Posts Tagged ‘editing’

So, I have an announcement regarding Hannah and Other Stories. If you’re unaware, Hannah and Other Stories is a collection I wrote that was published by BSC Publishing Group on September 23, 2023. The collection contains tales of ghosts, budding serial killers, and carnivorous horses, among other things.

The collection has been well-received, if the reviews I’ve gotten are anything to go by. Unfortunately, sales have not been as good as they might have been, despite my best efforts, and, with my contract ending earlier this year, BSC Publishing has decided to relinquish the rights to publish the book back to me on January 1st, 2025.

Which means on January 1st, 2025, Hannah and Other Stories will go out of print.

Honestly, I’m going through several emotions at the moment. But the major one is acceptance. It is what it is, and I’ll always be grateful for BSC helping me get Hannah to the level it was. Trust me, I have a feeling it wouldn’t be as well received as it was without their help on the later drafts. Having to go through this kind of sucks, but I know it could be a lot worse.

And I also feel hopeful and determined. You see, once the rights are back in my hands, I can publish the book again, either with another publisher or self-publish. And I think I’ll self-publish. Not immediately, but at some point in 2025. I’ll release Hannah and Other Stories again, and it’ll be the same great book as before.

Well, with some changes. BSC’s business model called for only selling paperbacks if there’s enough demand for the ebook. Now, I’ll be able to publish a paperback, which I’m sure plenty of people who haven’t converted to ebooks yet will appreciate.

I also plan to return the Lovecraftian elements to “What Errour Awoke,” one of the stories in the collection. BSC wasn’t a fan of the Lovecraftian and wanted me to take them out. In the end, we compromised and made it semi-cosmic, but it’s never sat right with me. Now, I have an opportunity to make that story the way it was supposed to be, rather than how it was. (I may make a few more changes, but that’s the big one.)

And I think I’ll shell out for a new cover. Something I think will not only attract readers, but symbolize the book’s rebirth to a tee.

2025 is going to be full of possibilities.

So yeah, Hannah and Other Stories is going away for a while. But it’ll come back sometime in 2025, better than ever and in paperback, too. And if it does well enough? Maybe an audiobook version as well. It could happen.

For now, though, if you haven’t read Hannah yet, you still have fourteen days and about five hours to get an ebook copy. Even if you don’t read ebooks, buying a copy will help me in the long run and show me that there is plenty of demand for this book. And if you do read ebooks, please read it. And then leave me a review so I know what you thought. Not only will I really appreciate it, but it’ll help when Hannah eventually returns.

Hmm…between Hannah and the collection I’ve been working on, 2025 is looking like the year for collections. Maybe I’ll do a third as well? Well, we’ll see. However many I release, I hope they all do well.

Anyway, that’s all for now. Links for the book are below. Until next time, my Followers of Fear, good night, pleasant nightmares, and thank you for always supporting me. It means the world to me.

Well, we’re officially in December. 2024 ends in just 29 days. I would say thank God, but I’m not convinced 2025 will be much better. Still, gotta be optimistic. Gotta keep plugging along. Gotta keep making plans, writing stories, and making things in my mind into realities.

And that’s what I’m doing now. Making plans, writing stories, and making them into reality.

First, my Israel trip. That’s fast approaching. And assuming the ceasefire with Hezbollah holds and nothing else happens, I should still be able to go. It’s been nearly a decade and a half since I was last there, so I’m really hoping things calm down a bit and move towards resolution.

In the meantime, I’ve started on the second draft of The Shape of Evil, AKA the 3D printer from Hell story. In fact, I’m already a fourth of the way through the draft! I’m averaging a chapter every time a night, starting from the night before Thanksgiving. Considering that it took me six months to get through the first draft, moving through the book this fast is a dream come true! I might be done well before I fly out later this month.

I hope so, anyway. When I started thinking up this story, and I realized that my three main characters would each have a disability, with the lead being non-binary, I felt this story would be important. And after the events of last month, I feel like this book could be timely. No, it is timely. And I’m determined to get it in the best shape so that when I pitch in June, I can find a home for it sooner rather than later.

And after the second draft is done? Well, whether I go on my trip or not, I have a plan. I’ll find a beta reader/sensitivity reader for The Shape of Evil, and then work on three goals: writing a bunch of new short stories; editing three novellas; and putting out a new collection in the spring. The first two, I’ll be switching on-and-off working on. First a new short story or novelette, then one of the novellas I worked on earlier this year. Then another short story, then another novella, and then…well you get the idea.

With any luck, I’ll be able to start shopping these novellas I’ve written as a collection at some point, while also have a bunch of shorter stories to submit to every publication I can find.

As for the new collection, I’ll start in January or February by announcing the title, revealing the cover and release date, and getting the marketing machine rolling. I’m honestly very excited for you to learn more about this collection. I have a very good feeling about it.

Looking forward to doing this next year!

And if all goes well…who knows? Maybe I’ll somehow find more time for writing and even–finally!–get back to writing my mummy novel, Crawler. Yeah, I know, I know. I keep saying I will, and then something puts it further down the To Do list. But I will get it done. You’ll see. I’m making it a goal.

In the meantime, if you would like to support me while I work on all these projects, or if you’re in the mood for something scary to read, or if you’re looking for a good gift for the horror fan in your life, why not consider getting one of my books? Not only would it be a great gift for yourself or for someone you know, but you’d be giving me a gift as well.

Besides, plant/human hybrids? Strange gods? Mafia hunting serial killers and carnivorous horses? I got something for every horror fan, including free stuff! So, why not check them out? I’ll leave a button for my Books page below. Look and see what calls to you.

That’s all for now, my Followers of Fear. I’m going to at least try to start on the next chapter of The Shape of Evil (as I recall, this next one is rather long). Until next time, good night and pleasant nightmares.

Photo by Pixabay on Pexels.com

AI is everywhere these days. And unfortunately, it’s making inroads into the creative industries.

In September, the organization behind National Novel Writing Month announced they would allow participants to use AI programs to write their novels for them (you can see my post about that here). Then HarperCollins, following some academic presses, announced it would be offering some of its non-fiction titles to Microsoft for training their language-learning models (LLMs), AKA the same programs that “write” fiction for people, provided the author consents. And earlier this week, Bookseller reported that AI publishing company Spine would be using AI to publish up to 8000 titles a year, while also charging authors $5000 to use their programs to proofread, publish, and distribute books. You can read both articles on this subject here and here.

This is only confirming many creatives’ worst fears about how AI may be used by companies to make money. After all, you don’t have to pay a program for their work, which means the company keeps all the profit. This could potentially make it harder for creatives to make a living or even a side hustle by writing, making art, editing, make music, or a hundred other things. And after the writers and actors guilds fought so hard last year to keep AI from cutting in on their work!

Now, I’m not necessarily against AI. I think AI has plenty of useful applications. For example, Google’s AlphaFold program is apparently predicting proteins and coming up with new ways to treat some of our worst diseases. And I think many people would be happy if AI made certain aspects of life, such as cleaning our homes, easier. (God knows I would love it if a program could clean my bathtub, rather than me.) However, I don’t think AI should be in the entertainment business!

For one thing, there’s the issue that often, the literature and art used to train the programs is used without the creator’s permission. I’ve heard from plenty of creators who found out their work was being used without permission, which they considered theft (and I can’t disagree). And it’s not just authors and artists dealing with this; some voice actors are actually suing a company for using their voices without their permission (you can watch a news report about it here).

Then there’s the problem with AI trying to create literature or art. It doesn’t actually create anything new. Unlike humans, who can learn from other creators and then learn to subvert tropes or play with ideas to try new things, AI programs can only look for patterns and then apply those patterns. It’s essentially paint-by-the-numbers. And it’s hardly perfect. In fact, it rarely is!

I’ve played around with AI (if I’m going to criticize it, I might as well). This includes writing programs. And they’re difficult to keep on track. You’re constantly having to get the writing back on track because the program forgets something it wrote before. And from what I’ve seen, the language is hardly that deep. It’s pretty barebones. No inner monologues about character feelings or philosophical discussions in-text about the nature of good and evil, love, death, etc. It can get the actions and maybe the conversations, but it can’t do anything like Stephen King’s musings on goings-on in the Lot in Salem’s Lot, or the Savage Garden in the Vampire Chronicles.

AI art is worse, including WordPress’s new AI art generator. (Yeah, that’s a thing now.) I played around with it recently, and while it is fun, it’s still problematic. Sometimes, you get some good stuff, like this image of Batman taking a kid trick-or-treating (something I could see happening in the right comic storyline).

But then you get this Spider-Man art I made.

Don’t see the problems? Spider-Man’s spider symbol looks more like a stain on his top, his neck looks like it was twisted around a hundred and eighty degrees, the webbing looks more like chains than webbing (and on the left arm is coming out of the wrong place), and the bus has an extra twenty feet on it that’s being kept up by magic.

And that’s just one example. I did a bunch of ballet-themed pictures because AI-generated ballet art shows the issues with AI programs about fifty percent of the time (and I like ballet). Half the time, the dancers had extra limbs or missing limbs. And sometimes, the program couldn’t properly reproduce something I input into the prompt. Look at this picture of Jason Voorhees, Michael Myers and Leatherface skipping through a field.

Yeah, that’s not what I was going for. Jason is wearing Michael’s boilersuit, and the other two look like a masked warrior wearing weird make-up holding a sword and…I don’t know. A random guy with a machete? I tried this prompt four different times, and not one got close to what I was looking for.

So, to reiterate, while companies are going all in on AI in the hope that it can make them a profit, they’re working with programs that are flawed, can only copy, and sometimes rely on stealing to get trained. All while threatening the livelihoods of authors and artists.

Well, the good news is, while AI is making leaps and bounds, it may eventually implode. In one scenario, AI will eventually begin to copy itself, flaws and all, leading to the programs producing increasingly subpar creations. In another, such as this video seems to suggest, the facilities needed to store data for AI programs will start to consume tons of water and electricity. Water and electricity that, more often than not, comes from the same sources as regular people’s water and electricity. That competition will eventually move in favor of people unless a compromise or solution presents itself, and may eventually lead to limitations on AI facilities.

Still, it’s a fucking pain that the real creators have to compete with ones and zeros to prove we’re the superior creators. Hell, sometimes we have to go on strike to get the message across! In addition, some creators don’t seem to see the issue. I spoke recently to a creator who didn’t see what the big deal was and even welcomed the challenge from AI. Let me tell you, she was exhausting.

So, what can we do? Well, if you work with publishers, check with them on their AI policies. I asked both the ones I’ve worked with, and one’s already gotten back to me with a definite No. Just simply ask what their policy is on AI-generated material is, so it doesn’t sound accusatory. You can also reach out to your elected representatives and ask them to support legislation that protects creatives over programming.

You should also support creators who don’t use AI. Buy their book and artwork, leave reviews online, and make sure to let people know that those you support don’t use AI. (For the record, no AI beyond spellcheck is used in my work.)

And, as always, make your voices heard. If we aren’t silent, people will notice. And if they notice, they may be swayed to help us.

This feels appropriate for this year.

Every year, I do this post. Every year, you guys seem to like it. I imagine it’s because I make sure to get good graphics for it. Anyway, with only 36 days and a few hours left in 2024 (yeah, where did this year go?), it’s time for my annual assessment of the year and what I hope will happen in the coming year.

And let’s start by being honest: 2024 was a shitty year.

Yeah, I had hoped roaring at it like a tiger would make the year too scared to fuck with me, but I think it either got mad at me or my roar had no effect. Either way, this year sucked. The war in Ukraine continues on, with no sign of an end anytime soon; the war in the Middle East continues, and that’s not likely to end anytime soon soon, either; the 2024 presidential election ended in a way most people in the world feared it would; riots occurred in England in response to a stabbing in Southport; several countries experienced unrests, coups, and God only knows what else; hurricanes pounded the US and other nations mercilessly; prices have continued to rise on necessities like food, gas, and housing; and do I need to go on?

Overall, a rough year.

Granted, there were some nice things that happened this year. From July till earlier this month, I felt intense hope for the future of our nation thanks to a certain leader whom I hope we haven’t seen the last of. And the solar eclipse, as well as the northern lights being seen farther south than usual, was cool (I only saw one of those, but still cool). But all in all, it was a really shitty year.

On a personal level, yeah, 2024 was also quite shitty at times. The return to the office three days a week at my workplace had a ripple effect which caused my office’s workload to triple, leaving us stressed and struggling to stay on top of it. As a result, several times my performance suffered, which has had far-reaching consequences. I was unable to get Hannah and Other Stories into paperback, which was a major goal for me this year, and because of the economy and some other factors, I did not do as well at certain events as I expected. I was diagnosed with diabetes in August, which was a huge upset for me and has required me to make major adjustments to my lifestyle (don’t worry, I’m doing okay, but it still sucks); and it looks like my trip to Israel is in jeopardy because every airline is cancelling flights into the country due to the war (God forbid I get to visit my people’s homeland!).

Yeah, it’s been bad. I had to actually start attending therapy due to the huge amount of crap and stress I’ve been through this year. And I doubt I’m the only one.

Life was rough, but at least I got some good writing done this year.

Still, there were some highlights, and I try to focus on them:

I wrote some of the best stuff I’ve ever written this year, including a new novel, The Shape of Evil, which I plan to pitch at StokerCon next year; my first adaptation, a radio play of “Hannah” from Hannah and Other Stories, was released on Halloween (you can check that out here); my short story, “White Leaves” was released on the same day on the Tales to Terrify podcast (you can listen to that here); and despite underperforming at certain events, I did very well at others, and will probably make a profit this year instead of a loss.

Also, I started work on a new collection, and I plan to put it out in spring next year. More to come on that later.

Outside of writing, my health has improved thanks to all the changes I’ve made in my lifestyle; I’m still in a well-paying job that allows me to cover my expenses (and hopefully I’ll stay in the job or something similar until I’m able to write full time); I was able to do some traveling and even visited a few haunted locations; I had a couple of vacations over the year that were really restful and relaxing; my sister got married, and we got to do a little celebrating with her and the new in-laws; I got two new, really awesome tattoos; and I might still be able to travel to the Holy Land later this year.

So yeah, shit year, but I still have things to be thankful for (and right before Thanksgiving, too).

And what will happen in 2025? Well, like I said, I plan to release another collection and pitch The Shape of Evil to agents and editors at StokerCon (expect me to start editing later this week); hopefully I’ll get some more stories written and published, and maybe even (finally!) get back to writing my mummy novel Crawler; I’ll be seeing some amazing Broadway shows and a few ballets; hopefully I’ll get closer to writing full time; I plan to get another tattoo in the spring; and maybe I’ll do some more traveling. I do want to go back to Vegas or New Orleans again, if I can afford them, or even go abroad.

And I expect I’ll be resisting certain things from our incoming government, but sadly, life can’t be trouble free.

In any case, I hope 2025 comes with the resolution of certain world conflicts, and that any new troubles are mild compared to what they’ve been these past few years.

How was your 2024? And what are you hoping or expecting for 2025? Let’s discuss in the comments below.


One more thing, my Followers of Fear: as you know, the holiday season is upon us. And if you’re looking for some good horror to read, or you’re looking for a gift for that horror-loving friend in your life, why not try some of my books? From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan. I’ll leave a button below so you can check out my bibliography.

And if you like what you read, please leave a review online so I know what you thought. Positive or negative, I love reader feedback, and it helps other readers, as well.

And until next time, my Followers of Fear, good night and pleasant nightmares.

I am not a woman. I have never been a woman. And, unless reincarnation is a thing, I probably never will be one.

However, I do write from the point of view of or stories centering around women and girls quite a bit. And while I’ve been told a few times I do the female point of view well, I would never call myself an expert. No matter how often I spend time around the many women in my family (it’s a lot), or how many times I read or watch stories about women (even if they’re by women creators), that’s never going to change.

So, when I’m writing or editing a story, occasionally I’ll think to myself, “Hold up. Could this be problematic or offensive?” This actually happened the other night, with a story focusing on an actress, and I found myself wondering if some of what I was working on might be upsetting to some readers.

In that moment, I’m glad for the existence of sensitivity readers.

If you’re unaware, sensitivity readers are readers who review a work of literature for offensive content, like stereotypes or bias. They’ve been controversial, as some feel that sensitivity readers stifle artistic license or are trying to be moral gatekeepers, and a few have been employed to go over books by Ian Fleming and Roald Dahl, thus changing the books from their original contexts. But in situations like this, where I want to tell a specific kind of story but I don’t want to accidentally offend someone by including something that I may not even realize it’s offensive, sensitivity readers are a godsend.

(I also work in a job where the goal is to foster diversity and inclusion and to combat prejudice, so maybe my views on sensitivity readers, as well as my goals in using their services, are a bit different from other writers.)

So, that story I mentioned earlier? It’s with sensitivity readers now. Two women, both of whom are writers and one of whom is already familiar with my work, agreed to help me make sure this story is as good as it can be. And I’m sure they’re going to give me some excellent feedback once they’re done with it. Feedback which will ensure this story makes it out into the world someday.

And when I finish the second draft of The Shape of Evil, AKA the story about the 3D printer from Hell, I’ll employ the services of a sensitivity reader and use their feedback to improve the story before I pitch it to agents and publishers. After all, the main character is non-binary, and while I am in the LGBT community, I am not trans. So, I will need someone from that community, preferably someone who is non-binary, who can look at the story, tell me what I did right, what I got wrong, and what I can do to improve.

After all, I want to deliver the best stories possible, and I’m aware that I have my blind spots. What better way to make sure I do the first part than by having someone who can help me with the second part?

Do you use sensitivity readers? What has your experience been like?

That’s all for now, my Followers of Fear. I’m off to bed and to get some rest before the weekend. And until next time, good night and pleasant nightmares.

I just posted my plans on here, and then some things happened that threw wrenches in those plans. However, they’re the kind of wrenches that I’m actually kind of happy got thrown into the plans. And, with new plans comes new announcements to make. So, let’s get to it!

Update on the Radio Interview and Radio Play

Last month, I told you guys that I had been interviewed by the host/producer for a program of a local radio station, Doug Dangler. That interview will be appearing at some point on Sunday, October 20, 2024 on the website for Doug’s show, The Craft (you can find it HERE). An excerpt from said interview will air on WCBE 90.5 here in Columbus at 8 PM EST (you can check out the station HERE).

In addition, Doug does a Halloween show every year where students adapt short stories into radio plays, and my short story “Hannah” from Hannah and Other Stories will be one of the adapted short stories. According to the update today, the show will premiere on October 31st, 2024 at 7 PM EST.

I’m really excited, as this is the first time a story of mine has been adapted into a different medium (I don’t count audio book or podcasted readings, as those are just a form of reading using your ears). I hope you’ll join me as “Hannah” makes her debut as a radio play, and I’ll be sure to publish a post the day of so you’re reminded and can check it out when it airs.

Meanwhile, I wonder if I can convince any friends of mine to sit in my condo with me and listen to it live…?

I Have a New Collection on the Way

After Thursday’s blog post, I realized that I wasn’t satisfied with writing three more stories and then editing everything I’ve been working on this past year. To me, that felt like too much of a delay in getting these stories out to you. And I’ve been planning on putting out one or two more collections, anyway (once all the stories within them had been given a couple of rounds of editing, of course).

So, I decided that, instead of waiting until those three stories are written, I’d instead edit some of the ones I’ve already written, put them in one of the collections, and then put out that collection!

Now, I don’t have many details to share right now, other than the collection will have some original stuff and some previously printed stuff; it’ll have a theme; I’ll be self-publishing this time around; and it probably won’t come out until some time next year. But before all that, there are two stories I need to edit, as well as a few I want to give a quick look over before I put them out into the world.

After I’ve done that, I can start on things like a title and a cover and a release date.

Until then, my Followers of Fear, you can read any of my other works by checking out my Book Links and Excerpts page, which is linked through the button below. From strange gods and plant/human hybrids to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan. So if you’d like to support me, or you’re just looking for something spooky to read, my oeuvre is a good place to start!

Also, if you could leave a review, that would be a huge help to me and to future readers as well.

Until next time, my Followers of Fear, good night and pleasant nightmares!

Occasionally, there’s a lot I want to post about, but none of it is enough for a new blog post on its own. In those moments, especially when it’s been a minute since I last posted, I like to do a little (ha ha!) post with quick updates about what I’m working on lately and things going on in my life.

So, without further ado, let’s get to some updates!

Working on New and Shorter Works

As many of you know, I spent most of last year editing various stories, especially those in Hannah and Other Stories. After the Great Editing was over, I wanted to do nothing but write new things, and a lot of them, too. And I’ve done just that, working on one short story, a couple of novelettes, two novellas, and, much as I didn’t expect it to, a new novel (more on that below). In total, I’ve written six new stories. One, “White Leaves,” will be published on an upcoming episode of the Tales to Terrify podcast, another is with an alpha reader, and the others need a second draft.

Looking forward, I have three new stories I want to work on. One, a story set in the Cthulhu Mythos, I’m currently writing an outline for. Once all three are done, I’ll actually edit some of these stories and try to get them published.

Shape of Evil and Crawler

Remember I mentioned above I wrote a novel? That novel, The Shape of Evil, was originally supposed to be a novelette or a novella, but I guess the story had other plans. Otherwise, I would have hesitated before committing to such a long project. Anyway, the story is about a 3D printer from Hell, and I plan to do a second draft of it in December. While the novel took me six months to write, I’m hoping the editing takes only a few weeks to two months.

Afterwards, I plan to get a beta/sensitivity reader to look at it (the protagonist is a non-binary teen, so I want to make sure I’m representing the community in a way that’s positive), and do another draft based on their feedback. After that…well, I want to pitch this story at StokerCon next year. See if I can find an agent or publisher for it right off the bat. We’ll see what happens.

And as for my mummy novel, Crawler, yes, I still plan to finish it. I need to finish all these other stories and then edit some of them, but yes, I still plan to finish it. I hate that I haven’t worked on it for so long, but I will get it done. Just you wait and see.

Upcoming Events

As many of you know, I have a big day on October 26th, 2024, here in Columbus. First, the downtown library will be hosting HWA Ohio for an event called Scary Saturday. It’ll be a big day full of readings, short lectures, fun and spooky games, and plenty of local authors selling their books, among other things. I’ll be there selling copies of Rose and giving a lecture on how horror can be therapeutic to some readers, as well as generally helping out.

And then in the evening, some of us will be heading over to the Thurber House, a local writing-focused organization, for their Halloween celebration to do readings and attend spooky tours. I’ll be reading from Rose and selling whatever copies are left over. Should be a good time.

And while I might be doing fewer events next year (can you blame me in this economy?), I do have a few I’m already scheduled to attend. I’ll be at Akronomicon in Akron, OH on February 1st, 2025, and I’ll be at Halfway to Halloween in Ann Arbor, MI on May 11th, 2025. Both sound like big events, so I’m looking forward to being there for the very first time.

And if other events come up, I’ll be sure to let you all know.

Other Stuff

There are some things I would like to discuss in detail here, but I’m not ready to do so just yet. I will say that I’m doing more to take care of my physical and mental health due to changes in my life. I am working out and eating healthier these days for the former, and I’ve noticed a vast improvement.

As for my mental health, I’m just doing a lot of different things, including finding time for self-care and talking to the right sort of people, to make sure life’s worries and cares don’t get me down. I’ve also noticed a vast improvement on this.

(Though for both, there is still room to improve).

Finally, a big announcement: I’ll be going to Israel at the end of the year.

I know, I know, there’s a war and I disagree with A LOT of what Israel’s government does. However, I do feel that the Land of Israel is my homeland and maybe the last refuge for me and my fellow Jews on this Earth. And it’s important at this time for my people to ensure this country continues to exist, whatever our feelings about the current situation.

Besides, I haven’t been since I was 17 and a friend of mine is getting married there, so I guess no time like the present.


That’s all for now, my Followers of Fear. I hope you’re as excited to read the works above I mentioned once they’re ready. In the meantime, if you want to support me, or you’re just looking for a good scary story (and I figure you would be, with only fourteen days to go to Halloween), I have plenty of good stories for you to check out. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan, including some free stuff. I’ll leave a button below if you want to check out my work. And if you do, be sure to leave a review so I know what you thought.

Until next time, good night and pleasant nightmares.

The NaNoWriMo logo

It’s a damn shame when something that’s supposed to be pro-writers turns out to be exactly the opposite.

Now, for those of you who don’t know, National Novel Writing Month, or NaNoWriMo for short, is both an annual event and a non-profit organization. The former takes place in November every year, during which participating authors try to write a fifty-thousand word novel in 30 days (that’s about 1,667 words per day if you’re curious). If you actually manage to write that many words, you get bragging rights and a printable certificate (it’s a self-challenge, so that should be enough. Besides, previous attempts at “prize packages” have not gone well). The non-profit of the same name runs the annual event, as well as connects writers in the same area and other services and programs.

Sounds great, right? And for a while, it was. In fact, I even participated while writing the first draft of my novel Snake, and hoped to do so again someday. However, the organization’s statement on AI writing, which I’ve included as a photo below, has now made that impossible.

So, to summarize, not only is NaNoWriMo going to allow people to use AI to write their novels for them, but they claim that people who condemn use of AI writing are classist and ableist.

Um, excuse me?

I’m going to quickly respond to that last part first, as it’s outrageous. It’s not classist to ask writers, who span the whole range of socioeconomic backgrounds, to write a novel themselves. You know, like they’ve been doing for hundreds of years? Besides, AI use isn’t restricted to any particular class, let alone those living in poverty. If it was, and writing the whole novel yourself was restricted to those above the poverty line, then it would be classist.

And ableist? I have disabilities! I’ve managed to publish five books and write many more stories despite that! And so have many other authors, such as Octavia Butler (dyslexia), Fyodor Dostoyevsky (epilepsy), Flannery O’Connor (Lupus), as well as many writers who I consider not just colleagues, but friends. If anything, saying a disabled person can’t write a novel without the use of AI is what’s ableist!

But let’s get back to the fact that NaNoWriMo is willing to accept AI writing. I’m going to let you in on a little secret: AI writing isn’t even writing! AI writing is a computer program studying hundreds or even thousands of pieces of work, often without the original authors’ permission or even knowledge, looking for patterns, and then putting out something that has patterns like the ones found in the works studied. The results are usually full of contradictions, unimaginative characters, little mystery (because how could a program grasp mystery or secret-keeping for later payoff), and a lack of love.

Because that’s what AI writing really is. A cold calculation by a computer program based on analysis of so-called patterns gleaned from stolen works, rather than a labor of love by an author who wanted to share their stories with people who enjoy similar stories.

And the people calling themselves writers who are using AI, like the guy on Threads who said I was jealous that he was going to reach fifty-thousand words in one day (he’s been blocked)? They’re not writing. At best, they’re checking the finished project to fix the algorithm’s mistake. Other than that, they’re probably playing video games or making sandwiches or otherwise finding other ways to not write!

And that’s the saddest thing about this. NaNoWriMo started out as a fun challenge, and the organization was meant to help authors reach their dreams. Both were to encourage authors to push themselves and see what they could do in a month’s time. In short, it was to encourage writing. For NaNoWriMo to embrace AI writing and enable this laziness, rather than supporting the writers who insist on genuine hard work and practice, is a slap in the face to real writers everywhere.

I’m not saying it all has to be handwritten, but it should actually be, you know, written!

So, what can you do, both as a writer and a reader? Well, I’ve heard some people say they want to form a new organization and event, but whether or not that leads to anything, we’ll have to see. In the meantime, the most popular reaction seems to be people are boycotting both the NaNoWriMo event and the non-profit. Personally, in addition to the boycott, I would encourage authors to continue writing one word at the time. You know, actual writing?*

I would also encourage you to support other authors, especially lesser known ones, who continue to put real effort into writing, and leaving reviews, as well as refusing to support the works of authors who use AI, or the organizations who support them. Together, we can work to ensure writing and storytelling isn’t corrupted by algorithms, piracy, and laziness.

*And it doesn’t need to be fifty-thousand words in a month. Great work takes time, so take all the time you need.


That’s all for now, my Followers of Fear. If you would like to help this non-AI using writer, especially with spooky season just starting, I’ll include a button below to lead you to my catalog. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I got something for every horror fan. And if you like what you read, please leave a review so I know what you thought.

And until next time, my Followers of Fear, good night, pleasant nightmares, and only 58 days till Halloween!

Shoot off the fireworks! Summon the party demons! Sing praises to the gods for protection! I have completed the first draft of The Shape of Evil, AKA the 3D Printer from Hell story!

So, if you were unaware, I’ve been working on a story about a possessed 3D printer since March. It was originally supposed to be only a novelette or a short novella, but before I knew it, I’d devoted several thousand words to the first two sections of the story and was like, “Okay, this one’s going to be a novel. Why do I do this to myself?”

(This isn’t the first time this has happened to me, by the way. My Gothic horror novel The Pure World Comes was supposed to be a novelette. Boy, did that plan backfire in my face!)

Anyway, I’ve been working on this story since March, and the writing process was lengthened by how damn busy my life has been since spring. However, around halfway through the story, which was back in June, things started to speed up. I even managed to finish the last three chapters in single sittings, with the last one being written late last night after I met with my horror critique group!

If you’re curious, the story is 273 pages long (8.5 x 11, double spaced, 12-point Times New Roman font), and the word count is about 72,500 words. For context, the first Harry Potter novel was about forty-five hundred words longer. So, not a long novel, but a good length for a novel, to be sure.

Honestly, I’m really happy about finally finishing the story. Not only did it take longer than I thought to write, but I feel like this story has a lot of potential. Now, I feel like every one of my stories have potential, but I feel like this one’s going to be different. The story’s concept is a fun one and one I haven’t seen tackled in this or any other genre yet, and I feel like readers are going to empathize a lot with some of these characters.

So, some of you are probably wondering, “What’s next? And when can I read it?” Calm down, calm down, all in good time.

As many of you know, I like to give my stories a bit of time off after I finish the first draft before I edit them. In the case of The Shape of Evil, I plan to edit it in December, and hopefully finish the second draft by New Year’s. Afterwards, I’m going to try and find one or two beta readers who can act as sensitivity readers (my main character is nonbinary, so I want to ensure I wrote them well). After I get feedback from the readers back, I will do one more draft, and then try to find a home for the book. And from there, we’ll see what happens.

In the meantime, I’m going to take a couple of days to celebrate with good food, good drink, and good movies/anime. Then I’m going to write one or two non-fiction articles, and get started on some new stories I want to write. With three months and a few days till December, I think I can get plenty done (provided none of these stories want to become novels as well).

After all this work, I’m looking forward to a break.

And that’s all for now, my Followers of Fear. If you want to support me while I’m working to get The Shape of Evil and other stories published, you can check out my already published work. From plant/human hybrids and strange gods to Mafia-hunting serial killers and carnivorous horses, I have something for every horror fan. And with spooky season starting up, now is the perfect time to read some of these stories. I’ll be sure to leave a link below if you want to check them out. Be sure to leave a review if you do end up reading them.

And until next time, my Followers of Fear, good night, pleasant nightmares, and only 70 days till Halloween. Have you started doing your spooky dances yet?

Some of you may remember prior to COVID a rather unusual novel called A Cosmology of Monsters, about a family in the business of haunted attractions and the entities that seem to haunt them through the generations (see my review here). You may also remember my interview with the author, Shaun Hamill (which you can read here). Well, Shaun’s got a new novel called The Dissonance coming out soon, and I got him to sit down with me to discuss the new book and what went into writing it.

So, without further ado, let’s do an interview!

Rami Ungar: Welcome back to the blog, Shaun. Can you tell us what you’ve been up to in the past five years since Cosmology came out?

Shaun Hamill: Like everyone else, I’ve had a crazy few years! I’ve moved from Alabama to Texas (and then moved three more times to different living situations in the last 3 years). I haven’t written as much as I would have liked, but I managed to write The Dissonance, and I have just turned in another novel I can’t talk about yet.

RU: Tell us about The Dissonance. What’s it about, and what inspired it?

SH: The Dissonance is a dark fantasy novel (with a dash of horror), about a type of magic that feeds on negative emotions: pain, depression, and the like. The only people who can use it are usually “broken” in some way—traumatized or mentally ill or the like. The story focuses on a group of friends who discover this power as teenagers, and how it shapes their lives in good and bad ways. It was inspired during COVID, when I couldn’t see any of my friends in person. I missed them terribly, so I wrote a novel about friendship.

RU: Can you tell us a bit more about the novel’s themes and influences?

SH; As previously mentioned, friendship is a huge theme of The Dissonance. So is trauma, and pain, and regret. It was influenced mainly by Susanna Clarke’s Jonathan Strange & Mr. Norrell and Lev Grossman’s The Magicians. Some reviewers are also comparing the novel to IT (it deals with a group of friends and has a split timeline between their adolescent and adult lives), so that’s in the mix, too!

RU: Nothing wrong about being compared to IT, especially when it’s favorable. So, do you think your writing style has changed at all since Cosmology?

SH: I’m not sure. When I started The Dissonance, I set out to write a more accessible book, with characters who were a little easier to love and root for. I also wanted there to be more action and excitement. Whether that means a change in style? I couldn’t say. Maybe I’ve gotten a little less pretentious? I’ll be curious to see what readers of Cosmology think.

RU: I’ll be sure to let you know. Now, I’ve noticed based on Cosmology and on the description for The Dissonance, but you seem to have a thing for cosmic horror. Can you tell us your thoughts on cosmic horror and what about it you like?

SH: Yeah, I’m a cosmic horror nerd for sure. I think it stems from growing up religious (although I’m not a believer anymore). I was always fascinated by the awe and wonder that came with believing in something bigger than myself, and when I discovered cosmic horror (relatively late, in my early 30s), I found something more in tune with my personal feelings about the universe: a dark wonder, and the sense that reality is bigger and more complex and strange than any of us can ever comprehend. The best we can hope for in this life is a peek behind the curtain. Weird fiction is all about that curtain.

RU: It also seems this book will be delving quite a bit into witchcraft and the occult. Do you have experience with magic and witchcraft, or did you do a bunch of research and then make up the rest?

SH: I have an ex who practiced a bit of witchcraft. I’ve partaken in a couple of rituals (which I found as boring as church), and have spent my fair share of time in wiccan shops, browsing books of spells and baskets full of crystals and whatnot. In The Dissonance I employ a little bit of that knowledge, but mostly stick to made-up stuff, where I get to make the rules. My novel doesn’t discount the idea that pagan beliefs are valid, but it doesn’t engage with them much, either.

RU: Changing gears a bit, in our last interview, you mentioned at one point cutting down Cosmology from 250,000 words to about 100,00. Did you have to do something similar with The Dissonance?

The cover for The Dissonance.

SH: Actually, it’s the opposite! I worked hard to turn in a draft of The Dissonance at about 100,000 words. When my editor bought the book, she encouraged me to open up the world and story, and we ended up adding almost 50,000 words to the novel. Just like the cuts were appropriate for Cosmology, I think the additions ended up helping The Dissonance. The early drafts of the novel were very fast-paced—a little too fast. We needed to slow down (just a little) and give the characters time to breathe and feel between the action beats. We needed to show them having fun in addition to getting into trouble. The resulting novel is almost 50% longer than Cosmology but I have yet to hear anyone complain about the word count, so I think we got it right!

RU: Before we wrap up, are you working on anything new and spooky right now? And do you have any exciting future plans?

SH: I just turned in my third novel (which I can’t really talk about yet). It’s definitely on the spooky end of the spectrum. I’m also in talks for a fourth book (which I also can’t talk about), and have given my agent outlines for two possible other novels. So I’m going to be quite busy for the next few years! Hopefully I’ll be publishing more than once every half-decade from now on.

RU: Final question: what are some horror stories you’ve read recently that you’ve enjoyed?

SH: I loved Rachel Harrison’s latest novel, Black Sheep, and Clay McCloud Chapman’s What Kind of Mother. I’m really excited for Gabino Iglesias’s House of Bone and Rain. I haven’t been reading as much horror recently (because of the fantasy edge of The Dissonance, that’s been most of my reading), but I need to get back into it!

RU: I hope you do! It’s an amazing genre, after all. And thank you again for joining us once more.

If you’re interested in checking out The Dissonance, it comes out July 23, 2024 and is available for preorder from most retailers. And if you want to follow Shaun Hamill, you can follow him using the links listed below.

I hope you’re as excited as I am to read this book, my Followers of Fear. And until next time, good night and pleasant nightmares!