Posts Tagged ‘Every Woman Knows This (collection)’

Life is crazy, there’s a lot going on, so here’s some quick updates on what’s going on in my life and writing career.

Hannah and Other Stories

So, the next draft has already begun on Hannah. Currently, my editor is sending it to me story by story every couple of days, with “Hannah” itself arriving yesterday. (And yes, differentiating the two in email conversations with my editor was a hoot). I actually got the story done in one evening and sent it back, with the biggest change to the story just being that I changed some names of brands and public institutions. For example, YouTube became WeTube, Ohio State University became Aurelian University, and Disneyland in Anaheim because Mueller Land in San Dimas. Fun fact, took me about half an hour to rename Disneyland, but given that they’re a brand I don’t want to owe money to for using in a story, it was a half hour well spent.

I should receive the next story, “Queen Alice,” in a few days at most. When I get it, I’ll get it edited as quickly as possible and get it back to the publisher. With any luck, we’ll be done with this draft by the end of the month.

They Sleep Within the Rock and other projects

I finally got around to doing a third draft of this novella last week. With my beta reader’s help, I’ve been able to improve the story immensely, and have edited about seventy percent of the story. Unfortunately, while working on it, I realized the last thirty percent doesn’t have the oomph this story needs to be great. I mean, it’s a story about giving neo-Nazis some epic karma! You would think the story would have an ending on par with the explosiveness of Die Hard or the finale of The Little Mermaid (say what you will about that movie, but that finale is nothing to sneeze at).

So after a lot of messaging back and forth with my beta reader, I think I came up with a new ending that might be closer to my vision. I’ll be working on it in-between stories of Hannah, so it may take time, but I’ll get it done and back to the beta reader before too long.

After that, I would like to edit “The Underground Kings” and “It Changes You: A Backrooms Story,” as I’ve received some great feedback on how to improve those stories and I want to see what I can do with them. With any luck, they may even find homes!

And as for new stuff…well, I would like to get back to my mummy novel Crawler. And I do have some short stories, novelettes and novellas I might want to work on later this year. But really, nothing definite at this point. Just a ton of editing.

Horror Writers Association news

You may not be aware of this, but I’ve been the Chairperson for the Ohio chapter of the Horror Writers Association, HWA Ohio, since around its inception. I didn’t volunteer for the role or anything in the beginning, I just kept reserving meeting rooms for our meetings, and as we got more organized, I just kind of became the chair.

This year, the HWA implemented a system to elect chairs every two years organization wide. And I can officially say that I’ve been elected to serve the role two more years. I’m looking forward to serving as the Chairperson again, and to growing both the chapter and its members. If anything exciting pops up in that regard, I will let you know.

Anything else?

As you know, this Saturday I will be selling books and doing Tarot readings at the Hidden Marietta Paranormal Expo in Marietta, Ohio. It’ll be at the Washington County Fairgrounds from 10 AM – 4 PM. If you’re in the area this Saturday, please stop by, because it’s going to be a ton of fun.

I’m also going to be doing a flashlight tour and a ghost hunt at the local Anchorage Mansion this weekend with a friend, so hopefully we come across some spooky stuff. If we do, and I can, I’ll record it so you can see it!

And I finished Every Woman Knows This by Laurel Hightower, and thought it was a strong collection of scary short stories. 4 out of 5, won’t disappoint readers who give it a read.

Other than that, there’s nothing I can talk about. At least nothing that’s relevant to this blog right now or that I can talk about without getting into trouble. So, I’ll take this moment to bid you all a good night. Until next time, my Followers of Fear, pleasant nightmares!

So, I’m reading Every Woman Knows This: A Horror Collection by Laurel Hightower, a collection of horror short stories I won in a Twitter giveaway. Not very fast, because I get through print books so much more slowly these days than I used to, but I’m making my way through it. And I am in awe that some of these short stories appear to be shorter than five thousand words. Hell, some of the earlier stories in the collection appear less than four thousand.

And I’m sitting there, reading the stories, and I’m like, “How does she do that and make them still so damn good?”

I actually posted that question on my personal Facebook and my Twitter feed. Laurel responded to the Facebook post (we’re friends there), thanking me for posting about the book and being glad that I’m enjoying it. Did not share her secrets with me, though.

I wish she had, because I would love to be able to write stories that short and still be effective. After all, I grew up on Harry Potter and the Bartimaeus Trilogy, followed by books like Interview with the Vampire and IT. The shortest of those books is seventy-seven thousand words. By the time I started regularly reading and writing short stories, my brain was already primed for sprawling plots with deep twists, multiple layers of themes and secrets, and complex character relationships that are explored through multiple pages, chapters and books.

Taking all that out and trying to tell an entire story in less than seventy-five hundred words (what the Horror Writer Association says is the maximum word count for a short story) was a huge switch for me. And honestly, I’ve had varying success. Occasionally, I manage to get a story less than seventy-five hundred words, and sometimes those stories get published, but more often short for me is a novelette between 7,500 and 17,500 words. Not as long as a novel, not by far, but allows me more room to work with those plot elements I like.

Still, I do try to come up with and write those shorter stories, what Stephen King calls “a quick kiss in the dark from a stranger.”* Yeah, it’s difficult to do, but most publications are looking for stories of that range, and I want to get my work into them. And, I like the challenge. It’s another hill for me to climb on my journey as an author. And, occasionally, something I write in this vein is really good.

That being said, if it looks like a short story is destined to be a novelette, or even a novella or novel, I will let it be the length it’s going to be. No sense trying to maim a good story so it can fit somewhere, right?

But I still try. And I’ve gleaned some things in my attempts, like instead of big plots or huge happenings, you focus on small instances or events that may happen to one or two people. Rather than the big moments, like the destruction of It in the sewers of Derry or the fallout of four writers visiting a haunted house on Kansas during Halloween for a publicity stunt (Kill Creek by Scott Thomas, if you don’t know), I should focus on maybe a ghost at the Ohio State Reformatory trying to get information on what happened after he died, or a young man dealing with something evil that’s appeared intermittently in his life. Those might manage to become the kisses given in the dark by a stranger.

Actually, one of those was a kiss in the dark, and some of you may remember it. It’s “Is Anyone There,” which was published last year in That Which Cannot Be Undone, and got mentioned in several reviews as a highlight of the anthology. So maybe I might be closer to my goals than I think.

Just don’t kiss me in the dark. I’m more likely to punch you for that than enjoy it or put it into a story.

What are your tips for writing short stories, Followers of Fear? Do you struggle with keeping them under 7,000 or 5,000 words? Let’s discuss.

Also, be sure to check out Every Woman Knows This by Laurel Hightower. So far, it’s a great collection, and I hope I’ve learned some things by the time I’m done.

*Which, by the way, is a weird idea, isn’t it? You walk down an alley or into a room and it’s really dark and suddenly someone plants one on your mouth before disappearing? Actually, the scenario with the room is the plot of an Anton Chekhov short story, and the character who gets the kiss does have an impression left on him. So, I guess it’s a good metaphor.