Posts Tagged ‘novel’

These past two months have gone by so quickly, it’s hard to believe we’re already in July. Not surprising, given how busy I’ve been lately. I mean, I just got done with another con, and I’m preparing for another one the weekend after this!

And yet, two months have indeed passed, and that means that Symphony for Walpurgis is two months old now.

Now, if you don’t know (though at this point, you’re probably so familiar with Symphony, you’re sick of it), Symphony for Walpurgis is my newest collection. It is a collection of nine novelettes that include tales of cryptids, malevolent spirits, and even a Jewish exorcism, and has plenty of LGBT, Jewish, and disabled representation.

And I’m very happy to say that it’s slowly growing a readership. Just the other day, I received fan art from my fellow horror writer and Follower of Fear, Louise C, for one of the stories, “Disillusionment and Trauma Sometimes Go Hand-in-Hand.” It’s of the Akolouthos, the main villain of the story (or one of them). Isn’t it awesome?! I mean, look at it!

And at Big Ohio Book Con this past weekend (which went better than any event I’ve done before, which is even more amazing when you consider that this was the first year this event happened and nobody knew how it would go, but I digress), I sold so many copies, I even sold out on the first day! The same day, someone bought a copy online, which means they were interested enough to get it for their Kindle.

Given all that, plus some glowing reviews and some authors I admire with copies of the book, I’d say that’s been a good first two months. And it makes me hopeful for month number three (especially with the Columbus Book Fest just around the corner). I mean, who knows? Maybe I’ll get to that goal of five-hundred sales and fifty reviews by May 1st, 2026, the one year release anniversary.

And if you enjoy or are curious about scary stories involving cryptids and giant bats, spirits plaguing families with parasites, mermaids, untold masses of spiders, mutating viruses, and, again, a Jewish exorcism, then you should check out Symphony for Walpurgis. It’s nine amazing and terrifying novelettes, and I’m working hard to make sure as many people discover it and enjoy it as possible. And I would love it if you were among those people who discovered and maybe even loved it.

I’ll include links for the book below. And if you end up getting a copy and read it, I hope you’ll let me know what you think. Positive or negative, I love reader feedback, and it helps me out in the long run.

That’s all for now, my Followers of Fear. I’ve got a busy couple of days ahead of me, but I hope I can have a few more blog posts (including a few I’ve wanted to write for a while now) out soon. Until next time, good night, pleasant nightmares, and I hope you have a great month of July. It’s what I’m planning on.

Grady Hendrix telling us about the history of witches and having us in stitches.

Recently, I went to see Grady Hendrix, author of Witchcraft for Wayward Girls and My Best Friend’s Exorcism, speak here in Columbus. It was an exciting event: the venue was an event space usually reserved for wedding receptions and the like, but it was packed, with possibly around 500 people inside the space! I was lucky just to find a table with a good vantage point.

And I’m glad I did: at 7 PM, Hendrix came out and spent the next hour using humor and a PowerPoint slideshow to tell us the history of witches as he saw it, as well as depictions of witches through history. It was hysterical! He made us laugh as he went through some of the ridiculous and not-so-ridiculous stuff that happened in witch trials, the plots of the wild books throughout the years revolving around witches, and why we keep having these witch scares. And I had a great seat to see it all.

It was an amazing night, and I could go on and on about it, but what I want to focus on is just how Hendrix, and other authors, use humor in their work.

I’ve written on this subject before, but horror and humor often go hand-in-hand, much to the surprise of some non-horror fans. You can see this quite prominently not just from Hendrix’s talk, but from his work, which is normally as funny as it is scary (Witchcraft is a rare exception, but then again, it doesn’t have much to laugh about). Not to mention, there’s a whole subgenre of horror called “horror comedy,” which is pretty self-explanatory. Some prominent examples include Clown in a Cornfield by Adam Cesare, where humor adds plenty to the slasher novel’s plot, and my friend D.M. Guay’s “24/7 Demon Mart” series, about a guy who works at a convenience mart with a talking cockroach for a manager and a portal to Hell in the beer cooler.

My friend D.M. Guay’s book. The series has quite a lot of followers.

And if you’ve seen a production of the musical Sweeney Todd (and I guess maybe the movie version), you’ll notice that despite the dark subject matter, there is plenty of humor. Hell, the musical’s most famous song is full of cannibalism puns! It’s almost sad how the movies cuts out most of those jokes.

Why is humor such a big part of horror at times? Well, part of it is for alleviating tension in the story, especially for non-horror fans who may not like stories that are so dark. But I think another part of it is that we need humor. Laughter is the best medicine, as they say, and it can help alleviate dark situations by shining a light on them. In fact, if you think about how horror is therapeutic for some readers (like me), the humor aspect really can pair well with the cathartic aspects of horror.

It also explains how a room of approximately 500 people could laugh so hard about stuff like witch trials, where people got murdered for bullshit reasons.

And it can’t be understated how helpful humor is in getting people to like each other. I certainly found myself liking Hendrix after an hour of his jokes.

Makes me wish I could put more humor into my own work. I love to laugh and joke around, but that doesn’t usually extend to my stories, where the stories I write are usually quite serious. Humor tends to pop up by accident or just evolves organically when I write it. In The Pure World Comes, for example, protagonist Shirley is practical and at times slightly condescending or sardonic, so humor kind of evolved naturally around her. And there’s a naughty joke appears in The Shape of Evil, but that’s because I’ve been in similar moments and made similar jokes.

Still, my style of writing tends to work for me. People like my stories for what they are, and I won’t force humor in when it doesn’t suit the story. And plenty of writers write amazing stories that have endured through time without a laugh. Who’s to say I have to add a laugh to join their ranks?

All that being said, if I find a place to put a bit of humor into one of my stories, and it doesn’t work against said story, I might add it. After all, a little laughter never killed anybody…as far as we know.

And in the meantime, I think I’ll just keep using humor as I have all my life: in my interactions with others, when appropriate and hopefully to great applause.

Do you use humor in the stories you write? Have you noticed any rules to writing humor or humorous passages? And what is your favorite horror story with comedic elements?

Well, it happened. It’s finally done. Took a bit longer than I’d hoped, but it is done. The third draft of The Shape of Evil is finally completed.

To be precise, I finished it late last night. Very late. Like close to three in the morning late last night. You see, I was up in Cleveland visiting family and drove home in the afternoon. I got home in the early evening, grabbed something to eat, and thought to myself, I wanted to get it finished this week! And I only have fifty pages to go! I might as well try!

Thus, I started working on it. And by the time I was done, it was three in the morning.

I regret nothing.

Anyway, if you’re new here and wondering what the hell I’m talking about, The Shape of Evil is a novel I wrote last year about a 3D Printer from Hell. Yeah, you read that right. A 3D Printer from Hell. Think “Word Processor of the Gods” by Stephen King meets Gothic by Philip Fracassi with strong LGBT and disabled representation. And I honestly never intended for it to become a novel–it was originally going to be a novelette–but the story just kept growing and growing, and before I knew it, the story was a novel and I was thinking how I would get it published.

Since then, I’ve done a second draft, and then I had sensitivity readers take a look at the story, because my main character is non-binary and I wanted to make sure that I was portraying a non-binary person well. And after I got their notes back, I started work on the third draft.

All this effort is hopefully going to pay off very soon.

And man, the journey this book has gone on has been something else! Not only has the story grown with every draft (273 pages/72,500 words for the first draft, 283 pages/75,300 words for the second, and 291 pages/78,400 pages for this latest one), but it really feels like it has improved with every go-through. Especially this current draft: as I said in a previous post, I’ve been working hard to make sure the words in this draft bring out the full potential of the story. And I think it does. There were a few times where I looked over the text and was like, “Did I really write this? Just from the word choice, it looks and sounds like something come from a much better, more experienced writer!”

Well, wherever it came from, it’s ready to be pitched at StokerCon next month. If you’re unaware, StokerCon is the big convention hosted by the Horror Writers Association, and they have a session where you can pitch your works directly to agents and editors. I was lucky enough to get a slot to pitch to one of my top choices, so I’m glad I got the book done in time.

So, now what happens? Well, I’m going to create a pitch sheet, which is sort of an informational sheet about the book, and practice my pitch between now and StokerCon. And in-between, I have a few things to work on, including the version of Hannah and Other Stories that I’ll use when I re-release it later this year. Should keep me wonderfully busy.

And hopefully soon, I’ll be able to share some wonderful news with all of you.

But I think tonight, I’ll just pour a glass of wine and put on a movie. After all, having time to relax is important. Especially when you work hard and you have so many irons in the fire.

That’s all for now, my Followers of Fear. I’m off to work on a bit more stuff before dinner and wine and the movie. Until next time, good night and pleasant nightmares.

Well, we’re at another anniversary. Today’s the three-year anniversary of when The Pure World Comes was released in paperback and ebook.

(It’s also the ten year anniversary of when I graduated college, and I will talk about that eventually, but not in this post.)

So, if you weren’t aware, The Pure World Comes is my most recently-published novel, a Gothic horror novel about a maid who goes to work for a mad scientist and what happens once she starts working at his estate. Think Frankenstein and Crimson Peak had a baby together. The novel is my love letter to the Victorian era and the dark stories that came out of that era. It was originally published in 2021 on a book reading app, but then it was released on May 10, 2022, which I count as the real release date.

And in the years since the book came out, TPWC has had its fans, I’m happy to say. Here’s what people are saying:

I love it when I’m pleasantly surprised by a book. Rami Ungar is not a debut author, (according to the back of the book, this is his fourth novel), but his work is new to me and so I went in not knowing what to expect. What I got was a short novel so perfectly Victorian and utterly Gothic that it made my old-fashioned self giddy as a schoolgirl…Mixing classic-romantic Victorian elements with early science-fiction, tales of Jack the Ripper/Spring-Heeled Jack, and a bit of the occult, this book gives the reader a truly chilling and also slightly fun little Gothic adventure.

Heather Daughrity, author of Tales My Grandmother Told Me, Goodreads

This was a lot of fun! Shirley Dobbins longs to be a head housekeeper. She is at once (and perhaps in contrast to a lot of period set stories) relatable…She is level-headed, pragmatic, the sort of woman everyone would get on with…This feels like a traditional science romance for the modern age, but much easier to engage with. I listened to the audio version of this and must say the narrator was well-chosen here (even if, at first, I thought it was Jenna Coleman!)

MG Mason, author of Residents of the James Hotel, Goodreads

There were quite a few things I liked about this book – the attempt to make it historically accurate (required a lot of research), the author’s take on a possible Jack the Ripper scenario (no spoilers!), And the Big Reveal itself. I quite like the idea. I think it has many possibilities and potential uses as a plot device for future (possibly non related) stories…A little darker, a little more philosophical. Exceptional work.

Ronald Gillepsie, author of Inside My Nightmares, Amazon

Jenna Coleman. I wish a former Doctor Who companion would narrate one of my books. However, the narrator of the audio book, Nikki Delgado, did an extraordinary job with the narration, and I’m glad I got to work with her. And yeah, it took a lot of research into the Victorian age to get it right. Five years, to be exact. Everything from the history of the age, to how to run a Victorian home, to bathroom habits from the day, to Jack the Ripper, who makes an appearance in the novel. I did not skimp on anything.

And I’m happy to say, the results came out better than I’d hoped.

And moving into the book’s fourth year, I hope more people discover TPWC and that they come to love it as much as I do. I’m going to do my best to make that happen.

If you would like to check out The Pure World Comes, I’ll post links below. It’s available in paperback, ebook and audio book, so whatever you’re reading preference, you’ll find it. And if you like what you read, please leave a review so I know what you thought. Positive or negative, I love reader feedback, and it helps me out in the long run.

That’s all for now, my Followers of Fear. I’m off to a convention where I hope to put my books, including The Pure World Comes, into the hands of many readers. Until next time, good night and pleasant nightmares.

It’s that time again. No, not the time to promote my work or to make bizarre faces. One of those will come later. No, it’s time to talk about the events I’ll be doing in the near future! As you know, I try to go to as many events as possible. It’s a great way to meet new readers, and once or twice, I even get a few readers who come with the hope of meeting me in-person. So, I occasionally post updates on which events I’ll be at, in case any of my Followers of Fear want to stop by and see me.

So, without further ado, let’s get talking about the events I’ll be attending over the next few months.

First, I’ll be at the Halfway to Halloween Expo at the Washtenaw Farm Council Grounds in Ann Arbor, MI on Saturday, May 10, 2025. This is a huge gathering of horror fans, with food trucks, a hearse show, plenty of vendors, and even a haunted house attraction you can go through! I’ll be there selling books (including my new book, Symphony for Walpurgis) and doing Tarot readings, and you can buy tickets on the day of, so if you can stop by, please do. I would love to see you.

You can learn more by checking out the expo’s website here.

Fast forward to June, and I’ll be heading to Stamford, CT for StokerCon from June 12-15! If you’re unfamiliar, StokerCon is the premier convention for horror writers, hosted by the Horror Writers Association, and I’m going there this year to see all my horror-writing and horror-loving friends. And if all goes well, I’ll also be sitting on some panels and maybe even pitching The Shape of Evil to editors and agents. And if you want to come and hang out, I would love to see you.

You can learn more about StokerCon by checking out its website.

A couple of weekends later, I’ll be at the Big Ohio Book Con in Medina, OH on June 28-29. It’s a relatively new con sponsored by Black Cat Books & Oddities, but from what I hear, they had a big turnout their first year, and it looks to grow, so I’m looking forward to selling books and doing Tarot readings there. If you’re interested, please stop by. Obviously, I would love to see you.

You can learn more about the Big Ohio Book Con by checking out its website.

And last, but definitely not least, HWA Ohio will be having a booth at the Columbus Book Festival in downtown Columbus, OH on July 12-13! This is a humongous book festival, with over 40,000 guests streaming through the downtown library and Topiary Park last year. And with hundreds of authors, booths for nearly every imaginable interest, performances, food trucks, and so much more, you wouldn’t want to miss out on it this year. Plus, me and my fellow Ohio horror writers are holding a booth together, so you’re bound to find something there if you visit. So, why not stop by? All of us would love to see you.

You can find out more by visiting the festival’s website here.

And that’s all for now, my Followers of Fear. If there are any more events I’ll be at, I’ll be sure to let you know. And, of course, I’ll be sure to remind you prior to the events themselves. Any more than that, however, and I worry I’ll get annoying about it.

But if you’re unable to stop by any of them but you still want to support me, or you’re just looking for a good horror story, I’ll leave a link to my book page below. From plant/human hybrids and strange gods to Mafia-hunting serial killers and Jewish exorcisms, I have something for every horror fan, so be sure to check them out. And if you like what you read, please leave a review somewhere so I (and other readers) know what you think.

That’s all for now my Followers of Fear, but I’ll be back soon (you can probably guess why). Until next time, good night and pleasant nightmares!

Pour the libations! Light the celebratory bonfires! Chant to the eldritch wonders that wait beyond our reality and offer them sacrifices! The sensitivity readers sent me their notes for The Shape of Evil! We are one step closer to my being able to pitch this baby at StokerCon in June!

Now, for those of you who don’t know, The Shape of Evil is a novel I wrote last year about a 3D Printer of Hell. I started it thinking it would be a long novelette or a short novella, but it ended up becoming a whole freaking novel of around 75,000 words. And as I got further along with it, the idea to pitch it to agents at StokerCon, which always has sessions for doing just that, came to me. So, for the past year, that’s what I’ve been working for.

And as part of that process, I had to find at least one sensitivity reader to look it over. You see, my protagonist is non-binary. And I, despite being bisexual, am only cisgender. So, I wanted to have someone who had firsthand experience look over my story and make sure I was being both respectful to the community and portrayed accurately.

As luck would have it, I managed to find two trans horror writers who agreed to look it over. And they both got through the second draft within days of each other, with the second one getting their feedback to me earlier today. This means I’m going to be ready to work on the third draft starting next month!

I’m incredibly thankful to my sensitivity readers for reading through the manuscript, finding issues and giving me their feedback, and doing so in such good time. I’ll do my best to incorporate their feedback and improve the manuscript. That way, when I pitch it to agents and editors, they’ll be that much more likely to want to help me find a home for it.

For now, though, I want to write a spooky short story inspired by Hamilton. Afterwards, I’ll start on the next draft.

That’s all for now, my Followers of Fear. I wanted to make sure you all knew that the next step in this book’s crazy journey is going to start soon, and I wanted to do it today, so I’m glad I got it done. Now, if you need me, I’m going to get ready to bed. Today I was totally drained, so I’ll need sleep if I’m going to get anything done tomorrow.

So, until next time, good night, pleasant nightmares, and be careful with your celebratory rituals tonight. Just Friday, I did one wrong, and my dad’s dog was turned into a cat. She turned back, but she’s still coughing up hairballs. Oops.

Don’t tell anyone I said this, but I can be a real idiot sometimes.

So, back in December, I posted about my plans for 2025 in terms of what I want to accomplish with my writing (you can read that post here). What I didn’t mention was that I had no plans to write anything longer than a novelette. I’d edit the novellas and novels I’d already written, like The Shape of Evil and the four I hope to shop around when I’ve finished editing them. But I wouldn’t work on anything longer. Just short stories and novelettes until those stories were finished and edited and published. And only after I’d gotten back to my mummy novel, Crawler, and finished the first draft of that.

(For those of you who are unaware, the Horror Writers Association defines a short story as 1,000-7,500 words, a novelette as 7,500-17,500, a novella as 17,500-40,000, and a novel is 40,000 words and up.)

So, with my plan in place, I started on a witchy Halloween story that I thought would be maybe a long novelette at most.

And that story ended up going up to 20,000 words! And it’s not even done!

Now, by that point, I had been working on the story since before New Year’s, and I was so frustrated by how busy my life has been, so I completely forgot about my promise to myself and just forged on ahead for a while. But then I found myself just hesitating, not wanting to get further when I knew it could take me another month or two, given my current life.

That was when I remembered my promise to myself. And I slapped myself in the head for not keeping it!

So, the witchy Halloween story is now on hold until I’ve finished Crawler. In the meantime, I’m going to work on something I know will be shorter.* After that, the sensitivity readers should both be done with The Shape of Evil (one’s already sent me their notes), so I’ll probably give that one more round of edits.

After that? Probably another guaranteed short story. We’ll see.

But for now, I should head to bed. I’ve got the Akron Book Fest tomorrow, and I’ll need all the energy I can get.

After I get back home, however, I’ve got a great scary story idea to look forward to writing. And did I mention the story was inspired by Hamilton?

Anyway, that’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares!

*Then again, I thought the witchy Halloween story would be short. So who knows?!

Having read The Good House before, I knew I was in for a good time (see my review here). But I was not prepared for Tananarive Due’s latest novel. After starting it, I learned the book was based not only on the Dozier School for Boys, a reform school in Florida where numerous atrocities were committed against the kids there, but on a relative she had who died at the school. And even after learning that, I still wasn’t prepared for what was to come.

Set in Florida in 1950, The Reformatory follows twelve-year-old Robert Stevens (named after her relative) and his older sister, Gloria. After kicking a white boy who makes advances on Gloria, young Robert finds himself sent to the Gracetown School for Boys, a reform school where the boys are under threat by both the spirits haunting the campus after years of mysterious deaths, and the Warden Haddock, a terrifying personage with a sadistic streak. When Haddock learns Robert can see the ghosts on campus, he forces the kid to help him catch the spirits. Meanwhile, Gloria attempts to find a way to free her brother from the horrible reformatory, setting them both on a path that will change them forever.

Man, this book was a rough read! Due does not skimp on the human horror the characters face, whether that be the horrible things Robert faces at the reformatory at the hands of the adults and the other kids, or the racism Gloria faces trying to get her brother out of that place (not to mention the utterly disgusting advances Lyle McCormick makes on Gloria in the novel), it feels all too real. Not to mention kind of timely!

Speaking of feeling real, the worldbuilding is amazing! Gracetown, the location of the reformatory and most of the other events of the book, as well as the people in the book, feel extremely real. I noticed that with The Good House, but Due is great with character development, and setting can be as much a character as the characters! I also loved how Gracetown apparently has this reputation as a place where children are able to interact with spirits and lose the ability as they grow older. That’s a pretty cool idea, and Due uses it to flesh out the spirit world of Gracetown and the reformatory so well.

I think the one thing I didn’t like was that I feel we only scratched the surface of the Gracetown School for Boys. I know that might sound masochistic, considering what we saw was pretty horrific, but we only saw a fraction of the school grounds, of life at the school, and the sordid history there. And as much as that would’ve scarred my psyche, I would’ve like to see all that explored more.

Maybe an anthology based around the Gracetown School for Boys? They’re doing one for The Stand, after all. I can dream.

All in all, though, The Reformatory by Tananarive Due is a soul-shaking journey of abuse, racism, and the darkness of humankind that, at times, I had to take a break from, I was that shook. On a scale of 1 to 5, I give it a 4.5 out of 5. I feel like I get why this book was talked about so much when it came out last year, and I wish I’d read it sooner. And if you haven’t read it yet, you should go and read it, too.

Or listen to it. The audiobook is fantastic!

The photo I took the day I got my copy from the library. Can you tell I was excited?

We’re only five weeks into 2025, but I may have already found my favorite new book of the year. In fact, at times I got so deep into this book, I had dreams about it! You don’t know how special a treat that was for me.

Set in 1970, Witchcraft for Wayward Girls follows four girls sent to Wellwood House, a home for unwed mothers in Florida: Fern, a young high schooler who wants her old life back; Rose, a rebellious hippie with a bit of a mean streak and a bit of a nice streak; Zinnia, a young musician who plans to marry her baby’s father; and Holly, whose youth and silence hides a dark and terrible secret. Hidden away from the world like shameful secrets and repeatedly told that they are at fault for their condition and that the only good thing they can do now is give up their babies for adoption to a loving couple, the girls seek any way to take back a little control over their lives and bodies. When a mysterious librarian hands them a book that’s full of actual magic, they think they’ve found their solution. But when it comes to magic, everything comes at a price. And the price they have to pay may be bigger than any of them can pay.

So, if it wasn’t clear from the first paragraph, I freaking loved this book! For one thing, the horror is palpable from the first couple of chapters. Not from the witches, but from the people. Through Fern’s eyes, we see how everyone blames her, including herself, for getting pregnant outside of marriage, even though it takes two to tango. From what I’ve been told, that really was the attitude towards unwed mothers back then, and Hendrix does a great job bringing it to life throughout the story, as well as the callous cruelty the girls face as unwed mothers, even after they’ve given birth.

I also really liked the witches of the story. They’re not exactly old school wicked witches, but they’re not entirely good witches or granola-crunching Wiccans, either. They’re their own thing, a group of women with access to power and who are trying to ensure the continuation of their way of life and their freedom, and they’re willing to get their hands dirty to do so.

To list out all the colorful characters would keep us here too long, but some of my favorites included hippie Rose, who grew on me as the story went on and whose experiences midway through the book broke my heart; Hagar, the cantankerous cook at the Wellwood House, who does try to help the girls, if rather reluctantly; Zinnia, who has more sense than most of the other characters in the book; and Fern, who really does learn something from her experience.

All these elements come together into a fantastic story where I struggled to guess what would happen next and was surprised more than a few times by certain developments. It really was amazing.

Hendrix admits in the acknowledgments that he’s probably the last person to be writing a book where nearly every character is pregnant, but given how phenomenal of a job he did, I think we can forgive him. I can’t think of a single flaw in this story, it was just that good. On a scale of 1 to 5, I’m giving Witchcraft for Wayward Girls by Grady Hendrix a full 5. Grab a copy, put on an appropriately witchy playlist (I hope “Abracadabra” by Lady Gaga is on that playlist), and settle down for a read.

Trust me, this is one you don’t want to miss.

As many of you know, I read Tarot cards. In fact, I try to do one reading a day, with rare breaks (such as being out of town or just a very busy day). They offer great advice and are possibly capable of forecasting the future. Earlier this week, I asked the cards, “What do I need to know this year for my writing?” This is the result I got using a five card spread.

Now, for those of you who don’t read Tarot, here’s what the cards say: while there’s a potential I’ll face disappointment along the way, if I work hard, my efforts will lead to successful gains, ultimately leading to smooth sailing for the year. The reading also mentioned previous financial successes I’ve had (in 2024, I had a small but not insignificant profit on my writing business, which was welcome), further cementing the cards’ accuracy.

This reading really lit a fire under me, because it wasn’t a prediction. It was a reminder: that only if you put in an effort and work past any rejections, will you have the possibility of things working out for you. And that’s honestly true of trying to be a writer in general. You do face a ton of obstacles, and every writer will face rejection. Even the biggest names have gotten rejected numerous names (Stephen King famously impaled his rejection letters on a railroad spike). But by continuing to give it your all, you can achieve extraordinary things.

I’ve seen this play out in real life just in the days since I did that reading. Instead of waiting for good things to come to me, I’ve gone out to make my own luck, and it’s led to results. I’ve had a few new preorders of my next book, Symphony for Walpurgis (more on that later), added a whole lot to the story I’m working on, got accepted for the Big Ohio Book Con just a little while after applying for it, and just yesterday, I found two sensitivity readers from the trans community who can give me feedback on The Shape of Evil.

Effort pays off.

So, I’ll keep putting in that effort. So that Symphony for Walpurgis and, when it’s ready to be re-released, Hannah and Other Stories, are successful when they’re available. So that The Shape of Evil lands an agent or a publisher. So that all the events I attend are successful. So that any other stories I write and edit this year can find homes as well. And, at the end of 2025, I’ll be that much closer to being able to write full time.

And if you’re reading this, you put in that effort, too. We’re not competition, after all. Authors support other authors. And yes, you will feel frustration. You will suffer rejection and disappointment. But if you push past all that, you can achieve amazing things. Like having several books out and a dedicated fanbase with a fun nickname (whazzup, Followers of Fear?).

Who knows? Maybe if you keep going, things will be smooth sailing for you, too. I know I’m going to work hard so that can be the case for me. And I can’t wait to see what pans out.


Speaking of Symphony for Walpurgis, this new collection of mine contains cryptids, malevolent spirits, and a Jewish exorcism, among other things. It’s releasing May 1st, and it’s already available to preorder as an ebook from Amazon and Kobo, with paperback versions and more stores to be added later on. If you’re at all interested, why not preorder a copy? All you have to do is click the links below, and you’ll have bought your ticket for the Symphony.

That’s all for now, my Followers of Fear. Until next time, good night and pleasant nightmares.