Posts Tagged ‘living and life’

I just finished going over what I have so far of Laura Horn. I honestly thought it wouldn’t take this long to get through less than twenty chapters, but at least I got it done sooner rather than later. Now I can start working on original material.

For those of you who are not very familiar with my WIP yet, Laura Horn is the story of a girl who inadvertently becomes the one person who can save the United States from forces within its own government. However Laura is a damaged soul, a girl with a traumatic past that often paralyzes her in the face of danger. So in order to save her country’s future, she has to confront her painful past. I came up with the idea for the story by wondering if I could write a genre story where a character with a seriously damaged past could grow in spirit throughout the story and become a hero at the same time. The rest of the story came from that.

I started LH last July but had to put it on hold in October because of an increasing amount of homework and because I was working on Video Rage, the sequel to Reborn City, at the same time. It was just too much to cope with, so I had to cut back (which may have actually added to my stress levels, but that’s a story for another time). When the semester ended in early December, I focused on getting Video Rage done first. Then when I finished that back in January, I worked on several short stories and articles, and finally during spring break I began looking through Laura Horn again.

My first impression going through the first twenty chapters was this: I remembered writing much better prose than what I encountered going through those chapters. Then again, this is a first draft so it’s supposed to suck a little. Anyway, while reading through the early chapters I found myself doing a lot of editing work so that the story would flow better and so that I could continue without obsessing over this or that mistake or inconsistency. At the same time, that extended my rereading of the early chapters so that I ended up needing a few more days to get through the first twenty chapters.

Well, I’m here at this juncture in the writing process now, the point where I can contribute some new original chapters to the manuscript. Better late than never. And now I’m going to reread the outline for the book, and then I’m going to see about starting on the next chapter before I get ready for bed tonight. With any luck, I’ll be able to get a few new chapters of LH done before I leave for my study abroad trip in May (trust me, I won’t be doing a lot of writing or blogging during that time).

Well, wish me luck, my Followers of Fear. I’m going to get back to work now. Have a good night and a great weekend.

I’ve been meaning to blog about this since I found out the good news this morning. Unfortunately I had work, and then I had classes, and then I had a 2-hour orientation for my study abroad trip and then I came home and started on homework and laundry, and these next two days will probably be crazy as well, and–whack!–I just slapped myself to stop me from rambling on. My friends are right, I would make an interesting late-night host or sitcom character.

Back to the point of this post (if we were ever at the point of this post to begin with): I submitted Reborn City to the Amazon Breakthrough Novel Award in the Fantasy/Science Fiction/Horror category about a month ago. I figured that it was free-of-charge, that it couldn’t hurt to try, and that even if I didn’t get a cash prize, after a certain round or two you got reviews from the judges. At the very least I might get a few more people to read RC. So why the heck not? I submitted RC through my account on Createspace, and I went back to my life.

This morning, keenly aware that today was the day that the results would be released letting authors know who got to the second round, I went online to find out if I was among the lucky winners. I scrolled through the list of 400 authors and novels in my category, trying to find my name and RC‘s title among them. And on the third or fourth page, my name popped out at me. Rami Ungar. Reborn City. I’d passed the first round.

I was ecstatic! I’d figured that since it was my first novel, RC probably wouldn’t make it past the first round. Sure, I’d gotten some amazing reviews off Amazon and from friends and family who were in the middle of the book, but I was sure I was too inexperienced an author to get to the second round. Well, just goes to show that authors can be the worst judge of their own work sometimes. RC passed.

Now that the first hurdle has been overcome, it’s time to get ready for the second round. I believe instead of an excerpt of RC, the full manuscript is required, so I’m going to try to upload it tonight. I don’t believe I’ll get to the finals or win the whole contest (like I said, it’s my first book and I’m not as good as I could be yet), but I’d like to at least get to the quarterfinals. At that stage they give reviews of your book, and any feedback, positive or negative, is welcome.

Well, I’ve finally blogged about it, so I’m going to get everything else out of my way so I can focus on getting to the quarterfinals (which are announced on April 11). I’m so excited, and I’m extremely grateful to be given this opportunity to possibly expand RC to a wider audience and to get some constructive feedback from experienced professionals. Wish me luck, Followers of Fear!

I got The Hunger Games: Catching Fire on DVD on Friday and watched it this afternoon. If I were to do a review, I’d say it was a very good adaptation of a book I absolutely hated for a number of reasons. However, I’m not writing this post as a review for Catching Fire. I’m writing this post because, after I took the DVD out and went to make my dinner, I thought to myself, “There is such a difference between Katniss Everdeen and Zahara.”

And indeed, there is a great difference between the two characters. And I’m not just talking about upbringing, religious identification, and their experiences. I think the biggest differences between Katniss and Zahara is their access to choices in their lives. (Okay, there’s also major differences in character development, but since all three books of The Hunger Games are out and only one book of the Reborn City series is out, I won’t go into that lest I spoil something).

In THG, Katniss rarely has any sort of choice in what she can or can’t do. Except for certain memorable instances, Katniss follows a script that someone else wrote, whether that be the Capitol or someone associated with the Capitol, or District 13 and someone in the rebellion. Sure, the moments when she gets a chance to make her own choices are pretty momentous. She volunteered for the Hunger Games, she nearly committed suicide using poison berries, and she killed President Coin in an act of revenge. But other than those moments, she’s mostly dancing to the tune of someone else’s fiddle. And she’s either unaware of it or she’s aware of it and so pissed off about it.

Zahara, on the other hand, has a little more leeway. When I wrote Reborn City and started planning its sequels, I obviously wasn’t planning on writing about Zahara’s choices. But after she’s forced to join the Hydras, she does find that she has a bit of choice in the events that occur later on in the story. And those choices do end up affecting the Hydras in several ways, whether  it involve a gang war about to go wrong, or by a simple encouragement that changes the way someone thinks. And as the series goes on, Zahara will get to make more choices, some of which will have greater effects than the previous ones she’s made.

Why the difference? Well, I guess you’d have to ask the authors. In addition to wanting to create a story that was a commentary on both our addictions to violence and reality TV, Suzanne Collins also wanted (I’m assuming) to allow readers to relate to the feeling that our lives are not our own. We’ve all been there, had those moments when we felt our lives weren’t our own, where we felt like our lives are being directed by someone else. Maybe our parents, our employers, our teachers, our government, our spouses, etc. Basically we have to subordinate our lives to the needs or whims of others. This speaks to plenty of people, particularly teenagers and young adults who are constantly pressured to fulfill the wishes and pressures of the adults around them. I can only guess as to why Mrs. Collins wanted to weave that theme into her trilogy, or if she even realized what she was weaving in until it was already there. What is obvious that Katniss exemplifies that theme of lack of control over one’s life, and it’s part of why people identify with her.

With Zahara and RC on the other hand, the intentions were very different. I realized early on in writing a novel about street gangs that people in gangs or in slums or broken families or several other similar situations that they feel like they can’t leave the situations they’re in. This attitude, which seems to perpetuate itself over generations in a terrible self-fulfilling prophecy, horrified me. Imagine people who didn’t try to change their horrible lives because they felt that trying was impossible, that it would only lead to pain and regret. Where they were was where they belonged. Throughout the trilogy I try to fight that belief through the travails of Zahara and the Hydras, making choices and fighting for not only their lives, but also to live their lives as they wish.

So I guess this difference in opportunity and choice for Katniss Everdeen and Zahara Bakur really just boils own to the intentions of the authors when we were writing our stories. I strove to write about teens fighting against a world that oppresses them and tries to control them, while Mrs. Collins seems to have written a story about a world where, among other things, the lives of others are maddeningly not their own.

It’s interesting what the intentions of the autor can do for a single story, isn’t it?

That’s all for now. Tomorrow school starts up again, so I’m heading to bed to get ready for the big day. Goodnight, Followers of Fear, and have a great week.

Today at work, I had a mostly usual day. Went through a ton of files, ate lunch, went through another ton of files, and had conversations with some of my coworkers about life, the weather, and the job. Pretty average. Oh, except for the fact that I came up with several different ideas for short stories and articles today. About 16 new ideas total, if I remember correctly.

And this is not unusual for me: just yesterday I had an idea for a psychological horror novel. The day before that, I came up with a science-fiction/horror novel, all while sitting calmly at my desk and going through file after file after file. So while coming up with so many ideas in a single day is somewhat unusual for me, coming up with ideas while working or going to classes is a pretty regular occurrence for me.

Why am I making a blog post out of this? Because there are some writers–not many, but some–who are under the mistaken impression that holding any sort of job will stifle creative juices and ruin them as an artist. For example, I used to be on friendly terms with a writer and blogger over in Europe. He wrote a lot of poetry, took plenty of photos, and was working on a novel. For reasons that I never found out, he and his wife separated and he ended up living on the streets. Because he didn’t want to get a job that would most likely force him to be a slave to a corporation or a government (at least based on his political views I assume that’s why he didn’t get a job), along with his views that a job would ruin his artistic power, he asked his readers to donate money to him through PayPal so that he could buy airline tickets to America where his parents were. Nobody donated, which he felt was a personal insult and he got really nasty afterwards. When I tried to be nice and encouraging to him, he swore at me, leading me to stop following him. Last I checked he’s still in Europe and living on the streets billing himself as a starving artist.

Now, I’m not saying that all artists who refuse to get jobs are like this. Many are the kindest, sweetest people you’ll ever meet. They’re sincere about wanting to do well in their chosen fields. But I do want to let artists of all kinds know that a job won’t necessarily ruin your career and your skills, whether you’re selling only a few books or several thousand books. In fact, sometimes a job can help you. Several of the people in my office read my work when it comes out; I wouldn’t have made some of the money I’ve made without their help. Not only that, but I’ve made a few connections through my job, including with a screenwriter I met today who’s working on a screenplay while helping students out with financial aid and other questions during the day. Tomorrow I’d like to give him the name of a professor at school who also has connections to Hollywood. I figure that’d help him.

So don’t worry about losing your creative streak if you get a 9 to 5 or even just a part-time job. It may actually make you more creative, or give you the drive to produce better work just so you can get out of that job. I’ve certainly benefitted from working. I’ve come up with so many ideas over the years while working in the financial aid office. I don’t think I would’ve come up with those ideas if I was in a different setting.

Not to mention the fact that I would’ve had to move back in with my parents or become homeless long ago if I hadn’t gotten a job. Trust me, I’m very grateful for that. Especially since I’m sheltered from the cold. Do you know how bad the weather can be in Ohio in winter?

If you’re still not sure, just go ahead and try it. Give it a month or two. If a job does kill you creatively, then I’m sorry that you can’t write while holding a job. And if you don’t find any change or instead find yourself becoming more creative, then I’m glad things are working out for you and I wish you luck in whatever occupation you’re currently working in.

How has holding a job affected your creativity? What advice do you have for authors who are concerned about how a job might affect their writing?

Yes, this is the novel's cover layout. What do you think of it?

Yes, this is the novel’s cover layout. What do you think of it?

Hard to believe with the new year already in March (how did that happen?) and so much else going on in my crazy life, but it’s already three months away from when my next novel Snake is released on June 10th. And as I’ve said in previous posts, that’ll be two years to the day I started working on Snake, which is both symbolic and more proof that time just seems to fly by.

For those of you who haven’t become familiar with Snake yet, it is a thriller novel I wrote back in 2012 and which, with the help of author Angela Misri, I edited throughout 2013 and January of 2014. It is the story of a young man who becomes a serial killer in order to save his girlfriend from a powerful organized crime family. It’s definitely one of my darker stories, at times even scaring me. I also think it’s one of my best stories, and I hope people like it and the characters as much as I do. Oh, and there are no actual snakes in the book. I’ve had people tell me they won’t read it just based on that title. I’ve heard you shouldn’t judge a book by its cover (especially when it has a naked lady on it) but that’s ridiculous.

If you’d like to read an excerpt of Snake, you can click here to read the first chapter. And if you look below this paragraph, you’ll find the book trailer for Snake, which I created through iMovie after school one day. It’s very dark and gritty, which I think reflects the novel very well.


I’ll bring up Snake again when we get a little closer to the release date. I’m looking forward to it. Are you?

becket

Today’s interview is with indie author Becket, whose books include The Blood Vivicanti series and the Key The Steampunk Vampire Girl books, including the recently released The Tower Tomb of Time. When not writing, Becket works for author Anne Rice and is supplementing his education with a degree in psychology.

I had the chance to email Becket and learn a little bit about him, his books, and what it’s like to work for Anne Rice. It was definitely an enjoyable correspondence.

RU: So Becket, you’ve had quite the interesting life, working as an author, working for an author, and at one point you were a Benedictine monk. Makes me curious about what else you’ve done, so could you give us a brief history of yourself?

Becket: I entered the seminary when I was 21 because I wanted to deepen my relationship with God as well as be a minister of hope, faith, and love. I spent three years in the seminary, during which time I also finished my BA in music composition. Then in the summer of 2000, I entered a Benedictine monastery, St. Joseph Abbey in Covington, LA. The spiritual charisma of the monastic life appealed to my personality type. The monks lived a very silent life, guided by two principals of work and prayer. During my first year in the monastery, Anne Rice requested a harpsichord for a book signing in New Orleans. We monks had a very nice one; and the abbot asked me to deliver it because of my musical background – I had studied the instrument in college, along with several others. That was when Anne and I first met. We developed an email rapport over the next few years while I was earning my MA in theology. When I completed my degree in 2005, I decided that it was time for me to re-enter lay life and, needing a job, I emailed Anne, asking her fi she had a job on her staff for a former monk with a few degrees. She replied with a job offer. I’ve been with Anne ever since, studying the craft of writing under her guidance while also earning an MS in psychology.

RU: What is it like, working for Anne Rice? Besides the amount of jealousy you must receive from fans including myself, I mean.

Becket: What is it like, working for Anne Rice?

Working for Anne Rice is like working for a childhood hero. I first read Anne’s books when I was a teen. Being a lonely adolescent, an outsider, Anne’s words spoke to me powerfully – because her words have a wonderful way of showing empathy for the outsider/reader. Many days she and I talk about literature and the book publishing business. It is a continual learning experience. Every day I learn something helpful and significant about my writing, about the publishing of my own books, about my own capacity for problem-solving, about many things. But every day is a new experience because every day I’m presented with a new challenge. Before I started working for Anne, I had never used Photoshop. So to assist her as best as I could, I learned many new skills, such as photography, shooting video, proper lighting, sound engineering, etc. I also learned several programs in the Adobe Creative Suite, namely Photoshop, Illustrator, and even Premier Pro and After Effects. Most of those programs I use every day, whether it is creating an app for Anne, or posting an image, or editing a video for Youtube. And today all those programs have helped me greatly in my own work; they are invaluable book publishing tools. A successful indie author cannot live on Word alone.

RU: Tell me about it. iMovie and Photoshop have been great tools in the past for me. Now, you’re new book is the latest adventure for your character Key the Steampunk Vampire Girl. Tell us about her and the new book.

Becket: Key’s new adventure picks up where the last book left off: Key has just escaped from the Dungeon of Despair. Yet unlike the last book, which takes place over the course of 250 years, the course of this book happens in a single night. Key gets to do what she has not done in over two centuries: She gets to explore the City of the Dead. She rides a Hobbeetle, she meets the Worm King, she visits the Grave of the Grim Goblin, whose not as grim or dead as some people might think, and she does so much more! Ultimately she finds herself at the Tower Tomb of Time, which allows her to visit the moment when she was first made a vampire. She discovers the mystery behind her mom and dad’s disappearance, as well as the reason she was taken to the City of the Dead in the first place. In other words, The Tower Tomb of Time explores questions that were raised in The Dungeon of Despair.

RU: Some people would hesitate to write a vampire novel these days when most people associate vampires with Twilight. What made you decide to write about vampires?

Becket: Before there was Twilight, there was Anne Rice. She was ground breaking (and indeed she still is) in the sense that she made the vampire a Byronic hero – someone whom we could easily identify with. Moreover, being a vampire isn’t the story of Key the Steampunk Vampire Girl – which is fundamentally the case with Bella, the heroine of Twilight. Bella actively seeks to become a blood drinker. Key, on the other fang, like Anne’s Louis or Lestat, never wanted to be a vampire at all. Becoming what she is happened to her, and then lots more terrible things happened to her, and so she has to make the best of her situation. That kind of narrative ambience is what I strove to create when I wrote Key. I hope readers will associate with her story and say to himself or herself, “I know how she feels being in the Dungeon of Despair, or confronting the Worm King, or revisiting a past that was hitherto forsaken.” Additionally, I hope readers would also feel inspired by Key’s successes and victories over personal demons. Key’s story is a coming of age story.

RU: What is your writing process like for you?

Becket: Generally my process begins with an idea, which usually comes to me while I’m writing another book. I write down that idea, and if it stays with me for some time, I will jot down notes about potential plot development, prose style, themes, and so on. When I finish one novel, I immediately begin another; there is no waiting for me. I write every day. It is a routine. And the routine for starting new novels is grounded in two goals: (1) the long-term goal of my book, and (2) the short-term goal of my daily writing. My long-term goal is the size of the book that I want to write, and I generally determine that by comparing it with other books. For instance, I know that Alice’s Adventures in Wonderland is about 25,000 words. So if I am seeking to create a children’s story, such as Key the Steampunk Vampire Girl, I will make the long-term goal of my first draft comparable to 25,000 words. My short-term goal is the amount of words that I will write in a day. On average my goal is at least 1000 words a day; usually I write more, often twice as much; and some times I write fewer words. The point isn’t perfection: It’s progress. As long as I am writing, I am coming closer to the completion of a book.

RU: I admire your tenacity. Now what are some tips you might have for other self-published authors, such as myself, on writing and getting your work out there?

Becket: The beauty of indie-publishing is in the word “indie” – independent. This is a quintessential word to keep in mind because, if a writer gets embroiled in the industry of professional book publishing, that writer would lose some degree of control. The writer would usually not be able to control, for instance, interior or exterior formatting. In other words, you would probably have little to say in the creation of your book jacket. I can’t tell you how many times I have heard professionally published authors complain about their book jacket, how it does not look like the story they told. Other authors have complained about the struggle they have with their editor or copy editor, how important words will be edited out, or how sometimes sentences or pages completely rewritten. There are some authors who want to be controlled like that. And that is good! Great books have been written with the help of excellent editors. But finding such an editor is like finding love in your life: It usually happens when you least expect it. Being an indie-author means controlling every element of your work. I like this, not micro-managing, but being purposeful and meaningful with every element that I produce.

RU: I love that independence too. It’s gone well for me. So what’s next for you, Becket?

Becket: The Blood Vivicanti Parts 5 and 6 will come in March and April. And after that, I will be publishing a book titled, The Door to Heaven, which is about a boy whose life is changed forever when he encounters an old man’s face on the doorknob to the Door to Heaven.

RU: That “Door To Heaven” sounds very Stephen King-ish. Last question: If you were stranded on a desert island and could only take three books with you, which books would you take?

Becket: Well, I am a man of faith and prayer, so I would probably take the ESV Bible (because I like that translation), The Imitation of Christ, and a book of blank pages, so that my mind could fill it up with my own stories.

RU: I love it when authors say they want to bring a blank notebook with them. Shows their true writing spirit, in some ways. Well, thanks for joining us, Becket, and best of luck to you.

If you’d like to find out more about Becket or check out some of his books, you can check out his website, his Facebook page, Twitter feed, and get personally autographed copies from the Changing Hands Bookstore.

Our next scheduled interview is March 31st with author and dear friend Angela Misri, who will be talking about her debut novel Jewel of the Thames. So get excited for that!

I’m tagged! And yes, that’s a good thing. author Lorna Dounaeva just tagged me in a game of WordPress tag, which means I answer some questions and then I tag at least three other writers to answer the same set of questions. So excited! So let’s get started:

What are you currently working on?

At the moment, I’m just working on a bunch of short stories, though I plan by at least the fifteenth to get back to my WIP Laura Horn. I’m also working on getting my novel Snake published on June 10th (assuming the copyright office doesn’t screw with me in any way, shape or form. As a government office, they’re likely to do so, I’m afraid). I’m also trying to publish some short stories, so we’ll see what magazines accept them. Fingers crossed and hoping for the best.

How does your work differ from other authors in the genre?

Well, that’s really kind of a loaded question. Every author is different in terms of style and content, no matter what genre. However if I have to say, it’s that I try to make crazy concepts seem believable. At least, in theory I do. Ask my critics on how I’m doing in that department.

Why do you write what you do?

I’ve always loved scaring people, ever since a somewhat traumatic event in my past. And I love writing, so it’s fun to combine the two together.

How does your writing process work?

I work best in my room on the bed, so I try to write there mostly. When I work on novels, I usually write an outline of what happens in the story, and then set about writing the story out. It’s a torturous process, especially in the beginning. Tackling a whole novel gets easier as the story moves forward, but at the beginning it’s almost like rolling a boulder up a very big hill. Eventually I finish the story, and after several edits and feedback from a beta reader or two, I try to publish it. For short stories, the process is similar, except without the outline phase.

And now I tag three writers:

Matthew Williams, author of the recently released Papa Zulu.

Raymond Esposito, author of You and Me Against the World.

Pat Bertram, author of Grief: The Great Yearning.

It’s rare that I begin a short story and that I finish it within a day. It’s even rarer when I finish it a few hours after starting it. But that’s what happened tonight. And my God, was it amazing.

You remember in my last post I said I was trying to rewrite the science-fiction story I’d started on Sunday. Well, I’m still trying to figure out where it should go from here and how to make it exciting. So while I’m working on that little problem, I decided to devote my time to a different short story. What resulted was Dear Alice, a story of a woman in England who writes letters to her childhood friend (Alice, obviously) about how as children they were kidnapped by a farmer who used them as slave labor. It’s a very interesting story, and I rather liked how it turned out, especially the twists near the middle-end portion of it.

The whole story is about 3,600 words (give or take a few), and I somehow wrote it in only a couple of hours. That’s a personal record for short story writing. It also shows what happens when I really get into a story and I eschew most distractions that I can really amaze myself. I think I’ll send this to a friend or family member within the next couple of weeks to get some feedback on it. I seriously hope that they like it, and that they can offer some good suggestions on it.

In the meantime though, I’m going to head to bed and get some rest. Tomorrow may be Sunday, but that doesn’t mean I get to rest (being Jewish, Saturday is the day I rest, and sometimes not even then). I may even start another short story if I’m unable to figure out what to do with my short-story-in-progress by then. Wish me luck.

Goodnight, my Followers of Fear. Or good morning, depending on what time you’re reading this. I’m sure some people are a few time zones behind me, some are just having their morning coffee while they read this, and maybe one or two are insomniacs or staying up late. If I think about this more than I have, it’s going to get weird. Anyway, goodnight (because it is for me at this point).

I started a short story this past Sunday, a science-fiction story with LGBT characters and themes about how complicated relationships can get. It had a great concept, and it was an exciting story. I’ve been looking forward to writing it ever since I had the idea for it, and I made sure it was on the list of short stories I was going to work on when I decided it was time to limit how many more I was going to write. And I was making great progress on it too. I mean really good progress. Except for Tuesday night (I was busy that night with other stuff) I was getting 500-1000 words written each night.

But as I got further in this evening, I realized that I was slowing down, that something wasn’t working. I realized that the way I was going I was going to hit a wall with this story, so I had to stop and figure out what exactly was bugging me about this story. And I realized: like Resurrection, the way this story was going it’d be better off as a novel or a novella.

Normally I’d be okay with that, but for many reasons I don’t want to convert this particular short story into a novel. Not only do I already have so many ideas for novels to write that I’m not sure I want to add this story to that list, but I feel that if I can find some way to keep the short story as a short story, it’ll be a thousand times better than any novel I could ever write based on it. It’s a very strong feeling, too. So I’m not going to turn this particular story into a novel.

Instead, I’ll go back to the beginning. Most likely I’ll end up rewriting this story, and instead of writing a whole bunch of expository lead-up to the main scene, I’ll write that main scene, which is what inspired and excited me about this story in the first place. I feel overall it’ll be a better story that way, one that a sci-fi magazine would be proud to host within its pages.

So tonight I’ll end my writing spree by saving the short story and taking a break to think about how I can improve it. I have some ideas now, but nothing I want to act on just yet. I just need a little time to let the ideas cook and see what works and what doesn’t work. After all, this is one amazing short story idea I have. And it deserves to be written in a way I can be proud of.

That’s all for now. I’m going to watch something I’ve taped, and see what my brain can come up with in the morning. You all have a lovely night, and a fantastic weekend, my Followers of Fear. And I hope wherever you are, you’re warmer than I am. It’s Arctic temps here in Ohio. Trust me, I’m looking forward to spring and summer a lot more than most. Good thing I’ve got my Snuggie to keep me warm.

O-H!

It’s Week 8 of the semester, which means it’s time for me to check in and let you all know how I’m doing this semester at Ohio State. And I’m very happy to say, I’m doing extremely well. My classes are all going well, I’m on track for my study abroad trip, I may have a thesis advisor for next year, and work is going very well. Things are great!

First, starting with classes. As I said at the beginning of the semester, I’m taking five courses, four of which are related to my study-abroad trip. Those four courses are a course in American history centering around the period between 1921-1963, a class to learn some basic French, a seminar specializing in World War II-related topics, and a class on French-American relations through the years. I’ve been getting good grades in all of those classes, though the French language class has a lot of words I sometimes have trouble remembering (go figure, and I’m still better at German), and the research seminar requires a lot of reading. Normally that wouldn’t be a problem, but I need five primary sources and at least five secondary sources for my final paper, which is to be about the Nazi obsession on the occult. I have three secondary and one primary so far. Oy vey.

As for the fifth class, I’m taking a class on Deaf Literature. I thought that would be the class that would be difficult for me (there’s always at least one), but it’s been a delight. The teacher is someone I’ve had before (though she was a TA then), and she even bought a copy of The Quiet Game, definitely a plus. I also got the chance to write a short story for class, which I blogged about in a previous post, and I’ve been really enjoying the material. Heck, I’m learning so much more about Deaf culture than I thought possible. It’s pretty mind-blowing.

As for the study abroad trip, it’s coming along great. I’ve received the itinerary, and this weekend (if I have the chance) I’ll stop by my cellular company’s local store to see whether if it’s better to bring my phone abroad or get a prepaid. It’ll probably be the latter, from the advice I’ve been hearing. Now if only I can win some scholarships, I’ll be in heaven.

For the thesis, I’ve got a novel I want to write, one that’s pure horror and that’s got some great potential. I just need someone to advise me. I’ve got two teachers who may be able to help me. One of them is a teacher I’ve taken a class with before who may be willing to be my advisor, provided he can find the time in his schedule. The other is a teacher whose class I might be taking in the fall (provided she likes the pieces I sent her). She seemed open to working with me, so hopefully she’ll be willing to work with me.

And finally, for work I got my first raise. It’s not much, about twenty-five cents more per hour, but it’ll help a little with expenses. And I hope in the future I’ll be able to get some more raises in the future.

Well, that’s all for now. I’ll be doing another semester update after I get my final grades back. And now if you’ll need me, I’ll be working on a short story. Goodnight, Followers of Fear.