It seems that my prayers have been answered. Either that or I and the many people lobbying for this video to come have finally gotten what we desired.

Anyone who spends enough time on YouTube will probably come across the Epic Rap Battles of History videos. They are funny, have more history than the History Channel does these days, and are really well done. Several of them, such as the Adolf Hitler vs. Darth Vader series, the Doctor Who vs. Doc Brown battle, and the famous Donald Trump vs. Ebenezer Scrooge Christmas special, have become viral sensations. And in a stroke of creative genius, these guys have put out what has to be my favorite video yet: Edgar Allen Poe vs. Stephen King!

The video stars slam poet and rapper George Watsky as Mr. Poe, while Zach Sherwin (aka MC Mr. Napkins) plays his Royal Scariness King. It’s a delightful back-and-forth between the two horror greats, with Poe even rapping in trochee (the form of verse The Raven was written in) and King making references to both his and Poe’s work, as well as poking fun at a certain kid’s movie’s protagonist’s name. Plus the soundtrack is just perfect. But why just read me praise it? Check it out below:

Awesome, right? And it’s very hard to choose a winner, though I have to go with King (he’s got the best disses). Funnily enough, Mr. King himself had some different thoughts:

Mr. King, don’t put yourself down. Frankly, I thought you were sharper than Annie Wilkes’s axe. And I look forward to reading Doctor Sleep and Mr. Mercedes, once I can find the time to do it. In the meantime, can I interest you in one of my books?

Who do you think won? Why? And who would you like to see in another rap battle?

Personally I’m hoping for Walt Disney vs. Stan Lee or Freddy Kreuger vs. Jack the Ripper (yes, that is disturbing. But would you expect any less from me?).

For my first review upon returning from Europe, I’d like to do Maleficent, a retelling of the 1959 Disney film Sleeping Beauty. And like its predecessor, Maleficent has some storytelling problems. Emphasis on the “telling” in “storytelling”: during the course of the movie more is left to narration in this film than to actually showing us the exact events as they happen. So we basically skip over several of the formative events in Maleficent’s early life, and in King Stefan’s early life as well. The result is that we really don’t get to know the characters very well, We just see Maleficent go from sweet girl to young woman to angry witch, all in the course of maybe half an hour. We also don’t get to see Stefan’s development either, which would’ve made his character easier to understand and relate to.

And this is only the tip of the problems with the story here. I don’t want to go into great detail, but let’s just say the writing and the lack of characterization leave much to be desired, with huge plot holes and characters that are as two-dimensional as paper cut-outs and as unrelateable as them too. I know Disney made this film mostly to catch in on the trend of retelling old fairy tales for a new, modern audience (explaining why Once Upon a Time is heading into its fourth season and why Disney is doing retellings of Cinderella and a Cruella DeVil movie and Alice Through The Looking Glass, among others), but it wouldn’t have destroyed te studio to add maybe another forty to fifty minutes to a ninety-seven minute film and fill out those characters and plug up the plot holes.

Overall, I give Maleficent a 1.6 out of 5. Not even its good moments (few and far-between) are enough to redeem this film. Not even Angelina Jolie can fix it, and she’s an amazing actress! I really can’t wait to see how the guys at How It Should Have Ended decide to fix this film up. Because like I said, it’s not a very good film.

Ah, the Eiffel Tower. See how it glows in the night.

Ah, the Eiffel Tower. See how it glows in the night.

Hi honey I’m home! After about three weeks in England, France, and Germany, I’m finally back in the States. I will definitely miss being in Europe (I will especially miss transportation made easy through the Metro systems), but I was beginning to miss my family and my life here and I’m glad to be back.

Of course, now that I’m back I’m not going to spend the whole time on my butt (though for the most part that’s what I’ve been doing while I get reacclimatized). In addition to catching up on all my shows and going to see some movies that came out while I was abroad, I plan to be very busy this summer. I’ll be doing my usual chores and errands, for one thing, and I’ll be working in the financial aid office for the whole summer (and if I can find one, I’ll try for another job that’ll allow me to work one or two days a week to help with the income). I also plan to finish my novel-in-progress Laura Horn, which I think I can get done by mid-July if I don’t get too distracted. I also hope to write plenty of short stories after I finish the book, because God knows I have plenty of ideas for those (I came up with about 40 ideas for stories while in Europe, most of them short stories. The lesson to be derived from this is that if you’re a writer and you find yourself on a trip abroad, bring a notebook to write down any ideas you have).

What else do I plan to do? Oh yeah, Snake will be coming out on June 10th, so I’ll be getting ready for that. And The Quiet Game’s one-year anniversary will be in July, so I plan to hold a sale for that on the e-book. And I’ll try to do some author interviews now that I’m back in the States, as well as finally getting around to editing Video Rage, the sequel to Reborn City.Ā And maybe I’ll finish some of the series I’m watching on Netflix.

In short, I’ll be very busy.

But enough about that. I said I was going to share some of the stories from my study abroad trip. I think I’ll start with my last night abroad, with the final dinner. Why? Because it shows how much we bonded over the trip:

We were having a special dinner on the second floor of a beer garden at Alexanderplatz in Berlin called Lindenbrau. The weather was cloudy and rainy, but we didn’t really care, because we were all very happy. Maybe that was because of the alcohol and warm food, but we were happy. I was talking with my teachers and y roommate Henry and my friends, and I had a wheat beer in front of me. Most of us were really sad to go, but we were also glad that we’d had this experience together. Also, a few of us were itching to go home, or to go to other places if we were staying in Europe longer (I might have and gone to see Poland and Italy or maybe go back to England, but I couldn’t afford it).

And then our teachers, Dr. Steigerwald and Professor Willging (affectionately nicknamed Dad and Mom, respectively, by our group), stood up to say some words. They said how proud they were of us, and how they hoped we would all stay in touch for years to come. And then they handed out awards to us, the kind like “Most Likely To…” or “Least Likely To…” awards. We were invited to guess whom each award was for, and I got about three or four of them before anyone else. My award was, “Most Likely To Wander Into Rommel’s Chateau.” Considering how oblivious I can be sometimes, that’s not very surprising.

And then something interesting happened: Ramsey Hardin, one of the people on my trip who had become probably my best friend while on the trip, arrived late and hungry. He’d gone to a museum to get a little bit more culture, but on the way back traffic had been really bad, and he’d ended up about an hour or so late getting to the beer garden. Believe me, he was upset, and only a jug of beer and a really huge ham could possibly relieve that anger.

Happy Birthday Ramsey Hardin! By the way, that's David Corrigan photo-bombing te shot. What a goof!

Happy Birthday Ramsey Hardin! And that David Corrigan with him, by the way.

But then a huge surprise came out: the waiter brought Ramsey a piece of chocolate cake with a single blue candle stuck into it, a flame dancing on the wick. It was Ramsey’s twenty-fourth birthday. Boy, did that cheer him up! I wonder what he wished for, though. He probably asked for a big book of history. Ramsey’s a huge history buff, and reads anything about the past. In fact, he was voted “Most Likely To Teach Alexander the Great History” or something like that.

We ended the evening with dessert and a few more drinks, and then I went back to the hotel, to get ready for tomorrow’s flight and to store all these wonderful memories in my head.

And trust me, I’ll have a fun time relating them to you all in the coming months (or until you’re sick of hearing about them). That’s all for now though. Hope you enjoyed the story, my Followers of Fear. I’ll tell another one when I have a moment.

Diversity is a big thing these days. We need more diverse student bodies, more diverse workforces, and above all, more diverse casts in movies, books, and TV shows. And I don’t consider that a bad thing. On the contrary, diversity is a good thing, because it represents our diverse population and the many wonderful people on it.

However, I take issue when writers stick in a single minority character or one female character into the main cast and say, “Diversity element added”. Because that’s not diversity. That’s just being lazy. You see, a really diverse cast doesn’t just have a couple of characters you don’t usually see in these sort of stories. A really diverse cast has fully developed characters that grow and evolve over the course of the story, and they all come from many different backgrounds.

Take the main cast of Captain America 2: The Winter Soldier (I would’ve done Reborn City instead, but I have a strange feeling that more people have seen Captain America 2 than have read RC. Just a feeling, but it’s a strong one). In that movie, the four main characters have great depth, they do some growing in the movie, and we see sides to them that have not been revealed previously. Three of them also happen to be the exact opposite of the usual superhero protagonist, namely a white guy on the front lines. Black Widow is a woman and Falcon and Nick Fury are both black, but neither of those traits define them or are the main points to make them interesting.

Okay, the main points that make them interesting is their fighting abilities, cool gadgets, and the awesome things they can do, but that’s beside the point! There’s more to them than the fighting and what’s on the surface. They are all given a chance to grow in this film, and we really get a chance to know them. Natasha and Steve Rogers develop a relationship over the course of the film that swings between best friends and a sibling love for each other, while San Wilson becomes the one person who can relate to Rogers because of their shared experience. And Nick Fury, besides revealing information about himself that might have been a surprise to many fans, also had to question the organization he lead. Specifically, is it doing more harm than good? And is it worth it to keep SHIELD around?

All these characters are different from what might be or have been considered normal for superhero films, but that’s not what makes them great. What makes them great is that they have depth, they have growth, and whoever wrote the film didn’t feel that just because they were black or female that was character development enough!

So with the upcoming Batman vs. Superman film, they’ve apparently already cast Wonder Woman (who is obviously female) and Cyborg (who is black). I don’t know what sort of role they’ll have in this film (or in any sequels which will inevitably pop up), but I do hope that their characters are given as much time to develop and grow and reveal their hidden sides in the movies as the other characters. There’s a huge literature from which the writers can draw wonderful storylines from. I’d really like to see what they do.

And if they only focus on Wonder Woman’s being a woman or don’t give Cyborg enough treatment as a character, it’ll diminish my enjoyment of the film that much more.

So thanks for listening to my rant on the need for real diversity in our popular media. I’ve got a flight in a few hours, so I’ll write again when I can (though when that’ll be I have no idea). Have a lovely day, my Followers of Fear.

Dr. Angelou, reading her poem “On the Pulse of Morning” at President Clinton’s 1993 inauguration.

As I booted up my laptop today and logged onto the Internet from my hotel room in Germany, I was greeted by the most depressing news: author, poet, activist, and just plain wonderful human being Dr. Maya Angelou had passed away. Dr. Angelou, who had been teaching at Wake Forest University since 1982 and was a prolific writer and poet throughout her life, had been experiencing health problems recently and had had to cancel several scheduled events because of it. She was 86 years old at the time of her passing.

Immediately I feltĀ  a horrific sense of loss. I never met Dr. Angelou, nor have I read as much of her work as I’d have liked to. But I remembered very vividly reading I Know Why The Caged Bird Sings one summer for school a few years back, along with The Autobiography of Malcolm X. Both books impacted me very deeply and I remember feeling powerful emotions reading Dr. Angelou’s book as I read the events based on her early life experiences, sadness and sympathy and anger and several others depending on what story she was relating to me through her words. It left a very deep impression on me.

And so when I heard that Dr. Angelou had died, I immediately felt the loss that people around the world are probably feeling at this moment. I took to Facebook to write that the world has lost a guiding light in Dr. Angelou, that her passing was swift and painless, and that her memory, words and deeds will last for centuries. But somehow I felt it wasn’t enough, so I decided to write this post about her as soon as I could. Hence this post you are reading now.

Dr. Angelou was an influence for good throughout the world. She worked her way up from a variety of jobs, including a cook, prostitute and nightclub dancer, to become a writer and journalist. Active in the Civil Rights movement, she worked with both Dr. King and Malcolm X, and has also influenced the feminist movement. Her writing has been hailed as “a work of art that eludes description”, and helped bring memoirs from African-American women writers from the margins of literature to the forefront. She made on average eighty public appearances a year, even as she reached her eighties, and was given numerous doctorates and awards, including reciting a poem of hers at President Clinton’s inauguration in 1993, andĀ she receivedĀ the Presidential Medal of Freedom by President Obama in 2011. In addition to poetry and autobiographies, Dr. Angelou wrote plays, screenplays for TV and film, essays, cookbooks, children’s books, spoken word albums, and also did acting and directing work on stage and in film and TV.

But most importantly, she gave people a voice. Dr. Angelou gave voices to many African-Americans, women, and others whoĀ had been pushed to the margins of society. Caged Bird, probably Dr. Angelou’s most famous autobiography, has been translated into many different languages. This is not only a testament to the popularity of the book, but also to how relatable it is to people of other nations and cultures, how many different peoples can relate to Maya’s own struggles and see it in themselves, or in their people’s struggles. Some have even credited it with allowing black women writers to finally have center stage in the world of literature, instead of on the side where for far too long they’d been ignored and underappreciated.

President Obama said a few hours after the news came out of Dr. Angelou’s death that she reminded us “we all have something to offer”. Whether it be in words (written or oral), in action or just in being there for someone, we all have something to offer. Dr. Angelou offered many a voice, a way to speak about the struggles of the underappreciated and marginalized. Her words resonated with many throughout her lifetime, and I’m sure that they will continue to do so for years to come. And as the years go by, as Dr. Angelou’s works are read and dissected and discussed and debated by readers of all kinds and stripes, as movie adaptations and TV specials and new stories and poems recreate her for a new generation, and as the occasional politician or news commentator tries to appropriate her legacy for some political cause or another, I hope that one fact shines through it all, that she gave the world her voice, and allowed others to speak through it and with it.

And speaking of having something to offer, I decided on the spur of the moment to create a tribute video to Dr. Angelou. It’s not very good, and at the very most it showcases that I’m slowly getting more comfortable with video-making on computersĀ (a valuable skill these days, it seems). But the song I put in, “Bye Bye” by Mariah Carey, is heartfelt and speaks to the emotions of many, and I think it shows my sincerity. What do you think?


You know. about five or six days ago, Dr. Angelou sent out this tweet:

I think this tweet says a lot about Dr. Angelou, because it seems that her words were definitely sent by somebody to make a difference in the world.

So to all those who were close to Dr. Angelou in life, I wish you my deepest condolences. To those who only knew her through her words, her reputation, or through her actions and influence in the world, you probably feel the same as I and many others do: like we’ve all lost someone important. And to the good Dr. Angelou herself, wherever you may be, I hope you’re doing well and that you know that your legacy will continue to influence and help us all for years to come. Thank you.

Snake

Guten morgen, meine Anhanger der Angst!

I think I said “Good morning, my Followers of Fear” in German. I was teaching myself German, but the craziness of the semester kind of ended my lessons abruptly. Anyway, these past two weeks I’ve been doing character interviews for my upcoming novel Snake, out June 10th. The first interview was with the two investigators leading the hunt for the Snake. The second interview was with the Snake’s girlfriend, Allison Langland. And today, we have the Snake himself! How exciting! Let’s hop right into it, ja?

Notes and Stats:
Sex: male
Age: 18
Race/Ethnicity: Caucasian
Birthday: January 2
Eye color: blue
Hair color: Dark brown
Religion: If he had to describe his religious beliefs, they’d probably align with Deism.
Affiliation: None
Special Powers/Abilities: Physical strength, a very high IQ, knowledge of various ways to kill people as well as deep forensic knowledge, adept at languages and chemistry, experience with training guard dogs and with reading body language.
Notes from the Author: The Snake hasn’t changed much from my original conception of the character as a serial killer whom people might root for. At the same time, I had to really work hard to make him a believable character, because I had to make it believable that he was normal until the events of the novel turned him into a serial killer. I like to think that in the end it worked out very well, though.
Oh, and another interesting thing about the Snake: I never reveal his name in the novel. Not once. I know what it is, but I find all sorts of ways so that I can avoid using it. I did that because I wanted to show that any one of us could be like the Snake: one day an average person, the next day transforming into a killer through circumstance and necessity. It is a scary concept when you think about it, because you realize that it is possible that could happen to just about anyone. Including you.

RU: Hello, Snake.

Snake: Hello.

RU: Wow, you didn’t ask me who I was or how the heck you ended up in Berlin. That’s a first.

Snake: I have an idea.

RU: …Okay. So Snake, how goes the search for Allison Langland?

Snake: I always knew that I loved Allison. I only realized how much my love for her went when I heard her kidnapped over the phone.

RU: Wait, you were on the phone with her when she was kidnapped?

Snake: In that moment, I realized how much she meant to me, how much she lit up my life and filled me with such joy. And I felt such a loss at the thought that something might happen to her. Like a great deep hole had opened up in me where she belonged. And every second that I’m not with her, that I don’t know if she’s okay or if something horrible is happening to her…it’s agonizing.

RU: I can’t imagine. You didn’t become a killer just then, right?

Snake: No, that happened later. After I witnessed something horrible.

RU: Well, don’t reveal it here. There are some people I’d rather not hear that particular story just yet.

Snake: I think you just partially confirmed my theory about who you are.

RU: Well, I hope you turn out to be mistaken. Anyway, where are you now in your search for Allison?

Snake: I can’t really be sure how many people I’ll have to go through before I find her. I’m now hunting a man named Veretti. He actually saw Allison, if my last victim is to be trusted. If he yields valuable information, then I’ll be one step closer in my search for her. That’s all I care about, really. Finding Allison. And I won’t let anyone get in my way.

RU: Well, I’ll let you get back to it. Good luck.

Remember, Snake comes out June 10, and will be available in paperback and e-book. And if you’d like to find out more about Snake before that date, you can read the other interviews or you can check out the Snake page here. And if you’d like something to tide you over until the book actually comes out, Reborn City’s e-book is still available for $0.99 on Amazon and Smashwords. Better download it before June 1st, or the price will go up a dollar.

That’s all for now. I’ve got a trip to a museum in a few hours. Auf weiderschein, as they say here. I hope I can write again before I come back!

Jones, Jones, let me borrow your bones

Jones, Jones, let me borrow your bones

 

Oh, I’m so excited to tell everyone about my trip down into the catacombs! As you may well know, the catacombs occupy the prime spot on my list of haunted places to visit before I become a ghost myself. And I got in this morning! It’ll make a great beginning to a new sub-category of posts, “Tales from Abroad” (I figure with all the stories I have to tell, a category was needed for it).

CIMG2795

Well, this morning I woke up early. I’d heard that the lines for the catacombs were insanely long, and I decided to get there early. So I got dressed, ate breakfast, and headed to the Metro. Right across from the exit from my stop, wasĀ the entrance to the catacombs, with a small line already forming. I rushed to it and got in before anyone else could. It was about fifty minutes before the catacombs opened at that point, and it was also the time when I made new friends: Andrew and Maria, an engineer and sketch artist from Florida whom I talked to while waiting in line. Subjects ranged from WWII history to our travels to the history of the catacombs themselves to our individual aspirations and dreams. During the tour I often saw them and we took photos of each other at various points along the tour.

When ten o’clock hit, the doors opened and we went in. By that point the line had snaked around the block and out of sight (average wait time is around two hours apparently. So remember kids, if you’re in Paris and plan to tour the catacombs, arrive as early as I did so you can get in quickly). The tour was self-guided (audio guides cost extra, and tour guides are only available to groups), so you basically walked down a circling staircase to a first room that dealt with the history of the catacombs (originally mines and underground quarries, later the home of six million of Paris’s dead as corpses were moved from cemeteries to underground for health reasons) and the geological history of the catacombs. Later you moved into the catacombs proper, a series of passageways and tunnels (only a section available to the public; anything else, you’d have to find a cataphile, a catacomb enthusiast who can access illegal entry points and go down to explore).

Andrew and Maria in the Kingdom of the Dead.

Andrew and Maria in the Kingdom of the Dead.

It was very interesting, being down there. You could see niches where rocks were carved out or where things could be stored, as well as metal gates blocking the way to passageways not open to the public. In two places there were these amazing sculptures of beautiful building that a worker from the original catacomb project in the 18th century had carved from memory, recreating his home in the Balkans. There was a deep well that went even deeper into the ground, and a series of archways and niches set along an incline, as if to let us now we were entering sacred ground.

Can you say new author bio pic?

Can you say new author bio pic?

And then came the best part of all. Over a doorway, written in French and carved with precision was the warning, “Beware, for you are about to enter the Kingdom of the Dead”. And what a kingdom it was! The walls were lined with the bones and skulls of so many dead. And even though we were told by signs not to use flash or touch the bones, many did anyway. I won’t say whether or not I did, but I will admit that I am aware of what bones feel like when you hold them (bones from 300 years ago feel like light, brittle rocks in your hands). Some of the bones were arranged in interesting shapes, such as representations of crosses, men, or churches. Others had been arranged to help support different structures, such as around this column. Or this well, which strangely made me think of a portal to Hell rather than a catch for water. And plenty of coffins, crypts, and tombstones.

The bones went on for ages and ages. Every moment I was in a sort of heaven (so to speak). As you can guess, I am quite the lover of the macabre, so this definitely got me excited. If you look at each of the photos carefully, you’ll see me with such glee and excitement on my face.

But sadly it had to end. And end it did, with the doorway to the land of the living coming all too soon. There were a few more sights to see, including some lovely vaulted ceilings, and then we had to resurface, taking another winding staircase up. All told, I spent about an hour and a half down in the catacombs, twice the normal amount estimated for a tour, and I covered two kilometers and over 200 steps going up and down. And I would do it again if given the opportunity, because it is just a wonderful place to be. At least, for me it is.

Afterwards, I went to the gift shop (yes, they have a gift shop) and got a couple of souvenirs to remember the trip below by (there’s only so much photos can do, and for obvious reasons I couldn’t take the bones with me, even if I was the kind of guy to try to take bones with me). I got a small booklet about the catacombs for easy reference in case of a story (of which I have one or two ideas for), a sticker for my laptop, and a skull ring, something I’ve always wanted for myself as a horror author.

How you like the sticker and the bling-bling?

How you like the sticker and the bling-bling?

I’m not sure if I actually witnessed any ghosts. I certainly don’t remember seeing anything out of the ordinary, except possibly some evidence of cataphiles in a restricted section. But I certainly had a great time down there, and I’ll definitely treasure those memories of that hour and a half for as long as my memory works (though I’m not sure sometimes that it does now). It certainly has become my favorite part of Paris.

Well, that’s all for now. I’ll try to upload the rest of the photos of that night when I get the chance. In the meantime, I’ll send Andrew and Maria the photo I took of them as well as the link to this post. Have a good night, my Followers of Fear. I know I will.

BOO!

You know, I said I wasn’t going to do much writing while I was abroad. Well, I may have been a little naughty and wrote a short story in about six days or so. Wasn’t planning on it, it just sort of happened that way.

You see, I had this idea while in London for a short story (and I’ve had so many ideas for stories while abroad, but that’s a discussion for another post), and on the ferry from Portsmouth to Normandy, I had a lot of time on my hands, about four hours worth. Most people were sleeping or working at the last minute on assignments. I didn’t feel like doing either, and there was Wi-Fi, perfect for searches on random facts for a story.

So, I finished writing and editing an essay for an anthology I’d heard about, and then I started on “The Murderer’s Legacy” (that’s the working title, anyway. I may change it when I edit it). It’s about a man living in a magical version of Victorian England who is accused of murdering his wife and is about to receive the worst punishment imaginable. The story follows his attempts to figure out who actually killed his wife and why as he is lead off to his punishment.

I got about two-thousand words in on Monday, when I started the story (like I said, I had a lot of time on my hands). I might’ve finished the story sooner, but as I was writing it the story sort of evolved on me. At first the magical elements were minimal, but then they started becoming a bit more widespread. And then I started having my main character try to figure out who might be the real murderer, and I added more dialogue, and even up until the last minute, I was making changes to the story that I’d never intended to put there.

Well, I guess Stephen King would approve. He said in his nonfiction book On Writing that one should write a story as one unearths an artifact, starting with one small piece revealing itself and then dusting and picking away to find what else is there (that’s what he advises, more or less). But still, at nearly fifty-eight hundred words, I had no idea I would unearth so much!

Anyway, I hope that when I get the chance in a few weeks (or months), I’ll be able to do a really good job of editing this story. Despite being a lot longer than most magazines like to accept, I like to think it has potential. And I want to see what more I unearth when I go through the editing phase, maybe see if I can make my main character a bit more of a bastard, someone you’d want to hate, as well as add more explanation into the world the characters inhabit and go into some of the more principle characters themselves. And hey, maybe I can add a whole new scene to the beginning.

Though if I do that last one, I may need to do a lot of rewriting and editing. Well, if the story calls for it. And it’s not like I haven’t done that before with a story.

Well, it’s late here in Bayeux, and I better head off to bed. Big day tomorrow and all that. I’ll try and write some more if I can. As they say here in France, bon nuit, my Followers of Fear.

Snake

Bonjour from Bayeux. I’m in France right now, and if you’ve been keeping up with that blog on OSU’s website I posted about a while back, you know how I’m doing. But enough about France. Last week we met the two investigators who are hunting for the Snake. If you’ve read the blurb for Snake (and if you haven’t, click here now), you know the Snake’s trying to save the woman he loves. It’s a messed-up way to save the woman he loves, but it’s why he’s doing it. And today I whisked her out of the book for you to meet. So let’s get this interview underway!

Notes and Stats
Sex: female
Age: 17
Race/Ethnicity: Caucasian
Birthday: March 29
Eye color: Blue
Hair color: Red
Religion: she doesn’t really subscribe to any religion. To her, if there’s a god, then it’s beyond her understanding, so why bother thinking about it?
Affiliation: None
Special Powers/Abilities: None
Notes from the Author: The idea for the story of Snake started with a serial killer who people would root for, so I needed a good reason for the Snake to kill. That’s where Allison came in: she was meant to be the reason. With her kidnapping, the Snake realizes that his love for her is deeper than he imagined, and that facilitates his transformation into a killer. However, I didn’t want her to be one of those crybaby girls who always scream and cling to the nearest guy the moment trouble hits. So I made sure her personality had a certain fire to it. Even when she’s in the throes of terror and trauma, that fire shines through, and that’s the reason I love her, as well as why she’s able to grow in this novel.

RU: First off Allison, welcome to France.

Allison: Who the heck are you? And how the heck did I end up in France?

RU: They always ask me that when I bring them for interviews. Allison, tell me about what’s happened to you recently, starting with the night you were kidnapped.

Allison: I was accompanying my dad to some social. He’s a doctor for the rich, so he gets invited to some really big parties. When he doesn’t have a date, I usually end up going with him. That’s what happened that night. I decided to get away from the party for a little bit, but on the way back from the bathroom, I overheard something. The party was at this hotel and I passed this conference room, and…

RU: Take your time. What happened next?

Allison: I heard a friend of my dad’s, a Christopher Camerlengo, talking about something. He’s the head of his own mafia family, thoughĀ he wouldn’t tell you about it unless he wanted to knock your teeth in. Anyway, it sounded like they wanted to kill somebody. I recorded it on my phone, but they saw me outside the door. I got out of the hotel and tried to get away, but they found me and grabbed me. They tried to get my phone too, but it fell into a drain.

RU: What happened afterwards?

Allison: I was kept at a warehouse for a while, but then they moved me to this…phone sex service they own. They said they’re going to let me live if I behave myself and don’t rock the boat. I don’t know how long they plan to keep me here though. I’m kind of scared…and disgusted. I mean, I’m operating the phones all day and through most of the night. You would not believe what these people who call in make me pretend to do.

RU: I think I’ll use my imagination on that one.

Allison: Well, I’ve got a plan. Someone called in today, a policeman. I think he could help me get out of here.

RU: Oh. Well, good luck.

That’s all for now. Join me again in seven days when I’m in Berlin and I speak to the Snake himself! It’ll either be the best interview I’ve ever had with one of my characters…or we won’t see any sequels on account of my being dead.

And remember, Snake drops on June 10th. It’ll be available in e-book and in paperback from Amazon and then later on will be uploaded onto Smashwords, and I’ll be counting down the days till it comes out. In the meantime, Reborn City is still on sale, so check it out on Amazon and Smashwords while the sale is still going on.

Until then, au revoir!

One month away.

One month away.

I may be in Europe right now, but that doesn’t mean I’m not taking a break! My novel Snake is coming out in a month, and I thought I’d sit down with Blake Harnist and Angela Murtz, two characters who are on the investigative team that is searching for the protagonist, to get their thoughts on the case.

Notes and Stats
Sex: Angela Murtz is female, while Blake Harnist is male.
Age: MurtzĀ is 33, while HarnistĀ is 29
Race/Ethnicity: MurtzĀ is African-American, while BlakeĀ is Caucasian.
Birthday: MurtzĀ is October 12 and HarnistĀ is March 17
Eye color: Both are brown eyed.
Hair color: MurtzĀ has dark-brown hair, HarnistĀ is blonde.
Religion: MurtzĀ is Baptist, while HarnistĀ is Methodist.
Affiliation: MurtzĀ is an agent with the Federal Bureau of Investigation, while HarnistĀ is a detective with the New York Police Department.
Special Powers/Abilities: Both are trained law enforcement officials with several years of experience. In addition, MurtzĀ is a criminal profiler who has profiled numerous dangerous criminals, her latest being the New York Mafia Killer.
Notes from the Author: When I decided that I would have the viewpoint of the investigators hunting for the protagonist, I also decided that I’d like a Mulder/Scully pairing for my investigative team. So that led to the creation of Murtz and Harnist. They’re both two very different characters, but they make a good pair and work well together. Of the two though, Murtz is probably the one I placed more emphasis on because she profiles the Snake and is one of the first to really figure out who he is, though I did try to give them both equal time on the page.

RU: Hello! Welcome to London, Agent Murtz and Detective Harnist.

Harnist: London?
Murtz: How the hell we end up here?

RU: So you guys are currently looking for the New York Mafia Killer. His body count’s up to…what now?

Harnist: Three. Thomas Luiso was just found dead in his mistress’s home.

RU: What can you tell us about the killer?

Murtz: At this time we believe he may be former Russian military with ties to the Russian mob. He’s probably spent a number of years in or around New York, and he’s probably employed as a cab driver.

RU: If he has ties to the Russian mob, why is he going after members of the Camerlengo family?

Harnist: The Camerlengo family is probably the most powerful family in New York. He may be trying to destabilize the organization by killing certain members off. If he continues to do so, the organization might crumble from internal problems or from other organizations trying to muscle in on Camerlengo territory.

RU: And what if I told you I know who the killer is?

Murtz: You what?
Harnist: Who is it?

RU: I’m not saying. That’s all for now, folks. Join meĀ in about a week when I’ll be in France and when I interview Allison Langland, who has a very important connect to the Snake.

And in the meantime, if you would like to learn more about Snake, you can click here to read an excerpt or see the book trailer. And remember, Snake drops June 10 on Amazon, and available for e-book and paperback. Get excited for it, because I already am.

And a reminder, Reborn City is still on sale throughout the month on Amazon and Smashwords. Get it now, because it’s the best time to do it.

Until next time. Cheerio!