Posts Tagged ‘films’

People from outside the horror genre think it’s pretty easy to scare people. Just add a monster/ghost/serial killer, people running in terror, and a creepy forest that is called “creepy” by the author, and it’s terrifying.

Bullshit. It’s actually really tough to make things scary. It takes more than a bunch of scary words, a dark forest, and a monster to make something scary. I should know, every time I get on the laptop to write I’m struggling to set atmosphere and arrange words and try to make something old new and terrifying again.

That last bit is one of the toughest things to do. Horror is a genre that’s full of cliches, and we enthusiasts and creators are both proud of it and trying to subvert or get around them while writing. Part of that is trying to make an old monster–a ghost, a serial killer, an evil house, etc.–seem different, seem new, seem like it hasn’t been done before. Remember my review of It Follows? That movie had taken an old concept in horror (sex equals death) and had found a brilliant way to reinvent it. To some degree, all authors of horror are trying to create that, a story that takes an old concept or monster and make it scary in a brand new way.

Sounds easy, right? Wrong. You have to look at all these other works dealing with the concept and wonder to yourself, what can I do that hasn’t been done? And sometimes the idea you’re running with has been done hundreds of times over already. Vampires, werewolves, zombies, witches, aliens, serial killers, ghosts, etc. They’ve all been done and you’re trying to find some new angle, something that hasn’t been tried or done before with them. It’s made even more difficult when you consider that there are probably piles and piles and piles of other novels that you haven’t read and they might have done the same things you’re considering doing. With all that, looking for something old to make new and scary again is quite the challenge.

It’s even more difficult to make entirely new things scary. Every writer wants to do a Cell or a Night of the Living Dead or a Paranormal Activity, to make something scary for the first time. It’s even better than taking something old and making it scary again, because you’re making a mark, you’re doing something that all those afterwards will have to measure themselves by. It’s just about any novelist’s dream, but in genres like horror where you see a lot of the same stuff over and over again (and a lot of it is trash), it’s only a few degrees away from striving for the Holy Grail.

Yesterday I had an idea for a novel involving a small town in Texas and a secret surrounding flooded rivers. As far as I’m aware, the particular angle I’d be going with this novel has not been done before. I’d like to think it’ll make for some interesting fiction, make some people wish they could do something similar. Honestly, I don’t know. But I’m excited that I have something like Night of the Living Dead or Cell or Paranormal Activity, something that hasn’t been done before and others might have to measure up to someday. That’s how big a deal it is to me and to other authors in my position. And when I finally begin to write this story, I’ll do it so that not only will I strive not to disappoint my readers, but I won’t disappoint myself.

How do we come up with these ideas? There’s no set way. We just read a lot, write a lo. We go to the films and watch the TV shows, we look at what’s been done, what hasn’t and what could be done. Is it easy? Not in the least. This is a genre where the road is well worn most of the time, where many have trod before. We’re looking for new ways to trod and for a path hidden behind foliage that we can cut a path through with our pens like machetes. And we don’t stop looking, no matter what. That’s just how we are as writers of all things dark and creepy.

Ultimately, we are not doing what we do because it’s easy to do. We’re doing it because we love it and because we love it we want to make it good. To do that we have to try to make our stories fresh, new, unpredictable, something we haven’t seen done before. It’s a difficult job, but if we do it right, then we’re doing something right as horror writers.

Do you have tips for making something old seem new and scary again?

What’s something you’ve seen not done before? What stuck you about it that made it seem original?

Here’s an impression of some of my reactions while watching this film:

“Aah!”
and “Yikes!”
and let’s not forget “Oh my f***ing God!”

Yeah, it was a really good movie. It’s like watching the movie version of a Stephen King novel without actually having anything to do with Stephen King. Inspired by childhood nightmares of writer and director David Robert Mitchell, It Follows…well, follows Jay, a young woman who has recently been seeing a handsome young man named Hugh. One night they have sex in Hugh’s car, which leads to all sorts of trouble. Apparently Hugh’s passed on a curse, making Jay the target of a creature that can only be seen by those affected by the curse and follows them at a walking pace with the intent of killing them, and then going after whoever was the previous bearer of the curse. The only way to pass the curse on is to have sex with someone else.

The “sex equals death” trope has been part of horror since perhaps before Dracula or Frankenstein, but it’s so rare to see a well-worn theme reinvented like this, making the film a very strange metaphor for STDs and the overwhelming power they have on our lives. There’s also the fear of intimacy, alongside a fear of strangers and what they can do to us. That last theme is exploited pretty well in this movie, where every unknown character or extra could be It. Heck, at one point I was wondering if It was a squirrel, and I was afraid!

But that’s not all that makes this film awesome. For instance, the writing is phenomenal, starting slow but mysterious and quickly getting exciting. There’s barely any gore, and the jump-scares, rather than relieving tension, enhances the tense atmosphere that just builds throughout the film. The few moments of humor in this film seem to fit right in, giving us a short break from the constant suspense that characterizes It Follows throughout. And the way it ends is terrifyingly awesome, the perfect satisfactory ending (who knew I’d get that sort of ending just hours after my last post?). And the monster, so undefined and strange, is guaranteed to cause you terror, even at its strangest (and arguably slightly goofy) moments.

Not to mention the acting from the small cast, who are extremely talented! Special mention goes to Maika Monroe, the gorgeous actress playing Jay, shows wonderful breadth and ability despite still being very early in her acting career. I think I fell in love with her a little while watching her performance, it was that good. Also worth mentioning is Keir Gillchrist as Paul, a young man who obviously is crazy for Jay, and his earnest manner is so wonderful that you really want to support him no matter what happens. I definitely empathized with him, and I’m sure I’m not the only one who will.

I can say more about this film–it is phenomenal–but I don’t want to give away any more. Instead, I really encourage horror fans to go see this movie if you can. It’s creepy, it’s fresh, and you’ll have second thoughts about one-night stands forevermore. Just a wonderful example in the continuing trend of great horror films from the indie scene and made on smaller budgets that scare us more than any bigger-budget franchise film.

I’m giving It Follows a 4.5 out of 5. This film is a new gem in the horror genre, so much that I tried to get the poster from the box office after the movie (unfortunately they don’t give those away anymore, darn it). I’m almost kind of hoping for a sequel. God knows the film leaves open the possibility for one, and I wouldn’t mind having some questions answered and seeing Jay and her friends grow in the face of this threat. On the other hand, why risk the possibility of ruining a great story by making a sequel that might fail to live up to the original? It’s quite the dilemma.

Well, that’s all for now. I’m going to bed. Maybe I’ll have a nightmare that’ll lead to an awesome story of my own. One can only hope, right?

“I love a happy ending.”

You hear that a lot. People go to the movies or read books or watch TV shows or plays and they tell you that the happy ending is the best part. Some people won’t even check something out–movie, play, book, whatever–unless they know there’s a happy ending in the story, as if their whole enjoyment of this creative work hinges upon how it ends and nothing else.

But what is a happy ending? What is the definition of a happy ending? If you think about it, it’s not as easy a question to answer as it seems. It can actually vary between genres. In romance, a happy ending is that after many trials and tribulations the hero and heroine finally end up together, madly in love, and the villain, if there is one, either realizes the errors of their ways and repents for it or they suffer for the misery they’ve caused. In fantasy, usually the quest the characters set out upon is accomplished, though sometimes that has its own consequences (the hero dies or, like Frodo in LOTR, has been too affected by the events of the story to truly be happy). And in horror, happy endings aren’t easily achieved. If you’re lucky, you’ll survive and have most of your psyche intact. Anything else is up in the air.

And in some cases, happy endings don’t come at all. Take about a third of Shakespeare’s plays, or movies like Oculus, or the movie Godfather (everyone gets brought low in that film). How about stories where the enemy is defeated but someone dies tragically (Moulin Rouge). Or maybe, as in one of my favorite indie horror film I Am A Ghost, you are left with more questions than answers.

I think happy endings are actually pretty subjective and hard to define. Does everyone but the bad guy win? Do the lovers end up together? Does nobody come away with traumatic experiences? I think it’s easier to look for a satisfactory ending than a happy ending. A satisfactory ending is a conclusion that resonates with you, that you feel is the natural conclusion of this long story you’ve been reading/watching and brings out an emotional response in you that doesn’t involve disappointment. It makes you say, “I like how this ends.” And it’s much less likely to make you burst out crying because you’re so happy that all has turned out well.

How do you feel about happy endings or satisfactory endings?

What’s your definition of either?

snake

How far would you go for love and revenge?

(Warning! This review has some spoilers. Proceed with caution if you haven’t read the book and might read it in the future.)

I’m super-excited to announce that my novel Snake has gotten it’s fifth review, and it’s second five-star review. For those of you who are unfamiliar with this book, Snake is the story of a young man whose girlfriend is kidnapped and becomes a serial killer to find her (yes, I wrote that sort of story. It is awesome). This latest review comes from Ruth Ann Nordin, fellow author, contributor and administrator on Self-Published Authors Helping Other Authors (psst! Check out her blog. It’s got good stuff).

Her review, titled Good Thriller, was uploaded onto Amazon earlier today. Here’s what Ruth had to say:

I really enjoyed this book. When I selected “dark” for the mood, it was almost a toss up with suspenseful. You knew early on who the mafia killer was, but the question of how he was going to find his girlfriend and rescue her was suspenseful. I ended up choosing “dark” because of the level of violence our main character used in getting to the girlfriend. But he was a complex character. Even though he definitely had the dark side to him, there was a surprisingly good side to him, too. You don’t really see this until later on in the book. So early on, you might think this is an unredeemable character. But one of the most intriguing characters are those who aren’t what they initially seem, and for this reason, I enjoyed this character. The pacing was just right. It wasn’t rushed, and in no way did I ever feel it dragged, which is awesome for a book that was over 500 pages in paperback.

This book is violent, and it contains sexual situations. Some of it can be cringeworthy. So I wouldn’t suggest this for young readers. I’d recommend this only to adults. If it was a movie, it would be a strong R. There’s also swearing. These things don’t bother me as a reader, but I know it bothers some, which is why I mention it. But if you don’t mind these elements, I think you will enjoy this book. It’s a great thriller.

Wow, this is one of the best reviews I’ve ever received. And you’re probably right, it would get an R rating if this were ever made into a movie (I wish! If it does happen though, I’d like Dylan O’Brien to play the Snake and Molly C. Quinn to play Allison). And I got to say, the other critics agree:

Rami Ungar makes a promise to (the reader) in all his writings: he WILL scare you, and if he does “his job is done.” Snake will scare you. I am a huge Stephen King fan, so this should give you some idea of my tolerance level for gore, death and mayhem – I was scared. Rami takes you into places you would never have believed possible, and manages to pull his hero (and eventually his heroine) out of them against all odds. If you like to be scared. If you LOVE to be scared. You should read this book.

Angela Misri, author of Jewel of the Thames and Thrice-Burned

Well, I took yet another vacation where I made my family “just wait until I finish this chapter.” This page-turning read was another great effort by Rami. He is not afraid to take risks in plot twists and turns, character development and he takes the reader on quite the journey in this book. So looking forward to his next creation!

Michele Kurland

Anyway, I have to say thanks to Ruth for this wonderful review. I really appreciate it and I look forward to continuing to work with you. And I hope maybe we’ll be able to read each other’s works in the future (if there’s something up my alley that you wrote, I’d really be interested in reading it). Also Ruth, thanks for the private email with the suggestions on how to better sell and market Snake. Please know I am considering your ideas and if I decide to use them, I’ll let you know.

And if any readers here are interested in reading Snake, you can check it out on Amazon and Smashwords. And if you do decide to read it, please let me know what you think, either in a comment or a review. Positive or negative, I love feedback and always use it to improve my writing.

Also make sure to check out Reborn City or The Quiet Game if you haven’t already. Both have also gotten some pretty good reviews and I think you might find them very enjoyable.

Well, that’s all for now. Got a phone interview in the morning so I’m going to get ready for bed. Goodnight, my Followers of Fear. Pleasant nightmares.

Otherwise known as a pretty amazing Korean horror film.

I first heard about this film from Rare Horror and was very interested (they’ve turned me onto a couple of interesting films). It took a while, but I finally tracked down and got my hands on a copy of this very strange Korean fantasy/horror film, directed by Yim Pil-sung and starring Chun Jung-myung. I have to say, I’m surprised this one hasn’t been given an American remake yet. It’s definitely the sort of story that makes you think of the success of The Ring or The Grudge.

Hansel and Gretel (or in its Romanized form, Heljelgwa geuretel; don’t ask me for the Hangul, I  don’t know how to get it on this blog) is about a salesman named Eun-soo who has learned that has gone on a trip to visit his sick mother, which may also be an excuse to get away from his girlfriend, who is four weeks pregnant. On the highway he gets into an accident and wakes up in a forest. He meets a young girl who takes Eun-soo to her home, where he meets her parents and her older brother and younger sister. At first glance, they seem like a 1950’s TV family from Korea. But from the moment he arrives, Eun-soo has senses something very strange about the house and the family here, confirmed when the parents up and leave, asking him to watch over the kids. Unable to leave the forest, Eun-soo tries to figure out the mystery of the house and the children and find a way to escape. And when he finally finds out the secret, it’ll change him forever.

This is definitely an interesting film. The sets and cinematography are excellent, like looking at a Christmas tableau with a horror hidden within it (which makes sense, considering Christmas is a running theme in this story). And the acting, especially from the child actors, is amazing. I forgot that these were actors, but thought they were their characters. This film is practically gore-less (yay!), doesn’t have many jump-scares (sad, but whatever), and works hard on building an atmosphere of dread, which works for it (especially if you turn off the lights and watch it in the dark like I did).

There are only two things I don’t like about this film. One is that it’s two hours long and may feel like a drag to people who like fast-paced stories with plenty of jumps and scares.The other is that when we finally find out how this whole creepy thing gets started, it seems a little riddled with cliches. But other than that, it’s a pretty creepy film with lots of dark, fantasy-based beauty. There’s plenty of character development and growth, which can be rare in horror films, and in the end you find yourself being very impressed with this journey you’ve gone on with the character.

I’m giving Hansel and Gretel a 3.5 out of 5. It’s a very strange movie, a lot of fun, and if you get a chance, check it out.  It’s already given me a few ideas for stories, so that’s definitely a good sign. I’ll definitely check out a few more Korean horror films if I can find some. Should be fun and inspiring.

saturation [n]: the act or result of supplying so much of something that no more is wanted.

–courtesy of Merriam Webster Online

Lately Hollywood is all about the franchises. Disney announced recently that they are making a Frozen 2, that they’ve set release dates for a Star Wars spin-off and Episode VIII, and for some reason they’re doing a live-action Dumbo remake. Sony recently announced that alongside the new female-led Ghostbusters reboot they’re making a male led one as well to even things out (because three male-led films vs. one female-led one is true equality), plus a production company to come up with all sorts of Ghostbusters-related stuff, and a Zoolander 2 is on its way as well.

Look, I’m looking forward to some of these sequels and prequels and remakes and reboots and spin-offs and franchises. Try and keep me away from the Poltergeist remake, the new Star Wars episode, and a few other upcoming films. However, I think that all this emphasis on creating major film series and franchises is actually working against Hollywood rather than helping it. I know that place is run by money primarily, with the idea of making memories and memorable films being a far second, and all these mega-franchises has everyone wanting to have their own moneymaker. But to pursue all that without investing in new material, to me anyway, is not smart business practice.

Not that there haven’t been original films this year. Seventh Son, Jupiter Ascending, and Chappie all are original films (one’s based on a novel, but whatever), so studios aren’t totally ignoring original ideas. However, the former two were panned and didn’t do well at the box office, while the latter…well, it did well at the box office, but the critics don’t seem to like it. I didn’t either. And that isn’t good, because it might make movie studios more wary about greenlighting new projects.

Does this seem a little excessive to you?

This means more superhero movies, more film series and franchise, more reboots and remakes and God only knows what else. And that’s likely to continue. The question is, how long will it continue? Marvel and DC have films scheduled through 2019 and 2020 respectively, but will we feel like watching them by that time? Will we feel like we’ve seen these films so many times that it takes something rare to make us enjoy the film, like it is for so many horror fans today? Are we going to reach saturation point soon? And when it does, what will the film industry do?

Luckily, there’s the indie scene, which is producing original and wonderful stories all the time (particularly horror: I Am A Ghost, The Babadook, and the upcoming It Follows, though I haven’t seen that last one yet). And the comedy genre keeps churning out with originals, probably because they know that pulling off sequels are difficult in that genre. There’s a growing number of biopics coming out each year (not exactly original, but not exactly overly done either), and most of the movies nominated for the Oscars each year are meant to be stand-alone films. Maybe we won’t reach saturation too soon.

But if we do, I think we might have enough filmmakers out there who aren’t so concerned with money and sequels, and want just to tell good stories. Heck, I might even join in then: I’ve got a few idea for screenplays, so I might write one too one of these days. We’ll see.

Do you like the way Hollywood is these days? Why or why not?

Do you think we’ll reach saturation point soon? What’ll happen when we do?

Many authors these days start blogs or websites or Facebook pages or Twitter accounts or any of the other five-thousand different forms of social media, hoping that not only will doing so let them connect to potential readers, but these said readers will go out and buy their books. It was certainly my reason for starting this blog: I began a blog in August 2011 in order to build an audience so that by the time I published my first book I might have some readers willing to buy a copy. It’s also the reason why I started a Facebook page and a Twitter account.

Contrary to this popular belief though, having a blog or any of the other things I mentioned doesn’t actually lead to decent book sales. There are numerous reasons for this, but I’d like to quote a friend of mine who recently posted about this on her own blog:

It’s like going to a movie theater and trying to sell your books to the people around you when all they want to do is watch the movie. Even worse, there are other writers in the theater trying to do the same thing you are, so the viewers are not just focused on the movie, they are purposely shutting out everything else. The challenge is to get their attention and make them more interested in you and your book than in the movie.

And like Pat, I’m not really sure how to get people interested in my book rather than the movie. While I’m lucky in that I’ve got a decent amount of followers (thanks for following, by the way!), if I charged for every time someone read one of my posts, I think my readership would be much smaller. My books cost anywhere between one to three dollars (if e-books) and a little under six to thirteen and a half dollars (if paperback). Plus I mainly write horror and science fiction, which don’t appeal to everyone.

Still, those aren’t the main reasons that I don’t make a lot of sales through social media. Other authors have had this problem as well, from romance and erotica authors to masters of mystery to sci-fi and fantasy lords and your literary connoisseurs. Like Pat said, every author is trying to get you to buy their books. I just happen to work in a genre known for its dark and macabre nature.

I think that’s the problem though. So many authors are using social media to promote their books that it’s difficult for any single one to get heard and make a lot of sales. The first few people who used blogs, Facebook, Twitter, and any other platform did make plenty of sales (or so I hear), but so many people have caught on that social media doesn’t sell as much as it promises.

It’s not easy to get sales through social media. But you can try.

 

Still, that doesn’t mean you shouldn’t try. Otherwise, I wouldn’t be on my blog, let alone Facebook or Twitter. Each author discovers success on their own. I’ve known authors to gain many readers of the books and many more readers on their blogs. It depends on how you go about writing your posts, what you write about, and how you promote it, among other things.

Do I know what those things are? Well…I’m a bit better at writing a terrifying story. I don’t know all the tricks. But I’m learning them here and there. I let my readers know about important updates, what’s going on in my life, my viewpoints on important issues. I often share funny or reading and writing-related photos on my FB page.Most importantly, I let people know when I get a new review on Amazon, and use direct links to Facebook and Twitter in case anyone wants to look.

And it pays off. Literally: I got two tax forms from Amazon–one for paperbacks, the other for e-books–and together it wasn’t too bad. And I’ve only been published for a little over a year and a half!

So maybe social media isn’t the direct way to bestselling novels like it bills itself to be. But with practice, hard work, and a lot of luck, you can do some amazing things through it. #BelieveIt

Do you find social media helpful for selling books? Why or why not?

What tricks do you have for selling books through social media?

I wanted to see this movie in theaters, but the one near my place wasn’t playing it (or it might have but forgot to post it on their website. Believe me, they did that once). So when I got it recently, I was hoping it would break the string of  bad horror films I’ve seen lately. Sadly, Ouija has only become the latest dud on my list. Even the great horror producer Jason Blum couldn’t make this project terrifying. I blame the fact that Michael Bay also produced this film, and most of what he touches blows up in his face, even if it does make tons of money.

Ouija is about a group of teenagers who try to contact their friend after she kills herself using the titular board game. This causes them to get marked by an angry spirit that seems intent on killing them. From there, it’s a race against the clock to stop the spirit before it gets strong enough to kill them all.

This movie’s good on jump scares, but it fails to keep up an atmosphere of suspense and dread, making the movie a long drag towards the end without even gore or sex to try to make up for it all. The acting is passable, though most of the “teens” in this movie look college age or older. Two of the characters are sisters and that’s supposed to mirror the ghost’s relationship with a living relative, but they don’t go into it enough to actually make the connection more than scant at best.

Still, Lin Shaye from the Insidious films and Shelley Hennig from Teen Wolf both have minor roles in this film, so that livens up the film slightly. Slightly.

I’m going to give Ouija a 1.3 out of 5. If you want to see a horror film and tell your friends that even though you’re a scaredy-cat you weren’t scared, this is the perfect film to be the foundation of that lie. I doubt it’ll ruin Ouija boards for enthusiasts of the game, which is something considering Michael Bay’s track record and possibly the one true positive thing to say about this film.

Still, I can’t say it’ll bring anyone joy to know that there’s a sequel in the works. Not surprising, considering that it made nearly a hundred million dollars at the box office and was made on only five million. Let’s hope the sequel will be several years off and direct-to-DVD, right? And in the meantime, I hope a good horror film comes out soon. I could use one!

I’ve written about this before several times in some way or another, but every now and then I feel the need to shout out to the Internet, “HEY CREATORS OF HORROR, this is one of your students, one who is coming up in your world. Please, for the love of Edgar Allen Poe, STOP DOING THESE THINGS BECAUSE THEY ARE GODDAMN STUPID AND REALLY DETRACT FROM THE STORIES YOU’RE TRYING TO TELL!” I especially feel this need when I think of the Friday the 13th remake, which is a piece of pornographic, drug-overloaded, cliche-ridden piece of crap from the bum of Michael Bay (figures!).

So with that exclamation and obligatory slam on my least favorite horror remake, I think it’s time to list what needs to be scaled back on or just get kicked out of the horror genre all-together.

Too much gore. Ooh, this is a turnoff to me. Excessive gore isn’t scary, it’s disgusting. If you’re going to use gore, it should be used sparingly. It should add to the terror by being sort of like an accentuation, an additive that adds flavor to the movie or novel’s total fear factor. If you’re relying entirely on gore for your scares, then you’re probably doing something wrong. Look at some of the best slashers out there! Yes, they have gore, but they don’t just rely on it. There’s suspense, surprise, terror, a guy coming out of a dark corner when you least expect him and just scaring the crap out of you before he chases the victim and then pushes them through a window and killing them on broken glass. Now that’s scary.

Too much sin factor. Smoking, drinking, getting high, having sex, swearing like a sailor. A lot of horror films, particularly in the slasher sub-genre, are big on punishing people for their sins. I get it. It’s fun to root for a villain and seeing people getting punished for throwing their lives away.But when it’s so excessive that you wonder if you bought a ticket for a horror movie or if you’re watching one of those teen movies where everyone’s stoned and trying to get laid and there’s a ton of unnecessary swearing involved. Seriously, if you need to spice up things by filming a ton of footage involving sex or drugs or whatever, you might need to get your script looked at by a third party.

The stereotypical man’s man and the believing girlfriend. I hate these sort of characters because they’re so predictable. The former is a normal guy who doesn’t believe in anything supernatural except what’s taught in church, and maybe not even then. The latter’s either a housewife or in a menial job stereotypical for women, and she’s the first to come to the conclusion that something’s weird that happens (unless she has kids, who will recognize the weird before even she will). She tries to convince her husband with his father-knows-best attitude that something’s weird, but he won’t believe it. And even when faced with indisputable proof of the supernatural, he’ll still be somewhat skeptical, and would rather use his tool box or his fists rather than search for a supernatural solution or refer to a specialist. In the end he has to believe his one-dimensional wife or end up dead. It’s been done so often, it’s gotten rather annoying.  Please, switch it up a bit, because it’s so stale we’ll have to throw it out if it doesn’t find a way to become fresh again.

Cheesy effects. I don’t care what your budget is, I’ve seen some amazing things done with effects bought on a budget of only a couple million, or even just ten-thousand dollars. About a month and a half ago I saw this late-night horror film that started out promising. Sadly it didn’t work out that way, and part of it was that the special effects were terrible, and the filmmakers seemed to revel in that by displaying their cheesiness at every second. If they’d tried to at least make it difficult to see what the wolves looked like, it would’ve improved the story so much more (and the film could’ve used the improvement, with that shoddy script). The moral is, even if you can’t use expensive special effects, there are ways to do amazing things with it. You never know what you’ll get.

 

Horror is well known for its tropes and cliches, and often fans of the genre will defend those tropes, saying they actually allow for more flexibility and creativity. However, occasionally these tropes are more problematic than they’re worth and, like the ones above, need to go.

What things in the horror genre would you like to boot entirely? What would you like to see more of?

I’ve mentioned this a couple of times, but I’ve rewritten a number of stories, especially short stories, over the course of my writing career. It’s annoying to a certain degree, to have to start from scratch while writing the same story over and over again. It’s easier to just edit a single story, but when things need to be changed to such a degree that rewriting the story is either simpler or the same as editing the story.

I’ve rewritten What Happened Saturday Night more than once (especially the last third of it), still have to rewrite Evil Began in a Bar (as soon as I figure out how to go about it) and I’m in the process of doing a major revision of Miranda’s Tempest that was inspired by one of my History of Witchcraft classes. Plus I plan to rewrite Laura Horn as soon as I have a moment. And you remember when I had to writ a new outline of Rose because the story was getting way too crazy for my advisor Manny (finally asked if I could name him here on my blog) and he told me to rethink where it was going? That was basically an outline rewrite. And it was after I had to rewrite the first four chapters because they were too light and campy for a horror novel.

Oy vey! That’s a lot of rewrites!

Still, as much as I hate having to do it, I know that a rewrite is ultimately beneficial. It makes the story much, much better. The difference between the first draft of What Happened Saturday Night, “Frauwolf” and the second draft was immense. And the third and fourth drafts showed even greater improvement. The Murderer’s Legacy improved a great deal once it became Miranda’s Tempest, though it still had its flaws. And now I’m doing another version of Miranda’s Tempest, though I’ve renamed it Strong’s Trial due to the new content and theme. It resembles Harry Potter a bit, though I think it’ll end up much removed from that. The rewrites of Rose have vastly improved it and I’m sure when I get to rewriting Laura Horn it’ll be much, much better.

And a lot of great works have been rewritten before publication. The Book Thief was apparently written 200 times before being published, and that’s a famous work. And I hear every script that gets turned into a movie in Hollywood goes through several rewrites before finally going into production. So perhaps my constant rewriting of my stories might make for a famous story someday. We’ll see someday.

Well, that’s all for now. I’m going to spend some time relaxing this evening before going to bed. I’ve done a lot of (re)writing today, so I’m going to take a break and try to relax. I’m setting up an account on my roommate’s PS4 and I’m going to play my first survival-horror game, Outlast. I’ve heard good things about it. Should be very exciting (and if I don’t like it, I’ll rewrite it!). Wish me luck!