Archive for the ‘Writing’ Category

(For all you non-nerds out there, Stephen Moffat is a writer and current show-runner for my latest obsession, Doctor Who. You may skip this entire post if you would like. I understand that not everyone is a fan of the show. Though if you are interested in checking out the show and want to know what the heck I’m talking about, please check out the show. It is mind-blowing.)

Stephen Moffat, current showrunner of Doctor Who.

Dear Mr. Moffat,

First off, congratulations on the selection of a new Doctor. Peter Capaldi, although not the actor I thought would play the Doctor, seems like a good choice and will do well with the part as long as he doesn’t wear the Master’s beard in the role.

Second, I’d like to suggest some ideas for future stories or story arcs for the upcoming series of Doctor Who. Now I know you are a busy man, and that you have enough on your plate and enough talented writers with much more experience than I do when it comes to Doctor Who. But I have plenty of ideas that I can’t just keep stuck in my head, so I thought I’d share them on my blog. If ever this letter goes viral and you stumble upon it, I hope you at the very least take a look at them, just to see what you think of them.

Okay, here’s some stuff I think could be interesting to use in Series 8 and 9:

A new villain. Yes, I know every story in DW has a villain of some sort, whether it be Vespiform, Sontaran, or Martian water virus. But I’m thinking more about an iconic villain, something on par with the Daleks or the Cybermen. With the Master dead and the Daleks and Cybermen being the most used (and therefore most easily defeated) villains, I’m thinking a new villain that will challenge the Doctor and come back several times to haunt him. Some suggestions include:

Imagine Peter Capaldi against this femme fatale.

—The Rani: A Time Lady full of evil and a love of freaky experiments, it would be a great throwback to the classic series if the Rani returned to menace the Doctor and Earth. And I know that all the Time Lords are supposed to be dead, but if the Master could survive the Time War, why can’t the Rani?
—An anti-UNIT organization: UNIT protects the world from alien invasions and works for the good of humanity. But what if there were people who collected alien technology and monitored their movements just to take over the world? It’d be Torchwood meets the Master, in a sense, with a bit of James Bond SPECTRE mixed in. It would certainly be a change of pace for the Doctor, considering he likes to see the good in all people and here he’s seeing the worst of humanity with the worst of alien tech.
—Something from the Time War: The Doctor mentions in The End of Time that the last few days of the war were hell, with “the Skaro Degradations, the Horde of Travesties, the Nightmare Child, the Could-Have-Been King with his army of Meanwhiles and Never-Weres”. What would happen if something from that era made an appearance in the Doctor’s current time? The Doctor would have to confront some really dark memories and defeat an impossible enemy that would wreak all sorts of destruction like in the Time War.
—Something from before the Universe: In DW and its spin-offs, there have been villains who are said to have come from before Time itself (ex. The Impossible Planet/The Satan PitEnd of Days, Secrets of the Stars). What if there was an arc where the Doctor encounters several different creatures and forces that existed before the Universe, and none of them being exactly good or evil? Sounds like a lot of fun, if you ask me.
—The Valeyard: An enemy of the Sixth Doctor, the Valeyard is supposed to be an amalgamation of the Doctor’s dark sides from every previous incarnation that shows up between his twelfth and final incarnations (between Peter Capaldi and whoever comes after him, in other words). Evil and scary, he could be brought into being through some wibbly-wobbly timey-wimey trick and cause all sorts of havoc, the kind the Master never could create. I’d love to see that!

Who would work best with our new 12th Doctor?

New companions. I’m not saying you should get rid of Clara Oswald. I like her, and now that the mystery of her appearance in other eras has been solved, we can delve a bit deeper into who she is as a person, which to me is a pretty big mystery in itself. I’m thinking a companion to go with her, or to come after Jenna Louise Coleman decides to retire. And here are my suggestions for that:
—Luke Smith and K-9: Last seen at the end of The Sarah Jane Adventures, Sarah Jane Smith’s alien/human hybrid son Luke had just gone off to college with mechanical K-9 in tow. Now that Sarah Jane’s actress Elizabeth Sladen is dead, I’m wondering what happened to Luke afterwards? Perhaps he and K-9 could meet up with the Doctor and go for some rides on the TARDIS, reminisce about his dear old mum, and maybe even form a father-son bond. If you ask me, Luke’s like a younger version of the Doctor in some respects, so they’d probably hit it off as mentor and protege. And I know there may be copyrights issues with bringing K-9 on, seeing as he has his own show in Australia, but it’d still be fun to have him along.
—Someone more enigmatic than the Doctor: In some books and movies, you get a character that’s so mysterious, that’s always keeping a secret hidden, who always seems to know more than you do. They don’t lie, but their words are so wrapped up in riddles that you have to really figure through their words to understand them. Pair that with the Doctor, who always is keeping secrets even when you think you have him figured out, and it could make for some interesting conversations.
—Jenny: The Doctor gained a daughter through some weird technological bio-genetic processes in Series 3. He thinks she’s dead, but she’s still alive. What would happen if she popped back in for a visit?
—A grade schooler: I know, the Doctor doesn’t usually take anyone younger than 14 onto the TARDIS, and when he does usually it’s at the behest of one of his companions. But imagine if the Doctor was forced to take a child onto the TARDIS with him, perhaps one that has been displaced in time and space, and take care of said child for a story or two? The Doctor hasn’t had any parenting experience for a while, so at the very least he’ll be able to give us a few laughs and one or two heartwarming scenes.

New Stories. Yes, every series has new stories with new aliens and new villains and whatnot. But here’s my ideas for some new stories:
—A Visit To Earth’s First City: The Doctor stops at a Mesopotamian city that has been forgotten by history. There, he encounters aliens trying to pass themselves off as gods, and not the benevolent kind.
—The Big Race: When setting the TARDIS on random, the Doctor lands at a space port where every year there’s a space race. When the Doctor’s companion(s) are held for ransom as prizes, the Doctor has to use his wits to win the race and save the day with the TARDIS.
—TARDIS-Hunters: The Doctor encounters a group of aliens who hunt down TARDISes and their pilots. Why are they hunting TARDISes? And what do they plan to do with the Doctor’s TARDIS?
—The Convention Center: Landing in 21st century Los Angeles, the Doctor finds himself at a convention for a TV show that bears a remarkable similarity to his own life. Why does such a thing exist? And who is behind it? Or what?

Well, that’s really all I have to say in terms of what you should do for the upcoming series. I hope you like these ideas, should you ever read them. And if you want me to, I’d be happy to write some of these ideas into episodes. I’d literally hop across the pond on one foot, if that’s what it took.

I wish you luck with the upcoming episodes of Doctor Who and I hope for at least another 5-10 years of the Doctor at least.

Hoping you are well,

Rami Ungar

PS Before I forget, can you do a spin-off of Doctor Who featuring Vashtra, Jenny Flint, and Strax, aka the Paternoster Gang? Torchwood‘s on hiatus for nearly two years, The Sarah Jane Adventures has ended, and the K-9 TV series is not really a Doctor Who property, so a show revolving around Vashtra and the gang would be great entertainment, especially if they clash with Torchwood sometimes.

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I swear, I’ll stop doing these update posts once we get past the 1-month marker. Then I’ll do it once a month.

It’s been three weeks since my collection of short stories, The Quiet Game: Five Tales To Chill Your Bones, was published. So far, 22 print copies have been sold and 9 electronic copies have been downloaded. several friends and family members have also said they’re going to buy copies, but do to either time, money issues, or poor memories haven’t gotten around to it. Not that I can blame them: in this crazy world, getting a book by a friend off of Amazon or Smashwords isn’t always first on anyone’s list of priorities.

I also haven’t recieved any reviews yet, but I know they’re on the way. My mother said that the next time she’s on Amazon, she’ll write a review for The Quiet Game the next time she’s on Amazon, and my friends Angela Misri and Matthew Williams said they’ll review it too. I’m looking forward to hearing what they have to say. Heck, I’m looking forward to what everyone has to say. It’s always good to get feedback on my writing, good or bad. It’s how I’ve grown and gotten better at writing fiction.

Until I get those reviews, I’m still working hard. I’m just about ready to resume writing two books at once, having had a nice past two days to relax, meditate, read, and watch Doctor Who spin-offs on DVD. Now I’d just like to get back to work, maybe write another article or two for Self-Published Authors Helping Other Authors. We’ll see what happens.

Until then, expect a few blog posts from me. I’ve done some thinking over the past few days on fiction writing and on life and what-not, and I  want to share them with you.

See you later.

I love writing. It’s my passion, it’s my dream, and it’s what I’m good at and getting better all the time at. But it’s also consuming, not just in time and energy, but in creative steam, that wondrous element to a writer that allows us to continue writing book after book, chapter after chapter, page after page, sentence after sentence, word after word.

That’ll be me after work today, mark my words.

Between Video Rage and Laura Horn, I’ve written fourteen chapters total, almost non-stop. Each book is challenging in its own way, and writing both at the same time, even though I’m switching between books every time I finish a chapter, is a lot of work. It’s like this: I immerse myself in the world of the Hydras and I’m writing about how they’re narrowly avoiding a drone or encountering someone from their past at a diner north of Denver, I write anywhere between five-hundred and four-thousand words, I finish and save the chapter, then I find myself in Washington DC about four years from now right before the 2017 Presidential Inauguration, getting into the complex thoughts of a teenager who has never properly dealt with her trauma, and writing about how she reacts to the world (and this is all before she gets wrapped up in the main plot of the story, which will be in about two or three chapters from now), write anywhere from five-hundred to twenty-five hundred words, and then finish and save that chapter!

Frankly, it’s a lot of work, and I need a bit of a break or I’ll suffer burnout and not want to write another words for days or weeks or even months at a time. So for today, and hopefully only for today, I’m taking a break from writing. By that, I mean any sort of writing. I’m only writing this blog post because I wanted to announce the darn break.

And instead of writing, I’m going to spend the day reading several graphic novels from the library and catching up on my shows. Hopefully tomorrow I’ll be able to resume writing at some point, but for now I just need to relax and take a personal day. I’d like to go to a spa and get pampered with a massage or maybe go to a video arcade and play some games, but I don’t have the time or money for that, so I’ll just read, watch TV, and maybe fit a walk in if I can. By the time I’m done, I’ll be at full writing capacity again.

See you after my break!

Yesterday I saw a video on a Freshly Pressed post on pregnancy in science fiction and fantasy, particularly the “mystical pregnancy”. The full video is below:

This video got me thinking. First I started thinking about all the instances not mentioned in this video: Nymphadora Tonks in Harry Potter and the Deathly Hallows, Scully once again in the seventh-eighth seasons of The X-Files, Amy Pond in the sixth series of Doctor Who, Ruth Gallagher in the second book of The Age of Misrule trilogy, Lady Gaga in the Born This Way music video and live performances, Padme Amidala in Revenge of the Sith–you can stop me anytime, you know.

Then it got me thinking about the use of pregnancy in fiction, particularly the TV shows, movies, and books I like. It was a bit of a shock, how transparent and flat these women can become when they are impregnated by their writers. Some are barely there at all as characters. It’s a little sad, and kind of sexist, reducing an entire complex being to the process of pregnancy of birth. And if you need a great example, take a look at Padme in Revenge of the Sith. She gets maybe twenty minutes of screen-time, has very few significant lines, and in the end dies of heartbreak after giving birth. I think her most memorable line from that movie was “So this is how democracy ends: to the sound of thunderous applause.”

To reiterate, this wasn’t what fans were hoping to see.

But after discussing things with the Suspense/Thriller Writers group I belong to on Facebook and sleeping on the subject a bit, I came to a realization that while pregnancies, and mystical pregnancies as well, are used perhaps a bit too much in fiction, it’s the portrayal of the characters that matters the most. For example, Padme’s pregnancy is a very bad example of how badly the subject of pregnancy can be handled. However there are better examples, such as Aeryn Sun from Farscape. According to writer David Lucas: “Aeryn: surrounded by enemies, gives birth. Later, with the baby in a sling, emerges even stronger as a character and as a fighter as she has something even more precious to fight for.” Note this part of a FB comment, so that’s why there’s two colons there.

Two other writers, John Saunders and Annette Wright, points out the character of Sarah Connor in the first two Terminator films. In the first film, Sarah is naïve and has to struggle a lot. But her pregnancy and its aftermath helps hone her into a fierce fighting machine, pun totally intended.

Don’t mess with Sarah Connor, people.

And there are plenty of other examples where female protagonists and other characters have used their pregnancy to grow as characters rather than become one-dimensional breeding machines. For example, Adalind Schade from Grimm becomes even more of a schemer and antagonist, because now she has something over the other characters: the birth of a new prince. Ripley in Alien 3 had a chest-burster growing in her body, but instead of letting the men do the work, she worked proactively to defeat the Dog Alien and kill the Queen growing inside her (and yes, I’m counting that as a mystical pregnancy). And there are probably loads of examples I can’t even think of, showing that portrayal is most important in using pregnancy in science fiction and fantasy.

This was a woman who didn’t let an alien baby get in her way!

So for future reference, I’ll make sure to take a look at pregnancies in fiction and see how it’s portrayed, what works, what doesn’t work, and what can make up a positive or a negative portrayal. I may even write an article on this for Self-Published Authors Helping Other Authors, if I can find the time.

Plus I’d like to check out the other videos in that Tropes vs. Women series. It looks interesting, and I might just learn something important that’ll improve my fiction writing in the future.

As always, thought and comments are welcome on this subject. What is your take on pregnancy in fiction, particularly mystical pregnancy?

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It’s been officially two weeks since The Quiet Game: Five Tales To Chill Your Bones became available on Amazon and Smashwords. In that amount of time, I’ve received a lot of encouragement and praise from friends and family. In fact, the number of copies sold has risen to nineteen paperbacks and eight e-books. I haven’t received any reviews yet, but I’m sure as more people read the book and get through it, they’ll write a review.

Oh, and I almost forgot to mention it, but I’ve signed my first autographs! They belonged to my parents and my dentist, but I’ve signed some copies of the book. It was an exhilarating feeling, and it made me happy to leave personal messages to the people who bought my book. After all, even though they were family and friends, it’s still amazing that I’m published now, and I wanted to share the joy with the people who are helping to make this into a success, whatever that is in the difficult world of self-publishing.

If you haven’t checked out The Quiet Game yet, then you can read a description of it on the Short Story Collections page, complete with links where you can get a copy (should you so desire to buy one). I promise you, it’s a chill of a good time.

I was hampered by a little writer’s block today, but after a pasta dinner, a nice walk and a shower, I was able to get a lot of writing in. And I’m happy to say, I got through Chapter Six of Video Rage, the sequel to Reborn City. Like I’ve stated previously, Video Rage takes place about two or so weeks after RC ends and a lot has changed for the characters. People are pushed in ways they’ve never been pushed before, secrets are revealed, and the whole world is after them now. It’s a pretty crazy trip, but it’s fun writing.

Writing these first six chapters has been a lot of work. I had to re-immerse myself into the world of Reborn City, and since the plot of this novel takes place outside of Reborn City, I had to invent a lot of new aspects in terms of that universe’s society and culture. It was a little difficult at first, especially writing a good hook for the opening, along with showing what the Hydras have been up to and how they’ve changed since RC closed, but now it feels almost natural to go back into that world. Kind of like jumping down the rabbit hole, I guess.

I also had to split up Chapter Four into two parts while I was writing it. I realized that as a chapter it would be packing too much in, so I had to split it into two separate chapters. In terms of character development and storyline, I feel it was the right thing to do. I still have 31 more chapters to write instead of 30 like the original outline intended, but it’ll be 31 better chapters thanks to the split, if you ask me.

Tomorrow I hope to start Chapter Seven, if I can get through Chapter Six of Laura Horn quickly. Working on two novels at once has its drawbacks, but I’m getting a lot of work done, and I’m having fun with it. If I can, I’d like to make a habit of working on two novels at once from now on, if I can. Of course, when senior year comes around and I have a thesis to write, I may have to focus on just one novel! Good thing that’s a year away, right?

I hope to have more good news tomorrow. In the meantime, good night and have a lovely sleep.

Looks like all of my goals for today are done. I stopped by the library, saw The Conjuring (and really enjoyed it) and I finished the Prologue section of Laura Horn. Not a bad day’s work, considering I slept in late.

I’m not sure if I write prologues the same way as other writers do. Most only use a single chapter, but I use several chapters, each no more than 10 pages, to tell a short scene that sets the mood for the novel. In this case, I wrote three chapters, about ten pages total, to start the mystery that is at the center of Laura Horn and will affect our heroine later in the story. It worked very well for Snake, so I’m doing the same thing here, but I still wonder what other people–especially other writers–make of my use of prologues.

Did I mention Laura doesn’t show up in the Prologue? It’s true, she doesn’t make an appearance till Chapter Four, and we don’t see things from her perspective till Chapter Five. Why do I do that? Well, I guess she didn’t need to appear in the story till that point, and in order to understand Laura, it’s best we find out what happens to her in Four before we see things through her eyes, which I save till Chapter Five. Besides, if Harry can wait to appear till the third chapter of Harry Potter and the Half-Blood Prince, why can’t Laura Horn make her first appearance four chapters into her own novel?

Just saying, is all.

Anyway, I’m satisfied with the Prologue. I may have to take a couple more looks at Chapter Three, I feel like something’s missing from it, but I’m not sure what. Chapters One and Two are pretty good though. Very dark and very informative about what’s to come in the novel. Just need another run-through on Chapter Three when I get to editing the first draft.

Tomorrow I’ll switch back to Video Rage, work on a chapter that includes some nasty character conflicts. After that I’ll start Part I of Laura Horn, which is where things start to get moving. I’m enjoying being busy with two novels. Perhaps it’s something I should make a habit of. Could lead to faster publications, at any rate.

And by the way, what do you think of the picture above? I personally like it, and I think Laura would like it too. She’d draw it herself…if she was good at art and wasn’t so badly traumatized. If we had the former, her subject matter would definitely be more dark, and if we had the latter…where would the story be for me to write?

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It’s been one week since The Quiet Game: Five Tales To Chill Your Bones was published in an elaborate post meant to take the place of an actual launch party (see here). I’m starting to wonder if I should’ve just said “The book’s out, here are the links to purchase it”. But anyway, it’s been a week since The Quiet Game came out, and since then I’ve sold about 10 print books and 8 e-books, with more to come as people tell me they are planning to buy it or will buy it as soon as they get home (thank you, everybody!).

And I’ve gotten some reviews, as well. One was from my mother, who said she can’t read me at night anymore (and has since given me a full report over the phone over what she liked and disliked), while the other was from Jason Haxton, author of The Dibbuk Box, which indirectly inspired one of the short stories, Samson Weiss’s Curse (apparently he really liked that one). As Jason told me, he thought the book was a strong start and wished me a hearty congratulations. Thanks Jason, I really appreciate the feedback.

And with other friends promising reviews I cannot wait to see what people think. In fact, this whole journey in publishing The Quiet Game has been a blast (except for the wait to get the copyright, but I won’t let that ruin the whole thing). I’ve learned a lot, had some great help from friends and family, and got to express myself as well. Maybe in a few books’ time I’ll write another collection of short stories, and it’ll be better than The Quiet Game! Sounds like fun, right?

If you’re interested in reading The Quiet Game: Five Tales To Chill Your Bones, you can purchase it off of Amazon or Smashwords, in both print paperback and e-book. And if you do read it, please let me know what you think. I always appreciate feedback, even negative feedback. It makes me want to work harder for my readers.

I belong to a group of suspense and thriller writers on Facebook, and occasionally the subject has come up in discussion on characters taking over the plot of the story and acting in defiance to the author’s expectations for the story. Until recently, I had no idea what that meant, though I may or may not have said that I did. With my stories, especially my novels, I wrote an outline, then I wrote the story. The characters mostly followed the outline, and any changes, such as certain areas of the climax of Reborn City, I felt were my own creative decision.

It wasn’t until this morning, waiting for the bus to work, standing in the pouring rain, that I had a little epiphany of the subject. I remembered when I first started writing the outline for Reborn City, back in high school when publishing a book was still just a very far-away dream. Originally I’d planned for bad-boy Rip to be the star of the show, and Zahara Bakur to be the deuterogamist (secondary protagonist for those of you who don’t know that term). But as I started outlining the novel, I saw that Zahara was taking up more of my attention and more of the story than Rip was. Consequently as time went by, Zahara went from deuterogamist to co-protagonist, and by the end of the outline, she’d gone to leading lady, with Rip being the deuterogamist.

Reborn City

And you know what? I thought the novel benefited from that. Sure, the Hydra leaders have a plethora of problems, and having Zahara around doesn’t exactly make them easier. But I think they benefit in some ways from Zahara, and she’s the one who goes through the biggest transformation of all. Heck, I’m only two chapters into the second book of the series (three if I can stay on track for tonight), and I’ve already noticed that she has a confidence that wasn’t present in the first book.

Sure enough, my characters are having more of a say in how the story turns out than I am. If anything, Zahara’s dictating her story to me, rather than I’m coming up with it. It’s a weird feeling, but it’s also kind of fun and exciting, and I get to experience my characters’ growths, decisions, and tribulations with them. And isn’t following a character through all that just the reason we pick up books in the first place and read them?

I’m looking forward to see what happens from here on out. I’m also hoping to see if I’ll write any more stories where the characters do more of the dictating than I do. If I do, it’ll probably be sometime soon, especially since I’m working on two novels at once!

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Between finishing the last post and getting out of the shower, I realized that there wasn’t enough time to watch a movie before bed (another time, perhaps). Which is why I decided to write this post, featuring my first review of The Quiet Game: Five Tales To Chill Your Bones. (If you’re interested in reading but don’t have the link, click here). It comes from one of my beta readers, and it was posted on her Facebook status. And by the way, this happens to be my mother.

Yes, I know your family is supposed to love everything you write, even if you have your character choking a baby (please don’t ever write anything as sick as that). But my mom’s a little different. For starters, my mother was the one who got me into Anne Rice and Stephen King. Yes, she did. Originally a fan of the two authors, she’s the one who lent me Interview with the Vampire and told me to read Stephen King when I’d read several Anne Rice books. She’s also lent me other books and turned me onto other writers like Dean Koontz and Dan Brown. She also introduced me to Buffy the Vampire Slayer and The X-Files, shows which had a profound influence on me and my writing.

So even though she’s family and even though my mother doesn’t get the same sort of thrills I do from horror movies (I feel delightfully terrified while she’s just terrified), she’s definitely helped in molding me into the writer I am. Which was why I was very delighted when I called her and she told me she was about one short story into the book. And later when I logged onto Facebook, I was greeted with my first review. What did Rabbi Wendy Warren Ungar have to say? Why this:

“Reading Rami’s new book of short stories that was just published, (shameless promotion here), and I’ve discovered that my son is yet another author I can’t read at night!”

If you haven’t noticed, the subtitle on this blog is “Scared yet? My job here is done.” Well folks, my job here is done. Because I’ve always dreamed of giving someone a fright with my writing, and hearing that my mother can’t read my work at night gives me a small sense of accomplishment. I like knowing that I can deliver the goods when I say my stories are scary, and I like knowing I’m getting the sort of reactions I’d hoped for.

So Mom, thanks for reviewing and shamelessly promoting and all that. It means a lot to me and I hope to make even better stories as time goes on.

I also hope to post more reviews for The Quiet Game as they come. I know some friends have said they’ll write a review when they’re done, so I’m sure those reviews will show up in the next couple of weeks. Until then I hope you enjoy reading The Quiet Game as much as I enjoyed writing it, putting it together, and sending it out to you.

Good night everybody!