Posts Tagged ‘ideas’

If you are as big a nerd as I am (and if continuing trends are accurate, you probably are, because the meek are inheriting the Earth and all that), you’ve probably heard a bunch of news about Doctor Who over the past week or so that has made fans of the show and just people in general who are friends of those fans freak out. These pieces of news boil down to three main points:

  1. Steven Moffat, showrunner for the show since Series 5 and writer since Series 1, will be stepping down from his position at the end of Series 10. The showrunner position will be taken over by Broadchurch creator Chris Chibnall.
  2. Because of the Olympics and everything else happening in 2016 this year, we won’t get any new episodes of Doctor Who till the Christmas Special at the end of the year. Series 10 will start up in the Spring of 2017.
  3. Peter Capaldi, who play’s the Doctor’s 12th incarnation, may also be leaving the show at the end of Series 10, so as to let Chibnall start fresh with a new Doctor.

Okay, the first piece of news isn’t that big a shock. Moffat’s retirement has been rumored for a while now, and we can see that he’s leaving the show in good hands, seeing as Chibnall has written some pretty well-known episodes of both DW and its spin-off Torchwood. The second piece…annoying, to say the least, but considering that this year is going to be pretty crazy, perhaps a good call by the BBC.

As for Capaldi leaving…I know that the average Doctor stays around three series. That’s how it’s been since DW came back in 2005. But oh my God, doesn’t it feel a little too soon?! Even my dad is a little amazed that Capaldi’s leaving, and he only knows the show as that thing his kids are obsessed with and that he’ll have to check out if he ever has the time for Netflix. And yeah, it’s been too soon, and Capaldi’s Doctor has only had so much time! And let’s face it, while I liked Jenna Coleman’s Clara, she did at times overshadow the Doctor. I was really looking forward to seeing the Doctor grow and have adventures without having an appendage that took up so much of the story (there, I said it, are you happy?!).

But I’ve had time to calm down, and I have to say that if Capaldi does want to leave, then so be it. I’m not going to be too happy about it, but I’ll accept it if I have to. I just hope that Capaldi decides to stick around for two more series instead of one, or at the very least Series 10 is just the most awesome thing ever.

And now I’m thinking, “Who’s going to replace Capaldi?” Trust me, you’re all probably thinking it by this point as well. And I know that they won’t be announcing it until probably a few months before we see this new Doctor. Still, I thought I’d jump the gun and give my predictions for who would make a great 13th Doctor (technically 14th, but let’s not get crazy here). Heck, my Predictions post for Batman vs. Superman actually hit the mark a little, so maybe I could actually get this right.

And let me just say before I start that I will not be putting Benedict Cumberbatch on this list. Yeah I know, lots of his fans would love him as the Doctor, but seriously, the guy’s already playing a Doctor and Sherlock Holmes! He’s got enough iconic roles to fill up an IMDb page!

So here it is. The actors and actresses who I think would not only make great Doctors, but maybe take Doctor Who in an interesting new direction for a whole new era.

Hayley Atwell

Hayley Atwell

Not just my top choice, but the top choice of a lot of people. Her name’s come up several times already as a possible successor for Capaldi. Not surprising, considering she’s got quite the resume, most notably as bad-ass, takes-no-shit 1940’s secret agent Peggy Carter in Marvel’s Cinematic Universe. Atwell’s also done two DW radio dramas, so she’s definitely familiar with the franchise already. She would have no trouble taking the TARDIS key in hand, and Atwell’s already expressed interest in playing the Doctor, so why not?

Plus if the BBC decides to listen to the fans and give us our first female Doctor, Atwell would be a great actress to set the bar with.

Chiwetel Ejiofor

Chiwetel Ejiofor

12 Years A Slave‘s star was a name brought up back in 2013 when speculation about who Matt Smith’s replacement would be was at its height. Not surprising, considering the depth and strength he gave in that movie and in many other roles. Eijiofor would make a very great Doctor. And not only does he do dramatic roles very well, he can do funny and quirky (he played Lola in the movie Kinky Boots, if you need proof of that), so he could probably do some fun one-liners every now and then.

And in a show where the lead has always been a white actor, this could also be a very interesting and welcome change.

Rebecca Hall

Rebecca Hall

In 2011 the BBC made a horror movie called The Awakening, which I thought was a weird little flick that tried to get into our heads and failed miserably. However, I thought the lead actress in that film, Rebecca Hall, did absolutely great. And Rebecca Hall has a great list of films to back her up: Frost/Nixon, The Town, Iron Man 3, Transcendence. She can do a lot of different roles, and I think a versatile actor is important for anyone who wants to play the Doctor.

And if she’s the only part I really enjoyed in a horror film, then you know she should be seriously considered.

Ace Bhatti

If that name sounds at all familiar to you, that’s because he played Principal Haresh Chandra in the DW spin-off The Sarah Jane Adventures, being both comic and serious at the same time in many different episodes of the series. Honestly, he was one of my favorite characters from that show (which I’m surprised that more DW fans haven’t seen). And apparently he’s got a very long resume outside of SJA, including a very big role on the show EastEnders (which I haven’t seen but I’ve heard good things about). He could make a very good Doctor, and considering that plenty of actors who had smaller roles in Doctor Who later went on to play bigger roles (including Capaldi and Sixth Doctor Colin Baker), this would be only continuing a well-known tradition.

Naomie Harris

Naomie Harris

Plenty of people know her as “oh, the actress who plays Moneypenny in James Bond, right?” but she’s done a lot more roles than that. In addition to Skyfall and Spectre, Harris has done 28 Days Later, Pirates of the Caribbean, and Mandela: Long Walk to Freedom as Winnie Mandela, for which the actual Winnie Mandela basically said that it was the best portrayal on film of her person.

With that sort of resume and endorsements, Harris might make a very good Doctor. I sort of imagine a warm and kind Doctor, who really hates getting violent but if she gets angry even Daleks will run away from her. Kind of like the Tenth Doctor with a mix of Third’s mentor-like charms.

Jon Oliver

Jon Oliver

Enough said. I know he probably won’t leave making fun of society while at the same time improving it on HBO, but the guy’s great. I’d love to see him as the Doctor.

And my final choice:

Mads Mikkelsen

Mads Mikkelsen

I know, I know. He’s not British. He’s not even Irish! He’s Danish! He’s practically not allowed to play the Doctor! But come on! Have you seen his resume? He was amazing as Hannibal Lecter in Hannibal, as Le Chiffre in Casino Royale, and he’ll be in Doctor Strange and Rogue One: A Star Wars Story later this year. And he actually does a pretty good British accent. Can you imagine him in some fancy 19th-century garb with a side of futuristic tech? He’d make a great Doctor, and I would love to see him in the role.

And I’m not afraid to say it!

 

So those are my choices for who should be the 13th Doctor. But tell me, who do you think would be a good fit for everybody’s favorite Time Lord? Do you think I’m on to something? Do you think I’m totally off? Is there a name I missed? Do you hope Peter Capaldi will stay a bit longer as well? Let’s discuss, my fellow Whovians.

And Steven Moffat and/or Chris Chibnall: if you happen to read this and you’re looking for some new blood to help you write kick-ass episodes of Doctor Who, give me a call. I’ve been keeping a long list of ideas for stories with the Doctor and I would love to write them for you. And these ideas could also work as novels, which I’ve plenty of experience writing, so I could do my stories that way as well if you want.

Like I said, give me a call. I’d be more than happy to head over to Wales to discuss the matter further.

Norman Bates, a prime example of a man with a mental illness in horror fiction.

I’ve been wanting to do a post for a while now that examines horror or literature but wasn’t my usual Reflections or Writing post. And then I read this article not too long ago on how mental illness is portrayed in anime (surprisingly anime takes a very honest and powerful take on the subject) and it got me thinking. It’s no secret that mental illness—or its more common designation, “insanity”—has been a huge part in horror fiction since the earliest days. The problem is, most of it tends to be pretty negative portrayals.

This is actually pretty sad, to say the least. Approximately one in three people worldwide will show enough symptoms to qualify as having a mental disorder at some point in their lives. In the United States alone, that number is nearly is nearly one in two. And a majority of these people are nonviolent. I should know. I’ve known various people throughout my life with some form of mental illness, both family and friends, and I have been open in the past about being on the autism spectrum myself. None of these people I know would hurt a fly, and I could never hurt anyone outside of one of my own stories.

This is quite different from horror fiction, where we have a variety of characters with all sorts of mental illness–Annie Wilkes, Norman Bates, Jason Voorhees, etc.–who are as violent and dangerous as they come. What gives?

So I’m going to do a series of posts, over the many months, about how mental illness is portrayed within horror fiction. Now, I’m not a psychologist or psychiatrist. I’m a horror novelist. And God knows I haven’t seen or read every horror story out there. Not even some of the classics. But like I said, I will try my best to go over this subject with the respect and care it deserves. I will do case studies, maybe make some recommendations, and maybe even ask the question: is the portrayal of mental illness in horror fiction good or bad.

And if one can write characters, particularly villains, with mental illnesses. And by one, I might mean me.

In the meantime, if you, my Followers of Fear, can give me any recommendations to help me write this series of posts–whether it’s films or books to check out, articles that have already gone over the subject, etc.–let me know. I could use all the help I can get for this massive undertaking.

Heck, if you’d like to write a guest post, I’d be more than willing to consider it.

That’s all for now. In addition to this series, I’ve got a bunch of posts I plan to put out over the coming days and weeks, so keep an eye out for them! Have a good week, my Followers of Fear.

Ooh boy, 2016 is already sucking in terms of horror films. And what made this film so bad? Well, I’m about to go into full SPOILERS to tell you why. I know, I know, I usually try to avoid spoilers at all costs, but in order to tell you how this film screwed up royally, I will have to spoil the film’s very big twist. So be warned, if you still plan to see this film and want to form your own opinions, you might want to stop reading this review.

Still here? Alright, let’s go into the setup. The Boy is about Greta Evans, an American running from an abusive ex, comes to England to be the nanny to an elderly couple’s son Brahms. Thing is, Brahms is a doll, the real Brahms dying in a fire over twenty years before. After the parents leave for a holiday, Greta starts thinking that the doll might actually be alive, inhabited by the soul of the psychopathic child who used to live in the house.

Sounds pretty typical, right? Well they try to switch it up in the last twenty minutes. How? Well, here’s where I get spoiler-y: after Greta’s ex arrives and destroys the supposedly-alive doll, it’s actually revealed that the doll…was just a doll. Brahms, who supposedly died over twenty years ago, is actually alive, a full-grown adult who still kind-of thinks he’s a child but has adult desires, and has been living in the house’s walls and in a hidden attic for the past twenty-something years.

WHAT THE FUCK?!!!

Pardon my French, but come on! I get wanting to defy expectations, but the way it’s done here is not only a little lame, but it totally makes no sense. You’re telling me that Brahms survived the fire over twenty years ago, and that he hid in the walls, made his parents, who are apparently aware their son’s alive and in the walls and maybe holding them hostage but allows his dad to have too many drinks with the local grocery store owner, and then also made them play parents to a doll with a remarkable resemblance to him, for over twenty years? Okay, that stretches credulity. First off, the kid doesn’t mature beyond eight years old mentally, surely he’s not clever enough to come up with such an elaborate plan to hold his parents hostage! And if the parents were aware of Brahms being alive, then it argues against Brahms coming across his parents with the doll and taking advantage of the situation.

Honestly, there are two ways this film could’ve actually improved itself: the first, and most obvious, is that the filmmakers could’ve stuck to the supernatural line and focused a bit more on the weird, motherly relationship between Greta and the doll. The other would’ve taken the story and focused on the parents during those first couple years after the fire, when they became aware of their son being alive and what he’s doing to them. That would’ve been an interesting story! Parents who love their son, but at the same time are terrified of him. The conflict would’ve been amazing, the thrill would’ve been powerful. And heck, if they wanted to include the doll in this version, they could’ve found an angle that would’ve worked easily. Especially if they wanted to portray the kid as not stuck mentally, but instead a growing psychopath to rival Hannibal Lecter.

Other than the twist that ruins the movie, the only other problem that I have with the film is that they could’ve touched upon the weird mother-son relationship between Greta and Brahms the doll a whole lot more. That would’ve made the movie much more emotionally powerful, but unfortunately the film only explores it only a little. Other than those two criticisms though, The Boy was pretty decent. The characters are somewhat fun, the actors who play them are great, and the set is decent for a creepy movie. Heck, they even build a really creepy atmosphere punctuated with jump scares. I was afraid at times, and for a little while I really thought the film entertaining, if not downright terrifying.

It’s just that twist. Even if it didn’t make absolutely no sense, it’s so lame it ruins the entire film. Which is why I’m giving The Boy a 2.8 out of 5. Great atmosphere and characters, a promising premise, but I’d only recommend this film if you want to see how a horror film can totally ruin itself by trying to defy expectations, and doing it in the worst way possible.

It’s Friday again, so you know what that means! It’s #FirstLineFriday, my weekly ritual that’s becoming a blogging trend.

Now if you’re unfamiliar with #FirstLineFriday, here are the rules should you wish to do this on your blog (and I highly encourage you try it, it’s a whole lot of fun):

  1. Title a post on your own blog #FirstLineFriday, hashtag and all
  2. Explain the rules like I’m doing
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. Ask your readers for feedback.

So I really don’t have a source for this opening. It just sort of came to me in the bathroom the other day (as ideas are sometimes known to do) and I thought I’d roll with it as my #FirstLineFriday entry. So without further ado, enjoy:

Gerry’s cousin, who had seen a number of therapists in his lifetime, had told him that you could often tell a lot about a shrink by how they decorated their offices. Gerry looked at the mishmash of science-fiction posters, the African tribal masks, and philosophy tomes around Dr. Greer’s office and wondered what that said about her.

What do you guys think? interesting opening? Any problems that could use fixing? Let’s discuss in the comments below.

And if you’d like to try #FirstLineFriday on your blogs, please do. Just let me know when you post it so I can check it out.

That’s all for now. I’ll try to get a post or two out this weekend if I can, if I’m not too busy with life, so keep an eye out for them. Have a good one, my Followers of Fear!

It’s Friday again, so you know what that means. It’s #FirstLineFriday! The weekly ritual I’ve been doing that people either look forward to, or they just find annoying. I don’t know, nobody’s said anything to me, I’m just guessing.

Anyway, if this is your first time hearing about #FirstLineFriday, let me explain the rules. On Fridays, you do the following:

  1. Write up a post on your blog entitled #FirstLineFriday, hashtag and all.
  2. Post the rules like I’m doing.
  3. Post the first one or two lines of a potential story, a story-in-progress, or a completed or published story.
  4. Ask your readers for feedback.

This week’s entry comes from a short story I had the idea for on Wednesday. It’s a little unusual in terms of what I write, but I think that makes it much more fun and challenging to write. Enjoy:

Carter had consumed tons of alien invasion stories as part of his job, and had decided long ago that the ones created by white people were the white man’s attempt to show the natives they’d conquered and enslaved how they would’ve reacted if a foreign enemy with superior technology ever tried to do the same to them. If the past year had proven anything though, whitey talked a big talk but couldn’t walk the walk.

Thoughts? Too long? Think this is a weird premise (if so, I’ll remind you that it’s the character’s POV)? Let’s discuss in the comments below.

That’s all for now. I’ll probably post something this weekend, so I’ll see you guys then. In the meantime, have a great and relaxing weekend, my Followers of Fear.

Well, we’re officially two weeks into 2016. Would you say your year so far is a good one or does it just suck?

Anyway, today is the last day of the 2016 New Year’s Sale, which means you guys have until late tonight to pick up a copy of any of my books, e-book or paperback, for a lower price than you would the rest of the year. And if you’re looking for something new and exciting to read this January, this is a good opportunity to see if anything I’ve written interests you, so why not go check it out and see what’s there?

Also, if you do decide to get one of my stories and read them, please make sure to write a review letting me know what you think. Positive or negative, I love feedback from readers.

That’s all for now. I’ll probably be back soon with more, possibly before tomorrow (it’ll be Friday, so you know what that means). Until next time, my Followers of Fear!

Snake

How far will you go for love and revenge? When a young man’s girlfriend is kidnapped by the powerful Camerlengo Family, he becomes the Snake, a serial killer who takes his methods from the worst of the Russian mafia. Tracking down members of the Camerlengo Family one by one for clues, the Snake will go to any lengths to see the love of his life again…even if it means becoming a worse monster than any of the monsters he is hunting.

Available from AmazonCreatespace and Smashwords

 

Reborn City

Zahara Bakur is a Muslim teenager recently moved into the gambling town of Reborn City. After her parents are killed by gang violence, Zahara is forced to join the Hydras, an interracial gang whose leaders have supernatural abilities. As the violence in Reborn City escalates and Zahara becomes closer to the Hydras, including the quiet but stern Rip, she finds herself drawn into a dark conspiracy involving the origins of the leaders and the shadowy corporation that rules over Reborn City.

Available on Amazon, Createspace, and Smashwords

 

The Quiet Game: Five Tales To Chill Your Bones

In his publishing debut, Rami Ungar brings us five terrifying stories of darkness in magic. You can experience the strange visions of a man battling sex addiction in “Addict”. Or feel the wrath of an enraged dybbuk in “Samson Weiss’s Curse”. Face your fears in Gene Adkin’s Murder House in “I’m Going To Be The Next James Bond” and then journey with a young autistic “In The Lady Ogre’s Den”. But most of all, prepare to play the most insidious game of all: The Quiet Game.

Now Available on Amazon, Createspace, Barnes & Noble, and Smashwords

I reviewed the premiere episode, and I reviewed the previous two seasons after the season finales. I’m reviewing this season, and speculating on the sixth season. And here’s what I have to say: Hotel has replaced Asylum as my favorite season of American Horror Story. And given my high standards, that means something.

Honestly, it’s hard to pin down a favorite part or moment to Hotel, so I’ll try to get in as much as possible. First, there’s the story. With AHS, it’s really hard to pin down where the story will go or how things will play out, who will live or die at the end (though I kind of saw how the first season was going to end at a certain point), and Hotel continues that, keeping me guessing right up until the last episode. I couldn’t even tell who the Ten Commandments Killer was until the show decided to scream it at us right before John Lowe finds out, at which point I was like, “I should’ve seen that twist coming! They’re really that good.” Not only that, but the writers manage to keep things interesting even in slower moments. Okay, not all the slower moments, there were a few moments in some early episodes where I got a little bored with the pace, but other than that, the writers told the story well, kept our interest, and even scared us a bit.

The show also managed to get across its main theme to us the viewers very well. Whereas Freak Show hit us over the head with its theme of “the other”, this year’s theme, “addiction” is given to us with a bit more finesse. Yes, there are lots of shots of needles and all that, but you also see it in the interaction of the characters, how certain characters cling to each other like a lifeboat in the middle of the ocean, and how other characters act as merciless and heartless as drug dealers to the people who need them. Besides the actual shots of heroin, the closest they ever get with giving us the addiction theme overtly is in episode 6, where one character reams out another about how she uses men, but that’s it. You really get multiple layers of the theme throughout the season, all done with a skill and complexity that I hope I can someday do with my stories.

Absolutely loved this character.

And then there are the characters. Oh my God, these characters are just so great. My favorite is Evan Peters as James Patrick March, the Hotel Cortez’s founder. He’s such a fun character, like a twisted, murderous Walt Disney, and he steals every scene he’s in. Not only that, but Peters looks like he’s having so much fun every time he’s on screen. Not surprising, considering this is such a different role than anything he’s handled on the show (or maybe in anything he’s ever been in). I also adored Lady Gaga as the Countess. I’ve said it a million times by now, but you forget that you’re watching Lady Gaga when she’s on that screen. She becomes her character, and it’s a magical spell that doesn’t break after the credits roll. I really hope she comes back next season, because she is so talented and fun to watch.

The rest of the cast is also a ton of fun. Denis O’Hare as transgender Liz Taylor is just divine, and totally a woman I would invite out with me on a night of wild partying. Wes Bentley (call me!) does a great job embodying John Lowe, who is a little flat as a character until the big twist about him is revealed, and then he’s just amazing fun. And the hotel itself is a character all on its own (how can it not be, when the word”Hotel” is part of the title?), with the most beautiful sets and an atmosphere all its own. It’s like meeting someone at a party, someone with looks and personality that everyone is drawn to, but if you get too close you see an all-consuming darkness.

Okay, that’s a good description of a lot of serial killers, but you get the idea. I like the hotel. The one character I disliked was Dr. Alex Lowe. Now her actress, Chloe Sevigny, was in Asylum as Shelley the nymphomaniac, and she had such a personality in that season, but here she plays her character like she’s bored most of the time. I know she’s going for frustration and depression at life’s injustices, but it feels more like boredom here. So yeah, not a fan of Alex.

I do have some complaints about this season, as much as I did love it. One was that the entity of the Addiction Demon was so underutilized in the story that if you got rid of it the entire season would be unaffected. I mean really, that thing was scary, so why wasn’t it used more? Not enough actors to play it? Too much time in the make-up chair?

I also could have used a bit more Finn Wittrock in the show (please marry me). I mean he’s such a great actor, he played two separate characters in the same season, and I was willing to forgive him for a bad accent on one of them. But hey, that might just be my problem. I do like handsome actors. Hopefully he’s around a lot next season.

On a scale of 1 to 5, I’m giving American Horror Story: Hotel a 4.9 out of 5. It’s near perfect as a season as AHS has produced yet, and I cannot wait to see how they try to top it next season.

Seriously hope she’s coming back!

And speaking of next season, what could it be? We’ve had Murder House, Asylum, Coven, Freak Show, and Hotel. Where could they go next? If I were a betting man (and I only occasionally buy lottery tickets), I’d say we might see something set at a private school. Schools are great places to portray a horror story, a lot of the regular actors look like they could be high schoolers, and I could imagine Gaga, who may come back next season, as an English teacher who has an affair with a student. I somehow doubt it’ll be anything involving a prison or a camp: the former is too similar to Asylum, and the latter is being done by the guys behind Once Upon a Time. Perhaps we’ll get something with a political bent, or maybe they’ll try to do a period piece in the 19th or 18th century (plenty of untapped potential there). Or maybe something involving a trial, that would be interesting new territory. In any case, a story set at a school, particularly a private one, is my bet.

Well, we’ll find out soon enough. Possibly very soon, if they release a promo like they did after Freak Show. In any case, I cannot wait.

What did you think about AHS: Hotel? Enjoy it or hate it?

What are your guesses for Season 6?

From the moment I heard about this film, I wanted to see it. It’s horror, it takes place in Japan, specifically Aokigahara (one of the places on my first list of haunted locations I’d like to visit), and the trailers made this thing look awesome. I was excited.

Sadly, the trailers were better than the movie itself, and I will explain why:

First, the story. Natalie Dormer plays Sarah Price, a woman with a cliched psychic connection to her troubled identical twin sister Jess, also played by Dormer. When there’s a disturbance in the Force, Sarah learns that her sister, who was teaching in Japan, has gone into Aokigahara, a forest near Mount Fuji that is a common place for suicides and has a reputation for being haunted by the extremely angry spirits trapped there. Sarah heads to Japan to save her sister, and ventures into the forest, which in turn brings all sorts of hell upon her and unearths inner darkness Sarah never wanted dredged up.

I had a lot of problems with this movie. First, there’s the protagonist. Sarah Price is not a very interesting character. It’s no fault of Dormer–I’ve seen her in other stuff, I know she’s a great actress–but beyond the psychic connection and a reckless love for her sister, the character is rather flat and dull. She does border on interesting when talking about her past, but that’s it. In fact, most of the characters are rather boring. Probably the only one that peaks your interest is Aiden, who helps Sarah look for her sister, but that’s mostly because you’re never sure what his motives are or if he can be trusted. And Sarah’s husband? You really could cut him from the film and it wouldn’t affect a thing.

Next, the storytelling and the mood. The movie moves rather slowly through most of the first hour, establishing exposition and introducing us to the relationship between Sarah and Jess. Important, but not particularly interesting. It isn’t until they’re already deep in the forest that the story actually tries to scare you, but even then most of the scares are jump scares, and even the best of jump scares are meaningless if they’re not tempered with other stuff, like a tense, suspenseful and horrifying mood, which the movie only really does just the once. By the end of the movie, when the film tries to surprise you with a few twists, one feels forced and awkward, while the other you saw coming a mile away. Just not very effective in terms of storytelling or making you feel scared.

Finally, there’s the effects. Now, I know on a budget of ten million dollars you can’t do much in the special effects department, but the effects they use in this film are for the most part pretty stupid. There’s a scene where a ghost is revealed in a cave, and I was expecting like out of The Ring or The Grudge (originally Japanese stories, if you didn’t know). Instead we get a goofy fanged monster-girl that looks more like a carnival attraction monster than a real ghost, and in the last few minutes of the film we get some CGI ghosts, which are about as scary as a frying pan. There’s one shot in the last few seconds of movie with such a ghost, and I felt more contempt than fear when I saw it, because it was so obviously fake. They might as well have had an actor put on a sheet with eye-holes, save a few dollars on computer-rendering, because that’s how lame it was.

So did The Forest have anything I liked? Actually yes: besides beautiful shots of Tokyo (always nice to see Tokyo when it’s not animated or hand-drawn), the film does a great job of making you question what’s real. Once Sarah is really trapped in Aokigahara, you find yourself questioning everything: river directions, people’s intentions, whether anything you’re seeing is real or all in Sarah’s head. You even question for most of the film what is the real source of the hauntings Sarah experiences: is it ghosts or a living forest? Or is it maybe psychological or even an infection from some bug? The movie makes a good case for all four throughout the course of the story, and even now I’m not really sure what the true answer is. Not that I’m spending a lot of time thinking about the answer, mind you.

Another thing that the movie has going for it is that when the jump scares occur, you really do jump pretty hard. One woman in the theater even cried out after one particular jump scare. That’s not enough to redeem the film, but it does work in its favor. And finally, the film’s got the wheels in my head turning, looking for stories that could come out of it. In my opinion, inspiring me and other writers and creative types is always a good thing, especially if it leads to good stories.

On the whole though, I find The Forest below average, earning a 2.6 out of 5. It’s premise is promising, and it tries hard, but on the whole can’t deliver. You’d be better off staying at home and renting The Ring or The Grudge if you want Japanese-inspired horror. At least this film didn’t ruin my desire to visit Aokigahara (only to see it and sate my horror author’s interest in creepy stuff, though. I would not visit it for the reason other people do).

And if you would like some good horror, consider some of my work. Right now, all my books are on sale until Thursday from Amazon, Createspace and Smashwords. Check them out now and pick up a great read for an even greater price. Trust me, this is an opportunity you do not want to miss.

It’s Friday again, so you know what that means. It’s #FirstLineFriday, my weekly ritual trying to create a blogging trend (and apparently I’m making some success).

Now, here are the rules for the people who’ve never seen or done #FirstLineFriday before:

  • Write a blog post on your own blog titled “#FirstLineFriday”, hashtag and all.
  • Explain the rules like I’m doing now.
  • Post the first one or two lines of a potential work, a work-in-progress, or a completed or published short story.
  • Ask your readers for feedback.

So, this week’s entry is from an idea I had for a sequel to Rose, the novel I wrote as my thesis project during my last year of college (and which I hope to do another draft of once I finish the second draft of Laura Horn). Now, I never planned to do a sequel to Rose, though I did try to leave open the possibility of a sequel while writing the story. The other morning, however, I woke up and the idea for a sequel just formed in my head. Immediately I had characters, situations, the conflict, the setting. All of it just–pardon the pun–sprouted in my head (read the summary for Rose if you don’t get the joke). I got out of bed, wrote down the basics in my little notebook, and then when I got on the computer later I wrote it down on my Ideas list. Now I’m turning it into a #FirstLineFriday entry. That’s progress!

Anyway, I don’t know when I’ll get around to writing a sequel to Rose–it would mostly depend on my mood, how busy I am, and any other projects calling to me to be written, among other things–but the idea is there if I want to pursue it. For now though, here’s what I imagine the first two lines would be:

The door of the house was wide open, despite the cold weather outside and the big “Foreclosed” sign in the yard. I should’ve been immediately suspicious, but I was too tired, cold, and hungry to care.

Thoughts? Errors? Let’s discuss in the comments below.

Well, that’s all for now, my Followers of Fear. Tomorrow night I’m planning on heading to the movies and seeing the new horror movie “The Forest”, so expect a review of that either late Saturday night or early Sunday morning. Until then, have a pleasant weekend, and make sure to check out the 2016 New Year’s Sale while there’s still time.

Oh wait, one last thing. This #FirstLineFriday, I’m doing something different. This time, I’m tagging someone and making them do #FirstLineFriday too. And this week, I’m tagging…YOU! Yes, you! You’re tagged, so either this week or next week, do a #FirstLineFriday blog post. Got it? Good! I can’t wait to see what you create.

If you haven’t read my last post yet, then allow me to shout “Happy New Year!” And wouldn’t you know it, it’s also Friday. You know what that means. It’s #FirstLineFriday!

Now, for those of you who don’t know the rules of #FirstLineFriday, let me break them down for you:

  • Write up a blog post titled “#FirstLineFriday”, hashtag and all.
  • Explain the rules like I’m doing now.
  • Post the first one or two lines of a potential story, story-in-progress, or completed or published work.
  • Ask your reader for feedback.

Now although it’s New Year’s Day, I don’t have a New Year’s edition for this post, unfortunately. I actually couldn’t think of any of my stories, written or otherwise, that take place on New Year’s (there may be one, but I have a lot of story ideas, and I’m not going to go trolling through them just to see when they take place. That would take too long). So instead, I’m just going to post something that I think would be interesting to read if it started one of my stories. Enjoy:

He looked across the tracks and saw the girl in the dark pink dress. And he saw the thing he knew would be standing right behind her.

Thoughts? Typos? Let’s discuss in the comments below.

So I hope you’re having a good New Year so far. I’m planning on relaxing and watching Ohio State take on Notre Dame in the Fiesta Bowl today (Go Bucks!) and having dinner with my family tonight. Not sure what’s on the agenda for the rest of you, but I hope you enjoy it to the fullest.

And if you’re looking for something to read this New Year, maybe you can head over to Amazon, Createspace, or Smashwords, where all my books are on sale now. It’s the perfect time to try a new read and support an independent novelist at the same time. Sale goes on till January 14th, so there’s plenty of time to make a selection.

Until next time, my Followers of Fear!