Happy New Year, my Followers of Fear! I hope 2025 is treating you well so far. For me, it’s not so bad. Sure, there’s been heavy snow these past couple of days, but I’m indoors and don’t mind it so much.
Anyway, I’m pleased to announce that my latest book is now available for preorder. And what is that book, you’re asking? Why, it’s a new collection called Symphony for Walpurgis!
Not a bad cover, right? I designed it myself based on one of the stories in the collection.
Speaking of which, the collection is made up of nine novelettes, four of which have already been published. Those are “Blood and Paper Skin,” about a group of older teens who end up locked up in someone’s private basement; “Disillusionment and Trauma Sometimes Go Hand-in-Hand,” which features my famous monsters, the dragon bats; “Cressida,” about a mermaid who bears a mysterious resemblance to a girl who supposedly died years before; and “Natural Predators,” about a new pandemic with startling implications for the fate of humanity.
The five other stories will be “The House on Lafayette Square,” an exorcism story with a Jewish twist to it (yay for more Jewish horror!); “Mother of Spiders,” about one town’s dirty secret and the woman who comes to collect her dues; “Famous,” about a wannabe starlet who will do anything to achieve the fame she deserves; “The Little Goddess of Horror,” about a rather famous and unusual actress; and “The Parasite Man,” about a powerful lawyer whose family comes under attack from a relentless spirit.
I’m so looking forward to you all reading this book. I’ve scheduled it to come out on Thursday, May 1st, 2025, the actual date of Walpurgisnacht (think Halloween in spring for witches, if you’re unfamiliar). Currently, it’s only available to preorder as an ebook from Amazon and Kobo. And for some reason, Amazon doesn’t allow preorders for paperbacks published through their platform (yeah, I think it’s stupid, too). But I’m working on getting it available to preorder through Barnes & Noble and Apple Books, and B&N actually allows preorders for paperback books. So, sit tight. As soon as that’s ready, I’ll let you know.
And in the meantime, if you would like to preorder a copy from the stores where it’s currently available, I’ll leave links below. I hope you’ll check it out. And when it releases this May and you read it, I hope you’ll leave reviews online. Positive or negative, I love reader feedback, and it helps me out in the long run.
Anyway, that’s all for now, my Followers of Fear. I’m being allowed to work from home tomorrow, but that doesn’t mean I can slack off. Until next time, good night and pleasant nightmares.
If you read my blog post from earlier this month, you know that my short story collection Hannah and Other Stories will be going out of print on Wednesday, January 1st, 2025. That’s two days from today! So, if you’re interested in getting a copy, there’s a limited time to do so.
Honestly, I’m both sad about this. It sucks that BSC Publishing Group and I aren’t renewing the contract and keeping Hannah on the market. However, this does mean I can put it out again in the new year, and make a couple of changes so that some of the stories better reflect my original vision. And hell, I’ll even spring for a new cover. That should be a lot of fun.
But anyway, if you would like to check out Hannah before it goes temporarily out of print, you can get a copy using any of the links below. It’s a book filled with tales of ghosts, budding serial killers, and carnivorous horses, among other things, so it’s sure to thrill all of you horror fans out there.
And if you like what you read, please leave a review online wherever you purchased it. Positive or negative, I love reader feedback, and it helps me out in the long run. (Not to mention other readers.)
And with that, that’s all for now, my Followers of Fear. If I don’t post anything new before the New Year, I hope you have a fun and safe New Year celebration and that 2025 is nicer to us than 2024 was. Until next time, good night, pleasant nightmares, and Happy New Year!
The detective arrives at the crime scene and finds the body is nearly identical to another murder. A soldier is walking through a swamp, when they are warned by their sergeant that mines are buried underfoot. The bride leaves her groom at the altar, looking to find herself after years of being told what she should do with her life. The singer comes across Robert Johnson’s guitar, thought to be long lost, and finds there’s more than just history attached to it.
All of these could be the beginning of a story that starts in media res.
Latin for “in the middle of things,” a story that begins in media res is one that starts midway through the plot, rather than at the beginning. And believe it or not, a lot of stories start like this. Hell, you’re probably familiar with most of them. The Star Wars movies arguably all start in media res, as they all start when a conflict is well underway. The novel Gone Girl begins with the protagonist’s wife being discovered missing. Wicked, from novel to musical to movie adaptation (love those last two) always start with the Wicked Witch being a well known figure and with several events implied as having happened and being common knowledge.
That last example brings up something important: how do these stories start in the middle when there’s who knows how much backstory we’ve missed? Often, this is accomplished through dialogue, flashbacks, and exposition. Flashbacks are especially popular, with the majority of Wicked being flashbacks, and the Deadpool films using flashbacks to explain why the film starts off with Wade Wilson getting into some insane shit.
And in horror, in media res is also quite popular. From the classics like Dracula, Frankenstein and Jekyll & Hyde to modern entries like Firestarter and Nightmare on Elm Street. Many of my own stories also start this way: Rose begins with Rose Taggert waking up in a greenhouse with no memory of how she got there or of the past two years, “Queen Alice” begins with my main character Joshua Blumfield already giving his report on the urban legend, and “The Dedication of the High Priestess” begins with Annie Hummel going to a gallery after already serving as a model for three paintings.
Why do horror authors, as well as authors in other genres, begin their stories this way? Well, one thing is the immediate hook. Take Nightmare on Elm Street: it starts with Freddy crafting his claws and then chasing after a teenage girl, only to wake up right on time. We’re immediately left wondering what happened and why, and that keeps our interest.
This oil painting by friend and colleague Iseult Murphy is based on “The Dedication of the High Priestess.” The story is an excellent example of a story starting in media res.
It also makes for great suspense. Take Nightmare again: we’ve already witnessed what Freddy’s capable of in the first scene, and so we wonder what else he can do. Would that have happened if we started with Freddy’s first murders and then getting killed by the parents? That opening violence builds up our expectations and keeps us enthralled.
Finally, you manage to get through a lot of exposition writing this way. Take Gone Girl, for example. Gillian Flynn could have started the story with Nick and Amy meeting, getting married, and the fracturing of their relationship before Amy’s disappearance, but would that have been as fun? It’s more interesting and suspenseful to read about the disappearance and then see how their relationship developed.
Another great example would be my story “The Dedication of the High Priestess” (spoilers for a story that came out in 2022). As I said, that story starts with my protagonist Annie already having modeled for a famous artist. She then goes through the gallery, which then causes her to be caught up in the King in Yellow’s plot to come to Earth. I could have started with Annie taking ballet classes, being scouted for the painter’s new series, doing the modeling gigs, and then going to the gallery, but that would have taken a lot of time and pages, and a lot of effort to keep readers interested. Starting with the gallery showing, using dialogue and exposition to explain how we got to this start, and then getting straight to the horror was very effective.
So, there’s a lot of reasons to use in media res to start a story, no matter the genre. It won’t work with all stories (looking at you The Hogfather, Die Hard, and Kill Creek), but if it works with your story, and you can do all the backstory parts without any issue, I see no reason not to use it. After all, I use it all the time. And look at me now!
Thanks for reading, my Followers of Fear. I’m about to start a new story, and it starts so in media res, some readers might need to read the start again. I thought about starting it from earlier in the events of the story, what I would normally reserve for flashbacks or exposition, but it felt like it would take too long and take up too much of a word count. Thinking about it and weighing my options made me want to write this blog post.
And now, if you need me, I’ll be busy writing what may be the most Halloween-y story I’ve written to date. Until next time, good night and pleasant nightmares!
A temporary cover for The Shape of Evil. I think it captures the idea of the novel pretty well.
‘Twas the night before Christmas (and Hanukkah, coincidentally). And all the Haunted Condo, only the Rami was stirring. Because he’d finished the second draft of The Shape of Evil, AKA the 3D Printer from Hell story, and he’d only just gotten around to drinking the celebratory wine and writing the celebratory blog post.
Doesn’t rhyme, but I’m not much of a poet, so I think it’s okay.
So, as I said before, The Shape of Evil‘s second draft is now complete. And this novel, as I also said before, is about a 3D printer from Hell. I started writing it back in March, thinking it would be a novelette or short novella, and finished it as a novel back in August. Right around Thanksgiving, I began work on the second draft, and I finished it earlier today.
I would’ve celebrated right then and there, but at that point, I had to run an errand, then grab some takeout, and then do my usual routine of watching Die Hard on Christmas Eve. But now that that’s taken care of, it’s time to let you know and celebrate!
Overall, I saw a ton of improvement with the second draft. Not just with spelling/grammar/punctuation, but in finding plot holes and fixing issues I missed in the first draft. I also took out a lot of stuff that I thought worked for the first draft but, on the second go around, didn’t work. The final result was ten pages and around twenty-eight hundred words longer, at 283 pages (8.5 x 11 inch paper with 12-point Times New Roman font, double spaced), and 75,300 words. That’s about two thousand words less than the first Harry Potter novel (no, I will never stop using that book as a good comparison, even if the author is now a TERF).
So, what’s next for The Shape of Evil? Well, I plan to find a beta reader who can also double as a sensitivity reader. As I’ve mentioned in previous posts, my main character is non-binary trans, and I’m cisgender, so I would like someone from the trans community to read the manuscript and give me feedback to ensure I’m respectful to the community. I already have a few people in mind, so hopefully one of them would be interested. And if not, I have a few other ways to find someone.
Whoever reads it, after I get their feedback, I’ll do another draft. And after that draft is done, I think I’ll be ready to pitch this novel to agents. Particularly anyone at StokerCon this coming summer.
In the meantime, I have a new short story I want to write, and I have a new collection to start the work of self-publishing. No, I am not slowing down. I’m brimming with too much drive and imagination, and am nowhere near burnout, so I’ll keep plowing on!
(That being said, I am planning on spending at least one day in the coming week or so just chilling on the couch in my pajamas and reading or watching anime. It’s something I’ve been wanting to do for a while, so no time like the present!)
Anyway, that’s all for now, my Followers of Fear. I’ll certainly be back soon with more news for you. Until then, good night, pleasant nightmares, and to all those who celebrate, Merry Christmas! May we all get visited by three spirits (whether we want them to come or not).
This year, I went with a totally metal graphic. You like it?
It probably won’t surprise you that I’m already scheduled to attend some events as an author in the coming year. And because I love it when I run into Followers of Fear at these events (doesn’t happen often, but it still happens occasionally), I try to advertise the hell out of them in the hopes that someone reading these posts will be in the area and want to come and see me.
Plus, I’m doing a lot of new events this coming year, of which most of them are horror cons, so that should be a lot of fun. So, without further ado, let’s talk about what’s happening in 2025!
First, I’ll be getting started early this year with Akronomicon. This horror themed convention, previously known as Monsterfest Mania, will be held at the Emidio Expo Center in Cuyahoga Falls, Ohio, which is located in the Akron metropolitan area (hence the name Akronomicon). It’ll be held February 1st, from 10 AM – 7 PM. I’ll be there selling books and doing Tarot readings. If you can stop by, please do. Tickets are being sold here.
Then, I’ll be back in Akron at the Akron Book Festival on March 8th from 11 AM – 3 PM at the Main Library in downtown Akron. I’ll be there with a bunch of local Ohio authors, selling books (and hopefully being allowed to do Tarot readings). If you can, please stop by. You can find out more here.
Skip forward two months, and I’ll be heading up north to Michigan for the Halfway to Halloween Expo! This is an annual event held around when we’re six months away from Halloween (hence the name), and from what I hear, it’s always popular. This coming year, it takes place on Saturday, May 10th, 2025 from 11 AM – 6 PM at the Washtenaw Farm Council Grounds (now there’s a name!) in Ann Arbor, Michigan. I’ll be there selling books and doing Tarot readings, so I hope to see you there. You can find out more on their website.
And finally, StokerCon 2025 will be held in Stamford, Connecticut on June 12th – 15th. This is the Horror Writers Association’s very own convention, with lots of panels, pitch sessions, endless ways and reasons to socialize, and, of course, the Bram Stoker Awards Dinner and Ceremony. I don’t know if I’ll be selling anything there this year, but I’ll definitely be there to enjoy myself, see old friends and make new ones, and possibly get books into people’s hands. I’d be happy to see you there, too, so do come say hi if you’re planning on attending as well. You can find out more about the convention here.
And that’s really all for now, my Followers of Fear. If I am confirmed for other events, I will let you know in case you want to come. In the meantime, I’ll try not to bombard you with reminders of events except right before the events. Unless talking about them more will get people to come? Hmm…something to think about.
Anyway, if you’re unable to come to the events and want to support me, you want to support me anyway, or you just want something to read, why not check out one of my books? From plant/human hybrids and strange gods to Mafia hunting serial killers and carnivorous horses, I have something for every horror fan, so why not check something out? I’ll leave links below.
And if you like what you read, please leave a review online so I know what you thought. Every review helps me out immensely. Not to mention, it helps other readers figure out if the book is right for them.
Anyway, it’s late and I’m tired, so I’m going to head to bed, my Followers of Fear. So, until next time (maybe tomorrow or Tuesday, depending on how things go), good night, pleasant nightmares, and happy holidays.
So, I have an announcement regarding Hannah and Other Stories. If you’re unaware, Hannah and Other Stories is a collection I wrote that was published by BSC Publishing Group on September 23, 2023. The collection contains tales of ghosts, budding serial killers, and carnivorous horses, among other things.
The collection has been well-received, if the reviews I’ve gotten are anything to go by. Unfortunately, sales have not been as good as they might have been, despite my best efforts, and, with my contract ending earlier this year, BSC Publishing has decided to relinquish the rights to publish the book back to me on January 1st, 2025.
Which means on January 1st, 2025, Hannah and Other Stories will go out of print.
Honestly, I’m going through several emotions at the moment. But the major one is acceptance. It is what it is, and I’ll always be grateful for BSC helping me get Hannah to the level it was. Trust me, I have a feeling it wouldn’t be as well received as it was without their help on the later drafts. Having to go through this kind of sucks, but I know it could be a lot worse.
And I also feel hopeful and determined. You see, once the rights are back in my hands, I can publish the book again, either with another publisher or self-publish. And I think I’ll self-publish. Not immediately, but at some point in 2025. I’ll release Hannah and Other Stories again, and it’ll be the same great book as before.
Well, with some changes. BSC’s business model called for only selling paperbacks if there’s enough demand for the ebook. Now, I’ll be able to publish a paperback, which I’m sure plenty of people who haven’t converted to ebooks yet will appreciate.
I also plan to return the Lovecraftian elements to “What Errour Awoke,” one of the stories in the collection. BSC wasn’t a fan of the Lovecraftian and wanted me to take them out. In the end, we compromised and made it semi-cosmic, but it’s never sat right with me. Now, I have an opportunity to make that story the way it was supposed to be, rather than how it was. (I may make a few more changes, but that’s the big one.)
And I think I’ll shell out for a new cover. Something I think will not only attract readers, but symbolize the book’s rebirth to a tee.
2025 is going to be full of possibilities.
So yeah, Hannah and Other Stories is going away for a while. But it’ll come back sometime in 2025, better than ever and in paperback, too. And if it does well enough? Maybe an audiobook version as well. It could happen.
For now, though, if you haven’t read Hannah yet, you still have fourteen days and about five hours to get an ebook copy. Even if you don’t read ebooks, buying a copy will help me in the long run and show me that there is plenty of demand for this book. And if you do read ebooks, please read it. And then leave me a review so I know what you thought. Not only will I really appreciate it, but it’ll help when Hannah eventually returns.
Hmm…between Hannah and the collection I’ve been working on, 2025 is looking like the year for collections. Maybe I’ll do a third as well? Well, we’ll see. However many I release, I hope they all do well.
Anyway, that’s all for now. Links for the book are below. Until next time, my Followers of Fear, good night, pleasant nightmares, and thank you for always supporting me. It means the world to me.
So, it’s been a bit of a strange week for me. Most of it was work, where my workload somehow doubled this week and a bunch of other things occurred, but the thing that I want to talk about is about Die Hard. As many of you know, there’s a big debate over whether or not Die Hard counts as a Christmas movie. This humble Jew not only counts it as a Christmas movie, but as many of you know, has the tradition of getting takeout and watching the movie every Christmas Eve.
And earlier this week, I was at my chiropractor’s office getting an adjustment and was talking to the receptionist while I was paying my bill. Here’s a reproduction of the conversation:
Receptionist: “Are you doing anything for Christmas?”
Me: “Just getting Chinese food and watching Die Hard.”
Receptionist: “What’s that? Some new TV show?”
Me: “…”
Receptionist: “From the look on your face, this is something I should know about, isn’t it?”
And that was the conversation in a nutshell. And you can imagine how stunned I was. I can understand people having never seen the film (I used to be related to someone like that), but having never heard of it? And no, she wasn’t some youngster, this woman was old enough to be a few years behind my parents in high school! You’d think she would have heard of a major blockbuster that came out in 1988.
Anyway, I explained to her what the film was, and she said she’d consider checking it out (whether or not she does, I won’t know till next month). However, that’s not where the story ends. If it was, it would be amusing, but not enough to warrant a blog post.
No, what happened next was that I posted the conversation on my social media so other people could laugh at it, too. And Followers of Fear, over on Threads (Facebook’s answer to Twitter, if you didn’t know), it went viral! I kid you not, within twelve hours, I had tens of thousands of views on that post! Hundreds of people commenting every minute, talking about how old they were when they saw the movie, incidents where young and old alike were unfamiliar with something that was supposed to be common knowledge, and a hundred other things that, more and more, strayed away from the main topic at hand.
As of writing this, that post has over 189,000 views, 2,700 likes, 1,100 comments, and twelve reposts. And I’ve still no idea why it went viral like that. I mean, I know Die Hard and whether it’s a Christmas movie or not is big around this time of year, but holy shit! If any post about one of my books gets even a hundredth of that sort of attention, I would be in heaven!
So yeah, that happened. As did a post about the Disney Princesses duking it out to the death getting nearly 17,000 views (Mulan and Merida are the favorites to win if you force the magical ones not to use their powers), and over on BlueSky, the director of the movie Suitable Flesh saw my review of it (I found it unnecessarily horny), and was pretty much like, “Oh well, I thought it was horny enough, but to each their own. Thanks for watching.” With a GIF of Elmo shrugging. I was touched.
Like this, but with “OH WELL” over his belly.
And this is only part of what has been a weird, weird week. But this is the part that I’ve been dying to tell someone all week and which I’ve only been able to do now. Really, no deeper reason than that. Thanks for indulging me while I unloaded what’s been rolling around in my head this week.
Anyway, hope you’re all doing well as the year begins to wind down. I’m counting down the days till I’m off for two weeks and working on The Shape of Evil in the meantime (nearly halfway through the second draft). And in the meantime, if you’re looking for a good scary book for yourself or for someone else this holiday season, I’ll leave a link below. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan, so be sure to check them out. They’ll make the holiday gatherings that much easier.
Also, if you would like to keep up with me on Threads, BlueSky, or any of my other social media platforms, I’ll include those as well. I post more often there than here, and it’s another way to support me, so please do check me out.
Until next time, good night and pleasant nightmares.
I know, I know. And just a few days ago, I was talking about how much I was looking forward to going. But today I got an email to call the airline, and when I called, they said they and their international partners were canceling all flights into Tel Aviv for the foreseeable future. This is the second airline to cancel on me. And while I could keep searching, it just feels like I’d just set myself up for more disappointment. So, I canceled.
Again, sucks. And I was really looking forward to going to my friend’s wedding and seeing the country for the first time in nearly fifteen years.
On the bright side, I’m planning on going as soon as things calm down. Don’t know when that’ll happen, but I’ll go. And not hell nor high water will keep me from going! Especially if, by then, I have a lot of vacation time and money saved up. I WILL visit my people’s homeland again someday!
Still, sucks.
On a brighter and more immediate note: a friend and colleague messaged me out of the blue yesterday about joining her and some friends at GalaxyCon Columbus. It’s a convention for fans of anime, gaming, comics, TV, and everything else you can think of, and it’s quite expensive to get a table at. My colleague and some of her friends went in together on a table. However, one of my colleague’s friends dropped out, meaning they needed an extra author at the table (apparently they’re all horror or speculative fiction writers).
And guess whom my colleague reached out to?
Happy Krampusnacht!
A convention, especially a popular one like GalaxyCon Columbus, might just be the thing I need. New readers, new sales, and possibly a run-in with some major celebrities? Yeah, I’m in. And while it’s short notice, if any of you are in the Columbus area and planning on being at the convention, please come find me. I would love to see you, do a Tarot reading for you, or give you a nice, new book. (So long as you pay for it, of course.)
Anyway, that’s all for now, my Followers of Fear. It’s getting late and I have sugar-free brownies I want to indulge in. I’m sure I’ll have plenty of updates for you soon. Until then, good night, pleasant nightmares, and Happy Krampusnacht.
Yes, that’s tonight. And believe me when I say, I hope many, many people get whacked on the butt with a bundle of sticks, because many, many people deserve it.
Well, we’re officially in December. 2024 ends in just 29 days. I would say thank God, but I’m not convinced 2025 will be much better. Still, gotta be optimistic. Gotta keep plugging along. Gotta keep making plans, writing stories, and making things in my mind into realities.
And that’s what I’m doing now. Making plans, writing stories, and making them into reality.
First, my Israel trip. That’s fast approaching. And assuming the ceasefire with Hezbollah holds and nothing else happens, I should still be able to go. It’s been nearly a decade and a half since I was last there, so I’m really hoping things calm down a bit and move towards resolution.
In the meantime, I’ve started on the second draft of The Shape of Evil, AKA the 3D printer from Hell story. In fact, I’m already a fourth of the way through the draft! I’m averaging a chapter every time a night, starting from the night before Thanksgiving. Considering that it took me six months to get through the first draft, moving through the book this fast is a dream come true! I might be done well before I fly out later this month.
I hope so, anyway. When I started thinking up this story, and I realized that my three main characters would each have a disability, with the lead being non-binary, I felt this story would be important. And after the events of last month, I feel like this book could be timely. No, it is timely. And I’m determined to get it in the best shape so that when I pitch in June, I can find a home for it sooner rather than later.
Me every evening, working on the next big thing.
And after the second draft is done? Well, whether I go on my trip or not, I have a plan. I’ll find a beta reader/sensitivity reader for The Shape of Evil, and then work on three goals: writing a bunch of new short stories; editing three novellas; and putting out a new collection in the spring. The first two, I’ll be switching on-and-off working on. First a new short story or novelette, then one of the novellas I worked on earlier this year. Then another short story, then another novella, and then…well you get the idea.
With any luck, I’ll be able to start shopping these novellas I’ve written as a collection at some point, while also have a bunch of shorter stories to submit to every publication I can find.
As for the new collection, I’ll start in January or February by announcing the title, revealing the cover and release date, and getting the marketing machine rolling. I’m honestly very excited for you to learn more about this collection. I have a very good feeling about it.
Looking forward to doing this next year!
And if all goes well…who knows? Maybe I’ll somehow find more time for writing and even–finally!–get back to writing my mummy novel, Crawler. Yeah, I know, I know. I keep saying I will, and then something puts it further down the To Do list. But I will get it done. You’ll see. I’m making it a goal.
In the meantime, if you would like to support me while I work on all these projects, or if you’re in the mood for something scary to read, or if you’re looking for a good gift for the horror fan in your life, why not consider getting one of my books? Not only would it be a great gift for yourself or for someone you know, but you’d be giving me a gift as well.
Besides, plant/human hybrids? Strange gods? Mafia hunting serial killers and carnivorous horses? I got something for every horror fan, including free stuff! So, why not check them out? I’ll leave a button for my Books page below. Look and see what calls to you.
That’s all for now, my Followers of Fear. I’m going to at least try to start on the next chapter of The Shape of Evil (as I recall, this next one is rather long). Until next time, good night and pleasant nightmares.
AI is everywhere these days. And unfortunately, it’s making inroads into the creative industries.
In September, the organization behind National Novel Writing Month announced they would allow participants to use AI programs to write their novels for them (you can see my post about that here). Then HarperCollins, following some academic presses, announced it would be offering some of its non-fiction titles to Microsoft for training their language-learning models (LLMs), AKA the same programs that “write” fiction for people, provided the author consents. And earlier this week, Bookseller reported that AI publishing company Spine would be using AI to publish up to 8000 titles a year, while also charging authors $5000 to use their programs to proofread, publish, and distribute books. You can read both articles on this subject here and here.
This is only confirming many creatives’ worst fears about how AI may be used by companies to make money. After all, you don’t have to pay a program for their work, which means the company keeps all the profit. This could potentially make it harder for creatives to make a living or even a side hustle by writing, making art, editing, make music, or a hundred other things. And after the writers and actors guilds fought so hard last year to keep AI from cutting in on their work!
Now, I’m not necessarily against AI. I think AI has plenty of useful applications. For example, Google’s AlphaFold program is apparently predicting proteins and coming up with new ways to treat some of our worst diseases. And I think many people would be happy if AI made certain aspects of life, such as cleaning our homes, easier. (God knows I would love it if a program could clean my bathtub, rather than me.) However, I don’t think AI should be in the entertainment business!
For one thing, there’s the issue that often, the literature and art used to train the programs is used without the creator’s permission. I’ve heard from plenty of creators who found out their work was being used without permission, which they considered theft (and I can’t disagree). And it’s not just authors and artists dealing with this; some voice actors are actually suing a company for using their voices without their permission (you can watch a news report about it here).
Then there’s the problem with AI trying to create literature or art. It doesn’t actually create anything new. Unlike humans, who can learn from other creators and then learn to subvert tropes or play with ideas to try new things, AI programs can only look for patterns and then apply those patterns. It’s essentially paint-by-the-numbers. And it’s hardly perfect. In fact, it rarely is!
I’ve played around with AI (if I’m going to criticize it, I might as well). This includes writing programs. And they’re difficult to keep on track. You’re constantly having to get the writing back on track because the program forgets something it wrote before. And from what I’ve seen, the language is hardly that deep. It’s pretty barebones. No inner monologues about character feelings or philosophical discussions in-text about the nature of good and evil, love, death, etc. It can get the actions and maybe the conversations, but it can’t do anything like Stephen King’s musings on goings-on in the Lot in Salem’s Lot, or the Savage Garden in the Vampire Chronicles.
AI art is worse, including WordPress’s new AI art generator. (Yeah, that’s a thing now.) I played around with it recently, and while it is fun, it’s still problematic. Sometimes, you get some good stuff, like this image of Batman taking a kid trick-or-treating (something I could see happening in the right comic storyline).
But then you get this Spider-Man art I made.
Don’t see the problems? Spider-Man’s spider symbol looks more like a stain on his top, his neck looks like it was twisted around a hundred and eighty degrees, the webbing looks more like chains than webbing (and on the left arm is coming out of the wrong place), and the bus has an extra twenty feet on it that’s being kept up by magic.
And that’s just one example. I did a bunch of ballet-themed pictures because AI-generated ballet art shows the issues with AI programs about fifty percent of the time (and I like ballet). Half the time, the dancers had extra limbs or missing limbs. And sometimes, the program couldn’t properly reproduce something I input into the prompt. Look at this picture of Jason Voorhees, Michael Myers and Leatherface skipping through a field.
Yeah, that’s not what I was going for. Jason is wearing Michael’s boilersuit, and the other two look like a masked warrior wearing weird make-up holding a sword and…I don’t know. A random guy with a machete? I tried this prompt four different times, and not one got close to what I was looking for.
So, to reiterate, while companies are going all in on AI in the hope that it can make them a profit, they’re working with programs that are flawed, can only copy, and sometimes rely on stealing to get trained. All while threatening the livelihoods of authors and artists.
Well, the good news is, while AI is making leaps and bounds, it may eventually implode. In one scenario, AI will eventually begin to copy itself, flaws and all, leading to the programs producing increasingly subpar creations. In another, such as this video seems to suggest, the facilities needed to store data for AI programs will start to consume tons of water and electricity. Water and electricity that, more often than not, comes from the same sources as regular people’s water and electricity. That competition will eventually move in favor of people unless a compromise or solution presents itself, and may eventually lead to limitations on AI facilities.
Still, it’s a fucking pain that the real creators have to compete with ones and zeros to prove we’re the superior creators. Hell, sometimes we have to go on strike to get the message across! In addition, some creators don’t seem to see the issue. I spoke recently to a creator who didn’t see what the big deal was and even welcomed the challenge from AI. Let me tell you, she was exhausting.
So, what can we do? Well, if you work with publishers, check with them on their AI policies. I asked both the ones I’ve worked with, and one’s already gotten back to me with a definite No. Just simply ask what their policy is on AI-generated material is, so it doesn’t sound accusatory. You can also reach out to your elected representatives and ask them to support legislation that protects creatives over programming.
You should also support creators who don’t use AI. Buy their book and artwork, leave reviews online, and make sure to let people know that those you support don’t use AI. (For the record, no AI beyond spellcheck is used in my work.)
And, as always, make your voices heard. If we aren’t silent, people will notice. And if they notice, they may be swayed to help us.
Rami Ungar The Writer 