Archive for the ‘Scary Stuff’ Category

When I was a kid, I read the Goosebumps books, as did a good number of other kids in my generation. Some of us even watched the TV series based on the books. Back then, they were, although not traumatic, pretty scary. When you look back at them now though, you realize that not only do they seem somewhat tame, but the stories have plot holes that only a kid would miss (like why haven’t the authorities figured out there’s a theme park that is being run by homicidal goblins and called in the National Guard?). Still, one tends to have fond memories of those books.

Which is why when I heard recently that there is a movie being made based on those books with Jack Black set to play author R.L. Stine (who happens to be from Columbus, by the way), I got a little excited. In fact, here’s an interview with Jack Black from San Diego Comic-Con on the movie, about a week or so after filming ended.


I’m certainly going to look forward to this movie. I’ll probably laugh at most of it rather than being scared, but I wouldn’t be surprised if something in the movie made me jump out of my seat. And when you add in the news that CBS Films had bought the rights to the Tales You Tell in the Dark books with the hope of producing a movie based on them and that MGM is developing an animated Addams Family movie, it gets me excited.

But these are kids stories. Why should any of us care? Most of my readers (I assume) are past Goosebumps age, and if any of them do like a good horror novel or movie or TV series, they’re more likely to read a Stephen King novel or see As Above, So Below when it hits theaters or try and guess what’ll happen in the new season of American Horror Story (I have a feeling most of that speculation will be wrong).

Expect this freaky mask, plus Slappy the dummy and a few others to make it into the new movie.

Remember in the video above, how Jack Black was talking about how his kids like being scared but they don’t like blood or any of that other stuff? We were all like that once. We wanted to be scared, but we didn’t want to have our heads messed up too badly (though mine was plenty messed up to begin with). Goosebumps, Tales You Tell in the Dark, or even Are You Afraid of the Dark?* were all like gateways into the world of horror for youngsters, allowing them to be scared while also allowing them to have fun. And getting a love of horror through kids horror is way better than a first exposure through a King novel or through watching Scream. Even when you’re an adult, those stories can turn you off from the genre if they’re too intense.

Heck, those books even helped me out a little. I remember once in third grade our teacher reading to us a story from Tales You Tell in the Dark that had me terrified and excited all at the same time. And later on when I got really into Goosebumps, they may have been getting me ready for when I would sit down and read Interview with the Vampire and later It, which were key to me deciding to become a horror writer.

So when Goosebumps (and Tales You Tell in the Dark and Addams Family, if they ever get past the development stage) reaches theaters, adults with or without kids will go to see their old favorite stories come to life on the silver screen. And if any of them have kids, they’l come along to, maybe leading to another generation of horror lovers. And maybe even the next generation of horror writers and filmmakers.

Well, that’s all for now. Join me tomorrow though, because then I plan to reveal what my next big project–which also doubles as my thesis for my senior year–will be. Should be exciting. Have a good night, my Followers of Fear.

*That last one I’ve watched a few episodes of recently. It’s actually got some pretty solid stories in that show. A few even resemble Stephen King short stories in the way they’re told.

As any author can tell you, there’s no one way we get our ideas. In fact, we get our ideas from everything: stuff that goes on in our lives, the people we know, current events, books, TV shows, movies, video games, from a phrase, from a place, from something we like or something we hate, and from more things than I can list. It’s the actual spinning of the story that can be rather difficult. We have the start of an idea, but we need to build up the story around it. Who’s the protagonist, what’s going to happen, where and when is it going to happen, why is it happening, etc. And depending on the author, the idea, and where it came from or what it consists of, the story based on the idea can come either very quickly or take a while.

For me usually it doesn’t take too long to come up with a story once I have the idea. There’s one notable exception however, and that’s when the idea revolves around a character and nothing else. By this I mean a character pops into my head, maybe no more than just an image but still a character, and I want to write a story around that character. And it isn’t easy for me to come up with that idea.

Other inspirations don’t take that long. I saw the movie Schindler’s List and came up with a whole book series based around the idea of someone actually leading a rebellion against the Nazis. Remember when I went to the Sky Steele show a week back? I had an idea from something we talked about after the concert involving a supernatural crime story. And a creature featured in a fantasy TV series I watched last year inspired a story about how religion can actually kill you. All of this happened within minutes or hours of being inspired.

But starting out with an intriguing character and little to nothing else? It takes me days to come up with a story to match. In fact, of the last ten ideas for novels I’ve had, half of them were based around characters and took me days to actually come up with an idea I could write down on my list of feature-length ideas (I’m up to 145 of those, by the way. Unless I can become successful enough to write full-time, I’m not sure I’ll be able to write them all!). They all started with one or two characters, maybe a setting, but all of them took days to come up what they would be doing or what would happen to them. The most recent one, which I first started trying to brainstorm a story around on Tuesday, I finally got something today.

Sometimes, the gears in my head turn so loudly, you can hear them.

What happened was that I saw this Halloween-themed video (which I will have to post about when October rolls around) and I got a little scared by it. Not only that, but I also kind of fell in love with one of the characters in the video and decided to base an entire Halloween-based story around her. Just one question: what kind of story? Finally figured out today to base the story around ancient myths about Samhain, the holiday Halloween is based on, but up until then I could not think of a single thing to base the story around. Well I did, but none of them really worked for me. I couldn’t see myself writing something around those other story possibilities, let alone anything I thought would be good. I’m glad that I was able to finally come up with something though, or might have gone a little madder than usual.

You know, as much as I love getting ideas for stories, I hope that in the future these sort of ideas, the ones that take several days to form and usually start with a single character, pop into my head less often. And when they do, I hope it takes less time to come up with a story based around them.

What about you? What sort of ideas do you struggle to create stories around?

What do you do when you’re struggling with an idea and can’t think of anything?

tqg cover

One year. I can’t believe it’s been exactly one year since my first book, The Quiet Game: Five Tales To Chill Your Bones was released. Maybe that’s because so much has happened in that year: I finished my third year of college, went on a study abroad trip to England, France, and Germany. I began and finished Video Rage, the sequel to Reborn City, and I’m very close to finishing Laura Horn. And I also released two more books. Am I forgetting anything? Oh yeah, I moved into an apartment off-campus with a friend and I also turned 21, which causes certain members of my family endless worry about my drinking habits (though I usually only drink alcohol 1-3 times a week, and usually not that much).

Anyway, back on point. The Quiet Game emerged from an idea I had while the editing process of RC was going on. That process was going slower than I thought it would, so I thought to myself, Why not release a collection of original short stories? I ended up doing just that, writing all those stories during winter break and rewriting one of them during spring semester. I also included at the end of each story a little bit about how the story came about and what influenced me while writing it, which was fun because it gave me more ways to relate with my readers. And after many long months, I released it on July 17, 2013, not too long after the copyright process ended. And it’s been selling and scaring here and there ever since.

Besides also being my first published book, The Quiet Game is also my most popular book. I think that might be because it’s a lot shorter than the other two and it’s a lot cheaper. But that doesn’t mean people don’t like it. I’ve gotten ten reviews over the course of a year on The Quiet Game, and people have had some positive things to say:

5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.

–Jeff D

Imagine if you will a young Stephen King penning dark scenarios inspired by his youth, and what you get is this anthology. Through this collection of short stories, Rami Ungar brings us into the world of dark urges, childhood traumas, ghosts, phantoms, and dark psychological thrillers. An inspired creation, and definitely a good intro to this indie author’s world!

–Matthew Williams, author of Whiskey Delta

All of the stories were really diverse and fun to read. I also enjoyed the authors blurbs about each stories origination and development. Keep up the good work!

–kimberly broulliard

These and other reviews have lead to The Quiet Game gaining a 4.3 rating on Amazon, which I am very happy about. It also encourages me and makes me think that this and my other books will continue to do well and that I will be able to write very good and very scary stories for years to come.

To the people who helped me create The Quiet Game, thank you so much for everything you’ve done for me. You don’t know how much I appreciate it. To the people who have already read and/or reviewed The Quiet Game, thanks for your patronage and I hope in the years to come you’ll enjoy reading my books and getting scared by them. And to those who will read The Quiet Game and my other books, I hope you enjoy them. And whatever you think of my books, please let me know in a comment or a review. Bad or good, I love feedback.

If you’d like to know more about The Quiet Game, click here for its page here on the blog, or check it out for yourself on Amazon and Smashwords. It’s available in both print paperback and e-book, though the former is only available on Amazon.

That’s all for now. If I have anything else, I’ll let you know later in the day. Have a good one, my Followers of Fear.

snake

How far would you go for love and revenge?

I swear, unless there’s a review, this’ll be the last post I write about Snake for a while. I know by now some of you are so sick of hearing about it you want to strangle me, but hey, I’d be remiss in my job as an author if I didn’t do my fair share of advertising for my books. And the one month milestone is pretty big.

For those of you who aren’t aware, Snake is my second published novel, and my third published book overall. It follows a young man whose girlfriend is kidnapped by mafioso after she overhears something she shouldn’t. In order to get her back, this young man becomes the Snake, a serial killer who takes his cue from techniques used by the Russian mafia, and starts hunting down members of the family who kidnapped his girlfriend in order to find her. He will go to any lengths to get her back, including becoming a worse monster than the ones he is hunting.

I’m very happy with how this book’s been doing during its first month. I’ve had plenty of people checking it out, including two people from England and Germany who downloaded e-books within the past week (first time that I can remember having someone from outside of North America checking out my work). And I even got my first review on Snake, from fellow author and good friend Angela Misri. Here’s what she had to say on Snake in her four-star review:

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Considering that I’m a huge fan of Stephen King and I got favorably compared to him, this is probably one of my favorite reviews of all time. And I hope it leads to more people giving it a chance and checking it out.

If you’d like to get a copy of Snake, you can follow this link to Amazon and check it out (though I will be uploading it onto other sites soon). And if you like or hate it after reading it, please don’t hesitate to write a review and let me know what you think. I love feedback, positive or negative, so if you have some for me, please don’t hesitate to share it with me.

You can also check out the page for Snake here for excerpts and more information, if you wish.

That’s all for now. I’ve got a few things to take care of this morning before work, so I’m going to get on that. Have a great day, my Followers of Fear.

Even when I hear bad tings about a film, I’ll go just to get my own opinion. Sometimes I agree with the critics, sometimes I don’t. In this case, I’ll have to agree with the critics.

Based on a book by Ralph Sarchie, which in itself is based on things that actually happened to him while with the NYPD, Deliver Us From Evil follows a hard-nosed Bronx cop who finds himself caught in a conspiracy involving demonic forces that have possessed a soldier and are unleashing hell upon New York. Teaming up with a strange priest and questioning his own doubts and beliefs, our hero (played by Eric Bana) races against time to stop any more victims from dying, including his own family.

I thought the film had a strong start. We’re in Iraq, we see some really freaky stuff occur in a cave, and then we switch to some horrific stuff happening in Bronx, including a baby in a dumpster and a very abusive husband. Later on though, things kind of drag out. There are jumps here and there, but a terrifying atmosphere is lacking. To make up for this, the film tries to deliver blood, possessed people acting crazy and animals making scary sounds, but it just doesn’t make things scary enough.

The high point of the film is definitely the final exorcism, which has plenty of weird effects, some emotional struggles, and even a little humor. Eric Bana and Edgar Ramirez (the priest Mendoza) are great in the roles, but they can’t make the rest of the film enjoyable. Even the mystery to be solved in this story doesn’t keep it from seeming to drag on. And the way the film ends, all in a little bow, seems almost too sugary-sweet. Plus there’s a detail from the exorcism scene involving Father Mendoza that isn’t resolved, and I wish they would’ve done that.

In any case, this movie might’ve done better as a book–oh wait, it already is. Never mind. I’m giving Deliver Us From Evil a 2.6 out of 5.

The good thing about this film is that I got some great recommendations for some other films. The theater I go to has these specials before the movie where staff from the theater interview local celebrities about film, and I got some great recommendations for films I’ll have to check out. Not a bad evening, if you ask me.

This is a post I’ve been wanting to write for a while, but I had to find time (and enough films) to actually settle down and write an article worthy of this subject.

If you’ve seen movies like Scream or Cabin in the Woods, you realize they are not just really good scary movies, but they’re also great commentary on the horror genre itself. Scream was basically saying that, rather than restricting the creativity of film directors, the conventions of horror films, especially slashers, gave them considerable freedom to work with and explore new areas of fear, as well as being a sort of examination of slashers themselves. Cabin in the Woods gave you the impression that horror filmmakers were somewhat like slaves in the entertainment industry, having to abide by certain rules in order to please audiences or be ruined (occasionally that’s true).

These horror films below have their own lessons to teach on the genre, and I’ll try my best to convey them here (and possibly convince you, dear reader, to go and see them for yourself). Whether it’s on unique ways to tell a story, reinventing a familiar story, or even just finding a way to insert some philosophical musings into your movie, these movies all have something to share on the genre.

Urban Legend

The slashers that come after the classics of the eighties and the early nineties come in three categories: really bad sequels, movies that try to copy the classics and fail disastrously, and the ones that go above and beyond, often finding ways to redefine the slasher genre while they do it. Urban Legend is definitely part of the third category, and it shows how the slasher genre can change itself despite some critics’ claims of  “same story, different killer/kids/location/motive”. In this case, a killer begins attacking students and faculty at a remote college campus, but kills them in ways that mirror popular urban legends. Who is the killer, why are they killing like this, and what does all this have to do with one young student and her connection with the original victim? The answers will not only shock you, but it’ll make you appreciate adaptable slashers and those urban legends you all heard as kids and teens in new ways.

Devil

You know how in most horror films the audience knows there’s a supernatural explanation for why freaky stuff is happening and the characters in the film are looking for a rational explanation? In this movie, it’s different: you suspect there’s a supernatural explanation, but at the same time you look for ways it could be rationally explained. In this film based off an M. Night Shyamalan story, five people get stuck in an elevator and are murdered under mysterious circumstances while trapped inside. Who is the killer? Why are they killing? Is it a bizarre murder plot? A psychopath at work? Or maybe, as one security guard believes, it’s a mystical meeting between the damned and the Devil himself. A terrifying film, just watching how the filmmakers portray the unfolding events and make us wonder exactly what is happening is enough to give you some ideas on how to switch up your own stories. Or give you nightmares. That’s always a possibility.

Pulse

Known as Kairo in Japan, this supernatural horror film is as deeply philosophical as it is terrifying. In this movie, spirits manage to find a way into our world through the Internet, and start killing the living, though why they kill the living isn’t always clear. The movie follows several different people, particularly a young woman who is among the first to notice what is happening, and a college student who finds himself delving into the mysterious ghosts with a computer science co-ed he knows. The film besides being scary, offers great insight into our strange, modern world, which can be full of connections and isolating all at once, and why ghosts would want to return to this world in the first place. There’s an American remake of this film, but it loses some of its philosophical/psychological bite in favor of special effects and some more Western horror conventions. It’s not bad, but it’s not as good as the original. Anyway, check out both if you can. They’re both interesting takes on our Internet-obsessed society, if you ask me.

Behind the Mask: The Rise of Leslie Vernon

Our last entry is not even true horror, but horror-comedy and mockumentary. Behind the Mask follows a group of students filming a documentary in a world where famous killers like Jason Voorhees, Freddy Kreuger, and Michael Myers are as real as you or I. The subject of their documentary is a man named Leslie Vernon, a would-be killer who is in training to become a famous killer himself and is preparing for his own night of carnage.  The film switches between documentary-style footage and the more traditional horror-movie footage, breaking down the conventions of the slasher genre as well as their philosophical and Freudian psychological meanings (particularly the role of the “survival girl” motif in these films). Not only is it a great story that examines, pokes fun of, and psychoanalyzes the slasher sub-genre, it also depicts a very doomed romance that is stll rather beautiful and lovely in a weird way. Whether or not you like horror, this is definitely not a film to be missed, because what you can learn from it is great.

Have you seen any of these films? What were your thoughts on them?

What are some great horror films you think can teach people about the genre itself? What is great about them?

snake

How far would you go for love and revenge?

If you haven’t heard yet, Snake‘s e-book is only on sale for a few more days, until July 7th. After that there won’t be any more sales for a while…no, wait. The Quiet Game‘s one-year anniversary is ten days later. Never mind.

But yeah, Snake‘s e-book will only stay $1.99 for a few more days, so if you’re interested in reading the book one author compared to a Stephen King novel, now’s the best time to check it out. All you have to do is head to Amazon, and from there it’s easy to obtain the story of how one young man is willing to become the most horrific of killers in order to save the woman he loves and bring his enemies down to their knees.

Have a great weekend, everyone. I hope to have a review out tomorrow night on the new horror movie Deliver Us From Evil, so stay tuned for it. I hear it’s going to be great.

snake

I’m going to be perfectly honest: I nearly jumped out of my chair when I saw Snake had its first review. The only reason I didn’t was because my computer was in my lap and it’s not even six months old yet. It’d be a pain in the butt to get it fixed because of some well-deserved excitement.

Anyway, back on point: Snake received its first review, from fellow author and dear friend Angela Misri, who helped with the editing and sprucing up of Snake prior to publication. She named her review If you LOVE to be scared, you should read this book, and gave Snake four stars out of five. Here’s what she had to say:

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Okay, any review with me and Stephen King, and even being scarier than him, makes it onto my list of favorite reviews of all time. And I’m glad you found it terrifying, Angela. There were times I wanted to hold back on how terrifying to make the story, and I’m glad I didn’t. And I’m glad you gave Snake such a strong recommendation. Coming from you, it is a really huge compliment.

If you would like to read Snake after reading that review, you can check it out on Amazon, both in paperback and in e-book (which until the 7th is on sale for $1.99, so now’s a great time to get it). If you do decide to get Snake and end up reading it, please let me know in a comment or in a review on Amazon what you think. Good or bad, I love feedback, and I would love to hear yours.

And while you’re at it, you should also check out Angela’s book Jewel of the Thames, which I’ve reviewed here. It’s a great mystery in the style of Sherlock Holmes (in more ways than one), and great for mystery lovers. Check out her blog for details, which I’ve left a link to above.

That’s all for now, I’m off to get some more writing done before the evening’s done. Have a good night, my Followers of Fear.

tqg cover

Ten reviews. I’ve never gotten ten reviews on a single book before. I only have three right now, but still, this is a major milestone that I’ve been hoping would happen for a long time. And today it finally happened.

The Quiet Game: Five Tales To Chill Your Bones was my first book, a collection of short stories I wrote and assembled while still working on the final draft of Reborn City. By far it’s also my bestselling book, which doesn’t surprise me considering that it’s my oldest book and I’m still very early in my writing career. It’s taken nearly a year for it to get to ten reviews, but I’m so glad that it finally did. This one comes from reader kimberly brouillard, who named her review liked this book a lot and gave The Quiet Game four stars out of five, bringing the book’s average to a 4.3 out of 5. Here’s what she had to say:

All of the stories were really diverse and fun to read. I also enjoyed the authors blurbs about each stories origination and development. Keep up the good work!

Thank you kimberly, I’m glad you enjoyed the book. And I’ve got two more if you want to read either of those, one sci-fi and one thriller. I’m also very glad to you and all those who provide feedback on my work. It’s very touching and it means a lot to me, because it shows where I’m doing well and where I could stand to improve. And this early in my career, I’m sure there’s spaces and places to improve.

If you would like to read The Quiet Game: Five Tales To Chill Your Bones, you can find it on Amazon and on Smashwords. And if you do decide to get a copy and read it, please let me know what you think in a comment or in a review. I love feedback, positive or negative, so I’ll be happy to get yours.

That’s all for tonight. I’m tired, so I’m going to get read for bed and do a little reading. Goodnight, my Followers of Fear. Have some pleasant nightmares.

Not literally, of course. I mean how to make one for a horror novel, movie, or TV show.

Haunted houses are such a staple of horror, tales of them dating farther back than The Fall of the House of Usher, and have continued to terrify readers and viewers alike over the years, whether they be watching The Shining or American Horror Story or even that episode of Doctor Who with the haunted house. The question is, with so many famouse haunted houses out there, both real and fictional*, how do you construct one that stands out from the crowd (and once again, I mean metaphorically)? Here are some tips that might help.

*For those of you who don’t believe in ghosts or hauntings, you can interpret this as houses in the real world that have history of or are purported to be haunted. For those of you who believe in ghosts…well, I don’t need to finish that sentence, do I?

1. A haunted house doesn’t have to be old and dilapidated. I know the standard image in our minds of a haunted house is one that’s an old manor, with shingles falling out and holes in the porch and plenty of leaks in the pipes, or sometimes a castle with no glass windows and plenty of dungeons and hidden chambers.  That’s great if you want to market it to the Addams Family, but haunted houses don’t necessarily have to look like that. They can be only a few years old, very modern-looking, and in the middle of a nice neighborhood. Heck, you can even make the house a haunted apartment building if you so desired (there was a movie that did that a few years back. Would’ve been good if it hadn’t been a direct-to-DVD sequel).

Not your average haunted house, is it?

In this one novel I plan to write, I plan on the haunted house being only about three decades old, and without any sort of dilapidation or other trademarks to make it a haunted house. What makes it terrifying is its current occupant, as well as the atmosphere that hangs over the place.

For some good examples of haunted houses that don’t fit the standard mold, try the remake of When A Stranger Calls, the first season of American Horror Story, the Buffy episode Where the Wild Things Are, and (if you really want to) The Grudge 3 for that haunted apartment building. Oh, and Ghostbusters as well, that has a haunted apartment building. Or is that a doorway? You decide for yourself.

2. You don’t always need ghosts for a haunted house. For example, you can zombies, witches, a serial killer, vampires, werewolves, just something out of the ordinary. A haunted house doesn’t become haunted because it has ghosts in it, but when something (usually malevolent) is inside. That’s why the movie Cabin in the Woods is so genius: besides breaking down and exploring/philosophizing on the tropes of the horror genre, it also shows how much variety there is to the haunted house and what can haunt it. Anything from zombies to wraiths to werewolves to evil dolls to giant bats to merman to scarecrow people and everything in between, you can use.

3. Use plenty of description when describing the house. In a horror movie, you don’t need to describe the house, because you can see it just fine. But in a novel, the author has to supply the information. What does the outside look like? Is there a distinctive style of architecture involved? Is it painted in really ugly colors that don’t compliment one another? What’s inside? Accessories, knick-knacks, the odd little mirror that’s always in the northwest corner of a house? Is there a yard? What’s in the yard? Does a colony of rabbits live in the yard? Keep all this in mind the moment you introduce your characters (and by contrast, the readers) to your haunted house.

4. Don’t go all out as soon as the door’s closed. By this I mean one should use a subtle build-up in order to properly scare the reader. You can’t just come out with a ghost or an axe murderer showing up and attacking people the moment the door is closed and the character or characters are settled in. There should be a steady build-up. First small things go awry or weird things that can easily be explained but are still creepy nonetheless. Then weirder stuff happens: you might see a form out of the corner of your eye, or you walk into a room and the furniture is all moved or ruined. There might be voices you can’t explain, or perhaps something catches on fire inexplicably. You touch a certain section of the wall, and you feel intense pleasure or pain. And then finally, there’s no denying that weird stuff is going on: the ghost has appeared, the threat is revealed, you’re going to have to deal with it or die. Using the house to do all that and more can really ramp up the suspense and terror of the story and make your haunted house terrifying and distinctive.

Don’t reveal THIS too quickly.

A great example of this ramping up of the terror is the original Amityville Horror, as well as the movie Sinister.

5. Your house should have a history. Whether the house is ten, a hundred, or several hundred years old, it should have a history, and the author should know what it is, even if they won’t reveal all of it to the reader. What is the history of the house, or the land it sits on? Does it involve an Indian burial ground? Was there a really nasty murder there? Or was there something even darker than that lurking beneath the floorboards and behind the walls? This will help you flesh out the story, the haunting, and whatever is happening in your story. Also, often times one can figure out how to defeat the antagonist of the story through its history (like Jason Voorhees and water, or Goblin from Blackwood Manor by Anne Rice). And if this history involves certain people or objects, make sure to have that worked out as well.

There are many great examples of haunted houses with history, just watch any episode of a show for investigating haunted locations. If that isn’t your thing, try movies like The Conjuring, or the TV mini-series version of The Shining (not the movie though, that was a terrible adaptation).

6. Research common signs or symptoms of hauntings. I know some of you will be like, “What’s he talking about?” Well, besides sightings of ghosts or voices being heard, people often report certain things when experiencing a haunting: inexplicable areas where it is cold, electrical devices being drained, objects being moved, and even attacks, and each can happen for very different reasons. I like to include these things in my story because they seem to give my stories an air of authenticity (if you want to call it that). You don’t have to go this route with your haunted house, but if you do and you want to do some research, ghost-hunting shows or manuals on ghost-hunting can be great resources. Also do some research on why these signs and symptoms might not be caused by a haunting, because…

7. A little bit of uncertainty goes a long way. One of the scariest things with a haunted house is not knowing. Not knowing if you’re going crazy, not knowing if there’s actually a ghost in the house, not knowing what it wants or how you’re going to stop it. It’s scary not knowing, which is why a writer should exploit it for as long as they can in a story. It’ll make your story that much better. So knowing explainable ways for a “haunting” to occur can help to add to that uncertainty. Could it be electrical fields? Could it be a spirit? Or is it just the pipes and my new medication? It’s scary just not being sure.

Ultimately, it’s how the writer writes the story that makes the story scary. But if these tips have helped make your story scarier, then I’m glad to have helped and I hope that you have fun constructing your haunted house. I bet it’ll be very terrifying.

That’s all for now, I–that’s odd. My water bottle just fell off the counter. I could have sworn I put it farther back on the counter. Wait, what was that I just saw out of the corner of my mind. I must be working too hard or watching too many movies. I–oh my God! AAAAAAAAAAAAAAAAAAAAAAAAAAH!!!!!

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He’ll be coming for you next.