Posts Tagged ‘scary stuff’

I just finished a short story. This one, called “A Haunted Man”, is about a family that moves into a haunted house. Sound familiar? Well, I tried to put a twist on it by focusing on the father of the family, who’s one of those characters who thinks because he’s a man’s man that he knows it all and that the ghostly going-ons around the house are the result of his wife being a silly woman and his kids having overactive imaginations. Those characters appear in a lot of scary stories, and they always get themselves into trouble. Especially when they finally realize that there’s a ghost in the house and they try to handle it themselves because that’s what men do, instead of doing the smart thing and getting someone with experience with ghosts to come by and get rid of the ghosts.

I basically took that character, that I’m-a-man-who-does-what-men-do character and decided to make him the subject of a short story about a haunted house. It was a difficult story to write, though. I had to go back at one point and rewrite the whole story because the way I was writing it didn’t make sense to me (for more on that, read my post I Shouldn’t Use Present Tense). And even after I started the rewrite, it was difficult going. I think that means I’m going to have to do a lot of editing on this short story. Or that I should instead adapt it into a low-budget horror film because it would work very well in that format. Hmm…if I did that, I wonder how I would get it done? And who would help me?

Well, that’s beside the point for the moment. I’m glad to have gotten the short story done and I think I did an okay job portraying the main character as I wanted him to be portrayed. I’ll see what I can do with it and maybe decide from there if I should try to publish it, or maybe adapt it into a horror film or some other third option.

For now though, I’m going to start thinking about what’s next on my agenda. I told a friend I’d write an article for a magazine that he runs, so I’m going to get that done. After that I think I’ll write down which short stories I’m going to work on next. I want to work on so many more, but I really have to get back to my WIP Laura Horn, so I’m going to limit the number to somewhere around five or six short stories and cap it off there. Maybe when LH is done, I’ll write the rest of the short stories I wanted to get done. We’ll see.

Well, that’s all for now. I’m going to take a break and relax after an afternoon full of writing. See you in the morning, Followers of Fear.

Snake

I swear, this is the last Snake-themed article for a while. Honestly, even the Snake is getting tired of all the articles about him (and if you can figure that one out, then you win a prize). And I’m going to try to keep this short, so don’t click away yet.

Today I had some time on my hands, so I took some photos I’d scoured off the internet, a song I’d always associated with the Snake for some reason, and compiled them all using iMovie into a very scary video for a book trailer. A book trailer for Snake, to be exact. It’s probably my longest and most complex book trailer yet, using a variety of techniques I learned from a class I took a couple of semesters ago. Honestly, I had not used iMovie in a while, so it took a while to figure out how to do some things I’d forgotten. But I guess it was like riding a bike, because before I knew it I was making the video and had it done in almost an hour.

The video uses images I associate with the character of the Snake, who has an extreme love for scary movies and knows quite a bit about famous fictional serial killers and a few real ones (gee, I wonder who that sounds like?). And the song I use is “Before I’m Dead” by metal band Kidney Thieves. For some reason it’s a song I’ve always thought should be put at the beginning of a movie adaptation of Snake. Since I don’t think that’ll be happening any time soon, I’m using it in this trailer.

Oh, and the people in this video whom I identify as characters in Snake are actors from some shows I’ve seen. They came the closest to how I imagined the characters in Snake, so I used their images. I hope nobody minds that!

So without further ado, here’s the official Snake book trailer. Tell me what you think when you’ve watched it. I love feedback (I think I’ve mentioned that before).

Oh, and good news: I’ve sent Snake to the copyright office. Hopefully they won’t take their sweet time processing it. I hate it when that happens!

Looks like I get to do a post again with a snake at the top again. You may remember my previous post about the cover for Snake that I created (if not, you can read it here). I got some feedback on it, and most of the people who commented on Facebook said that they wanted more of the painted Lilith’s face and less of her legs. Well, I kind of went with the choice to hide her face because it meant that I could hide her bare breasts. The last thing I wanted was someone to flag Snake as abusive or offensive because of a little T&A.

But I decided that my friends had some very valid points. So I changed the design of the book cover to Aspen, and made the color for the background burnt sienna. The result got better reviews than the first cover. Okay, one guy thought it was “too racy”, but to be fair he’s Orthodox Jewish, so I guess to him a sleeveless shirt on a young lady might be crossing lines. Still, I see his point: Lilith by John Collier, while definitely a work of art in the style of the old Renaissance masters, is pretty sexual. Given the references to the Genesis story though, I think it’s important to keep the theme there, and that’s part of why I chose the painting (along with the obvious snake wrapped around her Britney Spears-style and the red hair which is also upon the head of an important character in this book).

So to recap here’s the previous cover I created:

Snake

And here’s the second version:

Snake

Is it much racier? Yes, it really is. Might it get me in trouble? Possibly. Am I going to change it? At this point, I’d have to say no. I kind of like it, the painting entered the public domain ten years ago, so there’s no copyright issues, and it looks like something I might pick up and at least consider at Barnes & Noble. And I hope people who come across this book on the Internet won’t be embarrassed by the naked woman on it to buy it. Then again, that is what made Kindle and Fifty Shades of Grey such great bedfellows: nobody felt embarrassed reading the book on a tablet on a train or bus. We’ll see.

And yes, that “bedfellows’ thing was intentional. I wasn’t going to do it, but I put it in anyway.

Anyway, unless anybody gives me some objection or some feedback that makes me change my mind, I think I’ll go with this cover. Tomorrow I’ll send it off to the copyright office and possibly start on a book trailer if I have the time. I already have a song I’m going to use, and several images I plan to put into a rather interesting slideshow. I’ll post it here when I’m done.

Anyway, that’s all for now. I’m heading to bed soon. Goodnight, Followers of Fear.

The photo up above is NOT the cover. I just wanted one more photo of a snake before I unveiled it. Actually, the cover is right below this paragraph, and I must say it’s some of my best work yet in covers. Take a look:

Snake

Yes, that woman is naked on the cover. The actual painting is called Lilith by the English painter John Collier. I chose it for three main reasons. One was that it represents a Genesis theme, and references to Genesis do appear in Snake (three guesses what they are, the first two don’t count). The second reason is that a lot of authors I admire have famous paintings on their book covers and I wanted to do something similar with Snake and with any sequels I might write. Or maybe I wanted to draw audiences in by featuring a naked woman on the cover because nothing sells like sex. I confuse the two often. No, it’s the one about authors I admire. Never mind.

The third reason is that the only other option I had for a cover was a photo of a mask similar to what the Snake wears in the novel, but that was too disturbing to put on the cover. I decided to go with the less-disturbing Lilith instead.

Well, that’s the cover. I plan to back my files up in the morning and then send them off to the copyright office. Hopefully for once the US Copyright Office will make good on that promise of a processing time of two-and-a-half months (I doubt it).

And while I have your attention, I would like to announce a tentative release date for Snake. Assuming that nothing gets in the way of this book coming out by that time, I would like to announce that Snake will be coming out June 10, 2014, my twenty-first birthday and exactly two years to the day I started work on this novel. If it needs to be pushed back, I’ll do that, but I’d like to release it on that day. Not only will it feel right to release it that day, but it’ll be a great birthday present if a lot of people buy the book the day it comes out.

Well, that’s all for now, Followers of Fear. Please let me know what you think of the cover and of the release date. I’d love to hear from you. For now though, I’m heading to bed. Goodnight!

Oh, I am on the ceiling tonight! Okay, I’m not literally on the ceiling, but you can guess how I’m feeling right now. As the title suggests, I’ve finished the final draft for Snake, which means it’s time to get it ready for publication! So excited right now, and I can’t wait to get started. In fact, I’ll start after this blog post is done.

For those of you who are unfamiliar with Snake, it’s a thriller novel I wrote through the latter half of 2012. It follows a young man who becomes a serial killer in order to take down the mafia family who took from him what he considers most precious in life. Referred to by the media as the New York Mafia Killer (most of the novel takes place in New York City), he calls himself the Snake, for reasons that become apparent in the novel. So it’s basically a story of an antihero vigilante with mental problems and methods that would make Batman cringe. Still, it’s a story I enjoyed writing and I think that anyone who’s into these sort of dark thrillers will enjoy the story.

I know Angela Misri did. Angela, for those of you who haven’t been lucky enough to meet her yet, is an author and friend from Toronto whose first book, Jewel of the Thames, is due out next month. She did me a great favor by taking a look at Snake and giving me suggestions on how best to spruce it up before I published it. During the last twenty chapters or so, she was getting back to me every couple of days with revisions and suggestions on the manuscript. I have to say, I’m impressed that she was able to find the time to look over the whole novel with a full schedule of her own. Most of all though, I’m thankful for her help. She gave me amazing feedback on Snake, and I’m so happy to have collaborated with her. I hope that if I ever get around to writing a sequel to Snake, she’ll be willing to look at that as well.

Oh, before I forget. I did another check on the page and word count for Snake. All told, the novel is 370 8.5″ x 11″ pages and a little under 120,000 words. So it’s like a mid-length Harry Potter novel in length. Hope that doesn’t scare off any readers. That would suck! Anyway, I already have a cover picked out and I know who I’ll be acknowledging and who I’ll be dedicating the book to. I’m going to get on compiling the final manuscript together and creating the cover, so I’ll post on Snake again when I have those made up, along with a release date for the book.

One last thing though: I have to thank everyone reading this blog. Your support keeps me going and every time someone reads one of my books, it brings a boost to my mood and makes me want to write more and to improve the quality of my storytelling. Thank you so very much. I hope you’ll continue to support me in the future as I work on my dream of becoming an author.

And before I go to put dinner in the oven, I just want to let you know that if you’re interested in Snake or interested in reading an excerpt from Snake, please click here.

Have a lovely evening, Followers of Fear.

This is my first review of the year, and it’s coming a day after the final episode aired. Well, that’s what happens when you don’t have FX in your cable package and you have to search the Internet for it. Someday that’ll change.

I wasn’t really sure what to think about this season at first. It’s the third season, coming after two very terrifying and amazing seasons. Plus many of you remember how I reacted to the killer vagina thing in the first episode. Oy vey. And as the season progressed, it had its high points and its low points. But for the most part, I like to think that it ended on a good note. If you’d asked me a week ago what I thought about the season, I’d have said differently, but I’ll admit that the writers really amazed me.

This season of the anthology series follows an endangered coven of witches as they prepare for the rise of the new Supreme, the figurehead and occasional actual leader of the coven. When one falls, another rises (sounds like Buffy, doesn’t it?). However the coven is under threat from many sides, including from an organization of witch hunters; a rival faction of voodoo practitioners led by voodoo queen Marie Laveau; a racist immortal with a thing for blood; a serial killer who’s good with a saxophone; and each witch’s own personal problems, powers, and petty desires.

Some of the high points of this season was that it really did keep us guessing at who would be the next Supreme, right up until I was sure I knew who it was (and then I realized I didn’t). Not only that, but it had some very impressive scenes and special effects, and the writers proved that they could keep us interested and guessing for a very long while. Also, Emma Roberts as party girl/actress/all-around-bitch Madison Montgomery was my favorite character. I loved her and hated her. She was the best actor on the show, with Lance Reddick as Papa Legba coming in a close second (invite him back for the second season) and Lily Rabe and Kathy Bates as Misty Day and Delphine LaLurie respectively tied for third.

Favorite character, hands down.

However, there were some things I felt the story could do without. The subplot with the fundamentalist family next door felt extraneous and unnecessary. You could’ve cut that out and nobody would’ve felt like something was missing. Also, Zoe and Kyle’s love affair didn’t feel real. I had no idea why either of them liked one another, why Kyle wasn’t pissed off at being a modern Frankenstein, or why Zoe felt anything for him besides the fact that she was partially responsible for his current predicament. Actually, I didn’t really know Zoe beyond her inexplicable love for Kyle, and my knowledge of Kyle wasn’t much better. Also, there could’ve been more on the witch hunters. They weren’t utilized enough. And I would’ve liked to see more of the oppression theme that was at the center of this season.

Second-favorite character (can you see why?)

But still, it was a great season despite its low points, and I think the first in the series that ended on a bright note (surprisingly). It’s also the first season to have the potential for an Expanded Universe similar to what Star Wars and Doctor Who have (Ryan Murphy and Brad Falchuk, call me or check me out on LinkedIn. Let’s talk). I’d be excited for some of that.

All told, AHS: Coven gets a 3.6 out of 5. Can’t wait to see what Season 4 will be about. So far all we know is that it’ll take place in 1950, Jessica Lange will have a diminished role and a German accent, and several of the big names from this season will be coming back for new roles and new stories. Oh, and it’s rumored that it’ll be filmed in either New Orleans or Santa Fe. Any guesses about what it could be?

tqg cover

I kind of let this pass by without really realizing it, but now that it’s on my mind, I’d like to commemorate that six months (and twelve days) ago my first book, The Quiet Game: Five Tales To Chill Your Bones, was first released for paperback and e-reader.

Since that July day, a lot has happened, but especially with this book. A small collection of original short stories I’d written over Winter Break 2012 and Spring Semester 2013, the book has sold about a little over fifty copies (which for the first book of a self-published author is not that bad). It’s also received eight reviews from readers, which has brought the book’s average to a 4.4 out of 5 (which for the first book of a self-published author is pretty mind-blowing for me). Here are what some of the reviewers have been saying:

“5 wonderfully crafted tales! I purchased this as an eBook originally and put off reading it for quite a while, I really wish I hadn’t waited. Sometimes when one purchases a collection of short stories you expect some of them to be less entertaining or of lower quality than the others, but none of these disappoint. Well worth the money, especially considering after you read each story the author gives you creative insight into what inspired him to write each tale, which is really wonderful.”

Jeff D.

“I happened across The author Rami Unger about a year ago when he was researching the paranormal online.

He nailed the Dybbuk story. Write more… soon!”

Jason Haxton, author of The Dybbuk Box

“I liked that each story was unusual. I think that the book was appropriately named. I prefer chilled bones rather than scared out of my whits since I am a bit of a chicken”

Enji

I’d just like to say that it’s been wonderful hearing from people what they think of The Quiet Game and finding out that they enjoyed the book and want to read more. It’s the readers themselves that have made all of this possible for me, so I really owe everyone reading my work a great debt that can never be repaid. So thank you very much and I hope we’ll be able to have great times together in the future.

If you are interested in reading The Quiet Game, you can find it on Amazon and on Smashwords. The print version is available for a little over five dollars, while the e-book version is available for about a dollar-thirty. And if you do decide to read The Quiet Game, please let me know what you think of it. Good or bad, I’m always happy for reviews and feedback.

Thanks for reading, and I hope to have more good news at the one-year anniversary. And speaking of anniversaries, Saturday will make three months since Reborn City came out. I’ll have to do a post about that as well. Look forward to it!

I started a short story the other night about a family that moves into a haunted house (yes, that’s been done before a hundred times, but I’m trying to do something new with it. Hopefully I’ll succeed). For some reason I started writing it in present tense, something I rarely ever do. Most stories, especially the ones I’ve read  and the ones I usually write, are in past tense. I think I was trying to make the story unique by writing it in present tense, or maybe it sounded good at first to write it in the present tense.

But as this short story’s been coming along, I’m finding it harder to continue going, and I think the tense of the story is a major contributor to that problem. The only story I’ve ever written that’s been in present tense and that I’ve barely had any trouble with is Addict, one of the short stories I included in The Quiet Game, but that was also in second-person, and that kind of made it easier to write. Heck, it was practically begging to be written in present tense as well in second person (“You walk out of the bathroom and you rejoin your buddy. He asks you a question and for a moment you’re not sure what he said”. See what I mean?). But this is third-person, and I think unless you’ve had a lot of training in writing in present tense or you prefer that tense, then it’s just not the sort of tense you write in.

Okay, the TARDIS doesn’t have much to do with tenses, but it does with past, present and future.

Well, I’ve certainly learned my lesson. I can’t write this story in present tense and I’m definitely not going to attempt to attempt future tense (never seen an entire story of any length written that way). So tomorrow (or the next day, depending on the amount of homework I have), I’m going to through the short story and switch it to past tense. Then I’ll go through it again, adding, editing, and deleting where I see appropriate. Luckily I’m only about seven pages into this short story, so I can probably get both tasks done fairly quickly.

For now though, I’m going to go to bed. I’ll let my mind swirl this short story in my head overnight and see if I can come up with any other ideas to improve this short story. I think it could be great, but since I’m trying to do something new with a familiar trope, I really have to work hard to make the story believable and enjoyable to the audience. Hopefully I can do that.

That’s all for now. I’ll post again when I’m done with the short story, or when I have something else to post about (whichever comes first). Goodnight, Followers of Fear.

I love my university, and I find out things about it every semester that are new and interesting. And some of those things I find out are actually kind of cool. Kind of inspiring. Kind of weird. Kind of creepy. And for all those reasons, I want to share them with you. From secrets tunnels to ghost stories, OSU has got it all. I hope you enjoy an expose on some of Ohio State’s greatest secrets.

There are tunnels under some of the buildings. A couple of the buildings on campus are connected on campus aboveground by connecting hallways. Lazenby and the Psychology Building are connected by their first and second floors, Cockins Hall and the Mathematics Building are connected on most of the floors. But there are some buildings that connected underground. Every building in the Fischer School of Business is supposedly connected by tunnels, and one of those tunnels also supposedly goes to the Blackwell Residence Inn, though you might need a key card for that one. And strangely enough, University Hall and Dulles Hall are connected by a tunnel that goes underneath 17th Ave. I’m not sure why that last one exists, but it’s still pretty interesting. I wish there were more tunnels like that: it’s too cold outside to be walking to classes that way!

Some of the buildings have abandoned and empty pools. Pomerene Hall is one of the oldest buildings on campus, and it’s like a giant castle. However only a fraction of the building is used, and the basement is tiny, which is weird considering the size it technically should be. Turns out the back area used to house a pool that’s been nothing but a dry pit for several years. Explains the size. Pomerene’s not the only building with a pool no longer used: I used to live in Jones Tower, which was a graduate housing facility when it first opened. Back then it had a pool for the grads to use, but due to maintenance costs and injuries at poolside it was closed down. If you walk by the pool’s door today, you can still see the places where people would hang up towels and still hear the sounds of the pipes that would carry water to the pool (at least I think that’s what that noise is).

Ohio State has some hauntings. I save the best for last. Apparently in its 144 year history Ohio State has gathered a few ghost stories and possible hauntings (Ghost Adventures, call the university!). Learning that makes me even prouder of this school I go to. Here are the spooky legends on campus, brought out nine months earlier than usual:

–Pomerene Hall, situated right next to the infamous Mirror Lake, has a very special ghost story of love and tragedy. In the 1900s, Professor Clark committed suicide after a failed mining investment, his body found where Pomerene Hall now stands. His wife swore never to leave him, and when she died in the 1920s, her ghost started appearing around Mirror Lake (on it during the winters). Professor Clark himself is said to haunt Pomerene Hall, slamming lockers and doors and doing other ghostly things.

–Hopkins Hall, the art building on the Oval, has a much more gruesome story. At some point a young woman got stuck into an elevator overnight, suffering a nervous breakdown from the stress and lack of response to her cries for help. During her breakdown, she apparently wrote plenty of weird stuff on the walls of the elevator. She eventually got out, recovered, and then graduated, but not too long afterwards she died in a car crash. To this day, students report seeing writing or scratches in the elevator that say “I’m still mad at OSU for what they did to me.” Scary.

–Orton Hall is one of the oldest buildings on campus and is home to the Geology Department’s famous fossil museum. It also has two ghosts. One is Edward Orton, one of OSU’s earliest professors and the building’s namesake, as well as the man who gifted the Geology Department the core of its collection. When he was alive, he used to read by lamplight in the top of the bell tower (the scorch marks are still there). At night you can sometimes see mysterious lights through the slats of the bell tower, apparently Professor Orton reading in his favorite spot. During the day he supposedly chills the air and makes weird noises in order to get students to behave.

If you look at the cover of The Quiet Game: Five Tales To Chill Your Bones, you’ll see that Orton Hall’s bell tower is on the cover.

There is also tales of a hairy, caveman-like figure who makes noises and bangs on doors. Some believe it might be somehow connected to the Geology Museum’s vast collection. Others believe it could be a dead football player, though that may be a more humor-filled supposition.

This post is getting rather long, so I’m going to cut it off now. It’ll be continued in another post. Trust me, I’ve got a few other secrets about Ohio State worth sharing, including some other famous ghost stories and OSU’s connection to a famous serial killer. Until next time, Followers of Fear.

I came across this post by Stephen King on Facebook the other day and I thought it’d be interesting to write about. The post goes like this:

The 3 types of terror: The Gross-out: the sight of a severed head tumbling down a flight of stairs, it’s when the lights go out and something green and slimy splatters against your arm. The Horror: the unnatural, spiders the size of bears, the dead waking up and walking around, it’s when the lights go out and something with claws grabs you by the arm. And the last and worse one: Terror, when you come home and notice everything you own had been taken away and replaced by an exact substitute. It’s when the lights go out and you feel something behind you, you hear it, you feel its breath against your ear, but when you turn around, there’s nothing there…

Words of wisdom from the King himself.

When I read this, it struck a certain chord with me. I realized that a lot of horror writers and filmmakers can easily gain an understanding of the first two, but it takes a long time to get into the third type, and an even longer time to gain a mastery of it. For example, there are a lot of films out there (of varying quality) that utilize Gross-out and Horror. They have serial killers, they have vampires and demons, but they’re kind of low on terror. The Evil Dead films and many bad slasher flicks are prime examples of this (I’m talking to you, Friday the 13th remake). Even I had trouble with this early on in my writing career. I could easily write a story about vampires or demons that had plenty of blood  and fight sequences, but I was lacking in the terror department. Even worse, I rarely thought about including the terror factor, and when I did I didn’t really do it as best as I could.

But at that age though, and in that point of my development as a writer, all I thought I needed was a monster, someone’s life in danger, and the rest would take care of itself. I learned later on that adding terror to the story is a process, something that has to be consciously done before you can go about actually adding it in unconsciously. This is something I’ve had to comprehend with lately and which I’ve been working on with some of my latest stories. With The Loneliest Roads, I tried to put in a sense of unreality and strangeness even before my protagonist entered the limo, and slowly heightened it once she got into the limo. with some of the short stories I’m planning on writing now, I’m looking for ways to increase that terror without seeming silly or absurd. And in future novels, I hope to add that factor in with more skill and precision than I have in the past.

Perhaps adding terror in is the most difficult part of horror writing because, as King said, it’s the worst. It’s what really makes a horror story memorable to those who read or see it, and the thing about it is that it’s often an underlying element in the story, something that’s a factor in the scary elements of the story but rarely the main element. That goes to the Horror, which usually causes in one way or another the Gross-out. But the Terror? It’s what hails the coming of the horror, what prepares you for the jumps and scream the Horror will cause. And getting someone prepared for that can be really difficult, all told.

Although I’m still trying to get mastery of all 3 elements, I’m hoping that in the future I’ll be able to get a better handle on them, and to do that I just have to keep writing, to keep practicing and see where it takes me. As I write, I learn, and hopefully I learn how to tell scary stories much better than I have in the past. It’s an ongoing process, but I feel it’s one I must take part in. Wish me luck.

And for those horror writers out there, how do you deal with the 3 elements listed above? Do you have any advice on utilizing any of them? What?

(Don’t say “limit Gross-out” though, because I’ve already figured that one out. Too many horror films rely on Gross-out as it is, and it’s annoying after a while.)