(Note: This review contains some spoilers for this book’s predecessor, I Feed Her to the Beast and the Beast is Me. So, if you haven’t read that one and want to go in unspoiled, you’ve been warned.)
Sequels are tough. I’ve tried to write sequels before, and they are fucking tough to write. Not only do you have to continue the story you set up in the previous entry, but you have to keep up the tension and further develop the characters. And, if possible, up the stakes from the last story. So, when I started listening to I Am the Dark That Answers When You Call, the sequel to I Feed Her to the Beast and the Beast is Me (see my review here), on audio book, I hoped that the sequel would be up to the same level as the original book.
Starting a few months after the events of I Feed Her to the Beast, Laure Mesny is back in Paris and trying to move on with her life. However, things are not as easy as she would like. For one thing, not only is she the vessel for the dark god Acheron, who constantly whispers in her ear, but she’s also being haunted by ghosts from her past, both literal and figurative. And on top of that, Elysium, the strange dimension below Paris where the gods reside, is dying, setting in motion a chain of events that will see either Laure’s ascendancy…or her doom.
I enjoyed I Feed Her to the Beast immensely, but I think I enjoyed I Am The Dark even more.
For one thing, let’s look at the horror. There’s definitely more of an emphasis on the cosmic horror aspects in this volume, and they work well, with the power of the gods becoming a corrupting influence as Elysium continues to degrade and rot. The new human villains of Neve and her retinue were a great addition to the story, as was Laure’s relationship to Acheron, which I expected to be more like Eddie Brock and Venom in the movies but turned out completely different.
I also liked the development of Laure as a person. If the first book was about Laure trying to get what she wanted and deserved, only for her to see its dark side, then the second book was about Laure trying to find who she is and what she really wants out of life now that the Paris Ballet is behind her. Jamison Shea handles that deftly, leading to a climax that left me on the edge of my seat (metaphorically; I was cooking dinner during those scenes).
Finally, there were a lot of surprises in the story that threw me for a loop, which only deepened my enjoyment of it overall. Several times, I was like, “What? Are you serious?” And it’s not easy to surprise me, so kudos to the author for that.
If I have any criticisms, it’s that I thought the linking of the cosmic horror elements to the Cthulhu Mythos felt a little forced to me. Also, I thought a certain character introduced in the story was going to have a bigger role when it was revealed how much they were aware of, so it was kind of disappointing that they didn’t have that bigger role. I understand why the author did–it was part of Laure’s personal growth, after all–but still.
All in all, though, I came away from I Am the Dark That Answers When You Call by Jamison Shea very satisfied. On a scale of 1 to 5, I’m giving it a 4.8, which is 0.3 points higher than its predecessor. Unrelenting, cosmically dark, and full of twists and turns. I’m almost sad that there’s not a third book in the works (as far as I know), though Laure’s story does work well as a duology.
Anyway, if you’re at all interested, or if you enjoyed I Feed Her to the Beast, you won’t be disappointed by I Am the Dark. Give it a read and see for yourself.
That’s all for now. Until next time, my Followers of Fear, good night and pleasant nightmares.
AI is everywhere these days. And unfortunately, it’s making inroads into the creative industries.
In September, the organization behind National Novel Writing Month announced they would allow participants to use AI programs to write their novels for them (you can see my post about that here). Then HarperCollins, following some academic presses, announced it would be offering some of its non-fiction titles to Microsoft for training their language-learning models (LLMs), AKA the same programs that “write” fiction for people, provided the author consents. And earlier this week, Bookseller reported that AI publishing company Spine would be using AI to publish up to 8000 titles a year, while also charging authors $5000 to use their programs to proofread, publish, and distribute books. You can read both articles on this subject here and here.
This is only confirming many creatives’ worst fears about how AI may be used by companies to make money. After all, you don’t have to pay a program for their work, which means the company keeps all the profit. This could potentially make it harder for creatives to make a living or even a side hustle by writing, making art, editing, make music, or a hundred other things. And after the writers and actors guilds fought so hard last year to keep AI from cutting in on their work!
Now, I’m not necessarily against AI. I think AI has plenty of useful applications. For example, Google’s AlphaFold program is apparently predicting proteins and coming up with new ways to treat some of our worst diseases. And I think many people would be happy if AI made certain aspects of life, such as cleaning our homes, easier. (God knows I would love it if a program could clean my bathtub, rather than me.) However, I don’t think AI should be in the entertainment business!
For one thing, there’s the issue that often, the literature and art used to train the programs is used without the creator’s permission. I’ve heard from plenty of creators who found out their work was being used without permission, which they considered theft (and I can’t disagree). And it’s not just authors and artists dealing with this; some voice actors are actually suing a company for using their voices without their permission (you can watch a news report about it here).
Then there’s the problem with AI trying to create literature or art. It doesn’t actually create anything new. Unlike humans, who can learn from other creators and then learn to subvert tropes or play with ideas to try new things, AI programs can only look for patterns and then apply those patterns. It’s essentially paint-by-the-numbers. And it’s hardly perfect. In fact, it rarely is!
I’ve played around with AI (if I’m going to criticize it, I might as well). This includes writing programs. And they’re difficult to keep on track. You’re constantly having to get the writing back on track because the program forgets something it wrote before. And from what I’ve seen, the language is hardly that deep. It’s pretty barebones. No inner monologues about character feelings or philosophical discussions in-text about the nature of good and evil, love, death, etc. It can get the actions and maybe the conversations, but it can’t do anything like Stephen King’s musings on goings-on in the Lot in Salem’s Lot, or the Savage Garden in the Vampire Chronicles.
AI art is worse, including WordPress’s new AI art generator. (Yeah, that’s a thing now.) I played around with it recently, and while it is fun, it’s still problematic. Sometimes, you get some good stuff, like this image of Batman taking a kid trick-or-treating (something I could see happening in the right comic storyline).
But then you get this Spider-Man art I made.
Don’t see the problems? Spider-Man’s spider symbol looks more like a stain on his top, his neck looks like it was twisted around a hundred and eighty degrees, the webbing looks more like chains than webbing (and on the left arm is coming out of the wrong place), and the bus has an extra twenty feet on it that’s being kept up by magic.
And that’s just one example. I did a bunch of ballet-themed pictures because AI-generated ballet art shows the issues with AI programs about fifty percent of the time (and I like ballet). Half the time, the dancers had extra limbs or missing limbs. And sometimes, the program couldn’t properly reproduce something I input into the prompt. Look at this picture of Jason Voorhees, Michael Myers and Leatherface skipping through a field.
Yeah, that’s not what I was going for. Jason is wearing Michael’s boilersuit, and the other two look like a masked warrior wearing weird make-up holding a sword and…I don’t know. A random guy with a machete? I tried this prompt four different times, and not one got close to what I was looking for.
So, to reiterate, while companies are going all in on AI in the hope that it can make them a profit, they’re working with programs that are flawed, can only copy, and sometimes rely on stealing to get trained. All while threatening the livelihoods of authors and artists.
Well, the good news is, while AI is making leaps and bounds, it may eventually implode. In one scenario, AI will eventually begin to copy itself, flaws and all, leading to the programs producing increasingly subpar creations. In another, such as this video seems to suggest, the facilities needed to store data for AI programs will start to consume tons of water and electricity. Water and electricity that, more often than not, comes from the same sources as regular people’s water and electricity. That competition will eventually move in favor of people unless a compromise or solution presents itself, and may eventually lead to limitations on AI facilities.
Still, it’s a fucking pain that the real creators have to compete with ones and zeros to prove we’re the superior creators. Hell, sometimes we have to go on strike to get the message across! In addition, some creators don’t seem to see the issue. I spoke recently to a creator who didn’t see what the big deal was and even welcomed the challenge from AI. Let me tell you, she was exhausting.
So, what can we do? Well, if you work with publishers, check with them on their AI policies. I asked both the ones I’ve worked with, and one’s already gotten back to me with a definite No. Just simply ask what their policy is on AI-generated material is, so it doesn’t sound accusatory. You can also reach out to your elected representatives and ask them to support legislation that protects creatives over programming.
You should also support creators who don’t use AI. Buy their book and artwork, leave reviews online, and make sure to let people know that those you support don’t use AI. (For the record, no AI beyond spellcheck is used in my work.)
And, as always, make your voices heard. If we aren’t silent, people will notice. And if they notice, they may be swayed to help us.
In recent days and across my social media, as well as on my blog, the number of people following me has grown by leaps and bounds. Why is that? I have my theories, but this post isn’t about theories. Instead, it’s to better introduce myself to my new Followers of Fear, as I like to call the people following me and supporting my writing career.
And since I’m a horror writer, obviously I’m doing thirteen items to get to know me better.
So, without further ado, here’s what will hopefully be a fun introduction to yours truly. And who knows? Perhaps some of my long-time Followers of Fear might learn something that’ll surprise them. It’s happened before!
I’m a writer of horror and dark fantasy with five books under my belt. I’ve been writing since I was a kid, and in college, I started self-publishing books. My first book was a collection called The Quiet Game: Five Tales to Chill Your Bones, which came out in 2013. The next year, I published a slasher novel called Snake about a serial killer hunting mobsters in New York City (think John Wick, Taken and Friday the 13th got smashed into a novel). Both did okay, and continue to get readers today.
Five years later, I published my first novel with a publisher. Rose was released by Castrum Press in summer 2019, and followed a young woman turned into a plant/human hybrid (and that’s just the start of her problems). I followed Rose in 2021 with The Pure World Comes, a Victorian Gothic horror novel about a maid who goes to work for a mad scientist. And last year, in 2023, I published my second collection, Hannah and Other Stories, which was released by BSC Publishing Group.
That’s all five of my books out now. I’m proud of all of them and all I’ve managed to do with them over the years. And I plan to put out more in the years to come.
All five of my currently available books. I love them and am so proud of them (and their awesome covers).
I’m Jewish, queer, and have disabilities. Growing up, my life has been an interesting ride, to say the least. Not only did I grow up in a fairly religious Jewish household, but both my father and mother are rabbis. I went to a Jewish day school for most of my youth, learning Hebrew and Judaic subjects for half the day and then learning normal stuff the rest of the day. I also went to synagogue nearly every week, and attended Jewish teen and college groups until I graduated.
To this day, I still practice a lot of the religious practices I grew up with and feel a strong connection with my faith and heritage.
I’m also bisexual. I figured that out in college, and came out about half a year after I came to that realization. Probably took me that long to get comfortable with it because, even surrounded by accepting people and LGBT family members, I still worried about being persecuted. However, I did come out and it was all good, which was reassuring. And then some years later, I realized I was also aromantic (if you’re unfamiliar, it means I can’t feel romantic desire or attraction). Which, looking back, felt pretty obvious, considering I didn’t care about having a relationship all my life. But when I realized it, it was still a bit of a revelation.
And finally, I’m on the spectrum. Have been my whole life. I also have ADHD, a form of albinism, an anxiety disorder, and most recently, diabetes. Yeah, that last one was only diagnosed a couple of months ago, and it sucks! To say the least, it was a shock for me and I miss not being able to eat sweets or have a drink as much as I used to. But, on the bright side, I’ve improved my health by leaps and bounds since finding out, and I plan to keep it that way. Too much to do in my life, after all.
And as I’ve gotten older, I’ve made it a goal to increase representation of these three groups, as well as their intersections, in my fiction. So far, I’m meeting that goal, and hope to release some of those stories soon.
My writing influences. My major influence is, without a doubt, Stephen King. I read IT as a preteen and it was a formative moment in my life! That whole summer, I was transported to Derry, Maine and, when I finished that book at summer camp, I knew what kind of books I would write for the rest of my life.
I’m also majorly influenced by the ideas of HP Lovecraft and the subgenre of cosmic horror, as well as Anne Rice and a ton of anime and manga. All those creators and stories have led me to writing some really insane stories, such as Rose, which I mentioned above, or “Fuseli’s Horses,” one of the stories in Hannah, which is about carnivorous horses.
But I’m not complaining. People seem to like my work, after all.
I love going to the movies and to the theater. It’s rare that a month goes by without me going to see a movie. Usually it’s a horror film or a new superhero film, but I sometimes go see comedies, fantasy and sci-fi films, and anime films getting theatrical releases. I just love going to the movies! I didn’t get to go as much as I wanted when I was growing up, so starting in college, I went as often as possible. And I still do.
Most people are surprised to learn I like ballet. Then they see how much it appears in my stories.
And now that I have a decent day job, I also go to the ballet and to touring Broadway shows. My interest in ballet started probably in college, and as a working adult, I got really into it. It’s gotten to the point where I’m kind of obsessed and look for ways to insert ballet and dancers into the stories I write! And as for Broadway shows, I think Disney movies as a kid primed me to be a fan of those, though the breadth and depth of musicals out there is far wider than Disney can think up, as it turns out.
Now, I have subscriptions to both the local ballet company and to touring Broadway shows that stop in Columbus. And I have to say, I think I would be just as psyched for one of my stories to be adapted into a ballet or Broadway show as I would be for a movie. Maybe even more.
I have several tattoos. To be precise, I have a chest tattoo of a tiger with a blue Star of David, a full back tattoo of one of my favorite ideas from the horror genre, a wrist tattoo referencing some of my favorite anime, and a Tarot card on my right leg that’s about halfway done. However, while I have my tattoos, I don’t normally share photos of them. That’s partially because I just don’t feel the need to. My tattoos are for me to express myself and to have my body reflect who I am. So, their existence on my body is enough for me.
Still, they’re awesome. And I plan to get more as time and money allows.
My most popular work is Rose. I’ve been publishing for over a decade now, but none of my work has done as well critically or commercially as Rose. And I think I know why: it’s the unusual story of a woman turned into a plant/human hybrid. Very weird, very Kafkaesque, and very fantasy horror. Add in that it’s a short but twisty read with Japanese folklore and mythology mixed in, and it’s not surprising that that book does so well.
Plus, you gotta love that cover.
Anyway, if you would like to check out Rose, you can check out its page HERE. I hope you like it if you read it.
I go ghost hunting at least once a year. I’ve been lucky to go to several different locations to ghost hunt. From famous places like the Ohio State Reformatory in Mansfield, OH and the Lizzie Borden Bed & Breakfast in Fall River, MA, to lesser known locations such as the Anchorage Mansion in Marietta, OH and the Bellaire House in Bellaire, OH, with the hope to visit and revisit many, many more.
Also, I try my best to get my investigations on YouTube and upload them to YouTube. So, if you would like to check out my ghost hunting videos, you can check out my channel HERE. They’re spooky good!
I make my own wine. Most people don’t realize that you can brew your own alcohol at home, but it is, and there are plenty of people of doing it, including me. I’ve made a batch of plum wine, and I just finished and bottled a batch of pumpkin wine (yes, pumpkin wine). And I’ve been making my wines based on colors of the rainbow: plum wine is red, and pumpkin is obviously orange. Yellow will be dandelion wine, green will be mint, blue will obviously blueberries, and indigo/violet will be elderberries. And I can’t wait to try them all!
The pumpkin wine I made, all bottled up. Looks good, doesn’t it?
I bought my first home two years ago. For millennials like me, it’s hard to find an affordable home, let alone a non-fixer upper that you don’t have to share with a bunch of other millennials. However, I was lucky enough to find and buy a small condo for myself two years ago, and I’ve been living in the Haunted Condo, as I call it, ever since.
Sadly, it’s not very haunted by anything except me. I don’t know why, I’ve done voodoo rituals and everything else to make the place haunted, but so far, no otherworldly dice. At least I can make one hell of a Halloween display every October and decorate the inside as I like!
My yard is the spookiest in the neighborhood every October.
I’m the chapter coordinator for HWA Ohio. The Horror Writers Association is an international organization that supports horror writers and helps them network and grow. Ohio’s chapter is about six or seven years old, and I’m the guy who runs it! Which was never my intention: some other members organized the chapter, and I volunteered to find a venue. Somehow, I kept arranging locations for us to meet, and that morphed into becoming the chapter coordinator. And after the parent organization set a formal election process for chapter coordinators for all chapters…well, I ran without competition. I guess people think I’m doing a good job or something?
Anyway, HWA Ohio has its own website, which lists our members and puts out news about us. If you would like to check the website out and support us, click HERE.
So proud to have a story from this collection adapted into a radio play.
I recently had my very first story adaptation. Remember my collection Hannah and Other Stories, which I mentioned above? Earlier this year, I became acquainted with a producer for WCBE 90.5, a local NPR station who interviews local creative types. He also runs a yearly Halloween show, where a short story is adapted into a radio play, with the roles played by local high schoolers.
“Hannah,” the lead story in Hannah and Other Stories, was this year’s story. It was my first time having a story adapted, and it was so, so good! The kids did really well in their roles, and it was amazing hearing my story brought to life on the radio.
And if you would like to listen to it, you can! It’s available to stream online, and you can listen to it in full HERE. Let me know what you think if you listen to it. The more people who listen, the better for future shows and future students. Plus, who knows? Maybe another one of my stories will get adapted. It happened once, didn’t it?
I tend to break out in song at any provocation. I kid you not, this is something I did daily in high school, and which I do quite frequently these days. In fact, I’m part of a critique group with some of my fellow Ohio horror writers, and they say it’s not a meeting if I don’t burst out in song at least once!
Too bad I sing badly, but hey, why should I let that stop me?
What I’m working on now. I’m juggling a few projects at the moment. For one, I’m putting together another collection of short stories, and I hope to have more on that in the coming days and weeks. I also recently finished a new novel, The Shape of Evil, which is about a 3D printer from Hell, and I hope to have that ready for pitching to agents and publishers by June next year. Finally, I also have a collection of novellas I plan to work on at some point, and I have a mummy novel I started but put aside for other projects that I plan to get back to.
Plus some short stories to send out to magazines and anthologies here and there. Yeah, I’m a busy guy, aren’t I? But that’s kind of the way I like it.
Anyway, that’s thirteen things you need to know about me. I hope you enjoyed learning about me, because I enjoyed writing it. And if you did, be sure to follow this blog and my other social media to keep up with what I’m doing and when I have new work coming out.
And if you would like to check out any of my other work, I’ll leave a link to my book page down below. You’ll find all my published works and then some there, including free stories. And if you like what you read, I hope you’ll leave a review online so I, as well as other readers, know what you think.
Until next time, my Followers of Fear, good night and pleasant nightmares.
You know I love Halloween. Hell, on my social media, I have been counting down every day since around August. So, it shouldn’t surprise you that, when October comes, I love having a yard display like the ones my neighbors would put up when I was growing up. Especially now that I have a condo with a small patch of dirt that I can use for a yard display.
Today, after breakfast, I got my Halloween display props out of the attic, and began setting up. The results are below.
Pretty cool, huh? The ghost with the face like the Scream villain is the only new piece I bought this year. Everything else is stuff I’ve collected over the years. Whenever I got them, I think they all look amazing when they’re out on my lawn like this.
And if you read the title of this post, you know I also have a Halloween costume. Last year, I went as Cthulhu using a kigurumi. The year before, I went as the King in Yellow. This year, what am I going as?
I am going as…Sweeney Todd.
Pretty cool, huh? I wore this costume for Purim (sort of like Halloween for Jews, but in the spring) and I got kind of attached for it. So I’ll be wearing this costume, minus the nametag and the wristband on my wrist, for Halloween. And the makeup, which I love in this image. I mean, holy shit, this makes me look my eyes entirely white!
Oh, but when the local ballet company does its production of Dracula later in the month, I’ll be going as a vampire with a cape. You have to dress appropriately for these things, after all.
Anyway, I just wanted to share this with you all. I hope you’re having a good October so far and that you’re looking forward to plenty of spooky tricks and treats. Until next time, my Followers of Fear, good night, pleasant nightmares, and only 26 days till Halloween!
I love horror and I love ballet. I often combine the two in my work. And when I find another author who has combined the two forms of storytelling, I want to read it. And if it’s good? I’m especially glad to read it. Jamison Shea’s novel I Feed Her to the Beast and the Beast is Me is one of those books I’m especially glad to have read.
Taking place at the Paris Ballet and its attached academy, I Feed Her to the Beast follows Laure Mesny, a dance student in Paris who is the most talented in her class, but has had to deal with privilege and racism in the academy and the company every day. When a fellow ballerina she admires leads her into the tunnels of the catacombs, she is introduced to an ancient godlike entity that offers her a deal: her blood in exchange for the power she has always craved. Laure takes it, and it leads her on a path that could end in her stardom, or her destruction.
Where do I start?
Well, let’s talk about the horror. While there is some eldritch occult horror here, the real horror is with the human characters. Not just what the characters are willing to do for their goals, but what they’re willing to do to each other out of spite. Laure’s fellow dancers, often white and privileged, treat her horribly and tell her, behind her back and to her face, that she doesn’t belong and will never be good enough, even though she is amazing. More than a few bring up that she’s black and from a poor background and, in their view, wouldn’t be a good fit for the company. When Laure finally gets some power, it’s kind of scary how quickly she not only gets used to it, but how much she enjoys using it, including to do violence!
Not to say there isn’t some more traditional horror. The gods living beneath Paris are quite cool, as is the destruction they wrought, and there’s a murder mystery throughout the story which resolves in a way that surprised even me and which felt quite satisfying.
I also liked how most of the characters felt real. They’re all extremely complicated, especially Laure. She’s had it rough, coming from a broken family and dealing with racism and poverty, and often being told to be better and be perfect despite doing everything she should. And despite all that, she still wants to belong and feel loved by her coworkers, which honestly feels very human to me. I also empathized with her struggle to try to balance her dreams and her relationships. She’s not all good, and she’s very flawed, but it’s hard not to root for her, even at her worst. And we see her at her worst a lot.
I think the one flaw is that some of the supporting characters could have used some more development, especially Keturah. She sort of becomes a sister figure to Laure halfway through the novel, but I never really felt like we got a chance to see past her surface. Maybe in the sequel. (Yes, there’s a sequel, and I’ll check it out as soon as I can.) And, at times, the story did drag a little.
All told, I award I Feed Her to the Beast and the Beast is Me by Jamison Shea a 4.5 out of 5. This is a riveting slow-burn novel that delights in being bad and in delving into the darkest parts of humanity. Get yourself a copy, put on Stravinsky’s The Rite of Spring, and prepare to be transported. Believe me, it’s worth the read.
Earlier this week, I tried to write a story about a cursed anime. And I thought I would have a blast writing it. I mean, horror and anime, two of my great loves! And for a bit of added fun, maybe some ballet, because God knows I like putting that into my stories like King enjoys throwing in psychics and other writers.
But for some reason, while working on the outline, I just couldn’t make it work. Every time I tried to add to the outline, I just felt blocked and frustrated. After a while, I just figured that I would need to find a different way to tell this story, so I put it back in the proverbial idea bin.
And you know what? That’s okay. This sort of thing happens to writers of all stripes, not just me. Sometimes, you just need to put the story away and hope a way to tell it eventually comes to you.
That’s what Stephen King did for Under the Dome. He tried numerous times to write that novel, but it just didn’t click for him. Not for around thirty years. But eventually he was able to find some way to get unstuck and knock out one hell of a doorstopper novel.
Who’s to say that couldn’t happen with this anime story? Either that, or I could make a graphic novel out of it, provided I could find a good artist to work with.
For now, though, while I wait for that story to click or an artist to collaborate with, I have something new to work on. A story about a 3D printer from Hell. And judging by the progress I’m making in the outline, I won’t have the same issue. Yeah, I’m still figuring out where it’s going, but I’m figuring it out by leaps and bounds.
Makes me think it could be one hell of a read when I’m done. And I’ll have one fun ride while writing it.
I normally don’t talk about this sort of thing on my blog. You know, because it’s kind of devoted to my writing career and to horror. But honestly, after today, I gotta say something to more than just my family. So strap in, kids. I’m doing a public service announcement veering into rant territory.
As many of you know, I’m a big fan of ballet. I’ve even included it in a few of my stories. And I was very excited to go see my local company perform Swan Lake. It’s their last production of the season, it’s probably the most famous ballet in the world alongside Nutcracker, and it’s a lot of fun to guess what variation of the story the performers will do (there are many depending on the vision of the company). And it was, to my delight, a great show. Except for one little issue…some of the patrons had brought their babies and infants with them to the show.
If I could insert an actual sigh here, I would.
Look, I get it. We all need a little escape from our lives. And except for maybe Nutcracker, most companies will wait several years before performing the same show again, which means you probably only have the opportunity to see this production once. And nobody likes missing out on what they love. And for Nutcracker, I kind of expect small children at that one. It’s a family show with lots of exciting stuff happening onstage to keep their attention.
But seriously, why are you bringing a child that young to a show other than Nutcracker? At five or so, kids start to gain the ability to sit still for movies and shows and be quiet. But younger children, especially babies, aren’t able to do that. Many of them can’t even comprehend what’s going on around them.
Imagine, being in a room where it’s dark, there’s loud music constantly playing, and then there are bursts of house-shaking applause during the show. Any small child will be terrified and cry out!
In fact, many of them were. I counted at least four tots who cried at various times during the show. If not because they were scared, then because they were tired, or fussy, or they’re babies! That’s what they do. As well as gurgle, babble, and make any number of noises. All of which happened during the show and distracted the audience. Several times, the parents had to take their child out of the theater and into the foyer because it wouldn’t calm down or go to sleep.
Feels like a waste of a ticket, if you have to leave the show every twenty minutes because of your kid.
And that brings me to my next point. These tickets cost anywhere between seventy and four hundred dollars (excluding processing fees and whatnot). So you’re putting down several hundred dollars for tickets for these shows, including one for the baby, when your child isn’t able to understand or appreciate the show, and definitely won’t sleep through the whole thing. You might as well spend the money on a babysitter instead. From what I’m told, they’re much more affordable, and you wouldn’t be inconveniencing all the other guests who paid a lot of money to see this show as well.
And if you’re not ready to be separated from your kid, don’t go! You’ll save money, and you won’t have the inconvenience of leaving the show several times, climbing over people in seats that are as packed in as airplane seats.
And while I’m on the subject, this should go for movie theaters as well. Yes, movies are a lot more affordable than plays and ballets, but the concept still applies. Hell, it might even apply more! A lot of films these days include explosions, screaming, guns firing, and so many things that might frighten a small kid in a dark room.
I’ve had to deal with this at more movies than I dare to count. When I saw IT: Chapter Two, some woman in the front row brought her baby. During the first twenty minutes, the kid kept screaming and the people around her kept telling her to leave because it’s IT: Chapter Two! That movie is going to be loud and scary! And when I saw Logan a few years before, a kid was crying on the stairs in the theater because that’s a gory, violent film and he was scared! Took a good twenty minutes for the parents to get up and take the kid outside. I guess they thought he would just stop and take a nap?
Now, I know I’m not a parent. I don’t know how tough it is (though my parents did raise me and three younger sisters, so sometimes I feel like I kind of get it). But I know that young kids, unlike teens and adults, don’t know better about how to act during a movie. They just react. And if your kid isn’t ready for movies and you can’t get a babysitter…well, parenthood is about sacrifice. That’s what I’ve learned from every great parent I’ve ever come across. And sometimes, that sacrifice means waiting a few months for the movie to be available on streaming and Blu-Ray.
Luckily, there’s been some movement to prevent this sort of problem. A lot of movie theaters don’t allow young kids to see R-rated films at all, and won’t let them see PG-13 movies after a certain time. Many of these same theaters also have showings exclusively for families: the lights aren’t out all the way, talking and crying isn’t a big deal, and the film is something the kids can get into. And the majority of Broadway theaters and traveling shows require children be at least five years old, or they won’t let them into the theater. And many ballets can even be streamed these days, believe it or not! Some are even streamed live!
And yes, I might write to the company that runs the theaters to see if anything can be done. I mean, if they enforce Broadway policies for the touring Broadway shows, they might be willing to extend that to other events.
But really, parents of young children need to help out too. As I said above, these small kids can’t help being noisy. They’re not electronic devices you can just switch off. They’re going to react instinctually, and that will disturb audiences. But parents, you can make a choice. You can choose to waste money on something that your baby will disturb for you and everyone else. Or you can keep the kid home, and save everyone, including your kid, from having their night ruined.
And hey, you might still be able to see your show or movie. Like I said, babysitters are a lot more affordable than you might think.
Thanks for reading, folks. This has been something I’ve actually been wanting to write about for ages now, but after the show today, it just kind of came to a head and I had to make my feelings public. And if this changes even a few people’s minds, it’ll be worth it.
Back in 2021, I got my first author fan art. Iseult Murphy, my friend and colleague, created a couple of pictures based on a made-up creature I mentioned in a tweet, the dragon bats. You can see them below.
Pretty cool, especially since they didn’t belong to any story. At least, not then. The fan art inspired me to write a novelette, “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” That story was published in Ink Stains: A Dark Fiction Literary Anthology in October 2022.
And this past month, Iseult created some more fan art, which she’s sent me. The first is a story-accurate picture of the dragon bats, down to the orange fur and cat-like faces. Even their scaly, armored bellies are featured! Now imagine if one of these were real, and as big as a large dog! Now imagine hundreds of them, flying around and feeding upon you. Did I mention they may be venomous? A single bite can be deadly!
But that’s not the only piece of art Iseult sent me. Yesterday, she sent me this picture based on my story “The Dedication of the High Priestess.” That story is a fusion of ballet horror with the cosmic horror entity The King in Yellow. Check it out:
DAAAAMN! That is beautiful! The dancing figure of Anastasia in yellow, her shadow underneath her, and the giant form of her master, the King in Yellow, watching over her as she dances. It’s just an amazing piece of art. Also, was that painted with oil pastels? Because it looks like it, but I’m no art expert. Iseult, please let me know.
Whatever it’s made with, I LOVE this picture. I’ve said it before, but I feel like “Dedication of the High Priestess” is one of my favorite and best stories. And fan art is one of the sincerest forms of flattery you can give a creative, as well as showing your love and appreciation for that creative and their work. And from this, I really felt the love Iseult has for this story. So, I printed out a copy of this picture, bought a frame for it, and am now trying to find a good place to hang it up.
Anyway, I wanted to post this fan art for you all to see. Iseult’s art needs to be appreciated by more people, so I made sure to put it on my social media and on my blog.
And I hope to receive more fan art in the future. Not just from Iseult, though I would be happy to see more of her work. I hope, as I continue to publish more stories and reach more readers, I’ll see more fan art based on my work. And, as long as it’s manageable to do so, I may even post more fan art to this blog and to my social media.
Perhaps there will be more fan art once Hannah and Other Stories releases later this year. I can see the stories Queen Alice and Fuselli’s Horses getting some fan art.
In the meantime, I have plenty of stories that are worth reading. You don’t have to create fan art from them if you don’t want to. I just want you to read them. And maybe let me know what you think. And you should also check out Iseult Murphy’s stories, which you can find links to on her blog. I recommend 7 Days in Hell and 7 Weeks in Hell.
That’s all for now, my Followers of Fear. I’m off to work on a new short story while trying to figure out where to hang Iseult’s picture. Until next time, good night and pleasant nightmares.
I’ve been saying it all weekend, in person and on my other social media: one of the things I love about writing (among others) is getting to add my interests to the stories I write. And not just interests: I get to play with my favorite tropes, character types/archetypes, locations, and so much more.
And I’m not the only one: Stephen King likes to set his stories mostly in Maine or other parts of New England, have characters who are either writers or psychics (with the latter often being children), and just getting into weird ideas like aliens or extradimensional entities. Anne Rice enjoyed placing her stories throughout history, particularly places that are beautiful in some way or another, and telling stories that delve into our cruel but beautiful world (AKA the Savage Garden) via supernatural but very human creatures. Riley Sager enjoys deconstructing and turning classic horror movie tropes on their heads by making them the entire plots of his books, female leads who have some deep trauma in their pasts that affect their present, and a male romantic interest whom they should have no business getting with. HP Lovecraft–wait, let’s not get into him. We know what he liked, as well as what he hated.
As for me, I’ve got a few. For one thing, I like to include ballet and ballerinas in my stories. Part of that is that I love ballet like some people like football, but there’s also a symbolic reason. As I’ve said before, corruption of the innocent is one of my favorite elements of horror and ballerinas, particularly young ballerinas, are a symbol of innocence to me. With that reason, it’s no wonder I tend to add ballet and ballerinas to my stories when I get the chance. Though given that I write horror, I often put those poor dancers through hell. Just look at Maddy Taggert in Rose and Annie Hummel in “The Dedication of the Hight Priestess.”
Though whether or not that pattern holds with the dancer character in Crawler, I’ll let you guess.
I also enjoy putting my nerdy interests into my stories when I can. For example, in my WIP I’m working on now, I’ve included references to anime, fantasy tropes, and Doctor Who, among other things. In that same story, I also modeled two characters after the original detectives in Law & Order and named them after the actors who played them. And with half the story still left to write, I can probably find more room to add those in. It’s a blast when I do!
Some other things I like adding with my work when I can are:
setting my stories in Ohio
making some of my major characters Jewish like myself
noting the tropes I might be using while the character denies that their life is working like a story.
references to famous movies and books, especially those in the horror genre
my favorite periods in history (such as The Pure World Comes for Victorian England)
and powerful, sometimes godlike entities that often come from realms very much unlike our own
I love it when I get a chance to reference this show in a story.
And these are just the ones that I’m aware of. Some things are more noticeable to authors than others. I’m sure as I write and publish more, others will point out things about my writing that I never noticed before but will find very true.
But yeah, this sort of thing is a perk of writing fiction. They say “write what you know,” but what that actually entails is often quite different than what our writing professors often preach. Instead of basing our stories entirely on our own experiences and reality, we weave what we love into our stories and use it to spice up our stories. To make them the stories we would enjoy reading ourselves. And when you release those stories and find people enjoy them and the elements you add in…well, that makes it all the better, doesn’t it?
What are some elements you enjoy putting into your stories when you can, Followers of Fear? Let’s discuss in the comments below.
That’s all for now, my Followers of Fear. I mentioned this sort of thing to my folks after seeing Nutcracker last night and on social media after the Doctor Who reference was written into the story last night. After all that, it just felt natural to blog about it. Now, if anyone needs me, I’ll be making dinner and then getting back to my WIP. Until next time, good night, pleasant nightmares, and happy second night of Hanukkah!
Oh Glory to the King in Yellow! My story “The Dedication of the High Priestess” has finally been released! And even better, it’s been released in an audio format, which is always very special!
Now, if you don’t know, “The Dedication of the High Priestess” is a short story I wrote back in late 2021 combining both my love of ballet with the story of the King in Yellow (see this incredible video by The Tale Foundry if you would like to know more about the character before going into the story itself). It follows a young ballerina who finds herself chosen for a special role by the King, and what happens when she becomes exposed to his influence.
I know I say this about a lot of my stories that are published lately, but I do feel this is some of my best work. I really feel that I got to capture the main character, Anastasia Hummel’s, despair and abrupt transition into adulthood very well while also telling a great horror story. Honestly, I haven’t been this excited for you all to read one of my stories in a while, that’s how much I love it and how good I think it is.
Not to mention that it’s being released on the Tales to Terrify podcast. As you can guess from the title, the Tales to Terrify podcast is dedicated to reading aloud terrifying stories submitted by writers like you and me and narrated by professional narrators. And boy, did they do an amazing job with “Dedication!” The narrator, Amy Paonessa (God, I hope I spelled that correctly), brought Anastasia to life perfectly and mirrored her emotions so well. I was impressed and amazed as I listened, unable to stop. And I’m sure you all feel the same way when you hear her narrate the tale.
I hope you take the time to listen to the story and then let me know what you think. Hell, maybe you’ll even spread it around so that other people can hear it and experience it for themselves. I would very much appreciate that, as would the good folks at Tales to Terrify.
Anyway, I’ll leave a link for you all below. I can’t wait to hear what you think of the story. Now, if anyone needs me, I’ll be spreading the word about the story and thinking about how it came out right as lots of ballet companies around the world are putting on their annual Nutcracker productions.* Then I’ll drive out to see some family while also writing the script for the movie version in my head.**
Until next time, good night, pleasant nightmares, and be careful who you punch out during Black Friday sales today. They might come for you and do more than punch you back!
**No, a movie version isn’t planned at this point, but that has never stopped me from dreaming. And I feel “Dedication” would make a great psychological horror film.
Rami Ungar The Writer 