Posts Tagged ‘authors’

The other day I was reading a blog post by impossiblegirl123, author of Life and Other Diasters, that got me thinking. The post was about the author’s favorite books growing up, and I mentioned some of mine in the comment sections. It was then that I noticed something interesting about the books mentioned: several of them had orphans as main characters. From Harry Potter, A Series of Unfortunate Events, and Eragon to The Thief Lord and The Bartimaues Trilogy, all these books had at least one parentless child as the protagonist.

Now here’s my question: why? Why are orphans so popular in fiction, especially fiction aimed at children and young adults? It’s not something I’ve considered before, though now that I look at it the orphan trope seems pretty popular. Heck, I use orphans in Reborn City: all the main characters are orphans in one sense or another! So in this post I’m going to try and figure out why orphans are so popular as protagonists, especially when in real life orphans aren’t that lucky to be in harrowing adventures involving magic, love, and mystery (how many series did I just pin down right there?).

1. We want to think good things will happen after horrible events occur. I think that’s the more emotional reason behind the orphan trope. Everybody hopes that after a disaster occurs, such as the loss of parents, we’ll be then blessed by something extraordinary. Having orphan characters, people who have no parents and are affected by their absence in some manner, allows for us to identify with the characters and what we hope would potentially happen to us should, God forbid, we tragically lose our parents before their time.

2. Who needs parents in the way? An orphan cahracter is a parentless character. And how many times would a parent get in the way of a character if they had to set out on a probably very dangerous journey? I’d say 100% of the time. Hence, having an orphan character means parents won’t get in the way of the plot development.

3. Great introspection. Parents help to shape our identities. Orphans are therefore somewhat lacking an identity. During the course of their journeys and adventures, there is plenty of room for an orphaned protagonist to wonder about the important questions, such as “Who am I? What’s my purpose in life? Why was I abandoned to the world? Will I ever find someone who will love me for who I am? Why do terrible monsters keep coming after me?” It’s perfect for authors who love to add a little grounding introspection and character development in the middle of a pulpy action-adventure plot.

4. A morality tale. As children we’re often taught the difference between right and wrong from our parents. When you have a lack of parents, whom do you learn right and wrong from? Do you even get a chance to learn or do you have to figure it out yourself? Do you ever figure it out at all? All of us want to believe that fi we were in horrible situations, like being orphaned at a young age, we’d be just as moral and virtuous as we are in reality (which might be a contributing factor in the continuing popularity of Oliver Twist and Harry Potter, two orphaned boys with incredibly kind dispostitions). Personally I find the story slightly more interesting when the orphan in question has to struggle to be the righteous and confident hero, which will forever put me at odds with the first couple chapters of Sorcerer’s Stone, but you still can’t deny that there’s something about characters who remain good in the face of adversity that just makes you want to love them, right?

From many Brothers Grimm protagonists, to Tom Sawyer and Oliver Twist, to Batman and Spider-Man, to Harry Potter and Eragon, we love orphans in fiction for any number of reasons. The reasons we may include them in our stories may be any of the ones listed above or perhaps an entirely different reason, but the reasons are why orphans are a continuously popular trope in fiction and while they’ll still play large parts in the stories we write for years to come.

Do you have a favorite orphan character? Have you ever written an orphan character? Why do you like the character or why did you use that sort of character archetype?

(The following review has more than one spoiler, so if you haven’t finished or even begun reading The Wolves of Midwinter but are planning on it, please don’t read this till you do. Sorry I have to spoil some things, but I can’t do the novel justice in this review without mentioning one or two very important plot points. I’ll try and keep the number of mentions down though.)

This’ll be last review for a while, so I wanted it to be special, and I can’t think of anything more special to review than Anne Rice’s latest novel. Some of you may remember my review last summer of Ms. Rice’s The Wolf Gift. I’m sorry to say that I won’t be using food metaphors this time around, not just because it’s been a couple hours since my last meal, but also because I found it a little ridiculous, looking back, that I was the reviewer who used food metaphors.

Now on with the review.

Anne Rice has a talent for crafting truly extraordinary stories. In another author’s hands, they might seem mundane or boring, but with her hands she’s able to craft a engrossing novel that keeps  you reading the story long after you should go to bed. The Wolves of Midwinter is no exception. In this volume of The Wolf Gift Chronicles, protagonist Reuben Golding has some unexpected developments in his life, including the visit of the ghost of a friend of his. This sets the stage for further developments in Reuben’s life as a Man Wolf, as his fellow Morphenkinder Margon and Felix introduce him, fellow pack member Stuart and Reuben’s lover Laura to some more aspects of their strange, immortal world. At the same time, Reuben deals with the changing dynamics of his family as changes in his life and in the lives of his loved ones occur and as his own immortality becomes more apparent to him, sometimes rather painfully.

What do you brood about tonight, dear Morphenkind?

What is most magnificent about The Wolves of Midwinter is that the novel is always engaging even without a central antagonist or conflict to drive the story forward. Sure, there is a dangerous pack of Morphenkinder with some very dark plans for Reuben and his pack, but they are not essential to the plot that without them there would be no story. Indeed, reading the novel you get the sense that you’re reading about several chains of events closely linked to one another like crisscrossing lines of dominoes, and that the dominoes are just falling to their inevitable conclusions in the book you are reading in your hands. I marvel and kind of envy how the novel was written that way (I wish I could write a story like that. I wonder how Ms. Rice learned how to do it?).

The only part of the novel that I didn’t care for was when Reuben gets a little surprise gift a few months before Christmas, he seems to accept the implications rather quickly and give into the demands his family puts on him without much of an argument. I would’ve rather seen a more in-depth exploration of how he reacted to this surprise gift (not to mention how Laura takes it), but the rest of the novel moved along very well, so that was the only complaint I really had. And when you compare it to the rest of the book, it seems a little bit trivial.

My favorite portion of The Wolves of Midwinter was the last hundred or so pages, starting with some terrifying and unexpected events at a Morphenkind Yuletide celebration, followed by some tribulations in the life of Reuben’s brother Jim, and ending in a joyous celebration at the end of the Christmas season that almost makes you want to cry but instead makes you marvel at how masterfully crafted the ending of the story is.

For The Wolves of Midwinter, I’m giving it a 4.4 out of 5. The storytelling and language, the plot, the characters and how they deal with events as they (sometimes literally) hit them, made this a truly enjoyable read. I hope to read more of Reuben’s story in a future volume of The Wolf Gift Chronicles. Either that or another novel in the Songs of the Seraphim series, I love those books.

Oh and speaking of which, congratulations to Ms. Rice for her Song of the Seraphim novel Angel Time getting made into a TV show like Stephen King’s Under the Dome was this past summer. No word yet on when that’ll be happening, but I can already see it in my head and I bet it’s going to be great. I’m kind of seeing Christopher Eccleston as Toby O’Dare and Mehki Phifer or Omar Epps in the role of Malchiah. Don’t know if that’ll actually happen, but I definitely wouldn’t mind if it did..

Reborn City

I got my homework done earlier than I’d expected today, so I’m writing up a blog post to mark up how close Reborn City is to coming out. I’m so excited! I still can’t believe it’s been over four years since I first started writing the story.

To classify RC, it’s dystopian science fiction, but it’s a different science fiction than anything we see in the market these days. Unlike The Hunger Games or Divergent, the world of the story is (at least in my opinion) close enough to this world that we don’t have to totally suspend our disbelief in order to enjoy the story. Instead of just going “Crazy events must have happened to create a state that murders its children from the districts” or “I’m sure there’s a great economic/political/cultural reason behind why Chicago is divided into factions”, I try  to make the world slightly more believable. For example, racism, gang violence, and Islamaphobia are still major problems in this world, and the technology, although sometimes pretty incredible, is mostly recognizable to any citizen living in the developed world.

There are things that make the world of RC different though. For instance, buildings can change shape in the future, cars rely on vegetable extracts for food, and hoverbikes have just come into being. Not to mention that some gangsters in this novel have abilities beyond the ordinary. But most importantly, at this point the world of RC is mostly made up of city-states and small nations, and because of the Third World War, most nations and city-states are demilitarized. Now there’s something you don’t see everyday!

Well, it’ll be up to the readers whether or not this world I’ve created is more believable than the worlds of other authors. And they may let me know in any reviews that RC gets. At any rate, I’m just excited for them to read it.

If you’re interested in reading Reborn City, it’ll be available Friday, November 1st, and will be available on Amazon and Smashwords. The print paperback version will be available for $6.99, while the e-book version will be available for $2.99. And I’ll be using the Kindle Matchbook program, so that if you buy a copy of the e-book, you may be eligible for a discounted or even free copy of the print paperback version (at least I think that’s how it works). Anyway, I hope you/’re as excited as I am and I can’t wait to hear what you think when you get the chance to read it.

Till next time!

He and Lestat can bite my neck any time.

Yes, another review. Don’t worry, I plan to do the new Anne Rice book and then just leave it at that till the Doctor Who 50th anniversary special. On with the review!

From the beginning, promoters for the new Dracula series have been saying this won’t be your usual look at the Dracula story, and they certainly didn’t lie. In this incarnation, the Prince of Vampires is played by the darkly sexy Jonathan Rhys Meyers (I cannot believe I just wrote that, but it’s true). And guess what? Dracula’s playing roles too, this time as Alexander Grayson, an American industrialist who plans to bring free power to England using fantastic technology. Why the disguise? Because apparently he’s hunting the Order of the Dragon, a secret society that Dracula has a history with (quite literally actually: the Order of the Dragon was a real order during Vlad Tepes’ time that fought to keep Christendom in Europe safe from Turkish and Moorish invasion. Here though it’s every myth about the power of the Illuminati/Freemasons/Jews rolled into one tight British package). When not hunting members of the Order though, Dracula seems rather taken with a certain young medical student named Mina Murray, who looks a lot like Dracula’s deceased wife from 500 years ago.

While the whole my-love-has-been-reincarnated trope has been used before with the Dracula legend, it’s been done sparingly enough that there’s room for breaking new ground here, and it looks like they intend to break a lot of new ground with this Dracula story. Here Dracula’s portrayed as an antihero seeking to use a combination of traditional vampiric war and deft political maneuvers to take out his enemies, who so far are portrayed as elitists wishing to retain their power with oil and their money and influence (gosh, why does that sound familiar?). And Mina Murray and Jonathan Harker have also been updated in this version, given the roles of a sweet medical student and an aspiring reporter respectively, and Renfield’s been portrayed so far as an intelligent black gentlemen who acts as Dracula’s link to the world rather than a crazy bug eater in Bethlehem Hospital (progress in the media!).

I have returned with a sexy beard. And thank the producers I don’t glow!

The acting is very solid as well. Meyers switches accents very well, as he also does with his personality, going from charming Victorian to ruthless, tormented killer in seconds. The character of Lady Jane, played by Victoria Smurfit, is also an interesting character, because she seems to be holding more secrets than other characters. It’ll be interesting to see where her character goes in the series…if she survives! And I can’t wait to see the interplay of the Dracula-Mina-Harker love triangle that will inevitably occur (we’ve known it would happen before we even saw the previews). If it’s done as well as the first episode has been done, even things we can see coming can have quite the impact.

And for those of you who are wondering if it’s too scary to watch, it’s not that bad. And coming from a guy who doesn’t get too terrified watching Evil Dead or Carrie, that’s saying something. There’s minimal blood and the scenes where blood does show up are tolerable. Indeed, you find yourself more interested in the action, the character interaction, and wondering how this battle will play out.

I’m looking forward to seeing where this miniseries goes. The first episode sets the bar high, but if they can keep meeting the challenge…who knows? Emmys and a second season might be in the mix.

I’m giving the first episode a 4.2 out of 5. I look forward to next week’s episode. I hope it’ll be terrifying.

Ever since I heard that this film was being made, I’ve been excited for it. Over the past few days, my behavior has been pretty close to that of a Belieber right before a Justin Beiber concert, I’ve been so excited. And this evening I went to the movies after dinner and sat in the best seat in the house. Afterwards, I struggled to find a phrase or a sentence, some way to describe the Carrie remake. I hit on it on the way home:

This is not like any version of Carrie you’ve ever seen before.

And I mean that. The storytelling, the acting, the music, and the special effects go together perfectly to create an awesome Halloween movie. Even when I knew something was going to happen, from plot points to scares, I was totally freaked out.

I’ll start with the acting, because that was just phenomenal. It’s amazing to watch Carrie White, played by Chloe Grace Moretz, go from a shy, terrified girl to someone who’s starting to come into her own power and rebel. Then at the climax of the movie, she doesn’t just become an angry telekinetic girl. She becomes Nemesis, Goddess of Revenge, and an angry witch upon her dais emerges to reap what has been sown. Afterwards, broken by all the pain and misery, she become a little girl again, wanting only love. And when she can’t get that, she looks for peace.

Julianne Moore was also great. You sensed she cared for Carrie, but the way she played Margaret White as a delusional woman with vacant eyes and a propensity for self-flagellation even in public was positively spooky. Honestly, she could win an award for playing Margaret and putting the “mental” in fundamentalist. In addition, all the other actors were great in their roles. I truly got the sense that Sue Snell, played by Gabriella Wilde, made me feel her remorse as the one girl who regretted hurting Carrie, while Portia Doubleday embodied the entitled bitch that was Chris Hargensen. And Judy Greer, you get a nod for really seeming like you cared for Carrie, comforting her while also making sure that no one would hurt her further. I can see why Carrie left your character alive. You made us believe she deserved not to die.

The next aspect was the storytelling. In this version of Carrie they actually included parts not seen in other adaptations of Carrie, including the love between Sue and Tommy Ross and what that love results in, the destruction of the town, and even the flying rocks make an appearance in the story (though not in the way we might expect). The filmmakers were also able to work the Information Age seamlessly into the plot, using a video of Carrie’s first period to the greatest effect. The only thing added in that I didn’t care for was the bath scene at the end. Honestly, there’s no bath scene in the book, and we already get Carrie covered in blood in the shower. Why do we need it again in the bathtub?

You don’t want to mess with this Carrie!

Now for the music, it was terrifying and vivid. It matched every moment and I felt it adding to my terror during certain parts of the film. And the special effects were better than everything we’ve ever seen in a Carrie adaptation. The destruction at prom had everyone in the theater on the edge of their seats and the showdown between Chris Hargensen, Billy Nolan, and Carrie is like watching Titans battling each other! I couldn’t believe any of it was done with computers or wires, because it all seemed so real and terrifying to me. The only thing I didn’t like was the blood that fell on Carrie’s head. I thought it looked more like corn syrup or Jell-O that hadn’t yet solidified than blood, but maybe that’s just me.

Am I using the word terrifying too much?

This lady deserves the Award for Best Supporting Actress.

Doesn’t matter. Honestly, I want to buy the DVD when it comes out, because this was one freaking epic horror film and I loved every minute of it. For the 2013 adaptation of Carrie, I give it a 5 out of 5. Congratulations to the cast, the crew, including director Kimberly Pierce, and a special congratulations Stephen King, Chloe Grace Moretz, and Julianne Moore. King made a wonderful story that will last long after he has left the Earth (hopefully that won’t happen anytime soon) and I think Moretz and Moore could easily win Oscars for this one. It’s just that good, so go and see it if you get the chance. You will not regret it.

tqg cover

It’s been exactly three months since I uploaded The Quiet Game: Five Tales To Chill Your Bones onto Amazon and Smashwords. I’ve done a sort-of-but-not-quite second edition to fix the typos in the first couple of books, I’ve told people all about it, and now I’m marking the passage of time again, as I cannot believe how well it’s doing.

I didn’t really have any expectations when I first published The Quiet Game. I mean, I wanted it to do well, but with the volatile market that is self-publishing, I could be totally obscure and sell only a few copies or maybe it’ll be some strange explosion and a lot of copies will sell and plenty of people will write reviews. Turned out to be somewhere in the middle, where in the past three months I’ve sold a little under fifty copies and recieved four reviews (there are supposed to be two more but for some reason neither have appeared on Amazon’s website). The average rating right now is still 4 out of 5 stars incidentally, which I’m very happy about. My one five-star review came from Jason Haxton, author of The Dybbuk Box and owner of a box believed to be possessed by an evil spirit. It meant so much that another published writer thought so highly of my work. Then again, The Quiet Game has a dybbuk* in one of its stories, so that might explain a bit of it.

*A dybbuk, for those of you unfamiliar, is a spirit in Jewish folklore. To find out more about it, please go to Wikipedia, see various films about them, or read my book or Jason’s book.

I’m really looking forward to seeing how The Quiet Game does from here on out. And who knows? With Reborn City coming out in fifteen days, sales may increase. Wait, fifteen days? Jeez, that’s soon!

If you’d like to check out The Quiet Game, you can find it on Amazon and Smashwords. Both offer previews into what the book is like, so take a look if you’re interested.

It’s also my first post after becoming administrator for Self-Published Authors Helping Other Authors. I’m a little nervous, although it is obviously not my first article for them. Actually, I’m just worried because I’m giving advice to other authors, and I’m always scared that I’ll sound condescending or rude or say something I shouldn’t in one of these posts. So far, no one’s suggested I’ve done any of that, but I worry nonetheless.

The subject of the article this time around is How to Do a Flashback. Flashbacks are a big part of a lot of novels, but plenty of authors find them incredibly difficult to do. That is why I decided to do a post about them based on flashbacks I’ve seen in novels and flashbacks I’ve written myself. Hopefully people will find the advice helpful.

I hope you like my post if you get the chance to read it. And if you have any thoughts, please leave a comment. I’d love to hear what you have to say. And if you’re an independent writer, I strongly suggest you subscribe to Self-Published Authors Helping Other Authors. It’s a wonderful site full of advice from indie writers of all walks of life and of all genres and you can learn so much on indie writing and publishing from them.

That’s all for now. I’m going to bed. Goodnight everybody!

As many of you know, I’ve been writing for the blog Self-Published Authors Helping Other Authors since June. I’ve enjoyed the work and the chance to interact with so many authors, giving them advice and receiving advice in turn.

However there’s been a change recently. This week one of my fellow authors on the blog and an administrator said that she and her fellow administrator were stepping down from the roles of administrators, and she wanted to know if I was interested in taking on the job, seeing as the other author/contributors weren’t interested in taking over.

For maybe a second after my surprise wore off I was hesitant about taking the post. But afterwards, I felt that…I don’t know, but I guess it was like I had to take the post once it was offered. So I asked some questions about what I was expected to do in the post, what I could do, what I had to do, and yesterday I took over the position and added it to my resume.

Now, I’ve told a few people about this, and everyone’s been very excited and supportive. My parents have been acting like it’s a career-changing promotion. I however, am a little nervous. Besides being a labor of love, Self-Published Authors Helping Other Authors, of Self-Pub Authors as I call it, is a very busy blog that gets between 50 and 150 hits on average each day (and that’s on days when posts don’t get published). It’s got a wider range than my own blog, and I’m looking forward to helping it grow, but I also hope I can keep up the momentum and also be helpful and useful to the authors who read our blog.

In any case, I’ll apply my all to it, just as I apply my all to nearly everything else in my life. I’m also looking forward to working with my fellow authors and I may add an author or two later on to the blog to help with the demand.

In the meantime though, I hope to publish my first post as administrator tonight. I’m not decided what the article will be about, but I’m hoping to write a good one, so please wish me luck as I start out with this new endeavor.

Reborn City

Last week I did an interview with Zahara Bakur, the protagonist of my novel Reborn City (out November 1st). Now I’m here with a interview with Rip, one of the Hydra leaders and the deuteragonist of RC. I hope he’s as friendly as Zahara was, otherwise I might be in trouble!

Also, if you want to read Zahara’s interview, please click here.

Now without further ado, let’s meet Rip!

Notes and Stats:
Sex:  male
Age: Unknown (believed to be between ages 16-18)
Race/Ethnicity: Caucasian
Birthday: Unknown
Eye Color: Grey
Hair Color: Grey (originally brown)
Religion: Agnostic bordering on atheist.
Affiliation: West Reborn Hydras
Special Powers/Abilities: Able to produce neon-green claws from his knuckles by converting energy from his body into living matter through special glands in his hands. Because they are dependent on energy, the glands will automatically convert the claws back into energy if Rip’s energy levels are dangerously low.
Notes from the Author: In Stephen King’s The Stand, the protagonist Stu Redman was described as a quiet man. For a quiet guy, he talked a lot. That is why when I formulated Rip, I decided I wanted him to be so quiet that he would make it a point to let people know he wasn’t into long conversations. It’s led to some interesting situations, and I think he’s a better character than he might’ve been if he’d been a bit more talkative.

RU: Rip, it’s a pleasure to meet you.

Rip: Where the fuck am I?

RU: Okay, not as friendly as Zahara.

Rip: You know Zahara?

RU: We’ve met once or twice. She’s a nice kid.

Rip: That’s just what she is though. A kid. Doan know a thing ’bout the world. I gotta teach her ’bout ev’rythin’.

RU: Do you like her though?

Rip: I guess so. I doan hate her.

RU: That’s good to hear. So Rip, I hear the Hydras are getting pretty powerful in West Reborn. You must be proud of that.

Rip: It’s cool. Got a lotta hard workers in the Hydras. I should be proud.

RU: I bet you and the other leaders having powers may be a big help to that.

Rip: Ya know ’bout our powers?

RU: I know a lot about the Hydras. But you can trust me. I’m not going to sell you out to anyone, like a certain man I could name who watches Reborn City from a giant rotating skyscraper.

Rip: Ya know ’bout him too? Who the hell are ya?

RU: A friend. Well, we’re almost out of time. I’ll send you back to West Reborn. Tell Zahara the weird blonde guy with the glasses said hi, okay?

Rip: Whatever. Just doan do nothin’ ya shouldn’t, or ya might meet my claws!

RU: Oh wow, they really do glow like neon, don’t they? And they seem really sharp. Well, that’s all the time we have left. Join me next week, when I do another interview, this one with antagonist Jason Price, CEO of the Parthenon Company. That is, if Rip doesn’t gut me first! Reborn City, out November 1st!

It is Wednesday of Week 8 of the semester here at Ohio State, putting us squarely halfway through the semester. And as is my custom on this blog, I’m letting people know how I’m doing right now.

Love it at my school!

Right now I’m at work taking my lunch break. Work’s going well, by the way. I work between ten and twelve hours a week, and now that busy season is over, we’ve kind of fallen into a routine that’s quieter than the summer and early fall but stil busy and full of things to do. Actually some of my biggest fans are at work. The head of the Financial Aid department keeps telling me she’s going to buy two print copies of The Quiet Game when she shops on Amazon next, one to read and one for me to sign and keep in pristine condition forever and ever. She just has to find time to shop on Amazon, which is hampered by her very busy schedule. She’s also looking forward to reading Reborn City when it comes out in November, as well as some of my coworkers. I’ve got to love the people who work here!

My classes are also going well. I’m taking five courses right now, and my favorites are without a doubt my Science Fiction and Fantasy literature course and my Holocaust in History course. I learn a lot from my teachers and the discussions are always stimulating and we all have fun, especially in the Sci-Fi/Fantasy course. My one class I’m struggling with is my Biology course, but I’m meeting with my TA a lot to talk about points I’m having trouble with and improve my grades. Hopefully by the next midterm in that class I’ll be Super-Student.

Not likely, but I’ll get as close to it as possible.

I’ve also applied for a Study Abroad trip in May to Europe to see some of the more important sites of World War II Europe. I don’t know if I’ll get in yet (I won’t find out till next week at the earliest), but my GPA is high enough and one of my former teachers wrote me a stunning letter of recommendation, so I’m hopeful. I’ll let you know if I get in.

And at my apartment things are also peachy-keen. My roommate Morgan and I get along very well and we divide up our duties both as housemates and as resident managers for our complex very well. Sometimes I even cook for the both of us, though that doesn’t happen often because Morgan’s studying to be an engineer and has a bigger courseload than I do, so he’s often on his own schedule and I’m on mine. It’s sad that we can’t hang out as often, but I’m okay with it. Besides, there’s something on every night on TV, so I’ve got pleny to occupy my attention.

If I could change one thing about this semester though (besides how much I have to work on my Biology coursework or get a winning lottery ticket), I’d like to attend clubs more often. I attended a couple of club meetings for the English Undergraduate Organization and the Science Fiction club at the beginning of the semester, but somedays my homework load piles up and I just don’t have the time or the energy to go. Especially when some club meetings, like for the sci-fi club, are on the south side of campus and I live north of campus. The only place I can regularly go to that can be considered club-like is OSU Hillel for Friday night services and dinner, but beyond that nothing much. Hopefully for the second half of the semester I might find more time though. Depends on a number of factors, but I’m hopeful.

And finally, some updates on my writing. Video Rage has less than twenty chapters left till it’s completed, so I’m trying to get as much done as possible when I have the time. Laura Horn is still a long way from being completed, but the chapters are shorter than the ones for Video Rage, so I should complete that by midway through the spring semester. The Quiet Game is doing as can be expected for a first-time writer being published, which means it’s close to reaching 50 copies sold. Reborn City is still coming out on time, so that’s something to get excited about. In fact, I plan on doing a bit more advertising for it as the week goes on, so get prepared. Also, Snake is still getting its final draft looked over by author Angela Misri of a Portia Adams adventure, but it should be ready by spring or summer 2014. There’s something to look forward to. And last but certainly not least, I’m already planning what to write after I finish the first drafts of Video Rage and Laura Horn. I’m thinking I’ll do a lot of short-story writing, maybe put out another collection. I also want to write something with a big supernatural influence that is longer than a short story. We’ll see what happens when I finish the WIPs, though.

Well, my lunch break is just about over, so I’m signing off. I’ll let you know if anything happens when it happens, and I hope you have a nice day. Blog on you later!