You’ll avoid the ghosts too!

There are some good points to this film though. The few variations they make from the original are inventive and interesting, and the scene in the afterlife is much more visually interesting and creepy than the weird green screen effect they had in 1986’s Poltergeist II. And I like how the movie incorporates the ghost-hunting field and how some ghost hunters have become famous through reality TV. As a fan of some of those shows, I had a little laugh at that. Plus I don’t think this version has a curse on it (unless the curse either left the movie alone because it was so bad or it made the movie bad, in which case it’s a very intelligent curse we’ve got here).*

But other than that, not much going for this film. Even the “They’re here” falls flat where it should soar, which is just sad. On a scale of 1 to 5, I’m giving the Poltergeist remake a failing grade of 1.4. It’s almost as bad as the Friday the 13th remake. Almost as bad. Poltergeist wasn’t ruined by Michael Bay, and it didn’t use sex to try and utterly fail to liven things up (which is good, because two of the main female characters are under the age of 18).

All for now, my Followers of Fear. I’m signing off for the night. Let’s hope I find a good horror film next time around. I’ve gotten so many duds lately.

*If you didn’t know, the original Poltergeist is supposedly cursed because during one scene it cost too much to make fake skeletons and instead they used real ones dug up from actual graves. Between the first and third films, several members of the cast and others associated with the film died strange and/or violent deaths. Well, if you let monetary considerations overshadow your respect for the dead, you have to expect some sort of karmic backlash. Too bad it came down on the ones who didn’t deserve it.

A while back I said I was going to try and catch some more Korean horror films after seeing one that wasn’t too bad. Well, I just saw another one. And it sucked. So I’m sharing my thoughts on it here, partly because I feel like I should tell people in case they want to see it, and partly because I need to exorcise my thoughts on it or they’ll stew in my head for a while (never a good thing).

Cinderella is only very tenuously connected to the story we all grew up with. This movie follows Hyeon-su, a very pretty teenager who lives with her talented plastic surgeon mother Yoonhee. After one of her friends suffers a gruesome death after getting plastic surgery from Yoonhee, Hyeon-su starts to wonder about things her mother has kept from her. As more of her friends are attacked after getting surgery and as Hyeon-su’s mother starts to lose her mind, Hyeon-su must find the answers, all while being stalked by a blue-eyed ghost with a preoccupation for pretty faces.

While I give that the premise is good and the story told in the movie is very interesting as well, I have a lot of problems with Cinderella. I found myself having a lot of trouble understanding what was going on, the filmmakers didn’t do a very good job of emphasizing the supernatural elements so that you knew they were supernatural, and they didn’t do a good job explaining the mother’s dark secret very well either, making it so that the final twist loses its punch (if you actually find yourself not having to look up the Wikipedia article so you can have the final twist explained to you). Not only that, but the flashbacks are often forced on us so rapidly we have trouble figuring out whether we’re in the past or the present. Add in only a few real scares and that just shows how bad this movie is.

For what it’s worth though, the scares, when they do happen, are spectacular and frightening. And they do chronicle Yoonhee’s deterioration into madness quite well. And like I said, the premise is good, and the story they were telling would’ve been more impactful if they’d done a better job making the movie.

All in all, I’m giving Cinderella a 2.4 out of 5. Not great, but it was a good attempt, and if it had been done right, Cinderella might’ve been a great horror movie with an underlying theme of how some people, especially some South Koreans, are obsessed with beauty and achieving it through plastic surgery. I’d suggest a North American remake, but I have a feeling that that would just be another House at the End of the Street: great potential but poor execution.

My next review will probably be the Poltergeist remake coming out later this week. I’m a fan of the original and I’d like to see what they change in this adaptation (besides the little girl being a brunette and the medium being a forty-something Brit) and how scary it is. Judging by the previews, it should be plenty scary.

Another late night of writing, and it’s paid off. I’ve just finished my latest first draft of a story, and this one’s a whopper. Tonight we’ve got Streghe (which, by the way, is also the Italian word for witch) and is based on one of the witch mythologies we learned about in History of Witchcraft (that class is already coming in handy). Ever since I heard about the mythology, I’ve been fascinated by it, and I knew I had to incorporate it into a story. So as soon as I could, which meant right after Rose‘s second draft was done with, I started working on it.

I did a few things differently with this story. For one, I wrote an outline of events for it, even though it’s only a short story. I’m trying to see if writing outlines for shorter works makes a difference in how I write them. And it does, because even though I went back several times to change the direction of this story, I felt I had a better idea of where it was going and I wasn’t too worried about word counts this time around.

Still, that nonchalance kind of led to this story getting a bit long. In fact, it’s no longer a short story, it’s a novelette! Over ten-thousand words total. I’m not sure if I want to try and shorten it in the second draft or see about expanding it. There were definitely elements in the first draft I didn’t get to include, so I’d like to see about getting those in during the second draft. It really depends on what ideas percolate in my head between the first and second draft.

Well, it’s a good first draft, I think. And once I’ve had some time, I’ll make a (probably) better second draft. In the meantime, if I have time tomorrow I’ll start a new story that’ll most likely also be novelette length (yeah, I never stop writing) and then I’ll get back to editing Video Rage, and see if I have some ideas on how to rewrite and improve Laura Horn.

Until next time, my Followers of Fear. Things are just going so well for me lately. I could just dance. In fact, I think I might (and I’ll terrify everyone who sees it, which is not a problem for me).

snake

How far would you go for love and revenge?

Well, I’ve been having a pretty good day today. Been having a pretty good week actually. Lots of wonderful things have been happening to me. I’d love to list them all for you guys, but that would be a pretty long list. And since I’m graduating, you can probably guess what some of those good things are. So I’ll just stick to the latest one. As you can see from the title of this post, Snake has a new review. This one comes from ENJ, who is a friend of mine and has read a lot of my work. Her five-star review, titled Must Read (wow, even the title’s a compliment), had this to say:

This book is another awesome creation by Rami. This book is scary and brings the reader to the depths of how evil the human character can be and how anyone can be driven to commit acts of torture. The author does a wonderful job of developing the plot and characters and there are certainly twists and turns. I highly recommend reading this book if you love a good frightening thrill.

Thanks ENJ. I’m glad you found it so frightening. And guess what? This review matches what others have been saying about Snake:

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

This book is violent, and it contains sexual situations. Some of it can be cringeworthy. So I wouldn’t suggest this for young readers. I’d recommend this only to adults. If it was a movie, it would be a strong R. There’s also swearing. These things don’t bother me as a reader, but I know it bothers some, which is why I mention it. But if you don’t mind these elements, I think you will enjoy this book. It’s a great thriller.

Ruth Ann Nordin, author of Ruined by the Earl

Well, I took yet another vacation where I made my family “just wait until I finish this chapter.” This page-turning read was another great effort by Rami. He is not afraid to take risks in plot twists and turns, character development and he takes the reader on quite the journey in this book. So looking forward to his next creation!

Michele Kurland

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Angela Misri, author of Thrice Burned

If you would be interested in reading Snake and meeting the man who would do anything, even become a monster, in order to save the woman he loves, then you can check it out in print paperback and e-book from Amazon and Smashwords. You can also check out my other books, Reborn City and The Quiet Game, on these sites.

And if you do decide to read these works, please let me know what you think, whether it be in a comment or in a review. Good or bad, I love feedback, and I always love hearing what my readers think.

Well, that’s all for now. I’ve got some writing to do, so I’m going to get it done. Have a good one, my Followers of Fear. I know I’m having one!

A while back, I wrote a post about how I was kind of scared of dolls, especially older dolls. Well, it’s been nearly three years since that post, and I’m not sure if that applies so much anymore. I mean yeah, I had a nightmare when I was a kid about a doll that was popular among girls at the time chasing me (great thing about having younger sisters, you know what’s popular among their age group when you spend time with them). And the Goosebumps books about the dummy freaked me out at the time. And anyone who saw the movie Annabelle probably had a healthy fear of human-shaped toys for girls for the next few days (I have a friend who’s been afraid ever since, much to my delight worry).

But am I afraid of dolls in general? Particularly the old ones, dummies, and bisque or porcelain dolls? If I was, I’m not so much anymore. It’d be fairer to say that I find myself fascinated with dolls. They show up in stories I write (good or evil, living or otherwise), they’re in the anime I’m watching these days, and as strange as this sounds, I’m thinking of buying one or two because of their association to said anime (though considering my job and financial status, I’ll probably hold off).

I think the fascination I have derives from where the fear comes from in others. Fear of dolls and other human-like objects, or automatonophobia, has several theorized causes. One of them says that when humans recognize other humans, we expect certain behaviors from them. When something looks human but doesn’t conform to those expected behaviors, we feel fear or repulsion. There’s also the idea that being exposed to negative ideas or portrayals of human-like objects (Chucky from Child’s Play or the Autons from Doctor Who), especially at a young age, can cause bad feelings towards them. And of course, the idea where something looks human but isn’t can scare people badly.

I think for me, instead of revulsion or fear, all those reasons cause me to want to know more. Especially about ones reputedly haunted (I found this article about the market for haunted dolls not too long ago, and I kind of wanted to get in on it, though I’m a little wary about having anything with haunted associations in my house). There’s something about something so small, and so seemingly human but not, and possibly containing some secret soul or knowledge that we can’t truly comprehend, that’s powerful. That’s pretty amazing to me. That’s freaking terrifying! And you know me and terrifying! We’re bosom buddies.

So don’t be surprised if I have a few stories come out that involve dolls of all sorts, that come alive or become the focus for a character’s psychosis. And maybe someday I might actually buy a doll or two, ones that have personal connotations to me or may even have a haunted reputation. You never know.

Anyone else feel that some of these dolls are watching you from the photo?

Anyone else think these things might be watching you from the photo?

What are your thoughts on dolls? Like or dislike? Why or why not?

Let me know, I love to hear your thoughts.

 

Oh, and on an unrelated note, yesterday I had my last class as an undergraduate student. And today I turned in my final essay, for both class and, unless I have to write essays for one of my finals, for my undergraduate career. Two finals next week, and then I’m done. Twelve days to graduation. The road is shortening. Hopefully there will be a job too afterwards. Wish me luck, my Followers of Fear!

Let me preface this review by pointing out that I usually enjoy the movies that Jason Blum and his company Blumhouse Productions put out. Sinister, Insidious and Insidious 2, The Conjuring and Annabelle. Those are freaky movies. Which is why I’m saddened to say that this latest venture does not live up to expectations. In fact, Unfriended is more a time waster than a terror coaster.

Unfriended follows Blaire Lily, played by Shelley Hennig of Teen Wolf fame and somehow playing a much blander character than the one she played in Ouija. And for most of that film she’s dead (see my review of that one here)! Anyway, the film is told by watching Blaire’s laptop’s desktop and the multitude of programs she’s got going at once. All of her friends and her boyfriend log in for a Skype call and are joined by a mysterious, faceless person who seems to be stalking them. The person claims to be Laura Barns, a friend of theirs who committed suicide a year previously after an embarrassing video of her was uploaded onto the Internet. Whoever it is, they threaten anyone who signs off, uploads embarrassing information about each person, and then kills them. As the number of friends wind down, we get closer to the heart of the mystery: who filmed and uploaded the video that started it all.

I kind of knew before I even saw the movie that it would be difficult to make an impressive film told entirely from a Mac desktop. If they’d kept the tension and terror going through the whole film, then it might not be a problem. However, there are several minutes where nothing happens, where Blaire is chatting on Facebook or through IMs or looking things up or where Laura is typing to the living. During those parts, the tension doesn’t just mellow out, it disappears. Even during a sequence where Laura is forcing her friends to admit they’ve said or done horrific things, it’s not scary. Tragic or sad, but not scary.

Even sadder is that I don’t get to know these characters enough to build any sympathy for these characters. They’re all pretty much stereotypes or archetypes and not much beyond that. Blaire’s the supposedly sweet and innocent virgin, a horror staple, her boyfriend’s the sweet, lovesick puppy teenager from next door. The others are a bitchy drama queen, an overly-entitled rich kid, a geeky hacker, and a blonde (yeah, she’s just a blonde. Nothing beyond that. As a blonde, I’m kind of insulted). Beyond all that, there’s not a thing to say about these people.

And Laura Barns? Don’t know what to make of her. Some say she was just a sweet girl with some family troubles that are briefly hinted at, others see her as an awful bitch. All we see is the villain manipulating them and their computers. I’d have loved to see a flashback of this girl, rather than just some videos and recollections.

That said, Unfriended does have its points. The film looks like it has been filmed in one continuous shot and any cuts in film (of which I’m sure there are) are so hard to catch it looks seamless. The characters do show how unstable teen relationships can be, how you can be a friend and still call someone a bitch at the same time. And there’s that underlying theme of bullying and cyberbullying throughout. They do that well.

Still, I wouldn’t waste money on Unfriended if I were you. Wait until it’s on DVD. It’s an interesting concept, not something previously done in film, but it might have been better told as a short story than as a movie. I’m giving it a 2.6 out of 5. I’m sad that they’re already considering a sequel to this movie, or maybe even a line of sequels. God, I hope they don’t waste the money making more of these! That cash could go to so many better things.

Well, that’s all for now. I’m–wait. What’s this chat box? I–Oh damn. Ghost on my computer. Gotta go, my Followers of Fear. I think I need an exorcist.

So today was the day. The day I’ve kind of been working towards since Fall Semester started back in August. My thesis discussion, where I would discuss with my advisor and one or two other people about the finished product of the novel I’ve been working on.

Well, finished product is a bit of a misnomer. But you get the idea.

Early this morning I met in my advisor Manny’s office for the big meeting. My second reader for the discussion was Maura, a teacher I’ve taken classes with, whose company I enjoy, and who is a huge sci-fi enthusiast (can you see why I asked her to join us?). For about an hour and a half we sat and discussed Rose, how I got the idea for it (actually in one of Maura’s classes), how it grew in my head and became the novel I wanted to write for my thesis, and how all that went (you know the process of that from my many posts on the subject). We also discussed changes I could make for the third draft (which I will do, in time) and what they liked and disliked about the story.

I won’t do a transcript of the entire hour and a half, but I will go over the salient points. As you probably already know, Rose is about a young woman brought back from the dead by a man claiming to be her boyfriend and begins to turn into a plant-like creature (when Manny told the subject of my thesis to some of his writing friends, they were rather impressed by the originality of the idea). It’s about forty-nine thousand words as of the second draft, and still needs some work.

Maura and Manny definitely enjoyed the symbolism and thematic elements of the story, as well as how Rose’s character developed over the course of the story. However, there were some things that could be changed. The first third of the book or so could stand to have quite a few things changed around, including the portrayal of Rose’s amnesia and how she first interacts with the antagonist, the man who brought her back. They also thought that how certain revelations of both characters could be spaced out a bit more evenly and maybe change how the antagonist’s dad is characterized or used. There were some other elements that they touched upon, but I can’t mention them here because they would reveal too much. In any case, they’ve got my brain churning in all the best ways and when they’ve emailed me their notes I’ll take down some notes of my own and put the story away for the third draft.

In between this draft and the next though, I plan to finish a couple of short stories and then dive right back into editing Video Rage, the sequel to Reborn City. Yes, I know I’m overdo for that one and it might take a little while longer to get it ready, but I promise you, I’ll get it done as fast as I can. And after that…well, I don’t know. Maybe I’ll work on the third draft of Rose. Maybe I’ll have enough material to do that rewrite of Laura Horn I’ve been meaning to work on. Or I’ll work on some short stories and maybe an entirely new project. Anything’s possible.

You know, it’s been quite the crazy journey for this story. It’s gone through so many changes, more than most of the stories I’ve had the pleasure of writing. And it’s journey is not over yet. No, it’s just at rest, waiting for the next transformation, the next polish. And what a polish it will be when it happens. I think that when the third draft is done, even if it’s not the final draft, Rose will definitely be much closer to publication than it is now.

In the meantime, I’ve got a paper to research and a few other things to do, so I’m going to get on that. You have a great rest of your day, my Followers of Fear. I know I will.

 

Learned some very interesting news this week. Has anyone hear heard of Five Night’s at Freddy’s? If you haven’t, allow me the pleasure to fill you in on it. Five Nights at Freddy’s (hereafter referred to FNaF) is an indie survival horror game. It’s rather interesting, and not just because it’s from the indie scene. You play a security guard at Freddy FazBear’s Pizza (think Chuck E. Cheese with creepy animatronics) who works the night shift. It’s actually a pretty nasty job: the animatronic creatures in the pizza parlor come alive at night and wander around. Your job is to not just watch the parlor, but to survive the creatures, which will try to find you and kill you by stuffing you into an animatronic suit, which still has the parts inside (bloody!). You survive five progressively more difficult nights, you win the game (and get some bonus nights). You get caught by the creatures…

And did I mention that you play the entire game from inside the security office, where the most you can do is turn on some lights in the hallways, close some doors, and watch security feeds through an iPad? All while trying to keep your battery life up before you lose power and die? Yeah, that’s how you play the game. It sounds easy, but it’s actually pretty difficult. Believe me, I’ve played. You try to keep focused on the doors, but then you get jumpy and look through the iPad. And the more power you use, the less you’re able to turn on lights or open and close doors. And then…they get you.

It’s a nerve-wracking game, and it’s not surprising to see that it’s grown popular enough to generate two sequels, where they’ve furthered the back story of the game and why these murderous robots attack security guards. And now Warner Bros. is in the process of adapting it into a movie. This could be good, because while movies based on video games usually suck, indie games are usually riskier, more artsy, and heavy on story account. So the movie that results from this game could be able to balance slasher and suspense horror with storytelling and character development. Maybe reinvigorate the slasher movie genre a little.

You have to admit, that’s kind of creepy.

 

Or it could suck balls, we’ll regret going to see it, the studios will be even more wary about trying even semi-original projects, and we’ll reach our movie-sequel saturation point much, much quicker than we’d hope. That’s always a possibility. Seth Grahame-Smith, one of the producers on the film, said he wants “to make an insane, terrifying and weirdly adorable movie”. If they get to weirdly adorable, we the audience may have problems.

Well, I’ll stay hopeful until I see evidence otherwise. I like to think that this movie adaptation has the makings of being something good. The plot will probably involve a security guard hired to watch a Freddy Fazbear’s Pizza Parlor. While being more mobile than in the game, the guard will deal with murderous animatronics, a limited amount of power (how they explain that one will be interesting) and the unraveling mystery of the source of this evil (in the games, the animatronics are possessed by the ghosts of children who were murdered by a guy in a Freddy Fazbear suit who stuffed their bodies into suits. I wonder if they’ll keep that backstory). There’s plenty of ways to make that suspenseful and creepy, I bet.

Like I said, we’ll see. I dream of writing it personally and making sure it’s good, but I don’t see that happening at this point, so I’ll hope and go see it when it hits theaters, possibly within the next five years. In the meantime, I think there are evil animatronic monsters in my apartment, so I have to destroy them. If I don’t reply to your comments within five nights, you know what’s happened.

Are you excited for the FNaF movie? Do you think it’ll be good? Why or why not?

Do you think games can be made into good movies? And what’s needed in order to do so?