Archive for the ‘Scary Stuff’ Category

Snake

I swear, this is the last Snake-themed article for a while. Honestly, even the Snake is getting tired of all the articles about him (and if you can figure that one out, then you win a prize). And I’m going to try to keep this short, so don’t click away yet.

Today I had some time on my hands, so I took some photos I’d scoured off the internet, a song I’d always associated with the Snake for some reason, and compiled them all using iMovie into a very scary video for a book trailer. A book trailer for Snake, to be exact. It’s probably my longest and most complex book trailer yet, using a variety of techniques I learned from a class I took a couple of semesters ago. Honestly, I had not used iMovie in a while, so it took a while to figure out how to do some things I’d forgotten. But I guess it was like riding a bike, because before I knew it I was making the video and had it done in almost an hour.

The video uses images I associate with the character of the Snake, who has an extreme love for scary movies and knows quite a bit about famous fictional serial killers and a few real ones (gee, I wonder who that sounds like?). And the song I use is “Before I’m Dead” by metal band Kidney Thieves. For some reason it’s a song I’ve always thought should be put at the beginning of a movie adaptation of Snake. Since I don’t think that’ll be happening any time soon, I’m using it in this trailer.

Oh, and the people in this video whom I identify as characters in Snake are actors from some shows I’ve seen. They came the closest to how I imagined the characters in Snake, so I used their images. I hope nobody minds that!

So without further ado, here’s the official Snake book trailer. Tell me what you think when you’ve watched it. I love feedback (I think I’ve mentioned that before).

Oh, and good news: I’ve sent Snake to the copyright office. Hopefully they won’t take their sweet time processing it. I hate it when that happens!

Oh, I am on the ceiling tonight! Okay, I’m not literally on the ceiling, but you can guess how I’m feeling right now. As the title suggests, I’ve finished the final draft for Snake, which means it’s time to get it ready for publication! So excited right now, and I can’t wait to get started. In fact, I’ll start after this blog post is done.

For those of you who are unfamiliar with Snake, it’s a thriller novel I wrote through the latter half of 2012. It follows a young man who becomes a serial killer in order to take down the mafia family who took from him what he considers most precious in life. Referred to by the media as the New York Mafia Killer (most of the novel takes place in New York City), he calls himself the Snake, for reasons that become apparent in the novel. So it’s basically a story of an antihero vigilante with mental problems and methods that would make Batman cringe. Still, it’s a story I enjoyed writing and I think that anyone who’s into these sort of dark thrillers will enjoy the story.

I know Angela Misri did. Angela, for those of you who haven’t been lucky enough to meet her yet, is an author and friend from Toronto whose first book, Jewel of the Thames, is due out next month. She did me a great favor by taking a look at Snake and giving me suggestions on how best to spruce it up before I published it. During the last twenty chapters or so, she was getting back to me every couple of days with revisions and suggestions on the manuscript. I have to say, I’m impressed that she was able to find the time to look over the whole novel with a full schedule of her own. Most of all though, I’m thankful for her help. She gave me amazing feedback on Snake, and I’m so happy to have collaborated with her. I hope that if I ever get around to writing a sequel to Snake, she’ll be willing to look at that as well.

Oh, before I forget. I did another check on the page and word count for Snake. All told, the novel is 370 8.5″ x 11″ pages and a little under 120,000 words. So it’s like a mid-length Harry Potter novel in length. Hope that doesn’t scare off any readers. That would suck! Anyway, I already have a cover picked out and I know who I’ll be acknowledging and who I’ll be dedicating the book to. I’m going to get on compiling the final manuscript together and creating the cover, so I’ll post on Snake again when I have those made up, along with a release date for the book.

One last thing though: I have to thank everyone reading this blog. Your support keeps me going and every time someone reads one of my books, it brings a boost to my mood and makes me want to write more and to improve the quality of my storytelling. Thank you so very much. I hope you’ll continue to support me in the future as I work on my dream of becoming an author.

And before I go to put dinner in the oven, I just want to let you know that if you’re interested in Snake or interested in reading an excerpt from Snake, please click here.

Have a lovely evening, Followers of Fear.

This is my first review of the year, and it’s coming a day after the final episode aired. Well, that’s what happens when you don’t have FX in your cable package and you have to search the Internet for it. Someday that’ll change.

I wasn’t really sure what to think about this season at first. It’s the third season, coming after two very terrifying and amazing seasons. Plus many of you remember how I reacted to the killer vagina thing in the first episode. Oy vey. And as the season progressed, it had its high points and its low points. But for the most part, I like to think that it ended on a good note. If you’d asked me a week ago what I thought about the season, I’d have said differently, but I’ll admit that the writers really amazed me.

This season of the anthology series follows an endangered coven of witches as they prepare for the rise of the new Supreme, the figurehead and occasional actual leader of the coven. When one falls, another rises (sounds like Buffy, doesn’t it?). However the coven is under threat from many sides, including from an organization of witch hunters; a rival faction of voodoo practitioners led by voodoo queen Marie Laveau; a racist immortal with a thing for blood; a serial killer who’s good with a saxophone; and each witch’s own personal problems, powers, and petty desires.

Some of the high points of this season was that it really did keep us guessing at who would be the next Supreme, right up until I was sure I knew who it was (and then I realized I didn’t). Not only that, but it had some very impressive scenes and special effects, and the writers proved that they could keep us interested and guessing for a very long while. Also, Emma Roberts as party girl/actress/all-around-bitch Madison Montgomery was my favorite character. I loved her and hated her. She was the best actor on the show, with Lance Reddick as Papa Legba coming in a close second (invite him back for the second season) and Lily Rabe and Kathy Bates as Misty Day and Delphine LaLurie respectively tied for third.

Favorite character, hands down.

However, there were some things I felt the story could do without. The subplot with the fundamentalist family next door felt extraneous and unnecessary. You could’ve cut that out and nobody would’ve felt like something was missing. Also, Zoe and Kyle’s love affair didn’t feel real. I had no idea why either of them liked one another, why Kyle wasn’t pissed off at being a modern Frankenstein, or why Zoe felt anything for him besides the fact that she was partially responsible for his current predicament. Actually, I didn’t really know Zoe beyond her inexplicable love for Kyle, and my knowledge of Kyle wasn’t much better. Also, there could’ve been more on the witch hunters. They weren’t utilized enough. And I would’ve liked to see more of the oppression theme that was at the center of this season.

Second-favorite character (can you see why?)

But still, it was a great season despite its low points, and I think the first in the series that ended on a bright note (surprisingly). It’s also the first season to have the potential for an Expanded Universe similar to what Star Wars and Doctor Who have (Ryan Murphy and Brad Falchuk, call me or check me out on LinkedIn. Let’s talk). I’d be excited for some of that.

All told, AHS: Coven gets a 3.6 out of 5. Can’t wait to see what Season 4 will be about. So far all we know is that it’ll take place in 1950, Jessica Lange will have a diminished role and a German accent, and several of the big names from this season will be coming back for new roles and new stories. Oh, and it’s rumored that it’ll be filmed in either New Orleans or Santa Fe. Any guesses about what it could be?

tqg cover

I kind of let this pass by without really realizing it, but now that it’s on my mind, I’d like to commemorate that six months (and twelve days) ago my first book, The Quiet Game: Five Tales To Chill Your Bones, was first released for paperback and e-reader.

Since that July day, a lot has happened, but especially with this book. A small collection of original short stories I’d written over Winter Break 2012 and Spring Semester 2013, the book has sold about a little over fifty copies (which for the first book of a self-published author is not that bad). It’s also received eight reviews from readers, which has brought the book’s average to a 4.4 out of 5 (which for the first book of a self-published author is pretty mind-blowing for me). Here are what some of the reviewers have been saying:

“5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.”

Jeff D.

“I happened across The author Rami Unger about a year ago when he was researching the paranormal online.

He nailed the Dybbuk story. Write more… soon!”

Jason Haxton, author of The Dybbuk Box

“I liked that each story was unusual. I think that the book was appropriately named. I prefer chilled bones rather than scared out of my whits since I am a bit of a chicken”

Enji

I’d just like to say that it’s been wonderful hearing from people what they think of The Quiet Game and finding out that they enjoyed the book and want to read more. It’s the readers themselves that have made all of this possible for me, so I really owe everyone reading my work a great debt that can never be repaid. So thank you very much and I hope we’ll be able to have great times together in the future.

If you are interested in reading The Quiet Game, you can find it on Amazon and on Smashwords. The print version is available for a little over five dollars, while the e-book version is available for about a dollar-thirty. And if you do decide to read The Quiet Game, please let me know what you think of it. Good or bad, I’m always happy for reviews and feedback.

Thanks for reading, and I hope to have more good news at the one-year anniversary. And speaking of anniversaries, Saturday will make three months since Reborn City came out. I’ll have to do a post about that as well. Look forward to it!

I love my university, and I find out things about it every semester that are new and interesting. And some of those things I find out are actually kind of cool. Kind of inspiring. Kind of weird. Kind of creepy. And for all those reasons, I want to share them with you. From secrets tunnels to ghost stories, OSU has got it all. I hope you enjoy an expose on some of Ohio State’s greatest secrets.

There are tunnels under some of the buildings. A couple of the buildings on campus are connected on campus aboveground by connecting hallways. Lazenby and the Psychology Building are connected by their first and second floors, Cockins Hall and the Mathematics Building are connected on most of the floors. But there are some buildings that connected underground. Every building in the Fischer School of Business is supposedly connected by tunnels, and one of those tunnels also supposedly goes to the Blackwell Residence Inn, though you might need a key card for that one. And strangely enough, University Hall and Dulles Hall are connected by a tunnel that goes underneath 17th Ave. I’m not sure why that last one exists, but it’s still pretty interesting. I wish there were more tunnels like that: it’s too cold outside to be walking to classes that way!

Some of the buildings have abandoned and empty pools. Pomerene Hall is one of the oldest buildings on campus, and it’s like a giant castle. However only a fraction of the building is used, and the basement is tiny, which is weird considering the size it technically should be. Turns out the back area used to house a pool that’s been nothing but a dry pit for several years. Explains the size. Pomerene’s not the only building with a pool no longer used: I used to live in Jones Tower, which was a graduate housing facility when it first opened. Back then it had a pool for the grads to use, but due to maintenance costs and injuries at poolside it was closed down. If you walk by the pool’s door today, you can still see the places where people would hang up towels and still hear the sounds of the pipes that would carry water to the pool (at least I think that’s what that noise is).

Ohio State has some hauntings. I save the best for last. Apparently in its 144 year history Ohio State has gathered a few ghost stories and possible hauntings (Ghost Adventures, call the university!). Learning that makes me even prouder of this school I go to. Here are the spooky legends on campus, brought out nine months earlier than usual:

–Pomerene Hall, situated right next to the infamous Mirror Lake, has a very special ghost story of love and tragedy. In the 1900s, Professor Clark committed suicide after a failed mining investment, his body found where Pomerene Hall now stands. His wife swore never to leave him, and when she died in the 1920s, her ghost started appearing around Mirror Lake (on it during the winters). Professor Clark himself is said to haunt Pomerene Hall, slamming lockers and doors and doing other ghostly things.

–Hopkins Hall, the art building on the Oval, has a much more gruesome story. At some point a young woman got stuck into an elevator overnight, suffering a nervous breakdown from the stress and lack of response to her cries for help. During her breakdown, she apparently wrote plenty of weird stuff on the walls of the elevator. She eventually got out, recovered, and then graduated, but not too long afterwards she died in a car crash. To this day, students report seeing writing or scratches in the elevator that say “I’m still mad at OSU for what they did to me.” Scary.

–Orton Hall is one of the oldest buildings on campus and is home to the Geology Department’s famous fossil museum. It also has two ghosts. One is Edward Orton, one of OSU’s earliest professors and the building’s namesake, as well as the man who gifted the Geology Department the core of its collection. When he was alive, he used to read by lamplight in the top of the bell tower (the scorch marks are still there). At night you can sometimes see mysterious lights through the slats of the bell tower, apparently Professor Orton reading in his favorite spot. During the day he supposedly chills the air and makes weird noises in order to get students to behave.

If you look at the cover of The Quiet Game: Five Tales To Chill Your Bones, you’ll see that Orton Hall’s bell tower is on the cover.

There is also tales of a hairy, caveman-like figure who makes noises and bangs on doors. Some believe it might be somehow connected to the Geology Museum’s vast collection. Others believe it could be a dead football player, though that may be a more humor-filled supposition.

This post is getting rather long, so I’m going to cut it off now. It’ll be continued in another post. Trust me, I’ve got a few other secrets about Ohio State worth sharing, including some other famous ghost stories and OSU’s connection to a famous serial killer. Until next time, Followers of Fear.

I came across this post by Stephen King on Facebook the other day and I thought it’d be interesting to write about. The post goes like this:

The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it’s when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it’s when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It’s when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there’s nothing there…

Words of wisdom from the King himself.

When I read this, it struck a certain chord with me. I realized that a lot of horror writers and filmmakers can easily gain an understanding of the first two, but it takes a long time to get into the third type, and an even longer time to gain a mastery of it. For example, there are a lot of films out there (of varying quality) that utilize Gross-out and Horror. They have serial killers, they have vampires and demons, but they’re kind of low on terror. The Evil Dead films and many bad slasher flicks are prime examples of this (I’m talking to you, Friday the 13th remake). Even I had trouble with this early on in my writing career. I could easily write a story about vampires or demons that had plenty of blood  and fight sequences, but I was lacking in the terror department. Even worse, I rarely thought about including the terror factor, and when I did I didn’t really do it as best as I could.

But at that age though, and in that point of my development as a writer, all I thought I needed was a monster, someone’s life in danger, and the rest would take care of itself. I learned later on that adding terror to the story is a process, something that has to be consciously done before you can go about actually adding it in unconsciously. This is something I’ve had to comprehend with lately and which I’ve been working on with some of my latest stories. With The Loneliest Roads, I tried to put in a sense of unreality and strangeness even before my protagonist entered the limo, and slowly heightened it once she got into the limo. with some of the short stories I’m planning on writing now, I’m looking for ways to increase that terror without seeming silly or absurd. And in future novels, I hope to add that factor in with more skill and precision than I have in the past.

Perhaps adding terror in is the most difficult part of horror writing because, as King said, it’s the worst. It’s what really makes a horror story memorable to those who read or see it, and the thing about it is that it’s often an underlying element in the story, something that’s a factor in the scary elements of the story but rarely the main element. That goes to the Horror, which usually causes in one way or another the Gross-out. But the Terror? It’s what hails the coming of the horror, what prepares you for the jumps and scream the Horror will cause. And getting someone prepared for that can be really difficult, all told.

Although I’m still trying to get mastery of all 3 elements, I’m hoping that in the future I’ll be able to get a better handle on them, and to do that I just have to keep writing, to keep practicing and see where it takes me. As I write, I learn, and hopefully I learn how to tell scary stories much better than I have in the past. It’s an ongoing process, but I feel it’s one I must take part in. Wish me luck.

And for those horror writers out there, how do you deal with the 3 elements listed above? Do you have any advice on utilizing any of them? What?

(Don’t say “limit Gross-out” though, because I’ve already figured that one out. Too many horror films rely on Gross-out as it is, and it’s annoying after a while.)

A while back I wrote a short story I titled Buried Alive, about a girl and her mother and younger sister who are buried in a coffin in the backyard by the girl’s abusive stepdad and what happens to them while inside the coffin. It was a very dark and surreal story and I enjoyed writing it.

Since I wanted to publish something original and previously unpublished on WattPad before I write an article on the website for Self-Published Authors Helping Other Authors and leave the subject of the website alone for a while, I thought I’d give Buried Alive the publishing treatment. I even gave a creepy little cover when I published it. Look below.

Creepy, right?

Creepy, right?

If you’d be interested in reading Buried Alive, please follow the link. And if you like it, hate it, whatever, please let me know in a comment, either here on this blog or on WattPad. I’m always happy for freedback from the people who read my work. Even if they think something I wrote totally sucks and they never want to read anything by me ever again.

Oh, and some updates for everyone: besides that article I mentioned above, I also plan to write a short story, hopefully over this weekend, and I plan to submit it to a writing contest through Ohio State’s English Department. Hopefully it’ll get selected. Also, I’ve sent The Loneliest Roads for critiquing to a friend. Actually, I sent the original version and a second version with an alternate ending, but who’s keeping track? Anyway, my friend will hopefully tell me which version she prefers and give me some advice before I send it out to see if I can get it published. We’ll see what happens.

Well, that’s all for now. I’m off to get ready for bed. Goodnight, Followers of Fear. Pleasant nightmares!

A model of the limo I used in the story, except it had cow horns mounted on the front and flames painted on the side.

I just finished my first short story of the new year. And for plenty of reasons, it reminds me of a Stephen King story. I’m hoping that an editor will think the same thing if they read it.

The short story is called The Loneliest Roads and it’s about a hitchhiking young woman who gets picked up by a stretch limo (hence the photo). Once she gets inside, she finds herself in for a whole new world of terror. And it’s a different short story than anything I’ve ever written before. Firstly, it’s after I finished the first draft of Video Rage, which I’ve mentioned in previous posts as being a time where I really grew as a writer. I also utilized new techniques I picked up during the past semester. One was to try to ramp up the terror gradually rather than have my protagonist be immediately confronted with pure evil. I started by trying to make things seem only a little unreal at the beginning, and then making that feeling of unreality grow slightly as the story went on, until it was time to make the terror more than just subtle.

I also tried to delve into the psychological factor of my protagonist, whose name is Miracle Jones (yes, I seriously named my character Miracle Jones). I wanted to make her more than just a flat character, and I did that by delving into her past, focusing on her psychology. I thought the way I revealed her character was actually kind of creepy. Then again, I tend to think everything I write is creepy. Whether it is or not depends on your opinion.

Anyway, I’ve a pretty good idea of what I’m going to do with this short story. I’d like to get around to editing it in a few weeks or so, and maybe sending it off to a friend for a critique. I have a second ending for the story that takes a less positive turn than the one I wrote out tonight, so if I or my friend feels that the ending could be different, I’ll go with my second ending. And after all the editing has been done, I hope to submit The Loneliest Roads to a few magazines, see if any pick it up. I would be very happy if they did. And if they don’t…who knows? It could go into a future collection of short stories or on Wattpad, or both. Future’s open.

For now though, I think I’ll try to catch some sleep. Tomorrow if I can I’ll start on an article for Self-Published Authors Helping Other Authors, and after that I’ll start on another short story. It’s going to be very exciting this semester for me. Goodnight, Followers of Fear.

 

(The following post may contain spoilers for several movies, TV shows, and books. However, these movies, TV shows, and books all came out several years ago. Some before I was even born. So if you read ahead and you haven’t seen any of these movies, TV shows, and books despite their availability…well, you’ve been warned)

As a horror writer, I use a number of techniques to keep the terror in a story at its most present and powerful in order to keep the reader enthralled in the story. At the same time, there are a number of ways I could very easily lose that terror element. This post is dedicated to one of them: revealing the villain and everything about them too soon.

Let’s take the movie Friday the 13th for example (the original, not the crappy remake from 2009). In that movie, we don’t find out the identity of the killer until near the very end of the movie, when it is revealed to be Mrs. Voorhees, Jason’s infamous mother. And even after she is revealed to the audience, we don’t know much about her or her motivation until she tries to kill protagonist Alice. Then we know why she’s killing everyone, but by then we’re too terrified to really process that fact. We’re just like, “The old crone’s got a knife! Run!”

Another example is the original Amityville Horror, which did not reveal the nature of the house and its hauntings until later films. So when you see the first film, you are thrust into this maze of nightmarish strangeness that keeps you terrified wondering two things: 1) what the hell is going on? And 2) what the hell is going to happen next?

An even better example than these two is The Blair Witch Project, in which the antagonist is never really revealed. All you get is spooky noises and some weird happenings around the three main characters. This lends the film a very intense element of fear of the unknown, which would be replicated in Paranormal Activity, Slender, Entity, and several other films that utilize found footage as a storytelling technique.

Some films however reveal their villain way too early, and thus cannot utilize fear of the unknown in their stories. Sometimes this can ruin a movie to the point where it’s no longer scary or fun to watch and you end up thinking to yourself “Why am I still watching this?” One example is 28 Days Later. Now I know there are a lot of fans of the movie out there, but one of my biggest problems with it is that the villains were revealed very quickly and that I felt I knew everything about them before the movie was even ten minutes in. From that point on, slow pacing made it hard for me to stay interested and I ended up stopping the movie after an hour.

Another film that suffered from lack of suspense and fear of the unknown is most of the sequels to Nightmare on Elm Street. In the first film, we’re really terrified. We don’t know why these kids are dying, who’s killing them, how they’re being killed. All we know is there’s an evil man killing these kids in their sleep, and that somehow translates over to the real world in a very bloody fashion. The sequels though feature the same villain and he’s killing in the same fashion. Loses a lot of its scare when you know exactly what’s going to happen, you’re just there to see how it happens, if they can scare you when they do it, and what joke Freddy will make right before he kills his victims.

Of course, revealing your villain or too much about them isn’t always a recipe for failure. In Stephen King’s Misery, we meet antagonist Annie Wilkes very early on in the story, yet she’s able to terrify and disgust and chill us very easily. Of course, that might be Stephen King’s magnificent, if somewhat strange, storytelling at play, but it is possible to reveal your villain early on, even let us know all there is to know about them, and still tell a scary story. You just have to be prepared to find some element to replace that mystery and fear of the unknown (and for God’s sake, I hope it isn’t excessive sex or over-the-top gore).

What do you think of using fear of the unknown in horror stories? What are some other examples or exceptions you can think of where keeping the villain hidden until the right time or revealing them too early made or ruined a scary story?

tqg cover

Another review has come in at Amazon for my collection of short stories, The Quiet Game: Five Tales To Chill Your Bones. This one comes from Jeff D., who is a fellow Ohio State student, a coworker, and a friend of mine. He finally got around to reading The Quiet Game, and he wrote a review on Amazon tonight, which he gave five stars (Thank you Jeff D., if you’re reading this!). The review, which he titled 5/5, read as such:

5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.

Jeff D., this is probably one of the best reviews I’ve ever received! I’m glad you think they’re all extraordinary stories. And best yet, Jeff D. says he’s going to buy a print copy of Reborn City when his next paycheck comes in. Oh, I can’t wait to sign that copy!

If you’re interested in checking out The Quiet Game, it’s available on Amazon and on Smashwords in both print paperback and e-book formats. And whatever you think, please let me know by leaving a review. Good reviews, bad reviews, I don’t care. I love getting feedback from readers. And if you like The Quiet Game, check out Reborn City, also available from Amazon and Smashwords.